Archive for the ‘bbc’ Tag

The Next Day: fragments of Bowie

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Outside 155 Hauptstrasse Schoeneberg Berlin – Bowie’s apartment – 17 Jan 2016

So today is The Next Day – the day after Bowie’s birthday, after the anniversary of the release of Blackstar, the day before the anniversary of his death, the middle day, the limbo day.

As promised in yesterday’s birthday post, The Man Who Rose from Earth, in this one I’m going to gather some of the Bowie posts from across the years of Simple Pleasures part 4. As a blog about Creativity and the quest for Happiness through the Simple Pleasures of life Bowie was always bound to feature as a great creator, an outstanding innovator and a man who worked hard to know himself and find Peace.

So adding to the photo album of my Bowie’s Berlin trip last January and my post on hearing of his death (Blackstar Rising) from yesterday’s post are:

Bowie: The Next Day [11 January, 2016] My reflections on his death

The Berlin Trilogy 1 [16 January, 2016] the first day oy my trip to Berlin in the days after his death

The Berlin Trilogy 2: Where Are We Now? [17 January, 2016]

The Berlin Trilogy 3: Goodbye to Berlin  [19 January, 2016]

Heroes Mystery Solved [27 January, 2016]

David Bowie locations in Berlin [22 January, 2016] a ready-made tour

Heddonism [11 April, 2012] a first-hand account of the unveiling of his plaque in Heddon St.

A Bowie Moment [13 January, 2016] Ziggy Stardust plaque unveiling video

4 for 66 (Happy Birthday David Bowie) [9 January, 2013] 4 of his best songs

Sound & Vision [12 November, 2016] the best of Bowie’s art collection

Cut up by Bowie’s Black-out [20 January, 2016] a Bowie-style cut-up

Where Are We Now? [11 January, 2016] an animation

100 Greatest Songs [12 January, 2008]

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Outside 155 Hauptstrasse Schoeneberg Berlin – Bowie’s apartment – 17 Jan 2016

Celebrated The Big Man’s birthday yesterday evening by watching David Bowie: The Last Five Years, a new BBC feature documentary commissioned by my friend and former Channel 4 colleague Jan Younghusband. It is an excellent watch, breaking new ground with its focus on his last half decade and last two LPs in an intelligent and insightful way. It was directed by Francis Whately. There are various clips here.

A Survivor’s Story (Lakonia 3)

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This is a Remittance Advice from BBC Radio (signed off by a certain Teresa McGonagle (Miss)) for a talk my grandmother, Rita Harris, gave on Woman’s Hour on 2nd July 1964, recounting her perspective on the Lakonia disaster (see previous two posts). I also have the transcript:

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What is striking about the account (for which she received the princely sum of 12 guineas) is the litany of safety failings from the moment they set foot on board the ill-fated vessel in Southampton. Here are some extracts:

“We arrived at Southampton and boarded the Lakonia. From the very beginning things seemed to go wrong. The corridors were still teaming (sic) with workmen, the gangways were still down, and the wind whistled around the ship. Eventually the workmen scrambled ashore and two hours late we were under way.”

“Next morning we received the ship’s newspaper with the programme for the day. At 10.15am there was to be a fire drill. So after breakfast we made our way to the promenade deck, where we waited sitting wrapped up in rugs. Some 30 minutes before the drill was to commence some passengers were already walking around wearing their life-jackets. As a result of the subsequent way the fire drill was carried out, at least two thirds of the passengers would have no conceivable idea of what to do if a real emergency arose. My husband was so disgusted that he wanted to complain to the Captain, as he said it was the biggest nonsense that he had ever taken part in. I am sorry to this day that I did not let him carry out this threat.”

In one section it is clear that my grandfather, Ian Harris, had his camera on him at the time of the tragedy because he was taking photos of the crowning of the King and Queen of the Tramps at the Tramps Ball that was taking place when the fire broke out. He was the only person on board who had a camera (although I believe another man may have had a movie camera). All the stills one sees taken on board during the disaster were by him.

“To take the photos of the crowning, my husband made his way to the main entrance of the room [the Lakonia Room]. As he went a steward whispered something to the Captain who was at the next table – he immediately jumped up and ran out of the room. My husband returned more quickly than he’d left, and quietly informed our table that the ship was on fire and we should go to our cabins and get our life-jackets on. Simultaneously smoke started to billow in through the now open doors. As we made our way down to our cabin the alarm sounded, short and faint, then died away never to be heard again, for the tannoy system broke down almost immediately.”

“We rapidly made our way to the main dining room, where we had been ordered to go. Here we found many women and children barefoot and in their nightwear. We realised that we were two decks below the fire! Things now became chaotic. People were milling round the dining hall. Fire hoses appeared in the corridor which were so entangled they reminded me of spaghetti. Water was everywhere except coming from the hoses. Many people were crying – elderly people were wearing life-jackets but had no idea how to do them up and the tapes were hanging loose. I spent some time tying them up properly. When my husband could stand it no longer, he had an argument with an officer who was still directing people downstairs into the already overcrowded dining room. He argued that if there was a bad fire, everybody would be trapped below. The officer gave in and we all started for our life-boat stations. Half-way up the stairs we received a counter-order sent by the Captain to return to the dining room. People were now becoming really distressed.”

“Finally we received the order to make our way to our boat stations. In an attempt to reach the lifeboats, members of the crew were hacking with firemen’s axes at supposedly moveable partitions. These partitions were stuck fast with either paint or varnish.”

“We were not able to get into our lifeboat, which incidently tipped up [due to painted up ropes] and never reached the water. We went to the next lifeboat in which there were already about 40 people. The officer was about to cast off. After another argument my husband managed to get us aboard together with a further half dozen. This lifeboat had a capacity of 85 persons and so approximately 30 more lives could have been saved if it had been correctly filled. The next day we counted only 26 aboard another lifeboat.”

“Although the lifeboat wasn’t full to capacity it hadn’t been loaded properly and I spent the night sitting on a tiny space of about ten inches, while my husband stood, as there was no room for him to sit. Gradually the water started to rise in the bottom of the boat.”

The water had risen to knee depth by the time my grandfather and another man, both ex-navy men, spotted ship signals in the dark, about half an hour away. The Salta eventually rescued them, hampered by the swell. After a tumbler of Cognac and a sweet black coffee my grandmother was given a berth in the crew’s quarters.

“I found the corridor filled with women and children. A lady to whom I had previously no more than nodded the time of day recognised me and cuddled me like a long lost relation. Folk who seemed like strangers a few short days ago, now felt like family.”

Last night (19th December) was the night the Lakonia sailed, today was the first day at sea.

Don’t Stop the Music on Newsround

I loved Newsround as a kid. And now after all these years a bit of me gets on it – in the form of Don’t Stop the Music, the multiplatform project I’ve been working on all summer with pianist James Rhodes and Jamie Oliver’s production company, Fresh One.

Over 7,000 instruments were collected in the Don’t Stop the Music Instrument Amnesty thanks to the huge generosity of the British public and their care about music education. That makes it the biggest UK instrument amnesty ever.

Here’s the Newsround item which shows the last step in the journey as the instruments reach the kids…

Screen Shot BBC Newsround

Freudian slit

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An amusing iTunes listing from BBC Radio 4 In Our Time thanks to an unfortunate character limit

Landshare wins RTS Innovation Award

RTS Award Landshare

Can you spot which one is the award?

Last night Landshare won the RTS Innovation Award for User-generated Content. It was one of only six such awards given out (other winners included BBC iPlayer at over 100 times the budget of littl’ ol’ Landshare).

This is the 2nd of these annual awards. Last time out it was even better – Big Art Mob won the Mobile category, an inaugural winner alongside Flash Video (yes, the whole darn technology).

This year Landshare was nominated alongside Sexperience (in the same category), so I liked them 66% odds.

What the judges said: “The judges felt that the award should go to a project that they feel reinvents the viewer/user/programme maker relationship and which is making a fundamental difference to the way key issues of the moment can be addressed. A project whose success demonstrates as one judge put it “how television can make a difference”.”

Straying away from my own oeuvre, another very worthy winner was BBC Children’s marvellous Bugbears – think Monsters Inc meets Creature Comforts, used as a way to help children address&express difficult emotional subjects. It’s the work of Marc Goodchild (who was at our table – the Table of Triumph with its unique double gong status) and my old muckers Joe Elliot and Anthony Lilley of Magic Lantern (among others). I first saw it this time last year at Sheffield DocFest when I was doing a speaking gig on interactive documentary chaired by Paula LeDieu. Japhet (whose second name slips my ravaged mind) from Marc’s team at cBBC demoed it and I was instantly charmed.

Other awards went to the amazing BBC R&D bods who have such a world class heritage in broadcasting/media innovation, pretty much second to none. An honour to be among them.

Update 19.xi.09 BIMAs

Tonight Landshare won the BIMA (British Interactive Media Award) for Community Social Media (as well as being nominated in the Special Achievement Award: Viral Spread category). It follows in the footsteps of MindGym (97) and Embarrassing Bodies (08).

Digital Britain: grit in the oyster

pearlWith the publication of the Digital Britain report today it’s an apposite time to reflect on the role of Channel 4 in Britain’s Public Service landscape. After listening to former BBC Chairman Christopher Bland asserting (this morning on Today) that the UK can only afford one public service broadcaster and after reading a spiky response from BBC Trust Chairman Sir Michael Lyons jealously guarding the BBC’s cash, I reflect on last night’s RTS Education awards. I went along with The Sex Education Show presenter Anna Richardson and the Sexperience team from Mint Digital and Cheetah. During the evening I caught up with Tanya Byron who was presenting the awards and served on the Digital Britain steering group (I worked on the DB Being Digital / digital media literacy work group, whose outputs Tanya polished. I also helped her a little with her government Review of Children and New Technology last year and have been busy trying to get it implemented this year via the UKCCIS). At the end of the ceremony she spoke of how she had been inspired by watching all the nominations with her family and picked out Sexperience,  Chosen and Troubled Minds for special mention.

Just playing the numbers game, the BBC with its pots of cash for education scored 2 awards. Littl’ ol’ Channel 4 bagged 5. And some 5…

For Educational Impact in Primetime  Chosen (True Vision for More4) – three courageous men disclose the abuse they suffered at school. Turned down by 17 commissioning editors before More 4 had the balls. Talking of Balls, one of the three protagonists, Tom, drafted a set of recommendations taken up almost in their entirety by Secretary of State for Education Ed Balls when he reviewed this area in the wake of this film. The jury said: “A revelatory and dignified film… which explored paedophilia by allowing three highly articulate middle-aged men to tell their own stories of having been groomed and serially abused by teachers in the same public school as they were growing up.”

For the 11-16 Years category KNTV Sex produced by Tern Television (whose trusty leader Harry Bell – he knows a good Rioja when he sees one – I caught up with in the bar afterwards) – a lively, funny animation (punctuated with weird archive from Eastern Europe) tackling tackle and other forbidden subjects. The jury said: “A witty and uncompromising look at a subject of great relevance to its target audience. It uses first-class entertainment devices and characters to deliver tough content. An engaging and fun watch with real take-home for the viewer.”

For Campaigns Jamie’s Ministry of Food (Fresh One for Channel 4) – love him or loathe him, you have to admire Jamie’s commitment. I was lucky enough to work on Jamie’s School Dinners which in many ways set the gold standard for mainstream Public Service TV. The jury said: “The winning series was utterly brilliant – it truly enriched the lives of the people involved and gave the viewer a rare insight into other people’s lives.”

For Factual Education 7/7: The Angels of Edgware Road (Testimony Films for Channel 4) – driven by one committed film-maker, a story of people who risked their lives to save others. The jury said: “not only a deeply moving account of the appalling events on the London Underground in 2005 but challenged its audience to consider their own responses if faced with the dilemma of whether to save themselves, or try to save others.”

For Educational Impact in Primetime (Series) Can’t Read Can’t Write (RDF Media for Channel 4) – teacher extraordinaire Phil Beadle (who I worked with on The Unteachables) again teaches the ‘unteachable’, this time adults who have never grasped reading and writing and had given up. Now two of the featured contributors have written books! The jury said: “powerful storytelling and memorable sequences within this important series which highlighted the shockingly high numbers of British adults who cannot read or write. The jury was genuinely surprised by the extraordinarily brave characters whose stories were at the heart of the series, finding them engaging, surprising and honest.” Compare that one for example to BBC RAW for flair, passion and imagination.

Sexperience lost out for Innovation in Education to the BBC’s School Report which marshals the whole BBC machine – BBC News, Radio 4’s Today, the network of local radio stations, the Full Monty/Aunty – to encourage children to try out news journalism. Laudable and solid. But an exact replica of Channel 4’s Breaking the News for a different audience (Newsround age as opposed to 14-19) which won an Education RTS in 2005, a year before School Report was launched. Yes, a strange choice given Raw’s Battlefront was the other nominee.

All of this illustrates how Channel 4 is the grit in the PSB oyster. The BBC would be even Blander (scuse the pun) without the boundary pushing of C4 and its discovery and nurturing of talent. On BBC Jamie cooks and makes a dish, on C4 he campaigns around food and makes a difference. (He was discovered of course by an ex-C4 PA who followed her passion straight out of Charlotte Street to become a highly successful exec producer, Pat Llewellyn.) Digital Britain has highlighted and backed C4’s place in British media and started rolling an exciting updated remit:

Championing and promoting creativity and new talent across all digital
media, by:
●● Investing in a wide range of original, innovative, high-quality audiovisual
content, including film, which provides alternative perspectives
and reflects the cultural diversity of the UK.
●● Providing audio-visual services and programming that can stimulate
learning and which will inform, challenge and inspire people, particularly
older children and younger audiences.
●● Maintaining a strong commitment to distinctive national and
international news and current affairs.
●● Enabling through partnership the development and reach of other public
service content from British cultural organisations.
●● Developing new services and applications to support its overall role,
embracing the potential of all digital media to connect with audiences
in new ways and to encourage the wider take-up of and participation in
new digital media by audiences.

I got biorhythm

bafta awardThe old biorhythms seem to be zinging a bit this week. Nice Kiss & Tell piece in the Guardian yesterday about a new commercially-oriented dimension to my work, to complement the public service projects I mainly commission at C4. Hot Cherry are a cool outfit when it comes to getting the dirty job done in digital PR and marketing.

And the day got off to a fine start with a TV BAFTA Nomination for Embarrassing Bodies Online for the one&only interactive category – imaginatively entitled Interactivity. The other nominations are all BBC, but our odds have improved. Last year little old Big Art Mob was up against iPlayer which cost more in millions than BAM cost in thousands. This year we’re only up against Olympics 08. And Merlin. Let’s see if they can spot real magic…

Osama Loves Loved

Osama of Love global hunt Doctor

Osama of Love global hunt Doctor

Osama Loves, as previously mentioned in this august organ (dontcha just love both those words?), is a participative online documentary I commissioned last summer from the breath of fresh air that is Mint Digital and Menthol TV. The interactive documentary came about in response to a request from my fellow commissioner at C4, Aaqil Ahmed, who looks after religious and multicultural TV programming. He had commissioned a season of television programmes about the culture (rather than the politics) of Islam, including a flagship primetime doc on The Koran. The underlying theme of the season was that Islam is not a homogeneous culture but a diverse and multifaceted one. Aaqil asked me to come up with an online project which conveyed the heterogeneity of Islamic culture and, after some great conversations with Andy Bell, Jeremy Lee and the MintFolk, Osama Loves was born…

In an interesting iterative dynamic, the interactive documentary which was born of the TV season in turn gave rise to a TV documentary commissioned through Janey Walker, Channel 4’s Head of Education. It’s a beautiful film entitled Osama bin Everywhere (and sub-titled Searching for 500 Faces of Islam). It follows the progress of Farrah Jarral and Masood Khan through the participative Web travelogue that is Osama Loves, on their mission to track down 500 people called Osama in just 50 days. The two intrepid explorers uploaded blog posts, tweets (a relatively early application of Twitter to enable our protagonists to publish by mobile when out of PC-based internet range), photos and videos each day,  asking the public for tips and advice to help them complete their challenge and get the most from the countries they were visiting (including Nigeria, Egypt, Indonesia and Canada). As they backpacked across the Muslim world their search offered a window into the everyday life, culture and belief of the Muslims they met.

They asked each Osama they met “What do you love?” The idea was to transcend clichés about Muslims – the most well known Muslim on the planet being a certain Osama who epitomises these clichés and is not normally linked with Love. So Osama Loves sought out as many other Osamas (previously a popular name in Islamic countries) as they could in the time and showcased the rich diversity of their hopes and beliefs, concerns and perspectives.

When the spin-off TV doc aired again recently in the C4 morning slot it prompted a mass of positive feedback from viewers including:

“I am a Catholic and father to 6 children. Having just watched Osama bin Everywhere, I feel this programme should be shown to every child in every school in the UK regardless of religious belief. How refreshing it was to watch. This young woman deserves public recognition and a national award. The comments made and feelings expressed by all the Osamas were a true insight to Muslim people and the meaning of their religion.”

“Not really a press enquiry but please pass my congratulations onto Farrah – I taught her at school in the 1990s. Watched today’s Channel 4 programme whilst at home recovering from surgery. Very, very proud of what she’s become – but not at all surprised!”

“The programme was a joy to watch and I’d love to see more programmes like it. The presenter should be very proud of the programme – she is a great ambassador for her religion.”

“In a time of ‘reality TV’ which seem to be centered on Channel 4, finally a program that I could call brilliant! I was at work during my break and caught Osama bin Everywhere. I can honestly say I’ve not been so engrossed in anything in such a long time. This was a pleasure to watch.”

“What a fantastic programme! A real eye-opener, but I only saw it because the TV happened to be on when it started. Why was such a positive, heart-warming program hidden away on morning TV? Have you shown this in an evening slot? Please do!”

“I truly appreciate what you set out to achieve. Everytime I watch a programme on the television about Islam, it highlights the “bad apples”. I am only 18 years old, but have lived all my life in Britain. Having only visited Pakistan once, and at a very young age, you have driven me (in the most positive way) to go back to my country of ethnic origin. The programme itself has opened my eyes to how shallow people can be, relating everything bad to one name. I hope one day that I will have the power to enlighten people, just as you have to me. May you have all the health and happiness in the world, Inshallah.”

And here are a few other reactions to Osama Loves from more pressy sources:

Mike Mendoza, BBC Radio 2 website of the day
This is interesting – a Dave Gorman-influenced quest from 2 London-based Muslims (in collaboration with Channel 4), to find and meet 500 people who share the same name. In the process, they hope to change many people’s perception of Islam. Long-standing listeners will know that I like a pointless quest, so it’s nice to see a quest/travelogue which aims to do something a bit more positive.

Islam Online
Islam doesn’t provoke much interest unless they [Muslims] are burning flags or pillaging embassy workers or holding insulting placards. It won’t provoke much interest outside of Muslims, but Muslims worldwide will be grateful for the positive break. Put it this way, at least it’s better than their annual masterpiece, Big Brother.

The Sun
No doubt the FBI will be keeping a close eye on the site – especially for any entrants expressing a love of the Tora Bora caves in eastern Afghanistan.

Toronto Star
None of this is sponsored by the CIA – the aim is to give dignity back to a much abused and reviled name.

Songlines #4 – Thank Christ for the BBC (London Irish)

What song means the most to you and why?

AUDIO FILE: Hear Conor’s answer: ws_10015conor-mcginley

Comedian Conor McGinley choses Rain Street by The Pogues and talks about the London Irish identity he shares with Shane MacGowan

The church bell rings
An old drunk sings
A young girl hocks her wedding ring
Down on Rain Street

Down the alley the ice-wagon flew
Picked up a stiff that was turning blue
The local kids were sniffing glue
Not much else for a kid to do
Down Rain Street

Father McGreer buys an ice cold beer
And a short for Father Loyola
Father Joe’s got the clap again
He’s drinking Coca-cola
Down on Rain Street

Bless me, Father, I have sinned
I got pissed and I got pinned
And God can’t help the shape I’m in
Down on Rain Street

There’s a Tesco on the sacred ground
Where I pulled her knickers down
While Judas took his measly price
And St Anthony gazed in awe at Christ
Down on Rain Street

I gave my love a goodnight kiss
I tried to take a late night piss
But the toiled(?) moved so again I missed
Down Rain Street

I sat on the floor and watched TV
Thanking christ for the BBC
A stupid fucking place to be
Down Rain Street

I took my Eileen by the hand
Walk with me was her command
I dreamt we were walking on the strand
Down Rain Street

That night Rain Street went on for miles
That night on Rain Street somebody smiled

What is it worth?

Buffalo Springfield with Stephen Stills

Holding Hands: Buffalo Springfield with Stephen Stills & Neil Young

We parked up by Goldhawk Road tube (always echoes of Jimmy the Mod for me) and walked back past the Pie, Mash, Liquor and Eel shop to my most unloved venue in London, the Empire in Shepherd’s Bush. Stephen Still’s blast from the past included his underground classic ‘51.5076 0.134352’ and concluded with ‘For What It’s Worth’ which resonated in a particular way after another week of global economic disintegration. What is it worth?

There’s something happening here
[the day before yesterday rounds off a 20% FTSE fall]

What it is ain’t exactly clear
[although I think we’ve all got a good sense of broadly what territory we’re in – how we got there is a bit more confounding]

There’s a man with a gun over there
[currently a cold-hearted woman, life-long member of the NRA: “our leaders, our national leaders, are sending soldiers out on a task that is from God. That’s what we have to make sure that we’re praying for, that there is a plan and that that plan is God’s plan.”]

Telling me I got to beware
[are they really going to elect a man who keeps calling the electorate “my friends” in a manner devoid of warmth or friendship?]

I think it’s time we stop, children, what’s that sound?

Everybody look what’s going down

There’s battle lines being drawn

Nobody’s right if everybody’s wrong
[there’s a real opportunity here, with the merry-go-round ground to a halt, to get off the ride that goes nowhere]

Paranoia strikes deep

Into your life it will creep
[anxiety is seeping out of every opening crack]

It starts when you’re always afraid

[yet fear is what holds us back individually and collectively]

You step out of line, the man come and take you away

We better stop, hey, what’s that sound?

Everybody look what’s going down

Stop, hey, what’s that sound?

Everybody look what’s going down

What’s that sound? It’s mud falling on a coffin lid. It’s ancient song shot through with deepest pain. It’s the sound of a single man burying 20,000 bodies one by one. On Tuesday Rev. Leslie Hardman MBE died. He featured as a key character  in a docudrama, The Relief of Belsen, commissioned by Channel 4 which was shown almost a year ago to the day (15.X.07).  He was one of the first Allied soldiers (an army chaplain) in to the Bergen-Belsen death camp in North-West Germany when it was liberated in May 1945. Auschwitz had been liberated by the Russians a couple of months of months earlier but it was Belsen that gave us in Britain our first terrifying view of what was going down. This was Richard Dimbleby’s report from the camp…

“Here over an acre of ground lay dead and dying people. You could not see which was which … The living lay with their heads against the corpses and around them moved the awful, ghostly procession of emaciated, aimless people, with nothing to do and with no hope of life, unable to move out of your way, unable to look at the terrible sights around them … Babies had been born here, tiny wizened things that could not live … A mother, driven mad, screamed at a British sentry to give her milk for her child, and thrust the tiny mite into his arms, then ran off, crying terribly. He opened the bundle and found the baby had been dead for days.

This day at Belsen was the most horrible of my life.”

Leslie Hardman was a man who knew what’s worth what. He insisted on burying each of the 20,000 corpses that confronted him as an individual with an individual ceremony (no question of mass burial). He restored in death the dignity they had been denied in life.

In a tribute to him on Radio 4 this morning, a resonant phrase from Kierkegaard (via psychiatrist Viktor Frankl) was cited to capture the man he was : The door to happiness opens outwards. 

Leslie Hardman dealt with the chaos he experienced in the front-line by dedicating himself to the well-being of others.

As Jonathan Sacks (the Chief Rabbi of the UK) put it on the same radio programme: He Chose Life. Now I always thought  – and this was reinforced by the Glasgow office of Channel 4 which has the words engraved on the glass of the entrance – that “Choose Life” comes from FilmFour’s Trainspotting. But apparently it comes from Moses in the Old Testament: ” I place before you today life and prosperity, death and adversity. … Choose life that you and your descendants shall live”

  (which echoes what his predecessor and my namesake was told:  “You may choose for yourself, for it is given to you.”)

Now Jim (the God, not the Mod), much though I respect him, summarised his approach as being to “get his kicks before the whole shithouse goes up”. As things fall apart, I’d say the rock-striking prophet is a better bet than the pose-striking rock god: Choose Life. Choose sustainable living. Choose actually creating something instead of gambling nothing. Choose holding hands not holding hostages. Choose what’s going up. Choose what’s of real worth.

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