Archive for the ‘books’ Category
So back to Trigger Mortis. The question was: Is the cover superior to the content of the new Bond book by Anthony Horowitz? I ended up reading it as a double bill with Fleming’s own rocket book Moonraker. So that’s this one, set in 1957 and published in 2015:
versus this one, set in 1955 (I think) and published in 1955:
Somehow Trigger Mortis fails to capture the essence of Bond – it lacks his hard brutality and the underlying S&M going on in Fleming’s books. The cover wins out in the end. Though even the cover loses out to echt Fleming. The flame cover of the Jonathan Cape 1st edition of April 1955 was conceived by the author. The Pan ones are charming version after version.
This is the edition I read, picked up at Black Gull Books, East Finchley. A nice phallic rocket and a slightly naughty underwear shot (resonant of the beach skinnydipping scene with Gala Brand under the virgin white cliffs of the Kent coast).
For anyone else who embarks on Trigger Mortis, and don’t get me wrong it’s an entertaining enough read, there are a couple of fine machines towards the climax which are worth following up. First of all the Triumph Thunderbird 650cc on which Bond and the heroine Jeopardy Lane chase the baddie into the centre of New York City.
The baddie meanwhile is hurtling along on the R-11 subway train, the so-called ‘Million Dollar Train’. As Horowitz explains, “they had caught the spirit and dynamism of the (post-war) age.”
Bond is a world of style and glittering surfaces, the right motorcycle and subway carriages as much as car, watch or booze.
Apparently I registered with WordPress 9 years ago today. How time flies. I’ve got to fly myself now (to Bournemouth to drop off Enfant Terrible No. 1, which is a far more important landmark) so this is a quickie to reflect on the statute of limitations on titles. I’ve written before on the importance of titles such as in Starless and Bible Black.
Any way, it looks like 56 years is the statute of limitation in the world of Anthony Horowitz / James Bond / The Fleming Estate. The title of the new, just published Bond book is Trigger Mortis. The book below was published in 1959 and it’s also a thriller.
By the looks of things, the covers are far superior to the contents. Whether that’s the case with the new Horowitz book, I’ll find out soon as I broached it last night. Its cover is well designed and cool but not much fun, promising something very different to Frank Kane and Johnny Liddell. The title’s crucial. and so is the cover/image. That applies equally to other media such as the one I’m currently focused on: Short Form Video.
I marked the 10th anniversary of our old slippers of a book group by listing all that we had read to that auspicious date. The personnel is remarkably stable, adding members very rarely, so to herald the arrival of my friend Martin Bright I am updating the list:
- In the Country of Men – Hisham Matar (Jun 15)
- The Bone Clocks – David Mitchell * (Apr 15)
- The Narrow Road to the Deep North – Richard Flanagan (Mar 15)
- Oblivion – David Foster Wallace (Nov 14)
- The Leopard – Giuseppe Tomasi di Lampedusa (Sep 14)
- What Was Promised – Tobias Hill (Jun 14)
- Stoner – John Williams * (Apr 14)
- Rabbit at Rest – John Updike *** (Feb 14)
- Hateship, Friendship, Courtship, Loveship, Marriage – Alice Munro (Dec 13)
- May We Be Forgiven – A. M. Homes (Nov 13)
- Irretrievable -Theodor Fontane (Sept 13)
- Wise Men -Stuart Nadler (July 13)
- Bring out the Bodies – Hilary Mantel (March 13)
- Yellow Birds – Kevin Powers (Jan 13)
- There’s no such thing as a free press – Mick Hume (Dec 12)
- Love and Summer – William Trevor (Nov 12)
- The Uncoupling – Meg Wolitzer (July 12)
- A Death in the Family – Karl Ove Knausgaard (May 12)
- Nemesis – Philip Roth ** (April 12)
- Old School – Tobias Wolff (March 12)
- A Connecticut Yankee in King Arthur’s Court – Mark Twain (Jan 12)
- the first ten years
I’ve been in a book group with some old school friends and a motley crew of other geezers for 13 and a bit years now. Here is a summary of our first 10 years. Well it’s my turn to choose the book again now – it takes 18-24 months for the honour to come round these days so you can’t take it lightly. I put a call out to social media friends for books that had really changed their lives or ways of seeing the world. Loads of interesting suggestions came in and rather than let them fade away in the ephemeral world of Facebook etc. I thought I’d save them here so other people in other book groups/book clubs/reading groups could make use of the titles. (The quotations are from the friends making the suggestions.)
- Out Stealing Horses – Per Petterson
- Crossing to Safety, Wallace Stegner
- A Fine Balance – Rohinton Mistry
- My brilliant friend – Elena Ferrante
- Random Family – Adrian Nicole LeBlanc
- Kevin Barry’s City Of Bohane
- Don de Lillo’s Underworld
- Marquez’ Love in the Time of Cholera
- Fugitive Pieces, Anne Michaels – “made me think differently about how the past shapes your present/future and how as individuals we get to choose if the negative parts of our past consume our futures or not. It is also beautifully written and made me revisit poetry too.” “it is the book that taught me how beautiful words can be”
- Middlesex – Jeffrey Eugenides
- The social animal – David Brooks
- Do No Harm – Henry Marsh
- Andre Agassi’s “Open”
- The Life of Lazarillo de Tormes and of His Fortunes and Adversities
- Us – David Nicholls
- Amongst Women by John McGahern
- Malloy by Samuel Beckett
- The Master by Colm Tóibín
- The Country Girls by Edna O’ Brien
- Foster by Claire Keegan
- At Swim Two Birds by Flann O’ Brien
- The Quest for Corvo – AJA Symons
- Good Behaviour by Molly Keane
- Birchwood by John Banville
- How Many Miles to Babylon by Jennifer Johnston
- The Speckled People by Hugo Hamilton
- Love’s Work – Gillian Rose
- The History of History – Ida Hatemer-Higgins
- Inventing God, Nicholas Mosley – “felt my mind shifting on religion/geopolitics/Middle East. God as the greatest invention of humankind. Humanist but generous to those who have faith – a gentle riposte to the Hitchens/Dawkins approach. In a novel.”
- A window for one year – John Irving
- A Prayer for Owen Meany – John Irving – “love, friendship and sacrifice”
- Wild, Cheyl Strayed
- Dracula – Bram Stoker
- The Sisters Brothers – Patrick deWitt
- Heart of Darkness – Joseph Conrad
- For whom the bell tolls – Ernest Hemingway
- To the End of the Land, David Grossman
- Cat’s Eye by Margaret Atwood – “felt the terror of teenage girls when read and re-read both as a teenage girl/40 yr old woman”
- The Crossing by Cormac McCarthy – “felt the power and grace of the quiet man”
- Things Fall Apart – Chinwe Achebe
- Cory Doctorow’s Little Brother “Made me respect young people more”
- A Thousand Splendid Suns – Khaled Hosseini
- The Mezzanine by Nicolson Baker “It’s very short, very unlikely and some in the group will HATE it and for others it’ll change the way they look at the world around them. You’ll never see perforations or a straw in a fizzy drink the same way again.”
- Margaret Atwood’s The Edible Woman – “had a huge influence on my going to university and recognising the need to never find oneself in a position where you are wholly reliant on a man. All teenage girls should read it.”
- William Leith’s The Hungry Years “taught me how not to be a food addict”
- Cervantes’ Don Quixote “taught me to rely on my inner compass rather than external signage.”
- Thomas Pynchon’s Gravity’s Rainbow “showed me that our personal interpretation is where the colour and joy of the world are to be found, but to keep it just shy of solipsism”
- Alexander Trocchi’s Cain’s Book “became my personal cultural key to unlocking New York”
- Stoner – John Williams
- Steppenwolf – Hermann Hesse “made me see my middle class/ inner animal struggle in a clear & cleansing light, Damn you Herman Hesse!”
- Plumed serpent, D. H. Lawrence – “opening to the mythic underbelly”
- Henry James’s ‘The Portrait of a Lady’ “because his characters are so compelling and so flawed. Our heroine’s youthful arrogance and stubbornness sees her turn down suitors because she values above all her freedom, only to find herself trapped in a way she could not have imagined. I was excited at her prospects and I feared for her. There were other characters I was rooting for too! Having re-read it more than 20 years later, I was interested and surprised to find I had more compassion for some characters I disliked intensely and impatience for those I felt sympathy for when I read it as a teenager. A truly astonishing, complex masterpiece.”
- The Book Thief – Markus Zusak
- Cormac McCarthy’s The Road “is the most piercing book I’ve read. The description of the trials faced by the father and son has stayed with me for years.”
- 1984 – George Orwell – “”We are the dead” “You are the dead” stopped me in my 13 year old tracks. Never saw it coming”
- Thomas Pynchon’s Against The Day – “because it really does require you to take a big chunk out of your life to read it – Rams home the idea that reading is subversive: stops you working, earning, socialising and kinda does stop time.”
- A fraction of the whole – Steve toltz
- Douglas Coupland’s ‘Microserfs’
- Be Here Now – Ram Dass
- Brave New World – Aldous Huxley
- The Five People You Meet in Heaven by Mitch Albom
- The english and their history by Robert tombs – “Amazing and definitive book that filled in every gap for me in understanding where we live and why it is how it is”
- The Spinoza Problem by Irvin Yalom “Despite the title, it’s a real page turner. Yalom goes back and forth between Spinoza and Rosenberg (part of Hitler’s propoganda machine). My book club had a fantastic discussion.”
- Delusions of Gender: How Our Minds, Society, and Neurosexism Create Difference by Cordelia Fine
- Humanity: A Moral History of The 20th Century by Professor Jonathan Glover
- Lolita -Vladimir Nabokov
- The Bone People by Keri Hulme
- Homage To Catalonia – George Orwell
- The Unbearable Lightness of Beingby Milan Kundera
- The Wind-up Bird Chronicle -Haruki Murakami – “Extraordinary writing that made me see the world differently”
- Strangers on a Train – Patricia Highsmith
- Rebecca by Daphne Du Maurier
- House of Leaves – Mark Z. Danielewski
- Angel by Elizabeth Taylor
Again, thanks to all those who kindly contributed to the list.
In the end I opted for The Bone Clocks by David Mitchell (partly because I thought Cloud Atlas was something pretty special). Will report back on how it goes.
A friend of mine, Carol, (aka The Naked Novelist) via my bestman Stuart, passed on a challenge this week: to list the 10 books that have had the most impact on my life. So that’s impact, not my favourite 10.
Here’s my stab at it…
1. ‘Here We Go’ – the Janet and John book I learnt to read with: “Look, Janet, look!”
3. ‘Paradise Lost’ Books 1 & 2, John Milton ed. John Broadbent – the poetry’s pretty damn good but the footnotes were a revelation – it helped me realise school subjects are artificial divisions and everything’s connected to everything else. “Of man’s disobedience and the fruit of that forbidden tree…”
5. ‘The Dinosaur Strain’, Mark Brown – got me into the subject of Creative Thinking, led to me making a computer game (MindGym) and ultimately to writing my own book about Creativity, ‘When Sparks Fly’ (5/8 finished, interviewed Jamie Oliver for it today)
6. ‘Romeo and Juliet’, Shakey – emblematic of the year I had an inspiring teacher (English teacher of course – Mr Fitch RIP MA Cantab) who got me really reading
7. ‘The Riddle of the Sands’, Erskine Childers – made me realise what a burden material possessions can be in the scene where the protagonist can’t get his trunk into the sailing boat and has to dump all his shit on the quay
If it’s not too Neknominate, please do share your Top Impact 10 below (or a link to it)…
…and because I enjoyed the movie so much this evening at The Phoenix on the high road in East Finchley, here are four of the supporting characters (one of whom lives in Blighty now, in Bracknell of all unhip places)
Ten years in the life of a London book group…
Atonement – Ian McEwan (Nov 2001) *
Oxygen – Andrew Miller (Dec 01)
The Corrections – Jonathan Franzen (Jan 02) ***
Stupid White Men – Michael Moore (Mar 02)
Rings of Saturn – WG Sebald (Apr 02)
The Year of the Goat – Mario Vargas Llosa (Jun 02)
Twelve Bar Blues – Patrick Neate (Sep 02)
Swann’s Way – Marcel Proust ??? (Oct 02)
Life of Pi – Yann Martel (Jan 03) *
A Fine Balance – Rohan Mistry (Mar 03)
Light of Day – Graham Swift (May 03)
After the Quake – Haruki Murakami (June 03)
Code of the Woosters- PG Wodehouse (July 03) **
Voyage au bout de la Nuit – Celine (Sept 03)
Revolutionary Road – Richard Yates (Oct 03)
Tomorrow’s People – Susan Greenfield (Dec 03)
Touching the Void – Joe Simpson (Jan O4)
Vernon God Little – DBC Pierre (March 04) **
Elizabeth Costello – J. M. Coetzee (April 04)
The Comedians -Graham Greene (June 04)
The Line of Beauty – Alan Hollinghurst (Sept 04)
Clear – Nicola Barker (Nov 04)
Havoc in its Third Year -Ronan Bennett (Dec 04)
The Plot against America – Philip Roth (Jan 05)
A Heart so White – Javier Marias (March 05)
A Tale of Love and Darkness – Amos Oz (April 05) **
Saturday – Ian McEwan (June 05)
The Radetzky March – Joseph Roth (July 05)
Identity -Milan Kundera (Sept 05)
Oryx and Crake – Margaret Atwood (Nov 05) **
We need to talk about Kevin – Lionel Shriver (Dec 05)
The Kite Runner – Khaled Hosseini (Jan 06)
Cloud Atlas – David Mitchell (March 06) ***
Prague – Arthur Phillips (May 06)
Things Fall Apart – Chinua Achebe (July 06)
Kalooki Nights – Howard Jacobson (Sept 06) **
People’s Act of Love – James Meek (Nov 06)
The Woman in White – Wilkie Collins (Jan 07) **
The Secret River – Kate Grenville (Mar 07)
Homo Faber -Max Frisch (May 07)
My Name is Red – Orhan Pamuk (Sep 07)
Run Rabbit Run – John Updike (Nov 07)
In Cold Blood – Truman Capote (Jan 08)
Blindness – José Saramago (Feb 08)
What Sport Tells Us About Life – Ed Smith (May 08)
The Enchantress of Florence – Salman Rushdie (Jul 08)
The Yiddish Policemen’s Union – Michael Chabon (Sep 08) **
Engleby – Sebastian Faulks (Nov 08)
Homecoming – Bernhard Schlink (Jan 09)
Audacity of Hope – Barrack Obama (Feb 09)
Oscar Wao – Juan Diaz (Apr 09) *
Humboldt’s Gift – Saul Bellow (Jun 09)
Scoop – Evelyn Waugh ** (Nov 09)
Pnin – Nabokov (Jan 10)
Therese Raquin – Emile Zola (Mar 10)
The Razor’s Edge – Somerset Maugham (May 10)*
The Death of Ivan Ilyich / Kreuzer Sonata – Tolstoy (Jul 10)
Alone in Berlin – Hans Fallada (Aug 10)
Freedom – Jonathan Franzen (Sep 10) *
Byzantium Endures – Michael Moorcock (Jan 11)
The Bottle Factory Outing – Beryl Bainbridge (Mar 11)
The Heather Blazing – Colm Toibin (Apr 11)
The Tunnel – William H. Gass (Jun 11)
Manhattan Transfer – John Dos Passos (Aug 11)
The Sisters Brothers – Patrick deWitt (Oct 11)*
A Connecticut Yankee in King Arthur’s Court – Mark Twain (Nov 2011)
Had a good role in the Hay this week, doing a speaking session chaired by Sky News’ Political Editor Adam Boulton with the likes of Dr Who director Euros Lyn and ITV Wales news and sports presenter Frances Donovan.
As I was driving towards the Hay Festival from Hereford train station in my chaffeur-driven Jag (could easily get used to that) I leafed through the programme. I kept seeing the name Peter Florence which seemed very familiar for reasons I couldn’t figure. It turned out Peter, the founder of the Festival, was at university with me and a fellow linguist. We had a nice chat when I arrived at the Festival site and I recognised him easily enough after all these years, an affable fella. It’s quite an event he’s built up over the years (with his dad originally I think) and well worth his MBE.
I nabbed a delightful hour trolling around the second-hand bookshop in the former cinema – I came away with a perfect crop: a novel about Manet, a Pierre et Gilles picture book, a Phillip Kerr thriller and a signed Martin Gilbert history book.
My one evening there I spent delightfully with an author friend of mine met thanks to Wikipedia (but that’s another story).
I got the chance to take in a couple of events (on the look out for arts presenting talent) – a session on the forthcoming British Art Show 7 featuring three of the selected artists and the two curators. BAS 4 in 1995 (it’s a 5-yearly review show) was the one that showcased the YBAs. 2009 Turner Prize nominee Roger Hiorns, famed for his copper sulphate council flat (Seizure) and pulverised jet engine, cut an intriguing Hockneyesque boyish figure. I also caught a lecture on Henry Moore by the curator of the current Tate Britain show, Chris Stephens, which was fascinating, prompting us to refresh how we see Moore and to appreciate his radical edge and dark side more. The comparisons he made by juxtaposing Moore sculptures with Robert Capa photographs was convincingly illuminating.
I spent a good part of the afternoon hanging out in the Green Room, tapping away beside Adam Hart-Davis in dubious shorts/boots/socks combo. Highlights of the passing faces ranged from Ian McEwan (I’m a big fan of Atonement) to Andrew Marr (I mainly catch him on Start the Week). I also enjoyed chatting with Adam Boulton’s wife, Anji Hunter, formerly Tony Blair’s aide. Likewise it was great to get an insight from Adam on his recent, already legendary clash with Alastair Campbell. It didn’t feel like the time&place to raise the issue of that sneaky non-viewer question to Nick Clegg during the Sky leaders debate.
Headed home in the company of the Derek Browne, former British triple jumper and investment banker, now focused on encouraging entrepreneurial initiative in the country’s young people through his outfit Entrepreneurs in Action.
Bookishness is what I’ve always loved about Cambridge (where I first met Peter Florence) and Hay has the same vibe in its own way – a particular kind of tranquility and a top Simple Pleasure. It’s a real battery-charger to immerse yourself for 48 hours in art and books.
Coming soon on Simple Pleasures 4: My latest project about to enter private beta – a literary one.
Here’s a rather salutary assessment of the economy from our Chairman here at Channel 4, Luke Johnson, in the FT. I have to say, it resonates for me – I’m pretty much a “a house is for living in” kinda guy.
For too long it has been more profitable in the west
to finance consumption rather than production.
That cannot continue. I am afraid that the west’s credibility
– and luck – has run out.
In the early days of Simple Pleasures 4 I began reflecting on what people really need, a stream of consciousness prompted by a Demos gathering which reminded me of a book which had really gotten me thinking – Coasting by Jonathan Raban.
Been meaning to get back to that post, Reflections on the Fundamentals of Life, for ages – nothing like a bit of financial meltdown to encourage thinking about the principles of economics.
So what did Coasting prompt? Looking back I seem to have re-invented Maslow’s Heirarchy of Needs. Still, no harm working out stuff for yourself.
What struck me last week, the week of the US presidential inauguration, was that Britain is in desperate need of a bit of self-confidence. With the City fucked by its own petard and North Sea oil drying up we’re really going to have to work out where we add value to the world.
So we arrive on earth like the Terminator, naked and balled up as a package with the basic needs outlined in that earlier post. The economics of our existence start from the need to cover those basic needs by doing the equivalent amount of work or value adding. But those needs simply meet our bestial basics. As King Lear argues, we need something over and above that to make life worth living.
“O reason not the need! Our basest beggars
Are in the poorest thing superfluous.
Allow not nature more than nature needs,
Man’s life is cheap as beast’s.”
Watching Vicky Cristina Barcelona the other week, what constitutes that ‘something over’ has got really out of whack. The New York life-style portrayed in the movie (through Vicky’s impending marriage) was truly repellent.
The shift of emphasis from consumption to production and adding value could be the silver lining of these dark clouds. Is this the moment when we reflect and recognise what is true value and what matters? These are themes that have been on my mind over the last couple of years such as in this post prompted by a Buffalo Springfield classic.
The schadenfreude around the collapse of the banks, or more so, the bankers stems from the fact most of them don’t produce anything or add value – they guess and they gamble, they speculate and they risk, they continue to short-sell bank shares the moment the ban is lifted to profit as usual at other people’s expense.
Talking of profiting at other people’s expense, Luke’s article reminds me of a bafflement I had as a teenager about just how did the economies of the West and the rest fit together. How come American’s have those huge fridges and South-East Asians live in huts, scraping together a bit of meat to go with their bowl of rice? How come we get paid hundreds of pounds a day when for equal effort and more they get pence? How come poverty here comes with a 32″ telly? A good friend of mine lent me when we were teens a copy of a JK Galbraith book, The Nature of Mass Poverty I think it was, which I struggled with but didn’t ultimately come to grips with – I’d probably get on much better with it now as the interest is truly there.
Luke raises similar questions: So why should industrious Asians earn a tiny fraction of what citizens in the west earn? Especially when they have so much of the cash and productive resources, while we have deficits, high costs and poor demographics.
Now what I know about economics you can fit on the back of an ATM slip – hence this second stream of consciousness thinking out loud.
Around the JKG time I was also baffled by how can this constant growth add up? How can countries expect to grow year on year with finite resources? How can we expect pay rises as a given year on year? Doesn’t there come a point where no matter how clever you are about squeezing the most out of existing resources and in creating technology to increase productivity those two graph lines eventually run into each other and cross?
My gut feeling about this moment is that we must use it as a time to readjust our values, to refocus on what is really important. We must use it to refocus as a country and as individuals on what value we can add. Having said that, it was a bit depressing to see the reactions to falling oil prices – after a few weeks of people really thinking about the car journeys they were making, the headlines swiftly reverted to ‘Supermarket forecourt price wars!’
The next three commissions on my plan are Landshare, where people who want to grow their own food are linked to people who have bits of land which can be grown on; the Secret Millionaire online where the online community get to give a million pounds to community groups and small charities which quietly add value, largely unseen; and a project on Adoption that tries to highlight the value of each and every child and enable it to be realised fully. I feel they are the product of a particular positive, back-to-basics vibe. Despite the grimness of the IMF report which ranks Britain’s economy as the most adversely impacted this year of any major economy and the Lords scandal which ranks Britain’s high ranks as smelling as rank as it comes, I can’t help but feel there’s opportunity here…