This Is Love

Today’s the Day (in 1981) we lost Bob Marley

 

Some other Marley things:

Marley’s Ghost

Two Sevens Clash

100 Greatest Songs

 

Marley’s Ghost

My favourite picture of Bob

I was lucky enough to get a last-minute ticket from Kevin Macdonald this week for his new documentary on Bob Marley. It was a coming home for me of sorts as it was playing at The Tricycle in Kilburn, whose cinema entrance is on Buckley Road where my other half used to live (No. 16) in the wake of a string of Irish sisters in exile. London was the place Bob headed for in the wake of an attempt on his life in December 1976 when he made the mistake of getting too mixed up in Jamaican politics – it was a place he had some special affinity with and  where he recorded some of his best work. I’ve written about the making of Exodus in punk London in 1977 here. There’s a good story in the film about how he and the Wailers crossed the Thames to Battersea Park on a regular basis to indulge his love of soccer, on occasion taking on a National Front team and whupping their arses at the beautiful English game. Questions of racial identity and Tough Gong’s status as a mixed race boy is brought to the fore in ‘Marley’, highlighting his rejection by black and white alike. One of the most moving moments of the film is when the song Cornerstone is played to two same-generation relatives on his despicable white father’s side, each listening intently on their ipods.

The stone that the builder refuse
Will always be the head cornerstone
(Sing it brother)
The stone that the builder refuse
Will always be the head cornerstone.

You’re a builder, baby
Here I am, a stone.
Don’t you pick and refuse me,
‘Cause the things people refuse
Are the things they should use.
Do you hear me? Hear what I say!

Don’t refuse me, don’t you refuse…

We hear how he went to visit his father’s brother, a prosperous white builder on the island, and, well aware of who he was, he refused to see him. The fecker only got in touch again years later when Bob was famous and playing a US stadium. Bob knew he was destined to be the Marley who would be remembered – the Cornerstone of the family. Macdonald attributes the rejection from both sides as a major driver for a singer who of course drew together back and white. Ironically for a fair while his US audiences were white dominated. That’s why he took a gig supporting The Commodores. His management told The Commodores’ people that the group should have been opening for Bob but Bob took the gig because he wanted to tap into their black soul audience. Coming on after Bob Marley – gotta be the toughest support act to follow – ever.

The amount of music contained in the story is very well judged – in no way a concert film, it gives insight into the music (especially live) but sends you off in search of more. The documentary captures a number of moments when Bob is clearly immersed in his music to a transcendental degree. At the Smile Jamaica concert, designed to reunite a politically riven country, just two days after the shooting (and the very reason for the assassination attempt), he shows up, a few hours late, the track of a bullet across his arm and chest, shows off his bandages and then launches into song oblivious of the hurt. We see this again as he performs Exodus at the famous Lyceum concert which sealed his reputation. And most notably at the gig he did on Zimbabwean Independence Day (April 1980, part of his homecoming to Mother Africa) when a tear gas canister clears the stage and much of the auditorium, people weeping and a’wailing, but he is left alone singing away, away, beyond the power of the throat burning eye stinging fumes. His power is again evident in the way he, towered above by the opposing politicians, evidently not a tall man, brings about the handshake between Prime Minister Michael Manley (People’s National Party) and opposition leader Edward Seaga (Jamaican Labour Party) at the One Love peace concert in Kingston in April 1978 after the year of exile in West London (not a million miles from Buckley Road).

The way he tours the States and beyond with cancer secretly worming its way through every part of his body is testament to his amazing energy. Those moments when he loses himself in the music and reaches a place beyond the trials and tribulations of the every day, beyond the petty rude boy politics, the heartless rejection, the shadowy disease, the loneliness, the black and the white are the high points of ‘Marley’ – naturally mystical moments where we see him coming home to peace, love and oneness.

It’s a film made with love and patience and is best enjoyed in that spirit, settle back in front of a big, loud screen for a carefully paced circular journey from his birthplace in the hills of Nine Mile, Saint Ann to a mausoleum just a stone’s throw from his childhood home there.

Here I am, a stone.

Stoned immaculate: a unique energy

50 people who buggered up Britain (and 25 who saved it)

A free hairstyle

An up-tight hairdo

Having given the Daily Mail a hard time recently with my Fear & Death analysis of its content and my highlighting how at odds it was with its own readership over The Sex Education Show / Sexperience, I’ve decided to take some inspiration from the rotten rag in the form of its political sketchwriter and theatre critic Quentin Letts and his new book Fifty People Who Buggered Up Britain. I haven’t actually read it but I have read a review which got me thinking about my own list – I’ve only just started really and could definitely use some help so feel free to join in. The timeframe is the last 5 decades. I thought I’d also counter Mail miserableness by adding a list of 20 inspirational figures in Britain from those same 50 years who helped counter-balance the malign influences. I’m hoping to have the full 50 (+ 20) in place by the New Year so do chuck some ideas into the pot… [names added post 2008 have the date added in square brackets]

Buggered up Britain:

1 Ashley Cole – stands out as the most unpleasant character in the Premiership and that’s no easy feat

2 Rupert Murdoch – brought vulgar anti-culture and arrogant anti-democracy to the country in equal measure – I vowed many years ago to throw a big party the day he shuffles off his awful coil and you’re all invited

3 Viscount Rothermere, co-founder of the Daily Mail which published his editorial on 15th January 1934 entitled ‘Hurrah for the Blackshirts!’

4 Ian Paisley – spent his whole toxic life saying No!

5 Doctor Richard Beeching – killed our (relatively green) railways

6 Lord MacAlpine – the Tory treasurer whose family’s firm vandalised Battersea Powerstation, ripped its roof off in the service of…

7 Margaret Thatcher – brought so much misery into Britain in such a short time – I’ll leave this one to Elvis Costello:

I saw a newspaper picture from the political campaign
A woman was kissing a child, who was obviously in pain
She spills with compassion, as that young child’s
face in her hands she grips
Can you imagine all that greed and avarice
coming down on that child’s lips?

Well I hope I don’t die too soon
I pray the Lord my soul to save
Oh I’ll be a good boy, I’m trying so hard to behave
Because there’s one thing I know, I’d like to live
long enough to savour
That’s when they finally put you in the ground
I’ll stand on your grave and tramp the dirt down.

When England was the whore of the world
Margaret was her madam
And the future looked as bright and as clear as
the black tarmacadam
Well I hope that she sleeps well at night, isn’t
haunted by every tiny detail
‘Cos when she held that lovely face in her hands
all she thought of was betrayal.

Notice the link to MacAlpine via Tarmacadam. Notice the link to Murdoch via lively celebrations of the passing of a big bugger.

8 Simon Cowell – for spreading the corrosive myth of instant fame

9 Oswald Mosley – married to one of the Mitford whores in Goebbel’s drawing room with Hitler present as one of only 6 guests – nuff said (do we detect a residual anger in my tone? give me another 50 years and I may start getting over the Nazis …but I doubt it)

10 Stock Aitken Waterman – for devaluing music, torturing us with the likes of Rick Astley and Jason Donovan

11 Howard Shipman – undermined trust in GPs and the NHS in a rather extravagant way

12 The Queen Mother – epitomised how anachronistic royalty and aristocracy are, and how unhealthy reverence of royalty can be. [This choice inspired by Adam D’s suggestion – House of Windsor]

13 Michael Gove – for not understanding the modern world and setting UK education back years when it was already well behind the curve [2016]

14 Victoria Beckham – “She succeeded in her desire to be ’more famous than Persil Automatic’ and is as about as interesting as a box of it. I think she has created such a one-dimensional aspiration for the young. Success can now be measured by vacuity and the meaningless.” [Practical Psychologist] Her husband by contrast captures some positive values such as leadership, commitment to a passion/skill-set and rehabilitation.

15 Reggie & Ronnie Kray – for the misguided hero-worship they have subsequently inspired and inspiring Guy Richie innit [courtesy of Practical Psychologist]

16 Steve McClaren – humiliated himself and England simultaneously under that umbrella with his stupid fucking biros and spiral-bound notepads. Saw him once in a hotel in Manchester (with Anthony Lilley) and there was no question who was the centre of the group… not him, but El Tel.

17 Paul Dacre – Mail supremo who reckons (vis-a-vis the Max Mosley case, son of #9 of course) distinguishing between ‘a sick Nazi orgy’ and ‘people having sex in military-style uniform’ is “almost surreally pedantic logic”

18 Melissa Jacobs – the mad bint who screwed up England’s World Cup 2018 bid for the sake of some Mail on Sunday pieces of silver [16.v.10]

19 Rebekah Wade (now Brooks, for a while at least) – sups with the devil, not with a long spoon, not even a short one, with a tongue in his mouth and up his other orifice from which much the same stuff dribbles [2010]

20 Edward VIII – a proven traitor and Nazi-sympathiser [2012]

21 George Osborne – for knowing the cost of everything and the value of nothing (as well as being a hypocrite) (and for having a Patrician haircut) [2016]

22 Philip Green – the Unacceptable Face of Capitalism in every sense (have you seen those chins and haircut? there’s a limit to what  a tan can hide) [25/7/16]

23 Jeremy Corbyn – the self-righteous non-leader/stooge who destroyed the Labour Party – reminiscent of…

Roger McGough – The Leader

I wanna be the leader
I wanna be the leader
Can I be the leader?
Can I? I can?
Promise? Promise?
Yippee I’m the leader
I’m the leader

OK what shall we do?

24 Nicola Sturgeon – the epitome of Bad Faith

25 Boris & Dave : I’m taking the liberty of yoking them together in a double act by way of some small revenge: they deserve each other. Boris Johnson – for proving to be the bumbling idiot he always looked (despite an at times charming surface) & David Cameron – for sacrificing the United Kingdom (a rather good union at the end of the day) on the pyre of the EU Referendum for the sake of some of his Tories, the self-same Tories who undermined the crucial Voting Reform Referendum during the 2010 Coalition.

…

Counterbalanced the buggers:

1 David Hockney – picked up where Picasso left off

2 Bob Marley – brought some Jamaican colour to the grey London of 77

3 Joe Strummer – with The Clash helped British musicians discover the honest energy of DIY

4 Tommy Cooper – just makes me laugh (could equally have been Eric Morecambe in this slot)

5 Francis Bacon – one of the two greats of 20th century art (alongside Picasso)

6 Hannah Billig, the Angel of Cable Street – too busy looking after people to collect her MBE (she asked them to post it)

7 John Peel [courtesy of Adam D “…fades in quietly” ]

8 Tony Hart: “We’re sorry we can’t return your pictures” [courtesy of Adam D] what nobler calling than bringing art and inspiration to children

9 Tony Wilson – for bringing together shining talent in a bold, rounded way – Martin Hannett, Pete Saville, Ian Curtis et al – and showing how to champion your hometown

10 James Bond – [courtesy of Practical Psychologist, in his words…] “overcame the stereotype of the sexually repressed Brit who liked a cold shower before having his bare bottom spanked by a tart” – those Pan edition covers certainly captured my young imagination

11 Michael Young – for the Open University and other progressive policy [courtesy of Practical Psychologist and in memory of Naomi Sargant, first Head of Education at Channel 4, appointed by Jeremy Isaacs in a more adventurous, imaginative age]

12 John Betjeman [courtesy of Practical Psychologist, in his words…] “he saw what we were doing to our land and tried to stop it”

13 Joe Orton – for reviving the Comedy of Manners and finding humour in the black stuff

14 Lennon & McCartney – for taking pop music up a gear or three. PP’s view below: “we led the world in something for the first time in a long time”

15 Geoff Hurst – for scoring that goal

16 Jonny Wilkinson – for scoring that try and creating a Perfect Moment

17 Michael Powell & Emeric Pressburger – for bringing Technicolor British Romanticism to the big screen

18 Rabbi Hugo Gryn – for his efforts in uniting the faiths and demonstrating how to survive to do good, a true Mensch

19 Steve Redgrave – for being a model of commitment, plus his work on dyslexia & education

20 Humph (Humphrey Lyttelton) – for combining the quintessence of Englishness with jazz

21 Peter Gabriel – a multifaceted, visionary musician who is a great collaborator [1/3/16]

22 Danny Boyle – created something of once-in-a-lifetime specialness in the Opening Ceremony of the London 2012 Olympics, making us reflect in a fresh way on what Britishness actually is [2012]

23 David Bowie – kept things fresh for a long time [2016]

24 John Martyn – brought true soul to Britain, the world is a much lesser place without him [2016]

25 Nicholas Winton – who saved 669 children from the Nazis (including Alf Dubs who is trying to follow his example these days) and kept pretty quiet about it most of his life, finally receiving full recognition in the late 80s

 

Bubbling under:

Tony Benn – doing his best to show what politicians could be like {courtesy of Scanner, Adam D and Overthewire} [I’m not sure about this one, keep wavering]

LIST UPDATED AND COMPLETED 22/1/17

Long Players

After playing the 100 Greatest Songs of all time parlour game with my friend Doug Miller over Christmas (me in the North of London, him in the South of France) he came back with the 50 Greatest LPs of all time challenge (no compilations, only one record per artist/band). I failed miserably – couldn’t boil it down to less than 75. So here they are – the 75 best LPs ever (of course, I’ll be popping back from time to time to make the odd sneaky change):

Beauty Stab – ABC
The Stars We Are – Marc Almond
The Last Waltz – The Band
The White Album – The Beatles
Post – Bjork
Go Tell It on the Mountain – Blind Boys of Alabama
Plastic Letters – Blondie
Space Oddity – David Bowie
Love Bites – Buzzcocks
The Clash – The Clash
A Rush of Blood to the Head – Coldplay
* A Love Supreme – John Coltrane
Kiss Me Kiss Me Kiss Me – The Cure
* Kind of Blue – Miles Davis
Don’t Stand Me Down – Dexy’s Midnight Runners
Hot August Night – Neil Diamond
The Doors – The Doors
Pink Moon – Nick Drake
Blood on the Tracks – Bob Dylan
Bill Evans – Conversations with Myself
Tiger in the Rain – Michael Franks
* Stay Human – Michael Franti & Spearhead
The Score – The Fugees
* What’s Going On – Marvin Gaye
Flesh – David Gray
Guys & Dolls movie ST
Are you experienced? – Jimi Hendrix
The Miseducation of – Lauryn Hill
Yarona – Abdullah Ibrahim trio
All Mod Cons – The Jam
Jesus Christ Superstar
Unknown Pleasures – Joy Division
On Song – Brian Kennedy
Led Zeppelin IV – Led Zeppelin
Imagine – John Lennon
Cinquieme As – MC Solaar
The Snake – Shane MacGowan & the Popes
Madness – Madness
Correct Use of Soap – Magazine
Exodus – Bob Marley & the Wailers
* Solid Air – John Martyn
New World Order – Curtis Mayfield
Monk’s Dream – Thelonius Monk quartet
A Night in San Francisco – Van Morrison
Blues and the Abstract Truth – Oliver Nelson
Throw Down Yours Arms – Sinead O’Connor
Meddle – Pink Floyd
Dummy – Portishead
Metal Box – Public Image Ltd (in the metal box)
O – Damien Rice
Some Girls – The Rolling Stones
Stranded – Roxy Music
Rumblefish OST (Stewart Copeland)
The Crack – The Ruts
Abraxas – Sanata
Gymnopedies – Eric Satie
Never Mind the Bollocks – The Sex Pistols
* Songs for Swinging Lovers – Frank Sinatra
The Scream – Siouxsie and the Banshees
Six Days in June
Easter – Patti Smith
The Specials – The Specials
The Rising – Bruce Springsteen
We’ll Never Turn Back – Mavis Staples
Tea for the Tillerman – Cat Stevens
Brilliant Trees – David Sylvian
Remain in the Light – Talking Heads
Sweet Baby James – James Taylor
Stan Tracey – Under Milk Wood
Joshua Tree – U2
Signing Off – UB40
Live in Leeds – The Who
Talking Book – Stevie Wonder
Harvest – Neil Young
*Road to Freedom – The Young Disciples

And in case you’ve ever lain awake at night wondering what the top 7 LPs of all time are in order, here you are:

1 Kind of Blue – Miles Davis
2 What’s Going On – Marvin Gaye
3 A Love Supreme – John Coltrane
4 Songs for Swinging Lovers – Frank Sinatra
5 Solid Air – John Martyn
6 Road to Freedom – The Young Disciples
7 Stay Human – Michael Franti & Spearhead

Doug’s top 50 is somewhat more sophisticated as befits an international man of mystery:
1. Mariano/Vant’hof/Catherine – Sleep My Love
2. Garbarek/Gismonti/Haden – Folk Songs
3. What’s Going On – Marvin Gaye
4. Songs in the Key of Life – Stevie Wonder
5. Beyond Skin – Nitin Sawhney
6. Soro – Salif Keita
7. Leftfield – Leftism
8. John Coltrane – A Love Supreme
9. Airto Moreira – Seeds on the Ground
10. Khomsa – Anouar Brahem
11. Santana – Caravanserai
12. Edu Lobo – Cantiga De Longe
13. Remain in Light – Talking Heads
14. Eastern Sounds – Yusef Lateeef
15. Devotional Songs – Nusrat Fateh Ali Khan
16. The Velvet Underground and Nico
17. Gabor Szabo & Bobby Womack – High Contrast
18. The Isley Brothers – 3+3
19. This Is My Country – The Impressions
20. Pharaoh Sanders – Journey To the One
21. Miles Davis – In a Silent Way
22. DJ Shadow Entroducing
23. Keith Jarrett – The Koln Concert
24. Sigur Ros – Takk
25. Let it Bleed – The Rolling Stones
26. Brian Eno/Harold Budd – The Plateau of Mirror
27. Dark Side of the Moon – Pink Floyd
28. Tabula Rasa – Arvo Part
29. Mothership Connection – Parliament
30. Lou Reed – Transformer
31. Led Zeppelin – 2
32. David Sylvian – Secrets of the Beehive
33. Free Will – Gil Scot Heron
34. David Crosby – If I Could Only Remember My Name
35. Spirit – 12 Dreams of Dr Sardonicus
36. Jdilla – Donuts
37. Five Leaves Left – Nick Drake
38. Clube De Esquina – Milton Nascimento
39. Sonny Rollins – Saxophone Colossus
40. Lonnie Liston Smith – Expansions
41. Anthony and the Johnsons – I am a Bird Now
42. TheInflated Tear – Rahsan Roland Kirk
43. Blue Camel – Rabih Abou-Khalil
44. What Colour is Love – Terry Callier
45. Fat Albert Rotunda – Herbie Hancock
46. Diamond Dogs – David Bowie
47. Assagai – Afrorock
48. Biosphere – Sub-Strata
49. Ein Deutche Requiem – Brahms (Simon Rattle)
50. The Nordic Quartet – Rypdal/Surman/Storaas.Krog

Feel free to join in…

Get up, word up (stand up from the night)

It’s always nice to lay down your head at night in the belief that you’ve learnt at least one thing in the day.

So here we are at 10am and I’ve bagged today’s thing – just learnt this cracking new word courtesy of A.Word.A.Day from wordsmith.org.

“hypnopompic (hip-no-POM-pik) adjective

Pertaining to the semi-conscious state before waking.”

Being still to some degree hypnopompic myself (my most lively and creative time is around midnight), I’ll have to give it a few hours before I start trying to weave my new word seamlessly into conversations today.

Unusually, for me at least, in my horizontal hypnopompic state earlier this morning I’d composed a whole four-line poem Shelley-like in the pit. Like England FC playing away, I pretty much knew I’d lose it by morning. And I did. That’s the problem with hypnopomposity – it’s great for creativity but a bit of a bugger to bring to the light.

100 Greatest Songs

Ever wondered what the 100 greatest songs of all time are? Well trouble yourself no longer – here they are…

(only one song per artist/band; songs with words, not instrumental)

Hells Bells – AC/DC
The Stars We Are – Marc Almond
Uptown Top Ranking – Althea & Donna
Ventura Highway – America
The House of the Rising Sun – The Animals
What a Wonderful World – Louis Armstrong
Across the Universe – The Beatles
Harrow Road – Big Audio Dynamite
Hyperballad – Bjork
The Last Month of the Year – Blind Boys of Alabama
In the Sun – Blondie
Everything I Own – Ken Boothe
Unwashed and Somewhat Slightly Dazed – David Bowie
ESP – Buzzcocks
Folsom Prison Blues – Johnny Cash
White Man in Hammersmith Palais – The Clash
Do you really want to hurt me? – Culture Club
Ninety Nine and a Half – Dorothy Love Coates
Alison – Elvis Costello
Just Like Heaven – The Cure
Eloise – The Damned
Knowledge of Beauty – Dexy’s Midnight Runners
Soolimon – Neil Diamond (from Hot August Night)
The End – The Doors
Fruit Tree – Nick Drake
Ballad of a Thin Man – Bob Dylan
That’s Alright Mama – Elvis
This is the house that Jack built – Aretha Franklin
Sometimes – Michael Franti & Spearhead
Inner City Blues – Marvin Gaye
My Sweet Lord – George Harrison
Hatikvah
Sonny – Bobby Hebb
The Wind Cries Mary – Jimi Hendrix
Winter in America – Gil Scott Heron
A Town Like Malice – The Jam
Jerusalem – hymn
Tainted Love – Gloria Jones
Atmosphere – Joy Division
Danny Boy – Brian Kennedy
Batonga – Angelique Kidjo
Waterloo Sunset – The Kinks
In My Time of Dying – Led Zeppelin
Oh Yoko – John Lennon
Freebird – Lynyrd Skynyrd
Jealousy – Geraldine MacGowan [County Clare’s finest]
Fairytale of New York – Shane MacGowan & Kirsty MacColl
The Snake with Eyes of Garnet – Shane MacGowan & the Popes
The Prince – Madness
Like a Prayer – Madonna
Shot by Both Sides – Magazine
My Little Empire – Manic Street Preachers
Natty Dread – Bob Marley & the Wailers
Don’t Want to Know – John Martyn
Wandrin’ Star – Lee Marvin
Move On Up – Curtis Mayfield
Amazing – George Michael
Monkees theme – The Monkees
Moondance – Van Morrison
Police & Thieves – Junior Murvin
Jerusalem the Golden – Effi Netzer singers
Smells Like Teen Spirit – Nirvana
Raglan Road – Sinead O’Connor
West End Girls – Pet Shop Boys
Julia Dream – Pink Floyd
Public Image Limited – PIL
Fanciness – Shabba Ranks & Lady G
Try a Little Tenderness – Otis Redding
Cold Water – Damien Rice
Sympathy for the Devil – The Rolling Stones
Chase the Devil – Max Romeo & the Upsetters
Street Life – Roxy Music
In a Rut – The Ruts
Anarchy in the UK – The Sex Pistols
If I Was a Bell – Jean Simmons (in Guys & Dolls movie)
One for my baby – Frank Sinatra
Icon – Siouxsie and the Banshees
Because the Night – Patti Smith
Ghost Town – The Specials
For What it’s Worth – Buffalo Springfield
Atlantic City – Bruce Springsteen (MTV Plugged session 1992)
Down on Mississippi – Mavis Staples
Father & Son – Cat Stevens
Runaway Boy – The Stray Cats
You’re the Best Thing – The Style Council
Forbidden Colours – David Sylvian & Ruichi Sakamoto (from Merry Christmas Mr Lawrence)
No Scrubs – TLC
Listening Wind – Talking Heads
Fire & Rain – James Taylor
Treason – Teardrop Explodes
Ain’t Too Proud to Beg – The Temptations
The Boys are Back in Town – Thin Lizzy
One – U2
Ivory Madonna – UB40
Mannish Boy – Muddy Waters
My Generation – The Who
Armagideon Time – Willie Williams
That Girl – Stevie Wonder
Old Man – Neil Young
Freedom Suite – The Young Disciples

Two Sevens Clash

Exodus: Movement of Jah people

1977
Bob Marley recorded Exodus in punk London (he referred to London as his “second home”). He took refuge in the city after having been hit by a bullet the previous year in a politically motivated assassination attempt. The record was released on 3rd June 1977.

1947
The ship Exodus 1947 sailed from the small port of Site near Marseilles on 11th July 1947. On board were 4,515 immigrants from post-war Europe, including 655 children. It was heading to British Mandate Palestine.

As soon as it left French territorial waters British destroyers shadowed it. In the wake of the Second World War, the British had severely restricted immigration to Palestine and eventually decided to stop illegal immigration by sending ships running the gauntlet of the British patrols back to their port of embarkation in Europe. The first ship to which this policy was applied was the Exodus 1947.

We know where we’re going
We know where we’re from
We’re leaving Babylon
We’re going to our Father’s land

On 18th July 1947, nearing the coast of Palestine but outside territorial waters, the British rammed the ship and illegally boarded it. Two immigrants and a member of the crew were killed defending the vessel, bludgeoned to death, and 30 were wounded. The ship was towed to Haifa and the immigrants were deported on prison ships back to France at the suggestion of Foreign Secretary Ernest Bevin (better known for his role in establishing the NHS).

Men and people will fight you down

1977
The Exodus recording sessions, produced by Island Records founder Chris Blackwell, took place in two west London studios: a converted Victorian laundry at the back of Island’s headquarters in St Peter’s Square, Chiswick, and the Basing Street studio, a former church in Notting Hill.

The nightly recording sessions were attended by a sizable rotating posse including the young members of Aswad and their manager, Mikey Dread (who I saw perform with The Clash at the Electric Ballroom in Camden Town); Delroy Washington; and Lucky Gordon (of Profumo Scandal notoriety). Journalist Vivien Goldman remembers the sessions as being recorded “in a mood of exuberant creativity”.

1947
At Port-de-Bouc in southern France the Exodus passengers refused to disembark and remained in the ships’ holds for 24 days during a heatwave – this despite a shortage of food, the overcrowding and dreadful sanitary conditions. The French government refused to co-operate with British attempts at forced disembarkation. Eventually, the British decided to return the would-be immigrants to Germany. These people were mostly survivors of the concentration camps and Nazi German persecution.

So we gonna walk – all right! – through the roads of creation
We the generation
Trod through great tribulation

They were shipped to Hamburg, then forcibly disembarked and transported to two camps near the German port of Lubeck on the Baltic Sea.

World public opinion was outraged by the callousness of the British behaviour and the British were forced to change their policy. Illegal immigrants were no longer sent back to Europe, but instead transported to detention camps in Cyprus.

Open your eyes and look within…
Are you satisfied with the life you’re living?

The escorting British soldiers never returned to their units in Palestine. The ordeal had such an impact on them that a near mutiny erupted among them. The British army decided not to press charges and closed the matter quietly.

The events convinced the US government that the British mandate of Palestine was incapable of handling the issue of post-war Jewish refugees and that a United Nations-brokered solution needed to be found. The US government intensified pressure on the British government to return its mandate to the UN.

1977
Throughout the recording sessions, Bob continued writing songs – Exodus itself emerged quite late and, as Vivien Goldman recounts, “there was a fizzing excitement around that track from the moment it was first laid down.”

Many of the musicians were exiles. Beyond their Jamaican roots was the urge to return to Africa, a desire central to Rastafarian belief. Bob and the Twelve Tribes (a Rasta organisation to which he belonged) were actively exploring the possibilities of land made available by Haile Selassie in Shashamane, Ethiopia.

Goldman recalls: “When the night came to finish the Exodus track, the Basing Street studio was alive with excitement. From the start, the song had its own impetus … at four o’clock in the morning a moment hit when the whole room knew that this one was it.”

1947
Within a year, over half of the original Exodus 1947 passengers had made another attempt at emigrating to Palestine – most found themselves detained in camps in Cyprus. One witness describes the DP (Displaced Persons) Camps on Cyprus thus: “a hot hell of desert sand and wind blowing against tents and tin Nissen huts, a hell circumscribed by two walls of barbed wire whose architecture had come out of Dachau and Treblinka”.

Eventually, after the events around May 1948, the majority of the Exodus exiles made it back to Israel.

Exodus, all right! Movement of Jah people!

2007