Archive for the ‘documentaries’ Tag

Vanished – press coverage

Some excellent press coverage in both the tabloids and qualities helped ‘Vanished’, the documentary I recently made with Martin Bright and Ryan Ralph for Real Stories, bring in a very respectable quarter of a million views on YouTube in its opening fortnight.

daily mirror vanished adam gee

The whole point of the coverage

daily mirror 10th May 2018 Could dark family secret hold the key? adam gee

Daily Mirror 10th May 2018 Could dark family secret hold the key?

The double-page spread from the newspaper appeared in the 3rd slot on the mighty Daily Mail website just below Trump welcoming home prisoners from North Korea and Barbara Windsor getting Altzheimer’s.

Daily Mail Vanished

The story was then picked up by The Sun…

sun vanished

…and The  Mirror

mirror vanished

As well as being covered in The Observer/The Guardian

Ruth Wilson, the schoolgirl who caught a cab to oblivion The Observer martin bright 2018-04-29

…and The Belfast Telegraph (home town of one of the two protagonists, ex-counter-terrorism cop, Liam McAuley).

ex-met officer from ni and his search for missing teen belfast telegraphy 8th may 2018

The Belfast Telegraph 8th May 2018

The coverage has helped progress the case bringing forward new witnesses and information which is being shared with Surrey Police, who brought on a new officer to take charge of the 23-year-old missing person investigation in March when the ‘Vanished’ team were firing a lot of questions their way. Martin Bright and I went in for an initial meeting with the investigating officers and their boss on Monday after struggling to get input from the police throughout the filming. They did show up at the screening and Q&A we ran for the community at Dorking Halls Cinema on the eve of the film going live but chose to remain incognito.

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Lead Story at the scene of the mystery

This morning journalist Martin Bright and I were interviewed on the BBC Radio Surrey breakfast show about our documentary ‘Vanished’. The documentary was the lead story on the station’s news this morning, pipping MI5 and Putin to the top spot. It has now accumulated 0.25M views on the Real Stories YouTube channel in its opening days.

[11 minutes listen]

Vanished

VANISHED the surrey schoolgirl documentary real stories

My sixth commission for Real Stores is ‘Vanished’. You can see it here. With a bit of luck it will cross the 200,000 views on YouTube tomorrow.

Vanished: The Surrey Schoolgirl

When should a missing person case become a criminal investigation?

 “Every journalist has that story that just sticks with you” – the words of journalist Martin Bright who covered the unexplained disappearance of Surrey schoolgirl, Ruth Wilson, for ‘The Observer’. Now, 23 years on, the mystery has been reignited by an ex-counter-terrorist cop who felt that something just didn’t quite add up…

On Monday 27th November 1995, 16-year-old Ruth Wilson left for school as usual. She said goodbye to her parents in the chocolate-box Surrey village of Betchworth – but she never made it to school that day. Instead she went in to Dorking and then late in the afternoon, with the winter daylight fading, she took a taxi to the local beauty spot of Box Hill. And then she vanished off the face of the earth…

In the two decades after Ruth’s disappearance not a word had been heard from her. Despite several appeals for information over the years, what happened to her remained a mystery. It was a mystery that bothered Liam, the retired police officer living locally, to such a degree that he contacted Martin Bright out of the blue after all those years and shared the conclusions of the investigations he had undertaken off his own bat as a private citizen and concerned resident.

The story of Ruth’s disappearance would not let go of the journalist or the policeman. As they joined forces and investigated, new facts and new witnesses appeared, throwing new light on an old but not forgotten case…

‘Vanished: The Surrey Schoolgirl’ was directed by Ryan Ralph of Below The Radar in Belfast and produced by journalist Martin Bright.

An intriguing Facebook group has grown around it which has yielded yet more witnesses and clues.

Martin Bright & I have been called in to meet the Police on Monday.

He do the Police in different voices

The ripples from ‘Vanished’ documentary

New witnesses and facts have continued to emerge in the wake of the release of ‘Vanished: The Surrey Schoolgirl’ last week on Real Stories, my latest commission for the channel made with journalist Martin Bright and director Ryan Ralph.

Today it appeared as the subject of a double-page spread in The Belfast Telegraph focused on Martin’s partner in crime investigation, ex-counter-terrorism cop Liam McAuley.

ex-met officer from ni and his search for missing teen belfast telegraphy 8th may 2018

The Belfast Telegraph 8th May 2018

Ex-Met officer from Belfast and his search for missing teen Ruth Wilson

Belfast man Liam McAuley is part of a new film which looks at the cold case of Surrey girl Ruth Wilson who disappeared 23 years ago

By Leona O’Neill

A former police officer from Northern Ireland is part of a new documentary examining the quest to solve the cold case disappearance of a teenager.

Ruth Wilson vanished in 1995 after travelling to a beauty spot in Surrey, England. Fifteen years later Liam McAuley, a former north Belfast man who had just retired from the Metropolitan Police, picked up a newspaper, read her story and became enthralled.

Mr McAuley (58) began investigating the disappearance, and has joined forces with an English journalist called Martin Bright, and produced the documentary Vanished: The Surrey Schoolgirl, in the hope of shining a new light on the seemingly forgotten case.

Liam retired from the police nine years ago. A year later, while perusing a Surrey newspaper, he came across the Ruth Wilson case. The 16-year-old girl had gone missing in Surrey in 1995, and he was immediately intrigued.

“I happened to be reading a local paper and came across the article about Ruth,” he said.

“It just didn’t seem to add up to me instinct ively. This was a 16-year-old schoolgirl, who has just disappeared and nothing has been heard of her ever since. We are now approaching 23 years.

“When I read the article for the first time, I just had that feeling that something was just not quite right. A 16-year-old just can’t disappear.

“She comes from a rural village. She wouldn’t have been street smart like her city cousins.

“She’s left home in the clothes that she’s standing up in. She had a bank card that was not activated. She was dropped in a rural part of the country and that was the last that was seen of her.

“You have to think there was something not quite right there.”

The 30-minute film, which is on YouTube, works from the standpoint that Ruth is no longer alive. Surrey Police and the Wilson family opted not to contribute, but many of Ruth’s school friends, along with her ex-boyfriend, did come forward.

“The police in the area remained tight-lipped and were no help. It was all very odd,” he added.

The film claims Ruth had been unaware that her mother, who had died when she was young, had taken her own life until shortly before she disappeared.

It also features interviews with Ruth’s friends who claim she had discussed running away.

Later, the film suggests there is potentially more information available which has not yet been explored.

Liam left Northern Ireland as a teenager and spent 30 years in the Metropolitan Police and Counter Terrorism Unit, focusing solely on Islamic Terrorism.

“I grew up in north Belfast,” he explained. “I lived in what was classed as the ‘murder triangle’. I lived all through the Seventies, going to school hearing all the tragic stories from friends and some of the pupils at school, what happened to them.

“Where I lived I had friends on both sides of the community. When you grow up somewhere like that you think this is your world, this is it. But it was a case of do you get stuck with it or try and carve on with your own life?

ARTICLE CONTINUES in The Belfast Telegraph

The Schoolgirl who caught a Cab to Oblivion

This article about my latest documentary commission for Real Stories channel appeared in yesterday’s The Observer newspaper. It was written by journalist Martin Bright who features in the film.

Full article in The Observer

Ruth Wilson, the schoolgirl who caught a cab to oblivion The Observer martin bright 2018-04-29

Ruth Wilson, the schoolgirl who caught a cab to oblivion

In 1995 a teenager travelled to a local beauty spot and disappeared. A new documentary finds many unanswered and troubling questions remain

 

Two years ago I was contacted out of the blue by a retired police officer who asked if I remembered the case of Ruth Wilson, a 16-year-old girl who had gone missing from Dorking, Surrey, in November 1995. I told him that of course I remembered – it was one of the most peculiar stories I had covered as a journalist.

Ruth had left home as usual on a miserable winter morning, but instead of going to school, had taken a cab in the pouring rain to the top of bleak but beautiful Box Hill, where she vanished off the face of the earth. A good girl from a good family, Ruth has never been heard of since and no body has been found.

I first wrote about the case in the Observer more than 15 years ago and it has haunted me ever since.

In 2002 I concluded that the circumstances of the Ruth Wilson case were perhaps just too odd to become the focus of a media campaign. There had been some attempts to use her family to draw attention to the case, but they were not keen on publicity. Over the years there was a series of further appeals, but even in Surrey the Ruth Wilson story just faded away.

And it would have remained in obscurity were it not for Liam McAuley, a 58-year-old retired police officer from Northern Ireland, who came across the story in a local paper when he moved to Dorking in the mid-1990s. “Nobody can actually just vanish,” he told me. “I think something terrible has happened to her. Somebody knows where she is.”

McAuley made a freedom of information request to the police to ask for details of the interviews carried out after the disappearance. He was told the case was still ongoing and he could not have the documents he had requested.

He wrote to Ruth’s parents, Ian and Karen, who still lived in the village of Betchworth, near Dorking, but received no reply. In his frustration he contacted me as the last journalist to write extensively about her. His tenacity has led to the making of a documentary, The Vanished, released this weekend.

The circumstances of Ruth Wilson’s disappearance had always left me uneasy. Why had this studious, church-going, bell-ringing, choir-singing, organ-playing young woman suddenly decided to make a new life for herself?

In the intervening years, I had discovered something about the Wilson family they had chosen to hide from me at the time. Karen Wilson, introduced to me as Ruth and her sister Jenny’s mother, was in fact their stepmother. Their birth mother, Nesta, had died in tragic circumstances when Ruth was a toddler and Jenny still a baby. Why hadn’t they told me this? Was this really such a happy family? And did the death of her mother have anything to do with Ruth running away?

When we started making the documentary Ian Wilson got back to me saying he and the family didn’t want to participate, although he trusted us to do “a professional job”.

With the family refusing to speak, we decided to contact Ruth’s friends. We knew she had recently split up with her boyfriend, Will, and I managed to track him down to the south coast. Will, who does not want to be identified, explained that Ruth was a troubled teenager. She was unhappy at home. Will confirmed that her mother had died. The story he had heard was that she had fallen downstairs and broken her neck.

Following an appeal in the local newspaper, other friends came forward. Roxy Birch, a schoolfriend who played Ruth in an early reconstruction of the disappearance, told me: “She couldn’t drive, as far as I am aware, she didn’t have a passport… So, you have to ask yourself the question, where could she have disappeared to for 22 years?” Kay Blenard, another schoolfriend, said: “My belief is that she had planned to do something. I don’t know whether that would be permanent or temporary. I’d also like to believe that someone knows what happened.”

Nesta Wilson’s death certificate showed that the story of the accident on the stairs was not correct. The awful truth is that Ruth’s mother committed suicide: she hanged herself just before Christmas in 1982, when Ruth was four and her sister a few months old.

Just after receiving this grim information, I was contacted by another of Ruth’s friends. Catherine Mair grew up close to her in the sixth form of The Ashcombe School. Crucially, Catherine revealed that Ruth had found out about her mother’s suicide just before she disappeared. She was devastated. “Ruth was really troubled,” she said. “She had so much going on in her head that she was desperately trying to find out who she was. ”

We put this to the Wilsons and they issued a response. “Her family are extremely hurt by this statement and do not recognise this view of Ruth’s childhood,” they said. “Ruth always knew about her biological mother’s death, but not the exact cause. Sadly, we now know that before her disappearance, Ruth had discovered the tragic circumstances of her mother’s death, but equally sadly, she chose not to discuss or question this with any family members.”

Jon Savell, the chief superintendent, public protection, at Surrey police, carried out the latest review. “There are five explanations for Ruth Wilson’s disappearance,” he said. “A tragic accident, abduction, suicide, murder, or that she had absented herself to start a new life.” I asked him whether the police had known about Ruth’s unsettled home life and her birth mother’s suicide. He confirmed that they had indeed known about the family background, but chose not to make it public in case it coloured the testimony of any witnesses who came forward. So it was that the narrative developed of the perfect middle-class home and an inexplicable disappearance.

There are so many unanswered questions. Why did Ruth send her stepmother flowers to arrive two days after her disappearance? Where is her mother’s family and why did they not come forward? And why, if she ran away, has she never made contact with her family and friends?

Someone knows what happened to Ruth. And secrets have a tendency to come out in the end.

Vanished: The Surrey Schoolgirl can be seen on the Real Stories YouTube channel

 

Not the Usual Suspects

Social Media Addicts Anonymous still poster documentary film

Social Media Addicts Anonymous

Carol Nahra interviewed me last week for her documentary film-making blog Docs on Screens

Carol is an American journalist and documentary producer, who since moving to London in 1996 has worked as a producer, and as a consultant & writer for Sheffield Doc/Fest. She also teaches documentary film and digital media for Syracuse University’s London program and the Foundation for International Education. She regularly moderates Q&As and special events at London documentary screenings.

Taster of the interview

Little Dot’s Adam Gee: “I have made a real effort not to commission the usual suspects.”

 

In more than a decade at Channel 4 heading up factual multiplatform content, Adam Gee commissioned many multi-award winning productions, including Embarrassing Bodies and the Big Fish Fight. After a stint launching All 4’s short form video service, he is now commissioning for Little Dot Studios, who have earned astonishing viewing numbers with their flagship Real Stories documentary channel. A regular guest speaker for my digital engagement class, Adam excels at spotting trends and keeping ahead of the game in a dizzying, fast-changing media landscape. I chatted with him about his work finding new pathways for documentary filmmakers.

Carol Nahra: Can you tell me about your role at Little Dot?

Adam Gee: I was brought in last summer to commission the first original content for Little Dot’s Real Stories, their documentary channel, which is the biggest of their portfolio of channels. It’s a very pure form of commissioning in that I was given a blank sheet, a pot of money and instructions to fill up the blank sheet with stuff that would fit properly onto the channel. So I set about basing the brief on the data underlying the channel. The data makes it really clear both who your audience is and what they actually like. This does not constrict your commissioning, it just shows where the most fertile territory lies.

CN: What kind of films do you commission?

AG: One of the things that characterises Real Stories is by and large they are uplifting and inspirational and have a feel-good vibe about them. And that is probably to some degree a product of the time – I think people are quite up for hearing things which are uplifting about humanity. So I commissioned eleven documentaries in the second half of 2017. I’ve just started on the next five. They are very varied subjects which range from restorative justice to proxy marriage to social media addiction and all things in between. They also range from traditional observational documentary to things that are much closer to the border of factual entertainment. And to some degree they have been done in the spirit of experimentation, to see what fits happily onto the channel which has been built up on acquisitions, what people find an easy transition to if they’re watching the 60 minute, relatively high budget documentaries which are the foundations of the channel.

CN: What don’t you commission?

AG: YouTube is the core online presence of Real Stories and there are certain subject areas which are vulnerable on YouTube to being demonetised or slapped with an 18 certificate – in other words, are vulnerable to being made invisible. So I was careful to stay a long way inland from those borders so the investment wasn’t at risk in that way. There are plenty of places you can go to make documentaries about ISIS or fetishes and this doesn’t need to be one of them. My favourite part of the brief is the slide that says what we don’t want at the moment. And that reads pretty much like my Channel 4 job description – sex, drugs and rock and roll. I’ve been there, done that, got the t-shirt and am happy to move on.

CN: Who have made the films?

AG: By and large these commissions have been done with small indies and individual filmmakers. I have made a real effort that they not be the usual suspects. So when I read down a list of the commissions to date, the first ones were directed by the founder of a new BAME-owned company (Andy Mundy Castle, Brittle Bone Rapper); a woman returner who’s coming back from a career break (Debbie Howard, Absent From Our Own Wedding); a woman who has been in Holloway prison twice for gang-related offences but is now on the straight and narrow (Nicole Stanbury, Sorry I Shot You).

A number are first-time commissions. Taken as a whole, they are quite a weird and wonderful bunch that are really talented and have delivered without exception. At a tight tariff like the UK online video one, if you’re not going to take a risk on emerging talent then, when will you ever?

Sorry I Shot You documentary film thumbnail poster Real Stories Little Dot Studios

Sorry I Shot You

FULL INTERVIEW can be read on Carol’s blog here

Scrapbook – The Superhuman Body Handbook

Just found this from a commission of mine for the 2016 Rio Paralympics – a short form video series for Channel 4/All 4

the Superhuman body handbook short form video series channel 4 all4

Absent from Our Own Wedding – The Observer / The Guardian

An article about my latest commission on Real Stories by Vanessa Thorpe of The Observer. {text courtesy of The Observer – Film/Documentary}

No bride no groom I do Montana's proxy weddings on film article 24 march 2018 The Observer The Guardian

24.iii.18

No bride, no groom, I do: Montana’s proxy weddings on film

 

US state allows marriages in which neither party is actually there, explored in documentary Absent from Our Own Wedding

 

For some nervous betrothed couples a proxy marriage might sound too good to be true: if there really were such an easy way to avoid the stress and fuss of a wedding ceremony, surely everyone would do it?

But marriages in which neither the bride nor groom are present happen all the time, and not only in countries with very different customs and laws to Britain.

The award-winning British documentary maker and former actor Debbie Howard recently released the first film about a US duo who run a thriving proxy marriage business from their rural home in Flathead county, Montana.

Her film Absent from Our Own Wedding tells the remarkable story of the retired husband and wife team Tom and Teresa Kennedy, who conduct about 500 weddings a year for a fee of $750 (£530), without ever meeting a blushing bride or a gallant groom.

Montana is the only US state where double proxy weddings are legal and the Kennedys believe their business, Armed Forces Proxy Marriages, offers a useful service to couples who cannot arrange to be together on their big day.

Tom Kennedy said: “I stumbled on this law and now we just love doing it and we want to carry on. We are not doing it for the money. We are fine, because Teresa was a stockbroker and I worked in public service for around 25 years, including a long time in the fire department.”

The obscure Montana law dates back to the 1860s, Tom explained, and was initially a way to help out male miners. “All the women were on the east coast and it was not seen as proper to bring them to tough all-male mining communities to get married,” he said.

Teresa, 56, regularly stands in for either the bride or the groom, who can be same-sex, while a colleague steps up to play their intended. Tom will often conduct the ceremony.

In the past double, proxy marriage was possible in Montana for anyone who applied from anywhere in the world, but 10 years ago the law was changed. Now one of the two getting married must be a resident of Montana – or on active duty in the armed services.

“Outside of Montana very few people have heard of this,” said Tom, 66. “It is very obscure and even federal officials know nothing about it. The fact is, in Montana you do not even need to be a magistrate or a judge to marry people. You just have to appear to be of sound mind to those who are present at the time. You could even marry yourselves.”

Howard’s documentary, made by Big Buddha Films, was shot in Montana last year and is now showing as part of the Real Stories strand on YouTube.

Top Documentaries on UK TV 2017

BBC Ambulance documentary series

My favourite documentary series of the year

Title Channel Share % Viewers ‘000s
         
1 Blue Planet II BBC 1 45.8 14,011
2 Diana, Our Mother: Her life + Legacy ITV 36.7 9,390
3 Diana, Seven Days BBC 1 32.9 6,425
4 Rio Ferdinand: Being Mum + Dad BBC 1 26.2 6,345
5 Spy In The Wild BBC 1 25.7 6,218
6 The Real Marigold Hotel BBC 1 23.3 5,999
7 Wild Alaska Live BBC 1 31.9 5,998
8 Attenborough and the Giant Elephant BBC 1 20.3 5,378
9 The Real Full Monty ITV 24.2 5,362
10 Fake Or Fortune? BBC 1 26.0 5,127
11 Snow Bears BBC 1 23.6 4,969
12 Paul O’Grady For the love of Dogs ITV 21.1 4,960
13 Diana: In Her Own Words CH4 20.6 4,923
14 The Truth About… Sleep BBC 1 20.3 4,704
15 Ambulance BBC 1 21.1 4,660
16 Police Tapes ITV 20.5 4,522
17 Easyjet: Inside The Cockpit ITV 20.2 4,488
18 The Real Marigold On Tour BBC 1 18.3 4,411
19 An Hour To Catch A Killer ITV 18.1 4,362
20 Inside London Fire Brigade ITV 18.7 4,317
21 Britain’s Busiest Airport – Heathrow ITV 18.5 4,309
22 The Met: Policing London BBC 1 19.5 4,224
23 Martin Clunes: Islands Of Australia ITV 19.4 4,222
24 The Cruise : Mediterranean ITV 17.3 4,216
25 Galapagos BBC 1 16.9 4,173
26 Elizabeth And Philip: Love & Duty BBC 1 14.6 4,149
27 Sir Bruce Forsyth: Mr Entertainment BBC 1 21.7 4,094
28 Reported Missing BBC 1 16.6 4,051
29 Prince Harry & Meghan ITV 16.8 4,034
30 Joanna Lumley’s India ITV 18.3 4,025
31 The Week The Landlords Moved In BBC 1 18.2 3,982
32 The Fifteen Billion Pound Railway BBC 2 17.4 3,908
33 Italy’s Invisible Cities BBC 1 14.6 3,859
34 Ross Kemp Behind Bars ITV 17.1 3,848
35 Sugar Free Farm ITV 16.3 3,840
36 Gordon Ramsay On Cocaine ITV 16.4 3,839
37 Diana: The Day Britain Cried ITV 14.6 3,817
38 Spy in the Wild: Meet the Spies BBC 1 17.6 3,784
39 Serial Killer with Piers Morgan ITV 15.9 3,683
40 The Ganges with Sue Perkins BBC 1 15.9 3,671
41 How To Stay Young BBC 1 15.9 3,648
42 Britain’s Best Walks with Julia Bradbury ITV 17.1 3,619
43 A Very Royal Wedding ITV 14.9 3,588
44 Gone To Pot: American Road Trip ITV 13.5 3,585
45 Killer Women with Piers Morgan ITV 15.7 3,553
46 Britain On The Fiddle BBC 1 14.1 3,459
47 The Truth About Stress BBC 1 14.7 3,451
48 The Harbour ITV 14.4 3,431
49 I Am Bolt BBC 1 15.8 3,409
50 The Sheriffs Are Coming BBC 1 14.1 3,400
51 Orkney: When The Boat Comes BBC 1 17.0 3,380
52 Winterwatch BBC 2 14.0 3,378
53 Harry & Meghan: Royal Engagement BBC 1 16.0 3,377
54 Russia With Simon Reeve BBC 2 14.0 3,287
55 Call The Midwife: The Casebook BBC 1 17.0 3,234
56 Devon & Cornwall Cops ITV 14.6 3,206
57 Planet Earth II: A World Of Wonder BBC 1 19.6 3,174

blue planet II natural history documentary series BBC

Real Stories hits 1m subs

real stories one million subscribers documentary channel youtube

Here’s an update by Little Dot Studios Co-Founder, Andy Taylor, of the progress of this online documentary channel for which I have been commissioning the first original content.

This week at Little Dot Studios, we are celebrating a major milestone. Our documentary channel, Real Stories, has hit 1 million subscribers.

Real Stories is only two years old, but is now running at over 700,000 views per day. It’s become a major success in a small window of time, leading to big projects and investments in the brand. But the launch of the channel was not the product of strategy reviews, business cases or investment committees – it was a small number of employees from different departments who developed their insights into ideas, and then had the initiative to see them through.

The history  

Two years ago, our ContentID team – the team overseeing YouTube’s copyright management tool – kept telling us that documentaries were big on YouTube. They were ‘claiming’ over 40,000 television shows for our production, distribution and broadcaster clients and kept finding that full-length documentary content was attracting significant viewing. In came our Insights team, who pulled all our viewing data and put videos into different genres: comedy, kids, entertainment, factual/documentary. The data showed that factual was the second-most viewed genre in our portfolio (after pre-school kids). There was an opportunity to create a genre-specific YouTube channel for full-length documentaries.

This was a novel idea at the time. Most people at this point still viewed YouTube as a short-form platform for ‘viral videos’ – certainly not the home of premium, long-form documentaries. But the data was on our side, so we opened a page called Real Stories, and our partnership managers went to all our clients to see if they would license us full, one-hour documentaries for use on YouTube. Within 3-6 months we had around 1000 documentaries.

Two years later, we have a phenomenal success story, all born from data, insights and people not being afraid to put ideas forward. A brand that didn’t exist two years ago and a channel for which we haven’t yet produced an original video now has 1 million subscribers. And we’ll pay out c.$1m to our partners this year. The prospects for 2018 are exceptional.

The evolution:

In August, we committed to two initiatives. First, to launch Real Stories on Facebook. It was always going to be tough because the brand is unknown on the platform and we have long-form content, while the platform demands short, snappy videos. 4 months later, Real Stories has over 200k Likes and achieves 200k views almost daily. On good days, it hits 1m views and has hit highs of 10m a day. We re-edit and repurpose one-hour docs for the Facebook audience and have licensed content from Vimeo and other platforms to bolster the content output. One of those videos has done 6m views. We’ve also run competitions and ‘live’ broadcasts to experiment with the Facebook algorithm. 

Second, we’ve been commissioning Real Stories ‘Originals’. We’ve brought in Adam Gee from Channel 4 (where he headed Factual Commissioning for All4) and within 4 weeks he’d signed off nine commissions. These commissions have gone to a range of new, emerging talent – different voices to the usual with a huge platform on which to tell their stories. We’ve subsequently signed off a further two and they’re all now in production. They’ll go live on Real Stories in January and, with a bit of luck, we’ll then be able to sign off more films.

Looking forward:

Looking even further forward, in Q1 2018 we’ll be launching Real Stories as an app on iOS, Android, Amazon Fire, Roku and other devices in the UK, US, Australia and Canada. It’ll be a ‘beta’ launch to learn about these new platforms and to continue to build the brand beyond YouTube. For us, it’s another step into the unknown for a brand that keeps pushing us out of our comfort zone.

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