Archive for the ‘punk’ Tag
I wrote about 1971 as the key year in music this time last year and this week David Hepworth has released a book on exactly the same theme. I started thinking about this in 2013 when I had a discussion at BAFTA with Malcolm Garrett, designer of the covers of Another Music in a Different Kitchen and Love Bites (referred to below) – Malcolm argued for 1970. Today my friend & best man Stuart Rubenstein proposed 1978 as an alternative. I don’t really buy it as the most significant year but it was a landmark, dynamic one.
Here are a dozen of the LPs that got my blood racing that pivotal year of my youth and I write this listening to Stuart’s 1978 playlist.
1978 was the year I fully got the punk bug thanks to Buzzcocks who released 2 great LPs during those palpitating 12 months. So in no particular order:
(1) Give Em Enough Rope – The Clash
I trudged through the snow to Loppylugs in Edgware to buy this. I saw the tour at the Electric Ballroom in Camden Town with Mikey Dread and Joe Ely supporting, one of the greatest gigs of my life.
(2) The Scream – Siouxsie & the Banshees
Was transfixed by this band, not least the track Switch. Saw them at Hammersmith Odeon and the Music Machine in Mornington Crescent around this time.
(3) Another Music in a Different Kitchen – Buzzcocks
Got this as a Christmas present (at my own request) from someone I didn’t much like. The single from it (which I got first from Smiths in Chichester), What Do I Get, was what opened me up to Punk. The sleeve design was really striking with its silver and fluorescent orange. It was a kick years later to meet its super-talented designer Malcolm Garrett through work. My copy now bears his signature.
(4) Easter – Patti Smith
I was transfixed by the hairy armpit in the cover photo by Robert Mapplethorpe.
(5) Plastic Letters – Blondie
I had a crush on Debbie Harry as Debbie had on Denis. I saw them for my 2nd ever gig at Hammersmith Odeon, as well as outside their record label, Chrysalis, near Bond Street.
(6) Stage – David Bowie
One of the few things outside of punk to catch my attention.
(7) Handsworth Revolution – Steel Pulse
Can’t recall how I came across this but it will have been thanks to the Punk-Reggae axis.
(8) Public Image – Public Image Ltd
How could Johnny Rotten transcend the Pistols? With a single as startling as anything those bad boys did.
(9) An American Prayer – Jim Morrison & The Doors
I still reckon Jim was a significant and talented poet.
(10) Here My Dear – Marvin Gaye
As intense as records ever get – I pictured Marvin alone in the studio in the dark, laying his voice over and over itself.
(11) Moving Targets – Penetration
Something a little exotic from the regions
(12) Power in the Darkness – Tom Robinson Band
My very first gig at Hammersmith Odeon with PJE. I used the stencil which came with this on my school bag.
This has flown in from Dan McKevitt in Carlingford (via Facebook). A musical parlour game for the holidays.The emphasis is on records that have meant a lot to you rather than the all-time greatest.
“Here are the rules. Post up 12 albums on to your timeline that have stayed with you for whatever reason. One album per Artist/Band. Tag 12 friends and get them to do likewise, include me so I can see your choices. Don’t overthink it. Enjoy. No Compilations.”
1 Kind of Blue – Miles Davis [how to become tranquil in 5 easy steps/tracks]
2 Jesus Christ Superstar [as a young teen I used to spend hours and hours drawing and colouring to this]
3 What’s Going On – Marvin Gaye [I played it the night my fist born made his appearance]
4 Another Music In a Different Kitchen – Buzzcocks [my route into punk]
5 A Love Supreme – John Coltrane [took me somewhere higher]
6 Hot August Night – Neil Diamond [the first LP I bought myself – helluva jean jacket]
7 Let’s Dance – David Bowie [helped me find the joy in my first year away from home]
8 Glorious Fool – John Martyn [prompted me to recognise that JM was the greatest singer of them all …ever]
9 Give ’em Enough Rope – The Clash [trudging through the snow to get this from Loppylugs the day it came out – there’s never been such anticipation]
10 Moondance – Van Morrison [contains my eponymous wedding dance]
11 The White Album – The Beatles [teen memories of discovering the Fab Four and others with JRT]
12 The Scream – Siouxsie & the Banshees [will life ever get more exciting?]
Today is Record Shop Day. I’ve been frequenting mine (Alan’s in East Finchley) plenty recently so I’m just making an internal nod to indy record shops and I’ve just played a classic record Spiral Scratch by (the) Buzzcocks (albeit not on vinyl, I’m in the wrong room) – the track I played is Boredom because I’ve been thinking about it a lot yesterday and today.
I’m living in this movie
But it doesn’t move me
I’m the man that’s waiting for the phone to ring
Hear it ring-a-ding-a-fucking-ding
You know me, I’m acting dumb
You know the scene, very humdrum
Boredom, boredom, boredom
I was just out jogging, listening to a podcast with Irish writer John Banville talking about Raymond Chandler and Philip Marlowe. Banville, under his low-brow pen-name Benjamin Black (which I don’t much like – as fake as they come, a bit like Julian Barnes’ Dan Kavanagh), recently wrote a Marlowe book at the request of Chandler’s estate, The Black-Eyed Blonde. Marlowe stories usually start with the gumshoe sitting bored in his down-at-heel office waiting for something to happen, usually a dame walking through the door to give him a knight-errant mission.
Then late last night I was listening to a radio programme from BBC Radio 4 called The Buchan Tradition about John Buchan, marking the centenary year of The 39 Steps. Richard Hannay is bored in London at the start of that ripping yarn when lo and behold a spy dies on his living room carpet and the adventure begins.
That’s also often the case with Sherlock Holmes – he’s bored out of his brain, coked off his face, ennui has well and truly set in when a character shows up at 221b with a juicy mystery to solve.
One of my favourites, a resident of The Shelf of Honour, The Riddle of the Sands by Erskine Childers, opens with the protagonist bored in the “dead and fermenting city”, London in the dog-days of late summer. When the opportunity crops up to sail around the Baltic and North Sea coasts, in spitting distance of imperial Germany, with an English eccentric in an Aran jumper, it’s the perfect cure not just to boredom, but also to the complacency and materialism of modern life. One of my favourite scenes is when Carruthers, the narrator, can’t fit his trunk through the opening into the Dulcibella, the boat he is due to go off for a trip in and he has to dump most of his stuff (which he never really needed).
Recently I watched again one of my all-time favourite movies, Apocalypse Now, with Enfant Terrible No. 1 (a convert to The Godfather movies). Damn it’s good. Great. Nearly perfect. It opens with Captain Willard (Martin Sheen) bored to near-death in a hotel room in Saigon. Waiting for a mission.
Saigon…shit. I’m only in Saigon.
Every time, I think I’m gonna wake up back in the jungle.
I’m here a week now. Waiting for a mission. Getting softer. Every minute I stay in this room, I get weaker. And every minute Charlie squats in the bush…he gets stronger. Each time I looked around…the walls moved in a little tighter.
There’s boredom as debilitating ennui as in Baudelaire’s Les Fleurs du Mal. But there’s also boredom as a motivator, a prompt into adventure. The question is whether in real life the blonde walks through the door or the spy expires on your carpet? Does the ring-a-ding-a-fucking-ding really come?
What piece of music means the most to you?
The guitarist/vocalist from pioneering Belfast punk band Protex picks a short sharp blast of punk-pop not a million miles away from Don’t Ring Me Up and other Protex 2-minuters.
The Song: Sheena Is a Punk Rocker by The Ramones
Here’s how that inspiration played out:
And here’s the inspiration itself: (2 mins 39 V 2 mins 51 – what’s 12 seconds between friends?)
Bach to the Future (James Rhodes)
Pretty much the best day so far. Started out from Terri Hooley’s house in the company of Stuart Bailie, radio presenter on BBC Ulster, head of the Oh Yeah music centre and expert on Van Morrison, having grown up in the same hood. The pair of them gave me a beautiful tour of Van’s East Belfast taking in not only his birthplace in Hyndford Street but all those mythically poetic names like Orangefield, Cyprus Avenue and the like. Stuart really knows his shit, he recently made a radio tour of the place and is making a longer programme along the same lines to be broadcast soon. That’s the pylon where Van arranged to meet, the third one over. That’s where he drunk alone under the bridge, chips in Terri. It was such an evocative way to experience the city.
When we got to Oh Yeah in the Cathedral Quarter, all within spitting distance of Terri’s Northern Irish Punk hub at the old Harp Bar, I took my leave of Terri, a warm hug from a genuinely warm and charming personality, at the entrance to the former whiskey warehouse which is now one of the physical legacies of Terri’s activities over the years, Oh Yeah indeed, and Stuart gave me a really insightful interview, shedding light on some of the more mysterious parts of the Good Vibrations story.
From there I trotted round the corner along the alleyway where Wizard Studios used to be, where Teenage Kicks was recorded. At the end is a red door which marks the new home of Atto Partners, a digital and design agency I work with, having introduced them to the emerging world of multiplatform TV on 4thought.tv . They gave me a bag of Christmas tea – happy days!
Within a literal stone’s throw is the John Hewitt which seemed as good a place as any to hook up with my old friend KVLR, Kev Largey to dull mortals. He’s an artist who does a lot of top class work on the streets of Belfast and Dublin. One of his pieces opposite where we were seated happens to be on page 194 of Terri’s book Hooleygan. It’s beside the Art Deco arcade where Terri’s shop was immolated by the forces of darkness. [see Day 75 post for eejits and incendiary devices].
Kev took me on a splendid tour of the best of the top-notch street art around North Street where Good Vibrations currently resides. He gave me a bag of dried seaweed – happy days! It’s a Belfast favourite, which he picked up as we passed a greengrocer’s stall, to give me my first taste – it brings the sea to you like nothing else, even shellfish and fishfish, the minute you start chewing. It brought back memories of the seaweed baths my beautiful young bride and I visited in Enniscrone, Co. Sligo on our honeymoon.
To round off a perfect day we popped in to the record shop below Kev’s studio where I found some of Malcolm Garrett’s finest work for Buzzcocks [more of him in the new year] and a bootleg or promo album entitled On The Road with, yes you’ve guessed it, Allen Ginsberg on the cover sitting with Bob Dylan beside Jack Kerouac’s grave. Waiting for me or what?
Writing this one in Terri Hooley’s kitchen with Terri at the table sorting out his Facebook and emails. On the fridge door is a magnet saying “In the kingdom of the blind, the one-eyed man is king”. The weird thing is that is from 4Talent, a Channel 4 talent development initiative I was in charge of establishing in my first years there. It couldn’t have ended up in a more appropriate place after all these years (it must be a good five years old by now, more probably).
I spent the whole of Day 75 in Belfast with Terri, mainly at his Good Vibrations record store on North Street. I picked up a copy of Teenage Kicks there for a fiver. How could you not? – it was on the wall crying out to me. I also picked up a New Order LP with a Saville cover and not much by way of writing – no title or band name as was the Factory way, just FAC153 on the spine.
Terri took me on a tour of the area past the site of Wizard recording studio where Teenage Kicks among other Good Vibes things was recorded. We also went by the site of the Harp Bar, hub of Punk Belfast. We ended in the John Hewitt for a swift pint or three. I’d been there in the past, originally with Peter Logue, then Channel 4’s Man in Northern Ireland, and later with Kev Largey aka KVLR, a (street) artist who I first met through 4Talent – then known as Ideasfactory Northern Ireland – and one of whose pieces appears in Terri’s book Hooleygan.
We headed back to East Belfast to Van territory and Terri’s place to do an interview which was quite revealing about the kind of person Terri is and therefore some of what fuelled his catalysing of Punk in Belfast, which proved to be an important act in the context of the bleak days of The Troubles. He has many things in common with Tony Wilson (and some key differences) but the political dimension and the urgency of need to provide an alternative were particular to Terri’s situation and enabled him to help deliver the Needed Thing at the right time.
As we sat up late partaking of some grapejuice, listening to Stuart Bailie’s show on Radio Ulster (with roots in John Peel), news came on about a failed incendiary device attack in Belfast city centre around the time we were in the Hewitt. Some eejit ended up setting himself on fire. Kingdom of the Blind.
Day 73 was centred on Terri Hooley, the man behind Good Vibrations record shop and label in Belfast. He’s a complementary case study to Tony Wilson in the Music chapter, also illustrating the underlying theme of creating from where you are and resisting the drag to the centre/capital.
There was an endearing movie released earlier this year about him called Good Vibrations, similar in vibe to Sex and Drugs and Rock’n’Roll and Telstar. My friend Adie Dunbar made a spirited appearance as a Republican gangster in one of the all-time dodgiest wigs, worthy of a series in its own right.
I’m going to see Terri in Belfast straight after this weekend on Day 75 which I’m very much looking forward to.
My nephew gave me an early Good Vibrations 45 for The Box – One by One by Ruefrex. He was given it by Terri one day when passing through the shop in Belfast. I think I’ll repatriate it (if only temporarily) just for a sense of poetic completion.
I’m writing this one from BBC Media Centre while getting ready for tonight’s broadcast of Health Freaks, a new series I have been working on, the only Channel 4 work I have carried in to my sabbatical.
I have spent most of the afternoon writing happily away outside a cafe on the King’s Road, Chelsea within spitting distance of Malcolm McLaren and Vivienne Westwood’s SEX shop. May the spirit of Punk rub off on me. I’m writing away at the Paul Arden chapter and in his contrariness is at least something of punk appeal. In a distinctly non- punk vein, for mid-October a remarkably mild afternoon which I thoroughly enjoyed sitting out in.
Prior to my writing burst, I was round the corner at The Chelsea Arts Club interviewing an advertising photographers’ agent, David Lambert, who worked with Paul Arden from 1974. As I walked into the club I saw a notice on the board announcing the death of Carolyn Cassady, who had been a member – reminding me of my lesson from Carolyn: strike while the iron’s hot when it comes to interviews.
While sitting outside the cafe at the Bluebird I organised a meeting with actress Gaye Brown who, apart from working with Joan Littlewood, was in Kubrick’s A Clockwork Orange (in that magical year, 1971).
David was very generous with his time and stories, and seemed to be enjoying recalling these tales which linked one to another as he hauled them up from the 70s and 80s. He stars in my opening emblematic scene in the Advertising chapter so it was good to get the story direct from him. The version I’ve already written is very accurate it turns out, I just got one extra telling detail from the from-the-horse’s mouth version as well as the chance to compare notes on what it actually means.
The Chelsea Arts Club was a strange affair on a weekday afternoon. Some ladies who lunch, some ageing types with no pressing need to work, the ubiquitous newspaper reader. It felt full of heritage with people on the past chairmen list like Whistler, Philip Wilson Steer and John Lavery but I didn’t recognise any of the last decade’s lot and only Sir Chris Powell was known to me on the current officials photo- board. Not the friendliest place I’ve ever been – CAC? we’ll leave the jury out on that.
As I walked back down Old Church Street Adrian Dunbar rang to confirm arrangements for tomorrow’s trip back to the Littlewood archives. He wanted to bring Janet Behan with, Brendan’s niece (author of Brendan at the Chelsea), but the times wouldn’t work out so that will have to be a separate visit. These little chains of connection are fascinating and the root of the excitement of the project – as well as the very essence of Creativity.
A convo with Tim Wright and others inspired two new hashtags today:
#bestswop What was the best swop you ever did in your life?
#worstswop What was the worst swop you ever did in your life?
I was reflecting on my photo of Neil Armstrong yesterday, it being the 40th anniversary of the launch of Apollo 11:
“Looking at my signed photo of Neil Armstrong on this resonant day – got it by swopping for a signed Damned single with editor Mark Reynolds” about 22 hours ago from web (Mark and I were making a film about Helen Sharman, the first British astronaut)
richpayne88 mentioned “he also very rarely signs autographs – sounds like an amazing swap. I’ll trade you for these five magic beans” The irony is Mark’s aunt didn’t believe the autograph was real when it arrived at her young nephew’s home in Leeds. She explained to him ‘they just print them’, licked her finger, wiped it across the signature – and the smudge is still there.
So here’s the best best and best worst swops to have emerged today…
I swapped houses! Only for three weeks mind you. I got their fabulous home in Melbourne complete with pool and tennis courts etc and they got my terraced house in Hackney. Happy days…
finance for technology
St.Albans for London
[ A signed Damned single (late one, not great) for a signed photo of Neil Armstrong (he stood on the frigging moon! – first) ]
My ZX Spectrum for an Amstrad. Doh.
[ childhood for adulthood ]
manhood 4 parenthood
I swapped my last Rolo for a kiss, the Rolo would have been more satisfying and tastier.
a pride of lions for a hope of rain.
i swapped an inflatable hammer for a bean encrusted pan at leeds fest
I swapped £4000 for new posh carpet in my flat…and I’ll be reminded of it until I move…i hate myself…”shoes off!”
Feel free to add more using #bestswop #worstswop on Twitter or using the Comments below
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Shame this will never trend – our American cousins, I believe, spell ‘swop’ S W A P