Little Dot hires Adam Gee for YouTube push

From today’s Broadcast…

Little Dot hires Adam Gee for YouTube push

13 JULY, 2017 | BY ALEX FARBER

Former C4 commissioner to invest £200,000 in originals

Little Dot Studios has hired former C4 multiplatform commissioner Adam Gee to oversee a £200,000 YouTube commissioning push.

The Shoreditch studio is planning to order 10 films of 15-20 minutes for its Real Stories factual channel, which has built up more than 750,000 subscribers and 175 million views since it launched in 2015.

To date, the channel has been populated with content licensed from backer All3Media, as well as distributors including DRG and ITV Global Studios, but it is now keen to order original programming from producers.

Gee has been drafted in as Real Stories commissioning editor to oversee the portfolio of human interest one-offs.

He promised to make quick decisions, unlike the “glacial progress of broadcasters”, with the slate of projects scheduled to be live by November.

Authentic, shareable, intimate and upbeat stories about overcoming adversity are on the agenda, with those exposing child poverty, ‘out-there’ parenting or extreme medical cases proving popular on the channel.

Topics such as sex, terrorism, racism, suicide or surgery are not of interest.

The first project, Brittle Bone Rapper, is a story set on America’s East Coast. It was ordered from Andy Mundy-Castle’s fledgling firm Doc Hearts last week.

Chief executive Andy Taylor said the move into originations was driven by a need to experiment on the Google-owned platform.

“The budget for this will come out of our innovation pot,” he said. “The data tells us that human interest stories are working and we are always looking at ways to respond to the algorithm.”

He added that while the available data could inform the programming, there is no substitute for the “sheer gut instinct” of a commissioner.

Content lessons

Little Dot, which will retain the rights to the shows, does not expect to turn a profit from YouTube advertising, but Taylor is approaching the project with a longer-term strategy.

“We will learn more about the type of content that works, how to leverage our brand and audience – as well as the commercial opportunities beyond YouTube. We could end up licensing them to a VoD platform or securing a six-part series for Channel 4.”

Gee said it is important to think “holistically” about any projects pitched. “What is the life of these stories beyond a 10 to 20-minute midform show?”

Separately, Little Dot has hired former Liberty Global exec Kevin Gibbons as chief financial officer and brought in Maria Fernando as director of partnerships, based in LA, to grow its West Coast offices.

{text courtesy of Broadcast magazine}

 

Coincidence No. 404 – Black Card

12/7/17

Only $2,500 annual fee to have one of these babies

Went to a meeting with the boss of System 1 Group on a sun-drenched terrace behind the British Library. He mentioned that he had been involved with the development of the American Express Black Card for Amex customers who spend over $250K a year.

Earlier in the day I had been sent some footage by producer-director Dan Edelstyn of UK indie Optimistic Productions (with whom I made WTF is Cosplay? at Channel 4) of an American artist who was talking about the way super-rich Americans (eg her “hedgies”) buy art flashing their Black Amex Cards as a way of saying “loadsamoney me!” – she contrasted this with the charming thing she’d encountered in Europe called Cash.

The System 1 CEO had just come from a meeting with marketing guru & fellow Clash-lover Mark Earls who happens to be an old work pal of mine and whose birthday it happened to be, meaning he’d cropped up on dear old Facebook that very morning just before the Black Amex footage came in.

Sheffield Doc/Fest 2017

Highlight of Doc/fest for me this year was meeting the legendary Walter Murch, sound designer and editor, who created the picture and sound editing magic of ‘Apocalypse Now’ and the Oscar-winning sound montage of ‘The Conversation’. He gave some real insights into the practice of editing, from overarching comparisons to architecture and choreography to frame-level detail in search of the perfect cut.

The link between the ceiling fan and the chopper sounds suggested itself when shots between were removed

Another highlight was an energetic, extended conversation in the wake of ‘You Have No Idea How Much I Love You’, a documentary by Pavel Lozinski – or is it? (a documentary) On the way out of the Showroom Cinema I accosted a fellow producer and asked her whether she’d had the same reaction to the end of the film (basically a punch to the guts). We were then accosted by Amir Bar-Lev, director of the new Grateful Dead doc ‘Long Strange Trip‘ (just released on Amazon Prime) who had the same question. Between the Showroom and Exchange Square with stops along the way the three of us had our own Q&A discussing the ethics of shooting therapy sessions and how they can be shot in an ethical way which doesn’t disrupt the therapeutic benefit. I’d gone to see the film in the first place because one of the films I’m currently working on, ‘Love Lies Bleeding‘ (w/t, directed by Leslie Lee), includes scenes of this kind. Leslie and I spent the week before Doc/Fest working with the wise, seasoned expertise of the likes of Peter Symes and Jihan El-Tahri at Documentray Campus on the story structure.

You Have No Idea How Much I Love You (Poland 2016)

 

A past Doc/fest: 2015 (rock, Kurt Cobain, etc.) ; Shorts ; Black Panthers ; Drones.

Coincidence No. 403 – Flamingo Club

17/5/17 Parque natural de las Lagunas de La Mata y Torrevieja, Spain

My Other Half & I were watching flamingoes from a hide. They were white apart from under their wings which had the intense pink we know and love.

17/5/17 La Mata village, Costa Blanca, Spain

I was reading outside a cafe after our walk in the nature reserve. The book was Evelyn Waugh’s novella ‘The Loved One’. I came across this sentence (on p.78), not the most likely of sentences:

Now was the time to watch the flamingoes and meditate…

Down Memory Lane

In a few minutes the last ever match at White Hart Lane, home of Spurs for 118 years, will kick off. Although the new stadium will to some degree encompass the one we grew up with, it is nonetheless the end of an era.

I first went to Spurs with my step-dad Maurice (who was a season ticket holder) when I was about ten. It was the era of Pat Jennings and Glenn Hoddle, then Ossie Ardiles and Ricardo Villa. We would sit next to a fat man with an unlit cigar and a highlight was always a cup of hot Ribena. An annoyance was Mo’s habit of leaving just before the end to avoid traffic – goals were always scored.

I got my grandfather Nat to take me once to see Tottenham V Leipzig in the EUFA Cup. He was not a regular at First Division  football, preferring the sidelines of Wingate alongside other emigres in camelhair coats with fat cigars. But this was special. Leipzig was his place of birth (and my dad’s) and he still felt an allegiance despite the impact of the Holocaust on his family. He landed in Croydon in May 1938 one step ahead of the Grim Reaper. My dad was an Arsenal supporter who followed his favourite goalie to Man U who Spurs are playing in 14 minutes in this last match there.

On the other side of my family, my other grandfather’s brother, Henry, had a beautiful death starting at the Lane. He went to a match for the afternoon with his son. Headed for home after a victory, did a bit of gardening (his profession), sat down in his armchair, and fell asleep forever. Way to go…

I did a bit of work once at Tottenham Hotspur Learning Centre beside the ground. It was in my early days at Channel 4. The digital project for Culture Online involved the telling of the story of Walter Tull, Britain’s first black outfield professional footballer and first Black army officer to lead troops into battle (during WW1).

It was around that time that I got to go on the pitch and touch the sacred grass, as well as seeing the dressing rooms. It was on a tour related to the Learning Centre work.

Quite often I have enjoyed the cafe lunch before the game as much as the match. When I go with my step-dad the banter is lively as he brings a touch of the old East End to the proceedings. On occasion I have met fans from Northern Ireland who fly over for every home match – how much does that cost a season?!

The last time I went was with Enfant Terrible No. 1, using my younger brother’s season tickets. I always love walking across Brucecastle Park from the car to the Lane. On that last time we walked back along the edge of the park past some beautiful old ecclesiastical buildings bathed in the late afternoon sunlight, a reminder that there’s more to the Lane than Arsenal toilet paper and mindless tribalism.

My other local team (in an allied sport) yesterday won the European Cup – Saracens in rugby union. I have been working in recent months at their new stadium quite a lot, including shooting a pilot live programme there. They used to be based at Southgate, not a million miles from White Hart Lane; then moved to a soccer stadium in Watford; and now reside in a revamped and enlarged stadium at Copthall, Hendon, North London. It was where my school sports days used to be held when I was around ten. The last home match I saw was against Glasgow Warriors a few weeks ago and the vibe was festive. Glasgow fans outside the stadium were sporting fezes (a Saracens tradition) alongside kilts. The one Scottish fan in our section passed round his hipflask of whiskey whilst playfully bantering with the Sarries supporters. After the match the kids ran on to the (artificial) pitch as usual and a spontaneous game of rugby started among the grown-up fans. I wish such a vibe of sportsmanship, friendliness and family on the new White Hart Lane.

 

Story Snippet No. 400 – walking backwards

We are sitting as a family at a spontaneous lunch outside of Amici on the high street (East Finchley). A man walks by. Backwards.

At first we all worry about collisions and him hurting himself, walking into a pole or tripping on an obstacle. We watch him cross at the traffic lights. People turn to watch him wherever he goes.

We are talking about mental health. Enfant Terrible No. 2 wonders if the fella gets a physical kick out of it like the elderly man in the short film Slo-Mo. This backwards walker is getting on in years. We all already know the compulsive runner with a backpack who used to run along this same high street, though has been spotted much less in recent times. And I’ve shown the family one of my favourite shorts, The Edgware Walker by Lee Kern, about another compulsive runner in my childhood high street.

He walks back past us backwards, disappearing down the hill, still turning heads.

 

Update 18/5/17 Torrevieja, Spain:

From the balcony of the fourth floor apartment where we were staying I was watching the world going by first thing in the morning. Two Spanish schoolgirls were walking to school together. The one behind, dressed in red and yellow (the Spanish colours), was walking backwards, watching herself reflected in the windows of empty shop units, taking pleasure in reversing the norm.

A cool 100 Million

One of my last commissions at Channel 4 – made with Simon Goodman of Showem Entertainment. Scored over 100,000,000 views in 5 days. Been going up a million every 3 hours today. This cut-down looks like it’s been edited by a monkey but WTF, you can’t have everything. And of course we don’t entirely believe Facebook numbers but 102,000,000 is really big as bogus numbers go.

Naked & Invisible – the green grocer episode butchered

Coincidences No. 401 & 402 – time & place

I leave Mint Digital’s offices in Farringdon to walk to the launch of Sheffield DocFest near Russell Square. I walk past a plaque marking the birth of “Benjamin Disraeli, Earl of Beaconsfield“. This spot is 26 miles from Beaconsfield. I was working in Beaconsfield the day before at the National Film & Television School.

 I’ve been working in Finland recently and kept getting confused by the two-hour time difference – my phone was on one time, my laptop on another. So I decided to dig out an old watch I’d had for years – an art deco style one with two faces so you can operate in two time zones. I got a new pair of batteries put in at Stockmann’s last week, the big Helsinki department store. I’ve been wearing it since. I bought it a long time ago in a small shop in Bedfordbury, Covent Garden – long since gone. It was called Simon Carter (after the maker of the watch).

As I turn off Theobalds Road (where the brown LCC Disraeli plaque is) into Lamb’s Conduit Street I walk past the current iteration of Simon Carter‘s shop. (One of the producers I work with has her office and home in its basement).

Coincidence No. 400 – of Paramount importance

I am heading over to Channel 4 for a meeting from Tottenham Court Road. As I come up to the Circle & District platform on changing at Embankment tube I turn round and spot my friend Scott from Aspen. He is in town for one day only on Paramount Pictures business, flying back to Colorado from somewhere in Northern Europe via London. We get two stops together and mainly talk movies. Small world.

When I get to my C4 meeting – at The Regency Cafe, one of the best things about the Channel – I join the queue whilst waiting for my old colleague Thom to arrive. I notice just behind me in the line another Tom I know, the son of one of my old college friends. (He lives nowhere near there and doesn’t work in the area when last I heard.) Small town.

 

Story Snippet No. 399 – news commentary

In my local coffee shop, Maurizio’s aka Amici, there is a man who goes in early every day and annotates in biro the cafe’s copies of the newspapers, in particular the Daily Mail, both text and photos. Rumour is he’s a former journalist. By the time I get there the next wave of activity is under way. People are sitting around debating the daily annotations, their author long gone. This morning two middle-aged local women were connecting over the phenomenon, one sitting in the enigmatic author’s habitual window seat. I joined in. The non-window woman referred to the cafe as a “community centre”, celebrating the fact that, prompted by the annotations, you can discuss the news there freely without fear of offending or being offended whilst remaining lively.

I left after my emergency cappuccino and went back to the car, switching on Robert Elms’ bank holiday show on Radio London. He started playing ‘Shout to the Top’ by The Style Council. As the first notes played, especially the piano ones, it prompted this thought and subsequent email to Robert:

From: Adam Gee Date: 1 May 2017 at 10:11:32 BST To: Robert Elms Subject: LA Style Is it just me or did the beginning of this Style Council track sound like something out of LaLa Land? Do those Hollywoodfolk owe Weller?

Within 60 seconds he was reading it out and launching into his theory of the common roots of the band and the film soundtrack, as well as a brief evaluation of Paul Weller’s career. Always a kick. Gotta love London.

The one on the right shares a birthday with me and John Martyn

Update: 4/5/17

I got my second mention on Robert Elms this week. He wanted a suggestion for a ‘fourfer’, a quartet of tracks on a particular theme or by a particular artist which he plays every Friday. This was my suggestion:

From: Adam Gee

Subject: Fourfer suggestion

Date: 4 May 2017 at 11:53:49 BST

To: Robert Elms

Songs with bells in

Not little tinkly bells but full-on big ones

Think AC/DC – Back in Black or Pink Floyd – The Division Bell

He thought the category was too narrow and broadened it to ‘Songs with sound effects’