Archive for the ‘books’ Category
I marked the 10th anniversary of our old slippers of a book group by listing all that we had read to that auspicious date. The personnel is remarkably stable, adding members very rarely, so to herald the arrival of my friend Martin Bright I am updating the list:
- In the Country of Men – Hisham Matar (Jun 15)
- The Bone Clocks – David Mitchell * (Apr 15)
- The Narrow Road to the Deep North – Richard Flanagan (Mar 15)
- Oblivion – David Foster Wallace (Nov 14)
- The Leopard – Giuseppe Tomasi di Lampedusa (Sep 14)
- What Was Promised – Tobias Hill (Jun 14)
- Stoner – John Williams * (Apr 14)
- Rabbit at Rest – John Updike *** (Feb 14)
- Hateship, Friendship, Courtship, Loveship, Marriage – Alice Munro (Dec 13)
- May We Be Forgiven – A. M. Homes (Nov 13)
- Irretrievable -Theodor Fontane (Sept 13)
- Wise Men -Stuart Nadler (July 13)
- Bring out the Bodies – Hilary Mantel (March 13)
- Yellow Birds – Kevin Powers (Jan 13)
- There’s no such thing as a free press – Mick Hume (Dec 12)
- Love and Summer – William Trevor (Nov 12)
- The Uncoupling – Meg Wolitzer (July 12)
- A Death in the Family – Karl Ove Knausgaard (May 12)
- Nemesis – Philip Roth ** (April 12)
- Old School – Tobias Wolff (March 12)
- A Connecticut Yankee in King Arthur’s Court – Mark Twain (Jan 12)
- the first ten years
I’ve been in a book group with some old school friends and a motley crew of other geezers for 13 and a bit years now. Here is a summary of our first 10 years. Well it’s my turn to choose the book again now – it takes 18-24 months for the honour to come round these days so you can’t take it lightly. I put a call out to social media friends for books that had really changed their lives or ways of seeing the world. Loads of interesting suggestions came in and rather than let them fade away in the ephemeral world of Facebook etc. I thought I’d save them here so other people in other book groups/book clubs/reading groups could make use of the titles. (The quotations are from the friends making the suggestions.)
- Out Stealing Horses – Per Petterson
- Crossing to Safety, Wallace Stegner
- A Fine Balance – Rohinton Mistry
- My brilliant friend – Elena Ferrante
- Random Family – Adrian Nicole LeBlanc
- Kevin Barry’s City Of Bohane
- Don de Lillo’s Underworld
- Marquez’ Love in the Time of Cholera
- Fugitive Pieces, Anne Michaels – “made me think differently about how the past shapes your present/future and how as individuals we get to choose if the negative parts of our past consume our futures or not. It is also beautifully written and made me revisit poetry too.” “it is the book that taught me how beautiful words can be”
- Middlesex – Jeffrey Eugenides
- The social animal – David Brooks
- Do No Harm – Henry Marsh
- Andre Agassi’s “Open”
- The Life of Lazarillo de Tormes and of His Fortunes and Adversities
- Us – David Nicholls
- Amongst Women by John McGahern
- Malloy by Samuel Beckett
- The Master by Colm Tóibín
- The Country Girls by Edna O’ Brien
- Foster by Claire Keegan
- At Swim Two Birds by Flann O’ Brien
- The Quest for Corvo – AJA Symons
- Good Behaviour by Molly Keane
- Birchwood by John Banville
- How Many Miles to Babylon by Jennifer Johnston
- The Speckled People by Hugo Hamilton
- Love’s Work – Gillian Rose
- The History of History – Ida Hatemer-Higgins
- Inventing God, Nicholas Mosley – “felt my mind shifting on religion/geopolitics/Middle East. God as the greatest invention of humankind. Humanist but generous to those who have faith – a gentle riposte to the Hitchens/Dawkins approach. In a novel.”
- A window for one year – John Irving
- A Prayer for Owen Meany – John Irving – “love, friendship and sacrifice”
- Wild, Cheyl Strayed
- Dracula – Bram Stoker
- The Sisters Brothers – Patrick deWitt
- Heart of Darkness – Joseph Conrad
- For whom the bell tolls – Ernest Hemingway
- To the End of the Land, David Grossman
- Cat’s Eye by Margaret Atwood – “felt the terror of teenage girls when read and re-read both as a teenage girl/40 yr old woman”
- The Crossing by Cormac McCarthy – “felt the power and grace of the quiet man”
- Things Fall Apart – Chinwe Achebe
- Cory Doctorow’s Little Brother “Made me respect young people more”
- A Thousand Splendid Suns – Khaled Hosseini
- The Mezzanine by Nicolson Baker “It’s very short, very unlikely and some in the group will HATE it and for others it’ll change the way they look at the world around them. You’ll never see perforations or a straw in a fizzy drink the same way again.”
- Margaret Atwood’s The Edible Woman – “had a huge influence on my going to university and recognising the need to never find oneself in a position where you are wholly reliant on a man. All teenage girls should read it.”
- William Leith’s The Hungry Years “taught me how not to be a food addict”
- Cervantes’ Don Quixote “taught me to rely on my inner compass rather than external signage.”
- Thomas Pynchon’s Gravity’s Rainbow “showed me that our personal interpretation is where the colour and joy of the world are to be found, but to keep it just shy of solipsism”
- Alexander Trocchi’s Cain’s Book “became my personal cultural key to unlocking New York”
- Stoner – John Williams
- Steppenwolf – Hermann Hesse “made me see my middle class/ inner animal struggle in a clear & cleansing light, Damn you Herman Hesse!”
- Plumed serpent, D. H. Lawrence – “opening to the mythic underbelly”
- Henry James’s ‘The Portrait of a Lady’ “because his characters are so compelling and so flawed. Our heroine’s youthful arrogance and stubbornness sees her turn down suitors because she values above all her freedom, only to find herself trapped in a way she could not have imagined. I was excited at her prospects and I feared for her. There were other characters I was rooting for too! Having re-read it more than 20 years later, I was interested and surprised to find I had more compassion for some characters I disliked intensely and impatience for those I felt sympathy for when I read it as a teenager. A truly astonishing, complex masterpiece.”
- The Book Thief – Markus Zusak
- Cormac McCarthy’s The Road “is the most piercing book I’ve read. The description of the trials faced by the father and son has stayed with me for years.”
- 1984 – George Orwell – “”We are the dead” “You are the dead” stopped me in my 13 year old tracks. Never saw it coming”
- Thomas Pynchon’s Against The Day – “because it really does require you to take a big chunk out of your life to read it – Rams home the idea that reading is subversive: stops you working, earning, socialising and kinda does stop time.”
- A fraction of the whole – Steve toltz
- Douglas Coupland’s ‘Microserfs’
- Be Here Now – Ram Dass
- Brave New World – Aldous Huxley
- The Five People You Meet in Heaven by Mitch Albom
- The english and their history by Robert tombs – “Amazing and definitive book that filled in every gap for me in understanding where we live and why it is how it is”
- The Spinoza Problem by Irvin Yalom “Despite the title, it’s a real page turner. Yalom goes back and forth between Spinoza and Rosenberg (part of Hitler’s propoganda machine). My book club had a fantastic discussion.”
- Delusions of Gender: How Our Minds, Society, and Neurosexism Create Difference by Cordelia Fine
- Humanity: A Moral History of The 20th Century by Professor Jonathan Glover
- Lolita -Vladimir Nabokov
- The Bone People by Keri Hulme
- Homage To Catalonia – George Orwell
- The Unbearable Lightness of Beingby Milan Kundera
- The Wind-up Bird Chronicle -Haruki Murakami – “Extraordinary writing that made me see the world differently”
- Strangers on a Train – Patricia Highsmith
- Rebecca by Daphne Du Maurier
- House of Leaves – Mark Z. Danielewski
- Angel by Elizabeth Taylor
Again, thanks to all those who kindly contributed to the list.
In the end I opted for The Bone Clocks by David Mitchell (partly because I thought Cloud Atlas was something pretty special). Will report back on how it goes.
A friend of mine, Carol, (aka The Naked Novelist) via my bestman Stuart, passed on a challenge this week: to list the 10 books that have had the most impact on my life. So that’s impact, not my favourite 10.
Here’s my stab at it…
1. ‘Here We Go’ – the Janet and John book I learnt to read with: “Look, Janet, look!”
3. ‘Paradise Lost’ Books 1 & 2, John Milton ed. John Broadbent – the poetry’s pretty damn good but the footnotes were a revelation – it helped me realise school subjects are artificial divisions and everything’s connected to everything else. “Of man’s disobedience and the fruit of that forbidden tree…”
5. ‘The Dinosaur Strain’, Mark Brown – got me into the subject of Creative Thinking, led to me making a computer game (MindGym) and ultimately to writing my own book about Creativity, ‘When Sparks Fly’ (5/8 finished, interviewed Jamie Oliver for it today)
6. ‘Romeo and Juliet’, Shakey – emblematic of the year I had an inspiring teacher (English teacher of course – Mr Fitch RIP MA Cantab) who got me really reading
7. ‘The Riddle of the Sands’, Erskine Childers – made me realise what a burden material possessions can be in the scene where the protagonist can’t get his trunk into the sailing boat and has to dump all his shit on the quay
If it’s not too Neknominate, please do share your Top Impact 10 below (or a link to it)…
…and because I enjoyed the movie so much this evening at The Phoenix on the high road in East Finchley, here are four of the supporting characters (one of whom lives in Blighty now, in Bracknell of all unhip places)
Ten years in the life of a London book group…
Atonement – Ian McEwan (Nov 2001) *
Oxygen – Andrew Miller (Dec 01)
The Corrections – Jonathan Franzen (Jan 02) ***
Stupid White Men – Michael Moore (Mar 02)
Rings of Saturn – WG Sebald (Apr 02)
The Year of the Goat – Mario Vargas Llosa (Jun 02)
Twelve Bar Blues – Patrick Neate (Sep 02)
Swann’s Way – Marcel Proust ??? (Oct 02)
Life of Pi – Yann Martel (Jan 03) *
A Fine Balance – Rohan Mistry (Mar 03)
Light of Day – Graham Swift (May 03)
After the Quake – Haruki Murakami (June 03)
Code of the Woosters- PG Wodehouse (July 03) **
Voyage au bout de la Nuit – Celine (Sept 03)
Revolutionary Road – Richard Yates (Oct 03)
Tomorrow’s People – Susan Greenfield (Dec 03)
Touching the Void – Joe Simpson (Jan O4)
Vernon God Little – DBC Pierre (March 04) **
Elizabeth Costello – J. M. Coetzee (April 04)
The Comedians -Graham Greene (June 04)
The Line of Beauty – Alan Hollinghurst (Sept 04)
Clear – Nicola Barker (Nov 04)
Havoc in its Third Year -Ronan Bennett (Dec 04)
The Plot against America – Philip Roth (Jan 05)
A Heart so White – Javier Marias (March 05)
A Tale of Love and Darkness – Amos Oz (April 05) **
Saturday – Ian McEwan (June 05)
The Radetzky March – Joseph Roth (July 05)
Identity -Milan Kundera (Sept 05)
Oryx and Crake – Margaret Atwood (Nov 05) **
We need to talk about Kevin – Lionel Shriver (Dec 05)
The Kite Runner – Khaled Hosseini (Jan 06)
Cloud Atlas – David Mitchell (March 06) ***
Prague – Arthur Phillips (May 06)
Things Fall Apart – Chinua Achebe (July 06)
Kalooki Nights – Howard Jacobson (Sept 06) **
People’s Act of Love – James Meek (Nov 06)
The Woman in White – Wilkie Collins (Jan 07) **
The Secret River – Kate Grenville (Mar 07)
Homo Faber -Max Frisch (May 07)
My Name is Red – Orhan Pamuk (Sep 07)
Run Rabbit Run – John Updike (Nov 07)
In Cold Blood – Truman Capote (Jan 08)
Blindness – José Saramago (Feb 08)
What Sport Tells Us About Life – Ed Smith (May 08)
The Enchantress of Florence – Salman Rushdie (Jul 08)
The Yiddish Policemen’s Union – Michael Chabon (Sep 08) **
Engleby – Sebastian Faulks (Nov 08)
Homecoming – Bernhard Schlink (Jan 09)
Audacity of Hope – Barrack Obama (Feb 09)
Oscar Wao – Juan Diaz (Apr 09) *
Humboldt’s Gift – Saul Bellow (Jun 09)
Scoop – Evelyn Waugh ** (Nov 09)
Pnin – Nabokov (Jan 10)
Therese Raquin – Emile Zola (Mar 10)
The Razor’s Edge – Somerset Maugham (May 10)*
The Death of Ivan Ilyich / Kreuzer Sonata – Tolstoy (Jul 10)
Alone in Berlin – Hans Fallada (Aug 10)
Freedom – Jonathan Franzen (Sep 10) *
Byzantium Endures – Michael Moorcock (Jan 11)
The Bottle Factory Outing – Beryl Bainbridge (Mar 11)
The Heather Blazing – Colm Toibin (Apr 11)
The Tunnel – William H. Gass (Jun 11)
Manhattan Transfer – John Dos Passos (Aug 11)
The Sisters Brothers – Patrick deWitt (Oct 11)*
A Connecticut Yankee in King Arthur’s Court – Mark Twain (Nov 2011)
Had a good role in the Hay this week, doing a speaking session chaired by Sky News’ Political Editor Adam Boulton with the likes of Dr Who director Euros Lyn and ITV Wales news and sports presenter Frances Donovan.
As I was driving towards the Hay Festival from Hereford train station in my chaffeur-driven Jag (could easily get used to that) I leafed through the programme. I kept seeing the name Peter Florence which seemed very familiar for reasons I couldn’t figure. It turned out Peter, the founder of the Festival, was at university with me and a fellow linguist. We had a nice chat when I arrived at the Festival site and I recognised him easily enough after all these years, an affable fella. It’s quite an event he’s built up over the years (with his dad originally I think) and well worth his MBE.
I nabbed a delightful hour trolling around the second-hand bookshop in the former cinema – I came away with a perfect crop: a novel about Manet, a Pierre et Gilles picture book, a Phillip Kerr thriller and a signed Martin Gilbert history book.
My one evening there I spent delightfully with an author friend of mine met thanks to Wikipedia (but that’s another story).
I got the chance to take in a couple of events (on the look out for arts presenting talent) – a session on the forthcoming British Art Show 7 featuring three of the selected artists and the two curators. BAS 4 in 1995 (it’s a 5-yearly review show) was the one that showcased the YBAs. 2009 Turner Prize nominee Roger Hiorns, famed for his copper sulphate council flat (Seizure) and pulverised jet engine, cut an intriguing Hockneyesque boyish figure. I also caught a lecture on Henry Moore by the curator of the current Tate Britain show, Chris Stephens, which was fascinating, prompting us to refresh how we see Moore and to appreciate his radical edge and dark side more. The comparisons he made by juxtaposing Moore sculptures with Robert Capa photographs was convincingly illuminating.
I spent a good part of the afternoon hanging out in the Green Room, tapping away beside Adam Hart-Davis in dubious shorts/boots/socks combo. Highlights of the passing faces ranged from Ian McEwan (I’m a big fan of Atonement) to Andrew Marr (I mainly catch him on Start the Week). I also enjoyed chatting with Adam Boulton’s wife, Anji Hunter, formerly Tony Blair’s aide. Likewise it was great to get an insight from Adam on his recent, already legendary clash with Alastair Campbell. It didn’t feel like the time&place to raise the issue of that sneaky non-viewer question to Nick Clegg during the Sky leaders debate.
Headed home in the company of the Derek Browne, former British triple jumper and investment banker, now focused on encouraging entrepreneurial initiative in the country’s young people through his outfit Entrepreneurs in Action.
Bookishness is what I’ve always loved about Cambridge (where I first met Peter Florence) and Hay has the same vibe in its own way – a particular kind of tranquility and a top Simple Pleasure. It’s a real battery-charger to immerse yourself for 48 hours in art and books.
Coming soon on Simple Pleasures 4: My latest project about to enter private beta – a literary one.
Here’s a rather salutary assessment of the economy from our Chairman here at Channel 4, Luke Johnson, in the FT. I have to say, it resonates for me – I’m pretty much a “a house is for living in” kinda guy.
For too long it has been more profitable in the west
to finance consumption rather than production.
That cannot continue. I am afraid that the west’s credibility
– and luck – has run out.
In the early days of Simple Pleasures 4 I began reflecting on what people really need, a stream of consciousness prompted by a Demos gathering which reminded me of a book which had really gotten me thinking – Coasting by Jonathan Raban.
Been meaning to get back to that post, Reflections on the Fundamentals of Life, for ages – nothing like a bit of financial meltdown to encourage thinking about the principles of economics.
So what did Coasting prompt? Looking back I seem to have re-invented Maslow’s Heirarchy of Needs. Still, no harm working out stuff for yourself.
What struck me last week, the week of the US presidential inauguration, was that Britain is in desperate need of a bit of self-confidence. With the City fucked by its own petard and North Sea oil drying up we’re really going to have to work out where we add value to the world.
So we arrive on earth like the Terminator, naked and balled up as a package with the basic needs outlined in that earlier post. The economics of our existence start from the need to cover those basic needs by doing the equivalent amount of work or value adding. But those needs simply meet our bestial basics. As King Lear argues, we need something over and above that to make life worth living.
“O reason not the need! Our basest beggars
Are in the poorest thing superfluous.
Allow not nature more than nature needs,
Man’s life is cheap as beast’s.”
Watching Vicky Cristina Barcelona the other week, what constitutes that ‘something over’ has got really out of whack. The New York life-style portrayed in the movie (through Vicky’s impending marriage) was truly repellent.
The shift of emphasis from consumption to production and adding value could be the silver lining of these dark clouds. Is this the moment when we reflect and recognise what is true value and what matters? These are themes that have been on my mind over the last couple of years such as in this post prompted by a Buffalo Springfield classic.
The schadenfreude around the collapse of the banks, or more so, the bankers stems from the fact most of them don’t produce anything or add value – they guess and they gamble, they speculate and they risk, they continue to short-sell bank shares the moment the ban is lifted to profit as usual at other people’s expense.
Talking of profiting at other people’s expense, Luke’s article reminds me of a bafflement I had as a teenager about just how did the economies of the West and the rest fit together. How come American’s have those huge fridges and South-East Asians live in huts, scraping together a bit of meat to go with their bowl of rice? How come we get paid hundreds of pounds a day when for equal effort and more they get pence? How come poverty here comes with a 32″ telly? A good friend of mine lent me when we were teens a copy of a JK Galbraith book, The Nature of Mass Poverty I think it was, which I struggled with but didn’t ultimately come to grips with – I’d probably get on much better with it now as the interest is truly there.
Luke raises similar questions: So why should industrious Asians earn a tiny fraction of what citizens in the west earn? Especially when they have so much of the cash and productive resources, while we have deficits, high costs and poor demographics.
Now what I know about economics you can fit on the back of an ATM slip – hence this second stream of consciousness thinking out loud.
Around the JKG time I was also baffled by how can this constant growth add up? How can countries expect to grow year on year with finite resources? How can we expect pay rises as a given year on year? Doesn’t there come a point where no matter how clever you are about squeezing the most out of existing resources and in creating technology to increase productivity those two graph lines eventually run into each other and cross?
My gut feeling about this moment is that we must use it as a time to readjust our values, to refocus on what is really important. We must use it to refocus as a country and as individuals on what value we can add. Having said that, it was a bit depressing to see the reactions to falling oil prices – after a few weeks of people really thinking about the car journeys they were making, the headlines swiftly reverted to ‘Supermarket forecourt price wars!’
The next three commissions on my plan are Landshare, where people who want to grow their own food are linked to people who have bits of land which can be grown on; the Secret Millionaire online where the online community get to give a million pounds to community groups and small charities which quietly add value, largely unseen; and a project on Adoption that tries to highlight the value of each and every child and enable it to be realised fully. I feel they are the product of a particular positive, back-to-basics vibe. Despite the grimness of the IMF report which ranks Britain’s economy as the most adversely impacted this year of any major economy and the Lords scandal which ranks Britain’s high ranks as smelling as rank as it comes, I can’t help but feel there’s opportunity here…
High in his mountain lair, overlooking the snow-topped peaks of the Canadian Rockies, protected by the sheer stone walls of the looming castle, the cross-platform commissioner and his white cat reflect on the events of the past few days. The Banff Spring hotel, one of the barmy baronial piles built by the Canadian Pacific railway (I’ve seen two others, at Lake Louise and in downtown Toronto, all astounding in their scale), is home to the annual Banff TV Festival which follows hard on the heels of NextMedia, its toddler brother of about four which focuses on interactive media. It’s interesting to see this year that the two are beginning to overlap substantially, reflecting (a little late) the changes in TV over the last two years in particular.
The highlights for me of ‘the place great TV is born’…
My main speaking session this afternoon with Kate Harwood from BBC Drama (Cranford, Oliver Twist, etc.), chaired by Ed Waller, Editorial Director of C21 Media – really enjoyed rabbiting on about Picture This, Embarrassing Bodies and Big Art Mob to illustrate my approach to factual cross-platform (BTW “rabbiting” is one of various English words I found out this trip Canadians don’t understand). Sesh seemed to go down well. Mentioned the forthcoming 4mations and 4IP. It’s always fun demoing Embarrassing Bodies because you never know what gruesome video will be featured on the homescreen – my very own Russian roulette of public speaking (not sure what exactly we were looking at yesterday but the thumbnail featured what seemed to be a fifteen-day old mini cheese pizza growing on someone’s head) .
Kate showed a couple of interesting clips from forthcoming shows – House of Saddam looked fascinating as did Criminal Justice (in which Pete Postlethwaite and some other thesp heavyweights cropped up).
Looking up at the reception before the Rockies Awards to see Bill Murray of Where the Buffalo Roams and Ghostbusters fame. Stripes featured big in my teen viewing – especially the parade ground manoeuvres to the tune of Manfred Mann’s Doo Wah Diddy. He looked rather white and old. Buffalo I first saw at the Arts Cinema when I was at college so I guess he is getting on. (I’ve just finished reading Fear & Loathing for the first time – goddarn that book has great pictures!)
I’m carrying on writing this on Canada’s third greatest invention – after maple syrup and Neil Young – the Blackberry. We’ve just driven past the Banff Centre where Kim Cattrall trained. I had the pleasure of picking up 4 Rockies Awards on behalf of the Channel in front of said Sex in the City star to her 1 shiny little metal mountain range. Whilst she looked like a million dollars, I was more like a bad penny, coming back to the podium four times, which did however have the benefit of driving home how much above its weight Channel 4 punches.
Going to the hot springs after work yesterday with Jane Mote of UKTV, in their rather charming 1932 split-level building. 39 degrees in the outdoor water with views in all directions of snow-capped peaks. Steam coming off the surface, fat bellied men in old-style trunks, a row of French maidens posing in 1930s bathing costumes, it felt for a moment like we were in some Russian resort, missing only the wodka.
Running this morning, after doing a breakfast meeting with four Canadian writers and producers (including Jill Golick of scriptwriting blog Story2OH), along the Bow river past the falls. The epitome of Canadian Rockies scenery.
Having a proper chat at breakfast with Nick Fraser of Storyville (who has just execed a film about the aforereferredto Hunter Thompson) (and Mette Hoffman Meyer of DTV, Denmark representing the award-winning documentary Iron Ladies of Liberia) – last saw Nick when we were both speaking at Discovery Campus in Brussels but didn’t really get to talk – so a proper chat about photography (prompted by his commission What Remains: Life & Work of Sally Mann which also picked up a Rocky), new digital forms for documentary, sealing wax, cabbages and things.
Last year it was Mark Thompson I met at breakfast in that same dining room. We were discussing the fall-out of Celeb Big Bro and his verdict was “shit happens”. And the Richard & Judy phone vote balls-up – “Sometimes shit happens in a row”. Which in retrospect was ironic given the kind of year he had following that convo with one bit of shit (Blue Peter fix) after another (queen trail scandal) after another (BBC cuts).
Hooking up with Tom Perlmutter, President of the National Film Board of Canada, to explore possibilities about combining forces on 4mations. Canada has a great reputation in animation which seems in kindred spirit to what comes out of Channel 4 on the animation front.
Meeting an honest to goodness Mountie.
Being on the judging panel for iPitch from the Bell New Media fund, like last year. Not quite as exciting entries as last time but a worthy winner (a cross-platform teen court).
As I come down from the mountains, I come away with the impression that convergence is now more than the C word in TV – it’s the done deed.
So I’m on the underground yesterday, reading the new hardback I’d bought the day before. Then this burn-out walks on and I have that feeling – I know he’s going to sit next to me. He’s very tall, lanky, drug thin. His fingernails are dirty. The driver has to warn passengers to stay clear of the closing doors. The burn-out calls them “fucking idiots” in the expected loud cockney voice. I shift rightwards in my seat, hope he isn’t going to smell too bad (which he doesn’t as far as my hopeless sense of smell can tell), carry on reading.
“Is that the new Bond novel?” he asks me gently, having glanced down at the page I was on. The book only came out the day before. The open page had few clues as to what it was.
“Yes, it is.”
“Do you think the film they’re making of it will be good?”
“I think it’s based on a different story.”
“So is that written by Fleming?”
What do I take from the unexpected exchange? You can’t judge the book by the cover I guess is the obvious one we (certainly I) can’t be reminded of often enough. You can tell the price (but not the value). What I most took away was the Simple Pleasure that I had enjoyed the conversation and contact and there was real warmth in those human bonds.
The new Bond book is entitled ‘Devil May Care’ and has been written by Sebastian Faulks (of ‘Birdsong’ fame) in the style of Fleming. I’ve only ever read a couple of Bond books, but remember really enjoying ‘Casino Royale’ (the first Bond novel) for the surprising brutality of the man I had only encountered through the movies. The publication of a new Bond book felt like a bit of an event (I was one when Fleming died) so I bought a copy of this in advance on-line through Hatchards website and picked it up on the day of publication on the way to a meeting at BAFTA with Rob Bevan of XPT- we were working on the forthcoming website for 4IP, the new Channel 4-led fund for public service interactive media, announced at Next on 4 back in March and coming on-stream over the summer. Hatchards in Piccadilly – a book shop dating back to 1797 as it says on its rich green bags the colour of Bond’s customised Bentley with its Arnott supercharger – is one of London’s great treasures. It makes me feel guilty every time I buy from Amazon and I try to make amends by pulling by whenever I’m at the Academy at 195 Piccadilly and picking up a signed volume.
After having a satisfying creative session with Rob, my old collaborator from MindGym, I hooked up with Ivo Gormley of ThinkPublic to talk about his forthcoming documentary about the internet and democracy. We walked back Channel4wards through St James’s and St James’s’ Park where I had the pleasure of demoing Big Art Mob in its mobile incarnation [WAP site] to him in a small alley where we found a superb bas relief of Anthony and Cleopatra, which looks like it may once have adorned a theatre in the area but is now built into a wall opposite an old public house, and on a remixed sculpture which seems to have once lost its head in the park. Ivo’s dad, Antony, who he closely resembles, is one of the most popular artists on Big Art Mob, third only to Henry Moore and Banksy. I wonder what the ‘burn-out’ thinks about public art? what his favourites around the city are? Something to talk about next time…