Archive for the ‘Adam Gee archive’ Category

Little Dot Studios activities in the USA

Increasingly over the last few months I have been working and commissioning at Little Dot Studios with more than half an eye on the USA. To that end I have been working closely with Paul Woolf, formerly of Barcroft and Maverick, and my old colleagues Dan Jones and Alex Hryniewicz of Little Dot. Here is a piece about it from today’s Broadcast

poster real stories absent from our own wedding documentary film montana marriage

A mid-form online Original documentary I commissioned for Real Stories – shot in Montana by Debbie Howard

Little Dot taps up Barcroft exec for US unscripted role

Paul Woolf will supercharge development of indie’s factual strand

Little Dot Studios is ramping up its Real Stories doc strand across the Atlantic with the appointment of its first US head of unscripted development.

Barcroft head of development Paul Woolf has been hired to supercharge the development of the All3Media-backed indie’s factual brand, as it aims to commission more long-form docs and series for US networks and platforms.

Woolf has already commenced in the East Coast-based role, reporting into Little Dot director of content Dan Jones.

The former Maverick TV development director said he was delighted to join a team that with “an incredibly broad and deep understanding of both TV and social platforms”.

Jones added: “Paul is a fantastic development talent and his arrival allows us to make a sustained push in the US, which is hugely exciting.”

During his time with Barcroft, Woolf was behind Netflix format Amazing Interiors and worked on a range of short-form projects for the outfit’s in-house digital platforms.

He joined fellow All3Media indie Maverick TV as US development exec in 2008, relocating to the UK in 2010 to work on BBC2 social experiment Old School and Billy Connolly’s Route 66 for ITV.

Real Stories, which includes the likes of My Son the Jihadi and America’s Poor Kids, is headed up by former Channel 4 multiplatform commissioner Adam Gee.

Little Dot said it generates around 1 million cross-platform views a day on sites such as YouTube. The vast majority of viewers are aged 16-34 and more than 71% of its audience hail from the UK, North America and Australasia.

Shows from the strand are also available via a $3.99 (£3) per month SVoD app, which launched earlier this year.

Little Dot has been busy hiring this year, having already appointed Holly Graham as its inaugural head of US partnerships, while it picked up former C4 group partnership manager Jade Raad as head of brand partnerships for its newly-formed media division.

[text courtesy of Broadcast]

Advertisements

In Your Face – Week 1

A cool 9 million views for this cut-down from the documentary ‘In Your Face’ in its first week, with high engagement – 5,500 comments; 65,000 shares; 52,000 reactions. Part of this success we have concluded is down to the likeability and charm of the protagonist, Jason – (it has outperformed other similar videos and the casting seems to provide the explanation).

In Your Face real stories facebook 2018-05-18

The full film of ‘In Your Face’ is here. The full film on Facebook/Facebook Watch has netted 1.8M views this week which is also a very decent performance and underlined that this is very much a Facebook rather than a YouTube subject, benefitting from viewers engaged through sharing and commenting and happy to pick the videos up in their stream rather than deliberately seeking it out in some way.

in your face real stories facebook 2018-05-18

I have now made 40 documentaries on tattoos including these series for Channel 4:

tattoo twists channel 4 all4

Tattoo Twists – my first tattoo series, inspired Channel 4’s Tattoo Fixers

my secret tattoo channel 4 all4

My Secret Tattoo – this man works with the Minister of Defence (with this hidden under his shirt & tie)

tattoo fails channel 4 all4

A random still from Tattoo Fails

Lead Story at the scene of the mystery

This morning journalist Martin Bright and I were interviewed on the BBC Radio Surrey breakfast show about our documentary ‘Vanished’. The documentary was the lead story on the station’s news this morning, pipping MI5 and Putin to the top spot. It has now accumulated 0.25M views on the Real Stories YouTube channel in its opening days.

[11 minutes listen]

Vanished

VANISHED the surrey schoolgirl documentary real stories

My sixth commission for Real Stores is ‘Vanished’. You can see it here. With a bit of luck it will cross the 200,000 views on YouTube tomorrow.

Vanished: The Surrey Schoolgirl

When should a missing person case become a criminal investigation?

 “Every journalist has that story that just sticks with you” – the words of journalist Martin Bright who covered the unexplained disappearance of Surrey schoolgirl, Ruth Wilson, for ‘The Observer’. Now, 23 years on, the mystery has been reignited by an ex-counter-terrorist cop who felt that something just didn’t quite add up…

On Monday 27th November 1995, 16-year-old Ruth Wilson left for school as usual. She said goodbye to her parents in the chocolate-box Surrey village of Betchworth – but she never made it to school that day. Instead she went in to Dorking and then late in the afternoon, with the winter daylight fading, she took a taxi to the local beauty spot of Box Hill. And then she vanished off the face of the earth…

In the two decades after Ruth’s disappearance not a word had been heard from her. Despite several appeals for information over the years, what happened to her remained a mystery. It was a mystery that bothered Liam, the retired police officer living locally, to such a degree that he contacted Martin Bright out of the blue after all those years and shared the conclusions of the investigations he had undertaken off his own bat as a private citizen and concerned resident.

The story of Ruth’s disappearance would not let go of the journalist or the policeman. As they joined forces and investigated, new facts and new witnesses appeared, throwing new light on an old but not forgotten case…

‘Vanished: The Surrey Schoolgirl’ was directed by Ryan Ralph of Below The Radar in Belfast and produced by journalist Martin Bright.

An intriguing Facebook group has grown around it which has yielded yet more witnesses and clues.

Martin Bright & I have been called in to meet the Police on Monday.

He do the Police in different voices

My earliest films on BFI Database

The-Green-Movie adam gee short film

The Green Movie

While I’m making lists I thought I’d add this one. I stumbled across a British Film Institute database which has a list of my first dozen or so films as director, writer and/or producer. Some of these are fading from my memory so glad to be able to save them for easy reference here:

Filmography

  • 2003 The Right Stuff (Director/Producer/Scriptwriter)
  • 2000 E.asywriter (Co-Director/Producer/Scriptwriter)
  • 1998 Live & Learn (Director/Producer/Scriptwriter)
  • 1998 Sounding the Alarm (Director/Producer/Scriptwriter)
  • 1997 The Red Movie (Director/Producer/Scriptwriter)
  • 1997 MindGym: Fit Thinking for Fast Times (Director/Producer/Scriptwriter)
  • 1996 Days of Change (Director/Producer/Scriptwriter)
  • 1994 The Green Movie (Director/Producer/Scriptwriter)
  • 1994 The Blue Movie (Director/Producer/Scriptwriter)
  • 1994 TTT (Director/Producer/Scriptwriter)
  • 1994 Conflict! (Director/Producer/Scriptwriter)
  • 1994 Memories Are Made of This (Director/Producer/Scriptwriter)
  • 1993 To Boldly Go (Director/Producer/Scriptwriter)
  • 1993 Ideas into Action (Director/Producer/Scriptwriter)
  • 1993 Budgeting Basics (Director/Producer/Scriptwriter)
  • 1992 The Good Old Days (Director/Producer/Scriptwriter)
  • 1992 The Best (Director/Producer/Co-Scriptwriter)

 

live and learn video adam gee

Live & Learn

 

My Short Form Video Commissions at Channel 4

This post is mainly for my convenience to refer to but might as well stick it here for posterity…

Tattoo Twists thumbnail Channel 4 All4 short form video thumbnail

Tattoo Twists

Tattoo Twists
The Black Lesbian Handbook
Drones in Forbidden Zones
Futurgasm
Daughters & Fathers
24 Hour Party Politics
Double Vision
Body Mods
*ipsters (Mipsters – pilot ep)
Oh Shit I’m 30
My Secret Tattoo
WTF is Cosplay?
Circus Girls
Crazy Sexy Cool
The Male Body Handbook
Young & Minted: I Won the Lottery
What Women Really Want (pilot ep)
L.A. Vice
The Weird Fetish Handbook
The Weird Fetish Handbook, Vol. 2
Rick’s Tricks of the Political Trade
Naked & Invisible
Head-hacks (pilot)
Young Swingers
SeXXXy Tats
Tattoo Fails
Body Mods S2
World’s Most Weirdest Sports (Extreme Unicycling – pilot ep)
The Casting Couch
My Pop-up Restaurant
The Black Lesbian Handbook: USA
My 1st Tattoo
In The Future
Home Truths
Guess Who (pilot ep)

[This marks the end of Year 1 – 9 Pilots, 26 Series – no wonder I felt shagged]

Drones in forbidden zones thumbnail Channel 4 All4 short form video

Drones in Forbidden Zones

The Superhuman Body Handbook
The Highs & Lows of the Weed Business
Cannonball Re-run
Driving Sideways (x6)
Young & Minted: I Love Luxury (pilot ep)
The Only Gay Bar in the Village (x1 Mid Form)
Pimp My Limb
The Unlikely Bikers
FutureCops (Police Drones – pilot ep)

Scrapbook – The Superhuman Body Handbook

Just found this from a commission of mine for the 2016 Rio Paralympics – a short form video series for Channel 4/All 4

the Superhuman body handbook short form video series channel 4 all4

All Fall Down

This review originally appeared on A Penguin a Week.

 

Penguin no. 1742: All Fall Down
by James Leo Herlihy

Cover design uses still from the MGM movie ‘All Fall Down’.

“Tomorrow I’m going on a health binge, get some filter cigarettes and start doing push-ups every night. Maybe I’ll do some right now, to make myself sleepy. Because I’ve got about forty-seven big knots in my chest, and they hurt.”
 
When I pick up an old Penguin I’m hoping for a surprise – something off-beat, long neglected, out of left field, a lost gem. ‘All Fall Down’ delivered. 

It’s the first novel from the Detroit writer who went on to write ‘Midnight Cowboy’ five years later in 1965, James Leo Herlihy. It’s a coming of age story in the heritage of ‘The Catcher in the Rye’, a decade in its wake. It follows the growth of Clint Williams from an isolated, uncommunicative 14 year old to an emerging adult with the capacity to care and love. 

A fair proportion of the story is told through Clint’s diary – it’s like an external hard drive he relies on to compulsively capture memories and documentation from his chaotic family life. He steals his mother’s private letters (outgoing and incoming) to copy into this notebook which he keeps tucked in his trousers, right against his flesh. It’s the one place he controls and to which he can bring some degree of order.

Clint’s hero, his older brother Berry-berry, is absent for much of the story, on his low-life travels around the USA, much of the time just one step ahead of the law. Yet his being has immense gravitational pull on the family. The disparity between what mother, father and little brother hope for from Berry-berry and the real man (in as much as he is grown up) is the source of the all-round disillusionment which engulfs the family.

When the Williams move to a new house across the city in Cleveland, Ohio, the cracks open up. Berry-berry takes off before he’s even spent a night in his new room. The father, a former left-wing activist, spends his time in the basement doing puzzles. The mother immerses herself in domesticity on the ground floor, while Clint eavesdrops from the laundry chute upstairs and records the exchanges in the diary which he “made use of … with an unconscious ease similar to that of walking or feeding oneself”.

Clint, in an attempt to come to the aid of the older brother he idolises, goes on a road trip across the country to the Florida Keys. He loses his innocence along the way when he is sheltered by Shirley, a young tart with a heart, whose inner beauty and profound loss influence Clint for life.

The person who catalyses the final destruction of both the dysfunctional family and their illusions is the unmarried daughter of one of the mother, Annabel’s, friends. Echo O’Brien is a dynamic young woman, very attached to her perfectly preserved 1929 Dodge touring car. Tall and slender, she could, in a parallel universe, have been in the pages of  ‘The Great Gatsby’. Think ‘Gatsby’ and Tennessee Williams for the kind of tension Echo brings into the Williams household as she becomes the object of both Clint’s innocent, tender love and Berry-berry’s careless lust, the latter returned to his home city and the proximity of his family, but living on the edge of town with a dark secret.

Watching Berry-berry live a lie and talk up his hollow, self-centred life, gradually grinds away at Clint’s hopes and illusions. Like Holden Caulfield’s obsession with ‘phoneyness’, Clinton Williams can’t take the lies: “I just stayed there at the table and thought about what big liars we all are”. Berry-berry tells his biggest, most unforgivable lie at the climax of the novel and it is this which finally severs his bond with his once adoring brother. Berry-berry ultimately cares only for himself and loves no-one, not even himself. Clint though has a great capacity and desire to care and cherish. His growth into adulthood is complete with the realisation that “[in] the difference in the love offerings people make to one another, lay the reason for all the pain in the world.”

First published in the U.S.A. 1960. Published in Great Britain by Faber & Faber 1961. Published in Penguin Books 1962.

The Black Lesbian Handbook

Some feedback I just came across for this series while preparing a very dull document – background on the commission is here.

68473a1f-1c3d-4a68-b02c-165e1fcf5d0a_625x352

RosyKat ‏@RosyKat  19 Dec 2015

Bit late to the party but #theblacklesbianhandbook is the best thing I’ve ever seen on TV @Channel4 #uklesbians

 

tawa ‏@TawandaFarai  17 Sep 2015

The Black Lesbian Handbook is brilliant. Storytelling at its finest.

 

vivi woo ‏@PeachesLenoir  27 Feb 2015Greenwich, London

I watched the black lesbian handbook, very insightful

 

Brooke ‏@BrukusMaximus  17 Feb 2015

@4oD just found the black lesbian handbook. Very interesting. Thank you. #BlackCulture #gay # blackgaytaboo #girlswholovegirls #stud #fem

 

SineadAlannah ‏@SineadAWrites  18 Dec 2015

Addicted to the Black Lesbian Handbook @Channel4 #fridaynightin

 

JustJoyxox ‏@soul_sistar  11 Dec 2015Croydon, London

I just watched the black lesbian handbook very interesting documentary I learnt a lot about the gay community here and abroad #LGBT

 

Sean ‏@PhantomDoor  18 Dec 2015

Watching Peep Show, keep getting ads for “The Black Lesbian Handbook” the most Channel 4 show imaginable.

 

DANNII ‏@MissDannitweets  9 Dec 2015

The black lesbian handbook docs on channel 4 is so fascinating!

Links for Orna

Some concrete examples of multiplatform TV (factual)

The Great British Property Scandal (case study video)

George Clarke Great British Property Scandal

Seven Days (case study video)

Seven.Days_48sheet_Version.B_HR2

Embarrassing Bodies: Live from the Clinic (case study video)

embarrassing-bodies-series-3

Big Fish Fight  (case study video)

hughs-big-fish-fight

D-Day as it happens (post-TX website)

dday

Foxes Live (post-TX website)

foxes_live

 

%d bloggers like this: