My Favourite Documentaries – Take 2

see My Favourite Documentaries for the background to this list

being blacker molly dineen adam gee

Being with Blacker

  • Man with a Movie Camera (Dziga Vertov, 1929) – I came across it while studying Avant Garde literature, painting & film as part of my Modern Languages degree – my iPad is engraved on the back “I, a machine, am showing you a world, the likes of which only I can see”, a quotation from Vertov
  • German Concentration Camps Factual Survey (Sidney Bernstein & Alfred Hitchcock, 1945) – perhaps the most important documentary ever made
  • Up (Michael Apted, Paul Almond 1963>) – what I learnt from Michael Apted in Rome
  • Don’t Look Back (D.A. Pennebaker, 1967) – my visit to the location of the Subterranean Homesick Blues promo
  • Woodstock (Michael Wadleigh, 1970) – last watched it (in part, on multiple screens) at the brilliant You Say You Want a Revolution exhibition at the V&A
  • Meeting the Man (Terence Dixon, 1970) – James Baldwin at his best, shot by my first boss Jack Hazan
  • A Bigger Splash (Jack Hazan, 1973) – British vérité; still hoping to do a James Baldwin doc with Jack
  • World At War (Jeremy Isaacs, 1973 – esp. Holocaust episode) – I found out about the Holocaust from this series when I was 15 or 16; I briefly met Jeremy Isaacs at Channel 4, in whose founding he was instrumental, and we discussed multiplatform TV
  • Rude Boy (Jack Hazan & David Mingay, 1980) – my first employers
  • Shoah (Claude Lanzmann, 1985) – the great directorial lesson in the use of detail to prompt memory
  • Hearts of Darkness (Werner Herzog, 1991) – spinning out my favourite movie made in my lifetime
  • When We Were Kings (Leon Gast, 1996) – captured the legend of Ali perfectly, above all in the shot of the dented punch-bag
  • One Day in September (Kevin MacDonald, 1999) – distributed by Redbus who funded my dot com start-up
  • Bowling for Columbine (Michael Moore, 2002) – he sent an email to my book group at my prompting when we read his Stupid White Men
  • Clowns in the Hood (David LaChapelle, 2003) Jess Search gave me this one – still have the VHS
  • Jump London (Mike Christie, 2003) – the 2nd best thing made at Channel 4 during my 13 years there (Cost of Living, with DV8 was the best)
  • The Future is Unwritten (Julian Temple, 2007) – made at Film4 during my time at C4
  • Waltz with Bashir (Ari Folman, 2008) – the most convincing, organic use of animation in documentary
  • Man on Wire (James Marsh, 2008) – had dinner with James in Brussels in 2008 with my friend Jan Younghusband, then Arts Commissioning Editor at C4
  • Oil City Confidential (Julian Temple, 2009) – captured the legend of Wilko Johnson perfectly, above all playing Roxette
  • Requiem for Detroit? (Julian Temple, 2010) – execed by my mentor, Roger Graef
  • Searching for Sugar Man (Malik Bendjelloul, 2012) – saw Malik and Rodriguez (performing) at Sheffield Doc Fest in 2012
  • Night Will Fall (Andre Singer, 2014) – was with André when he went to Yad Vashem during the making of this; have been working on a spin-off project related to this on and off over the last 5 years
  • The Black Panthers: Vanguard of the Revolution (Stanley Nelson, 2015) – discussed the film with Stanley in Sheffield in 2015: I said things hadn’t improved much for African Americans since the Panthers, he thought they had
  • After The Dance (Daisy Asquith, 2015) – first encountered Daisy in 2006 working on My New Home at Channel 4
  • 13th (Ava DuVernay, 2016) – a heart-rendingly powerful argument (that slavery was morphed into the penitentiary)
  • Faces Places (Agnes Varda & JR, 2017) – a perfect blend of still and moving pictures
  • Minding the Gap (Bing Liu, 2018) – I saw Bing present the film at Doc Fest; I use it often when lecturing as an example of iterative development (it started life as a skating short)
  • Being Blacker (Molly Dineen, 2018) – met Blacker at the premiere [see photo above]
  • Three Identical Strangers (Tim Wardle, 2018) – crossed paths with the Producer, Becky Read, at C4
  • RBG (Julie Cohen & Betsy West, 2018) – a fascinating protagonist
  • Marianne & Leonard: Words of Love (Nick Broomfield, 2019) – had a brief email correspondence with Nick about the film after the Sheffield DocFest screening in June (2019)
  • Rolling Thunder Review: A Bob Dylan Story (Martin Scorsese, 2019) – was high for four days after watching this, it was so good
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese

Being with Joan

 

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2 comments so far

  1. […] as mentioned recently in my list of My Favourite Documentaries. […]

  2. ArkAngel on

    Evelyn (Orlando von Einsiedel, 2018)


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