The Casting Game No.s 230 & 231 – male leads

No. 230

Dustin Hoffman

AS

 

François Cluzet (Photo: François Durand)

No. 231

Colin Farrell

AS

 

Jim Carrey

Hoping to work with Jim Carrey on a documentary in 2023

The Casting Game No.229: Leonard Cohen

Al Pacino (Godfather II era) AS…

Leonard Cohen

 

OR

Dustin Hoffman AS…

Leonard Cohen

This round inspired by the documentary ‘Hallelujah: Leonard Cohen, a Journey, a Song (2021- dir. Daniel Geller & Dayna Goldfine) – the first 7 minutes

Coincidence No. 366 – Time & Timing

Sandy Denny with John Bonham, Robert Plant & Jimmy Page, September 1970

30.iv.22

I go to see the brilliant play ‘Jerusalem’ by Jez Butterworth at the Apollo, Shaftesbury Avenue with a friend (it’s my second time seeing Mark Rylance do this career-defining performance – I first saw it at the same theatre in 2011). Towards the end of the play we hear a hippyish English folk song – at first I think it is Vashti Bunyan, then realise it is actually Sandy Denny’s ‘Who Knows Where the Times Goes?’, which she wrote at the age of just 19. However I can’t recall her name (or that of Fairport Convention) on leaving the theatre (even though I used to lead historical walking tours of Muswell Hill and environs which included a stop at the house called Fairport where they originally rehearsed). 

The next day I am (unusually) reading the Sunday paper when her name crops up. I text it to my friend (along with the word ‘chaperone’ which I also couldn’t recall on the day). 

2.v.22

The day after that my young friend texts back the name of the song. (We also discuss Coincidence No. 367 which is that we happened to walk together past the Admiral Duncan pub in Soho on the way back from the play – he hadn’t heard of it, I explained the bombing outrage – it turned out to be the exact date of the carnage in 1999.) I text him back to confirm that that’s the song and send him a brilliant podcast about it – ‘Soul Music’ from BBC Radio 4. At just that moment the very song plays on BBC Radio 6.

 

Mark Rylance at the curtain call for ‘Jerusalem’ last week

The Casting Game No. 45 – The Aussie Connection

Ben Mendelsohn (as seen in ‘Bloodline’)

as

Noah Taylor

• 

• 

Ben Mendelsohn:

Born 1969

Australian

Break-out role in ‘The Year My Voice Broke’ (1987)

Noah Taylor:

Born 1969

Australian

Break-out role in ‘The Year My Voice Broke’ (1987)

The excellent ‘The Year My Voice Broke’ (1987 dir. John Duigan – who also directed the delightful ‘Flirting’ (1991))

also starring Noah Taylor, and the recently rechristened Thandie Newton/Thandiwe Newton

The Casting Game No. 228

Matthew Broderick

AS

Rami Malek in ‘The Little Things’

The Casting Game No. 227

Glenn Close (in ‘Hillbilly Elegy’)

AS

Robin Williams (in ‘Mrs Doubtfire’)

 

 

Barbara Windsor

I interviewed the East End actress Barbara Windsor when I was writing about Joan Littlewood in 2013/14 during a sabbatical I took from Channel 4. This is a summary of the conversation:

Today I did an interview with Barbara Windsor who was one of the third generation of Joan Littlewood’s acting ensembles doing Fings Ain’t Wot They Used T’Be at the Theatre Royal Stratford East in 1959, before transferring to the West End, as well as Oh What a Lovely War on Broadway in 1965 (where Barbara was Tony-nominated). It was fascinating to hear how tricky Barbara found Joan’s loose, improvisational approach after a training in the West End where the script was the script and you did exactly what the director told you to do. But what emerged from the experience ultimately was the actress getting more in touch with her real self, after years of playing down her East End background. Joan really admired her work in EastEnders – and thought she was the only one with a decent Cockney accent. Barbara learnt from Joan during Fings at the Garrick when she was drifting into artifice and over-blown performance, too Judy Garland, not enough Bethnal Green, and carried that lesson forward for the rest of her career.

with Joan Littlewood in 1964

She told me a story about how she was first cast by Littlewood – something about getting mistaken for a cleaner in the theatre. I can’t quite recall it without digging out my notes.

I’ve just had a look online and found the anecdote. I got it the wrong way round – Barbara mistook Littlewood for a cleaner. Zoe Wanamaker seems to have played Littlewood in a 2017 BBC drama called Babs and she recounts that same story in her blog:

Despite mistaking Littlewood for a cleaner when arriving at a theatre in late 1950s London, the young Windsor dazzles the director with her raw talent. ‘Where have you been all my life?’ Littlewood wonders during the particularly memorable audition scene. Babs made clear that although Windsor didn’t always see eye to eye with her mentor, who favoured an unusual, experimental approach to rehearsing and staging plays, the director’s mixture of encouragement and tough love helped the starlet to shine.

with actor Murray Melvin (R) backing fundraising for the Joan Littlewood sculpture by Philip Jackson now in Theatre Square outside the Theatre Royal Stratford East

I met her in person one other time at Littlewood’s Theatre Royal Stratford East. She was in a foyer huddle with Gary Kemp (Spandau Ballet) at a performance of Fings Ain’t Wot They Used T’Be  (I think, certainly one of the classic Theatre Workshop plays) around the same time.

The work she did with Joan Littlewood was probably the highlight of her career. Not that’s there’s anything wrong with a little Carry On…

Barbara & Sid James

Looking down on Stars of Brighton by the gutter

“We are all in the gutter, but some of us are looking at the stars.”

― Oscar Wilde, ‘Lady Windermere’s Fan’

 

“…he happened to have a first-class ticket for Worthing in his pocket at the time. Worthing is a place in Sussex. It is a seaside resort.”

― Oscar Wilde, ‘The Importance of Being Earnest’

East of Worthing, east of Hove, at the eastern end of Brighton, just below Kemptown, sits Brighton Marina (site of ArkAngel Productions’ regional office). It was built from 1971 to 1978 and opened in 1979 with the age of Thatcherism. Rumour had it that it was some kind of scam to secure European (EEC) money.  In 1985 it was taken over by Brent Walker, nicknamed ‘Bent Walker’, a property and leisure business run by the former boxer and Soho gangster George Walker. Earlier in his career he was jailed for stealing nylon stockings in Victoria Docks, London.  

Among the shops Walker established in the Marina is a rather incongruous Walk of Fame, a set of stars built into the pavement Hollywood-style. I’ve walked over them often over the years, frequently asking myself the question what have they got to do with Brighton? Like Kevin Rowland of Dexy’s Midnight Runners – he’s a Brummy as far as I know (Wolverhampton?), of Irish descent (Co. Mayo) and he has lived in London a fair bit, but what’s Brighton got to do with him?

Young soul rebel in 1980 (front left)

Whilst tramping over them during the summer I decided to use the stars as the basis of an occasional series on Simple Pleasures Part 4, of which this is the introduction.

So Brighton Marina’s Walk of Fame is the first such one in the UK. It was the brainchild of David Courtney, a Brighton-born songwriter/music producer who had an internationally successful partnership with Leo Sayer in the 70s which brought him to L.A., spiritual home of Walks of Fame. That prompted him to bring the concept back to his home town and to the Marina his uncle, Henry Cohen, helped conceive and realise.

So the first star in this series, given the business of ArkAngel Productions, will be Ray Brooks.

Ray Brooks is the voice of Mr Benn, the sober suited businessman from Festive Road who made regular visits on the sly to a certain dressing up shop. There The Shopkeeper offered him outfits to try on and when he went into the changing room there his magical adventures began. From knight in armour to cowboy, he lived a more colourful, adventurous life for a brief while until the Shopkeeper fetched him back to the changing room. The character was conceived by David McKee originally for children’s books but became the star of a much-loved BBC animated series in 1971/72 (the year the Marina was born).

I worked with Ray Brooks only once – he did the voice-over for a film I directed for Barnardos about whistleblowing, ‘Sounding the Alarm‘. 

His Brighton connection is simple: he was born there just before the Second World War. His career as an actor started in ‘Coronation Street’ in the early 60s. A breakthrough came in 1965 when he joined Michael Crawford and Rita Tushingham in Richard Lester’s comedy ‘The Knack …and how to get it’ which won the Palme d’Or in Cannes that year. 

Interlude: Coincidence No. 266

That’s the second time ‘The Knack’ has come up in the last couple of days. Someone in my circle posted a picture of the LP sleeve of the soundtrack by John Barry because they’d dusted it off and were giving it a Lockdown2 listen.

The following year Ray appeared in the landmark ‘Cathy Come Home’. Throughout the 60s he got parts in cult classics from ‘The Avengers’ and ‘Danger Man’ through to ‘Dr Who’. 

He was the voice of the storyteller in ‘Jackanory’ throughout the 70s. At the turn of the millennium he starred in ‘Two Thousand Acres of Sky’ with Paul Kaye and did a spell in ‘Eastenders’ in the mid-noughties. 

He lives in London but still goes to Brighton to write. He clearly remains attached to the place as his final blog post (17th March 2019) ends with a reference to it as the place he’d go to get rid of his ego:

But what could I expect.? The old ego was popping up again. I’ll put it into a box and chuck [it] off the Brighton Pier I’m sure David Attenborough  wouldn’t complain ‘cos fish with egos wouldn’t eat plastic bags any more they’d be too full of themselves.

Jane Birkin (uncredited) & Ray Brooks in ‘The Knack …and How To Get It ‘ (1965)

Jane Birkin was married to John Barry, composer on ‘The Knack …and How To Get It ‘ before moving on to hook up with Serge Gainsbourg at the end of the decade. This is a CD cover my old friend Marcelino Truong drew and designed for Gainsbourg. Marcelino has stayed at ArkAngel South-East in Brighton Marina.

Gainsbourg ‎– Mon Légionnaire (1988) by Marcelino Truong

Hitchcock’s Leytonstone

On my East London wanderings today I ended up in Leytonstone where I’d been meaning to go on a Sunday morning Hitchcock guided walk for months but never made it and then Corona kicked in. As I was driving into the High Street where Hitch was born (at No. 517) I spotted a mural of him on a side street and that prompted a small Hitchcock pilgrimage.

I got my very first job in the industry by attending a talk about Hitchcock’s The Birds at uni given by playwright David Rudkin – I met his friend, producer Stephen Mellor, after the talk and managed to get a runner job out of him at his company AKA in Farringdon. Director Alastair Reid was also at the talk – he’d recently completed the debut episode of a new series called Inspector Morse.

The first place I found was the site of the police station where Hitchcock was locked in a cell for a few hours at the behest of his father, William. Here’s how Hitch told the story of this formative event to François Truffaut:

“I must have been about four or five years old when my father sent me to the Police Station with a note. The Chief of Police read it and locked me in a cell for five or ten minutes, saying, ‘This is what we do to naughty boys.’ … I haven’t the faintest idea why I was punished. As a matter of fact, my father used to call me his ‘little lamb without a spot,’ so I truly cannot imagine what I did …” 

The lifelong impact of the trauma was an unwavering suspicion and fear of the police and judicial authorities reflected in his movies.

site of the Harrow Road police station (616-618 High Road)

Here’s a model of what the cop shop looked like when Hitch was a lad, made by illustrator and model-maker Sebastian Harding

Next I went in search of Hitchcock’s birthplace above his father’s greengrocery and poultry shop W. Hitchcock at 517 High Street. In 1899 when Alfred was born it looked something like this

one of the Alfred Hitchcock mosaics at Leytonstone Station

It was demolished in the 60s and the site is now occupied by a petrol station. Let’s just call it short-sighted.

The plaque is on the wall just to the left of the skip

Presumably he hasn’t got an English Heritage Blue Plaque here because the twats knocked down the actual building

While he has no national plaque here one was put up in in 1999 on the centenary of his birth by English Heritage at 153 Cromwell Road, South Kensington, London, SW5 0TQ in the Royal Borough of Kensington and Chelsea near his adult home. (I suspect he would have preferred Leytonstone).

In the vicinity of his birthplace there were various nods to Leytonstone’s finest son. 

Birds embedded in the pavement (though they don’t look much like gulls – the 3rd one up looks like one of the notorious London parakeets)

More un-gull-like birds in a mural beside his birthplace

complete with ‘lead pipe’ fit for murder in the billiard room

pub on the High Street

When I got home from the outing I stumbled across Vertigo on Netflix and hit play. It brought back memories of my last Hitchcock pilgrimage which was in San Francisco in August 2015.

Where Madelaine (Kim Novak) jumps into San Francisco Bay in Vertigo

Vertigo: Madeleine jumps

Coit Tower – how Madeleine finds her way back to Scottie’s apartment

Paramount Studios in Hollywood – from the same 2015 Highway 1 revisited road trip

Vertigo trivia: The opening Paramount logo is in black and white while the rest of the film, including the closing Paramount logo, is in Technicolor.

The original press book (or “showmanship manual”) for the film

A long way from the greengrocery in Leytonstone

.

Hitch’s cameo in Vertigo

(Apparently this is my 1000th post on Simple Pleasures part 4 – in August 2012 Vertigo was named the best film of all time in the BFI’s once-a-decade The 100 Greatest Films of All Time poll making it more than worthy to be the subject of this 1000th post)

VE Day Walk supplementary

These images relate to VE Day 75 – The Walk

Brad Pitt & Marion Cotillard at the Hampstead location

Nicholas Winton

Nicholas Winton

Liam Gallagher

Lee Miller by Man Ray

Lee Miller goes to war as an accredited US war correspondent

Lee in Hitler’s bath tub, Munich – the day she photographed Dachau – by David Sherman

Orwell’s wartime broadcasts

Eileen Maud Blair – Orwell’s wife