Archive for the ‘movie’ Tag

All the Money in the World

Micro Movie Review:  would be improved by replacing all the performances – as well as the script – to make something less cold & simplistic

All the money in the world movie film kevin spacey replaced by christopher plummer as getty actors comparison

Kevin Spacey (L) replaced by Christopher Plummer (R) as J. Paul Getty

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Chairwoman update

Just back from the Aesthetica Short Film Festival in York where I had my first official Sell Out as far as I can recall.

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I was doing a Masterclass on factual/unscripted short form video. In the Green Room after I met Dr Melanie Williams of UEA where she is Head of Film, Television and Media Studies. She specialises in post-war cinema and has written a monograph on David Lean (very appropriate in that I’m writing this in BAFTA which Lean founded and which Aesthetica feeds into via the Short Film category in the Film Awards). As we chatted the subject of Christine Keeler’s 60s movie came up – see Chairman of the Board below. Well it turns out one of her colleagues at the University of East Anglia has a particular interest in ‘The Keeler Affair’ movie (1963) and in fact (contrary to what I had read) it was made but was never granted a BBFC certificate in the UK, so it only played abroad. Lewis Morley, the photographer who photographed Keeler in That Chair, refers slightly erroneously to: “an intended film which never saw the light of day”.

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It also seems to have another title, ‘The Christine Keeler Story‘, and it turns out that Keeler doesn’t exclusively play herself despite posing for the publicity photos – Yvonne Buckingham plays her although Keeler is also listed as “Herself”. Same for Mandy-Rice Davies who both plays herself and is played by Alicia Brandet.  I’ve yet to find out how Buckingham & Keeler and Brandet & Rice Davies squared that circle though there are some clues in the clip I found below.

NPG x131954; Christine Keeler by Tom Blau

Call Girl – untitled photograph by Tom Blau (1963)

In the synopsis Keeler is referred to as a “teenage prostitute” which seems both harsh and not entirely accurate. I like the term “good-time girl” which is often used to hedge bets in this type of context.

And here’s the bit I found. Quite intriguing. A disco ball in the courtroom… like it.

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I went from BAFTA in Piccadilly round the corner to the May Fair Hotel for a BAFTA Film Awards screening of ‘American Pastoral’ with leading man and director Ewan McGregor in attendance. It is a striking and original film, directed with amazing aplomb for a first movie (this is McGregor’s directorial debut). It is a thoughtful interpretation of Philip Roth’s novel, not spoonfeeding the audience and concluding with an uncompromisingly enigmatic end. McGregor spoke with great articulacy and clarity about his method as an actor-director. What came across strongly is that this is an actors’ film – the rehearsal and shooting process, as well as the framing and camera movement, were all focused on enabling the actors to do their thing in an imaginative and fresh way.

So far the best of the BAFTA fare. Also very striking is the disturbing poster – the best I’ve seen in a long while – which takes the all-American idealism of Wyeth and Hopper (the first half of the film derives its colour palette from Hopper), takes the all-American idealism of Wyeth and Hopper – and shakes it the fuck up, torching the Dream.

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Andrew Wyeth – Christina’s World (1948)

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Edward Hopper – House with Dead Trees (1932)

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Grant Wood – American Gothic (1930)

4 reasons to go see Grandma

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Paul Weitz & Lily Tomlin at BAFTA screening of Grandma in Soho, London 29 Nov 2015

Spent this moist, sunless afternoon watching the brilliant ‘Grandma’, the best awards season movie I have seen to date, a welcome blast of old school American indie cinema. After the screening I had a quick chat with both the lead actress Lily Tomlin (Nashville, All of Me, Short Cuts) and the director/writer Paul Weitz (About a Boy, Antz, American Pie). During the Q&A I asked Paul about the source of the story – was it the issue (abortion)? the characters? or other? He said it started from the notion of a young woman without enough money to pay for the abortion she feels she urgently needs. Its treatment of the theme of abortion is refreshingly less conservative than the likes of the too mannered ‘Juno’.

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Elle (with Sage)

1. Lily Tomlin – who gives a feisty performance as Elle, a lesbian grandma who is there when her grand-daughter really needs her. Tomlin (76) has been in a relationship with her female partner, Jane, for over 40 years. Elle’s relationship and grieving for her recently deceased partner, Violet, is a deeply moving absence at the heart of the movie. Tomlin’s face is compelling to watch, unique and very particular.

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Sage

2. Julia Garner – plays Sage, the grand-daughter. She is absolutely captivating on screen, with something of the 40s/50s Hollywood studio star about her (a bit of Marilyn Monroe, perhaps a touch of Veronica Lake, that kind of vibe). She is known for The Perks of Being a Wallflower (a favourite of my young nephew Jake who has impeccable film taste) and Martha Marcy May Marlene. The chemistry between her and  Tomlin couldn’t be more perfect.

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Paul Weitz – scriptwriter (and director)

3. Paul Weitz – who wrote the excellent screenplay, really nuanced and fresh. ‘Grandma’ makes an interesting contrast to ‘Carol’ – another ‘lesbian movie’ currently doing the rounds – where, despite exemplary acting, the story is unsurprising and strangely linear.

4. The Indie Spirit – Weitz made this outstanding movie for $600,000 and shot it in 19 days. As a result he was under little pressure and the movie has a real lightness of touch and creative economy. He got the cash from a Greek benefactor and then Sony Classics picked up the finished film in the wake of Sundance.

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4 things I talked to Lily Tomlin about

  1. The joy of being a grand-parent, what a lovely relationship the grand-parent/grand-child one is, how much I’m looking forward to being one (PG, as my grandma would have said)
  2. Her grumpy grandpa and inspiring grandma in Kentucky
  3. Being born in Detroit, the city-country mix; Detroit: Requiem for a City (which she hasn’t seen yet), Julien Temple, The Sex Pistols
  4. That my grandpa, Ian Harris, would have been 100 last week; how special a man he was.
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‘Moment by Moment’ (1978)

4 things I talked to Paul Weitz about

  1. American indie films
  2. Me & Earl & the Dying Girl
  3. The abortion clinic shooting this week in the USA, how safe he is talking about Grandma in America, particularly the South
  4. Treadmill desks (as featured in the film), the office he shares with his brother, Chris (screenwriter & producer: The Golden Compass, Nick & Norah’s Infinite Playlist, American Pie), Chris’s treadmill desk.

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4 reasons to go see Selma – and they’re all English

Screenwriter Colin Welland famously proclaimed “The British are coming!” when he picked up the original screenplay Oscar for Chariots of Fire in 1981. Then the drought followed. Then Film4 (the movie-making bit of Channel 4) helped correct that with prestigious Oscars for The Last King of Scotland [Best Actor], Slumdog Millionaire [Best Picture, Best Director, Best Adapted Screenplay, and 5 others] and last year 12 Years a Slave [Best Picture, Best Adapted Screenplay, Best Supporting Actress, and 6 nominations] and for the first time a black hand clutching that Best Picture statuette. Which brings us neatly to Selma, the powerful new movie about Martin Luther King and the break-through protests he led at Selma, Alabama which ultimately secured the vote for African-Americans. So an American icon (the only modern American with a public holiday named after them – this coming month you can join in on the 19th [January]) and a very American subject yet the 4 lead roles are filled by Brits.

I went to a BAFTA viewing last week attended by the film’s main lead, David Oyelowo. I didn’t know anything about him, not having been a Spooks fan – that’s a UK drama on BBC about spies (= spooks) for any American cousins reading this, I’m pointing that out because spooks means something else that side of the water (= derogatory term for African-Americans). They changed the title to MI-5 in the US for just that reason. So I almost fell off my perch when he started talking in a South London accent. Much like when I first heard Eton-educated Dominic West speaking after watching The Wire – BTW McNulty’s partner The Bunk (Detective Moreland) shows up as a token American actor in Selma, Wendell Pierce plays the Reverend Hosea Williams who leads the first Selma to Montgomery march in MLK’s place.

Actor David Oyelowo speaking about his role as Martin Luther King in the movie Selma

David Oyelowo on playing MLK at Vue West End, Leicester Square – 17th December 2014

1. David Oyelowo plays the big man himself, Dr Martin Luther King Jnr

Actor David Oyelowo as Dr Martin Luther King Jnr in Selma

David was born in Oxford and trained at LAMDA in London. His portrayal of MLK certainly makes him a Best Actor contender in the forthcoming awards season – I thought Eddie Redmayne as Stephen Hawking was way out ahead of the pack before I saw Selma. He’s done the whole African-American story at this point with roles in Lincoln, The Butler and The Help. He also appeared in the aforementioned The Last King of Scotland as well as a small part in fellow Brit Christopher Nolan’s Interstellar.

He puts the success of British actors down to their training which he characterises as focusing on building the character from the inside out, diametrically opposite The Method. His accent in the movie is flawless, King having a very particular mix of accents with an equally distinctive preacher’s inflection.

He felt fated to play this role (it took eight years to get the movie made and he was cast early on). Shooting on location in Selma and Montgomery, on the Edmund Pettus Bridge which was the frontline of the protest (the bridge being named after an Alabama senator and general who also led the Alabama Ku Klux Klan – surprisingly (to a Brit at least) it retains its name to this day), shooting on location in the places where the civil rights history played out made for some very powerful experiences for the actor. One Twilight Zoney story he told was how when they came to shoot the final speech in front of the Capitol building in Montgomery the Production Designer was unhappy with the rostrum and podium. He went over to the nearby church, where MLK had preached, and asked to borrow a lectern. The pastor went down into the basement to look for anything suitable and found one covered in dust. When the Production Designer got it cleaned up and onto the set he checked back against contemporary photos and found it was the actual one used in 1965.

2. Carmen Ejogo plays Coretta Scott King, MLK’s wife

Actress Carmen Ejogo as Coretta Scott king in the movie selma

Carmen was born in Kensington (London, England) of a Nigerian father and Scottish mother. She’d already played Coretta in the HBO TV movie Boycott thirteen years earlier. She met her current husband, actor Jeffrey Wright (Felix Leiter in the Daniel Craig era Bond films), on the set of that movie but was previously married briefly to British trip-hop artist Tricky. She met Coretta King when making Boycott. She captures the dignity of CSK well and has a good scene with Malcolm X as well as a key one confronting her husband about his infidelity.

3. Tom Wilkinson plays LBJ (President Lyndon Johnson)

tom wilkinson as lyndon johnson in selma

Tom lives up the road from me in Muswell Hill. He’s great as Mr President, a touch crude and ultimately concerned with his legacy. He was born in Leeds and trained at RADA. He is in a strong tradition of Brits playing US Presidents including Anthony Hopkins as Nixon and Daniel Day Lewis as Lincoln.

4. Tim Roth plays Governor George Wallace

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Tim is from Dulwich, South London and studied at Camberwell Art School. He is in a strong tradition of Brits playing evil baddies. Wallace qualifies as indicated by the assassination attempt which left him in a wheelchair from 1972. Roth set out to play him as a despicable monster and pulled it off pretty well, you really want to hiss every time he appears. Roth came from a left-wing/Communist household and the Selma-Montgomery Marches were well known to him from it.

It’s a really striking movie and very well acted by the Brit Pack. What makes it particularly resonant though is that recent times have made it abundantly clear that the race issues that dog America (not least because it’s a nation founded on a genocide) are still here #ICantBreathe

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