David v Goliath

This is Victoria Mapplebeck, director, and me tanked up on free Taittinger above the Thames, overlooking the dome of St Paul’s, the Walkie-Talkie, the Cheesegrater and other great London landmarks. It is the Nominees Party for the BAFTA TV Awards which this year are in at least one respect a landmark in themselves thanks to a new award being presented in two weeks’ time.

It is significant that the newest category for the TV BAFTA Awards is Short Form Programme, marking the passage of online digital video into the mainstream of television. This year is the second year of the category and the first year Little Dot has entered. (Last year I was involved in the judging of the inaugural awards because I knew I might well have conflicts of interest thereafter).

Also significant is the nomination we were delighted to receive at the end of last month in this category for our Real Stories Original ‘Missed Call’. The rest of the nominations list is filled entirely with BBC productions. So that’s a broadcasting Goliath up, not against another broadcaster, large media owner or brand, but a privately held UK indie which invested its hard-earned cash in original unscripted content.

To date Little Dot has commissioned two dozen factual originals (that was the task I was brought in to do) and they are starting to make their mark in a rich mix of ways.

As well the BAFTA recognition, ‘Missed Call’ won the Social Media category of the AHRC Research in Film awards, one of only five categories. These spotlit the critical role of research in film-making, a vital aspect which rarely gets the limelight. The 19-minute documentary premiered in London’s West End at Open City Docs where it was nominated for Best UK Short Film. It was selected as a Finalist at the iPhone Film Festival, reflecting the fact it was shot entirely on an iPhone X, the first professional documentary made on the device. It won the Best UK Film Award at the Super Shorts London Film Festival, and has shown at a variety of film festivals.

Some of the Real Stories Originals have played well in online realms, such as ‘Sorry I Shot You’, a documentary on restorative justice in action, which was in the Official Selection of the Webdance Film Festival; ‘Finding Fukue’, a co-commission with CBC in Toronto, which won Best Film at the National Screen Institute of Canada Online Short Film Festival; and ‘Travelling on Trash’ which won a Gold Award at the Spotlight Documentary Film Festival.

Others have enjoyed an on-the-ground life across the globe in festivals from Queensland, Australia (‘Through the Eyes of Children’) via Oakland, California (‘Black Star’ at Black Arts Movement (BAM!) Film Festival) to Sheffield, England (‘Surf Girls Jamaica’, which picked up a Best Women in Adventure Film award).

One of the most pleasing pieces of Real Stories Original silverware was winning the Best British Film gong at the London Surf Film Festival. Who knew? London’s got plenty going for it but the pounding of the waves is but a distant dream. Now that BAFTA is a not so distant dream – the ceremony is on Sunday 12th May (on BBC1 hosted by Graham Norton) and whether it’s David or Goliath’s night the Real Stories team will enjoy the ride…

Missed Call was directed by Victoria Mapplebeck and produced by Amanda Murphy (Field Day) :: Sorry I Shot You was directed by Andy Mundy-Castle (DocHearts) :: Travelling on Trash was produced by Deborah Charles (The Distillery London) :: Through the Eyes of Children was directed & produced by James Lingwood (Big Pond) :: Surf Girls Jamaica was directed & produced by Joya Berrow & Lucy Jane (Right to Roam) :: Black Star was directed and produced by Sameer Patel :: Finding Fukue was directed by Daniel Roher & Edmund Stenson and produced by Felicity Justrabo.

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A cool 2 mil

Real Stories (the online documentary channel for which I commission and exec) hit 2 Million subscribers on YouTube today – which is nice…

Tampere, Finland

This week I had the pleasure of visiting the first place I’ve been to in Finland outside of Helsinki. I’ve worked with the Finnish state broadcaster YLE for some years now, usually in their offices at Pasila towards the north of the capital. On Wednesday I gave a talk on Short Form Video as part of their FutureZone series at their Tampere offices (Mediapolis). Tampere is 160km north of Helsinki, the second or third largest city in Finland (depending on how you are measuring) and the largest inland urban population in the Nordic countries. It is situated between two large lakes.

The event was delightfully hosted by YLE news anchor/journalist Milla Madetoja who presents the regional news nightly. Finland is divided into 9 regions which become larger and more sparsely populated as you head north.

Selfie by Milla Madetoja

At lunch I was asked by the Head of Current Affairs to explain what was going on in the UK with Brexit. I couldn’t.

Tervetuloa! / All welcome! poster

Robot camera in news studio

No-nonsense regional news studio (one of a pair)

Photos of famous old Finnish stars around the Mediapolis auditorium

Little Dot Studios activities in the USA

Increasingly over the last few months I have been working and commissioning at Little Dot Studios with more than half an eye on the USA. To that end I have been working closely with Paul Woolf, formerly of Barcroft and Maverick, and my old colleagues Dan Jones and Alex Hryniewicz of Little Dot. Here is a piece about it from today’s Broadcast…

A mid-form online Original documentary I commissioned for Real Stories – shot in Montana by Debbie Howard

Little Dot taps up Barcroft exec for US unscripted role

Paul Woolf will supercharge development of indie’s factual strand

Little Dot Studios is ramping up its Real Stories doc strand across the Atlantic with the appointment of its first US head of unscripted development.

Barcroft head of development Paul Woolf has been hired to supercharge the development of the All3Media-backed indie’s factual brand, as it aims to commission more long-form docs and series for US networks and platforms.

Woolf has already commenced in the East Coast-based role, reporting into Little Dot director of content Dan Jones.

The former Maverick TV development director said he was delighted to join a team that with “an incredibly broad and deep understanding of both TV and social platforms”.

Jones added: “Paul is a fantastic development talent and his arrival allows us to make a sustained push in the US, which is hugely exciting.”

During his time with Barcroft, Woolf was behind Netflix format Amazing Interiors and worked on a range of short-form projects for the outfit’s in-house digital platforms.

He joined fellow All3Media indie Maverick TV as US development exec in 2008, relocating to the UK in 2010 to work on BBC2 social experiment Old School and Billy Connolly’s Route 66 for ITV.

Real Stories, which includes the likes of My Son the Jihadi and America’s Poor Kids, is headed up by former Channel 4 multiplatform commissioner Adam Gee.

Little Dot said it generates around 1 million cross-platform views a day on sites such as YouTube. The vast majority of viewers are aged 16-34 and more than 71% of its audience hail from the UK, North America and Australasia.

Shows from the strand are also available via a $3.99 (£3) per month SVoD app, which launched earlier this year.

Little Dot has been busy hiring this year, having already appointed Holly Graham as its inaugural head of US partnerships, while it picked up former C4 group partnership manager Jade Raad as head of brand partnerships for its newly-formed media division.

[text courtesy of Broadcast]

In Your Face – Week 1

A cool 9 million views for this cut-down from the documentary ‘In Your Face’ in its first week, with high engagement – 5,500 comments; 65,000 shares; 52,000 reactions. Part of this success we have concluded is down to the likeability and charm of the protagonist, Jason – (it has outperformed other similar videos and the casting seems to provide the explanation).

The full film of ‘In Your Face’ is here. The full film on Facebook/Facebook Watch has netted 1.8M views this week which is also a very decent performance and underlined that this is very much a Facebook rather than a YouTube subject, benefitting from viewers engaged through sharing and commenting and happy to pick the videos up in their stream rather than deliberately seeking it out in some way.

I have now made 40 documentaries on tattoos including these series for Channel 4:

• Tattoo Twists [8 films]
• My Secret Tattoo [9 films]
• SeXXXy Tats [6 films]
• Tattoo Fails [6 films]
• My First Tattoo [10 films]

Tattoo Twists – my first tattoo series, inspired Channel 4’s Tattoo Fixers

My Secret Tattoo – this man works with the Minister of Defence (with this hidden under his shirt & tie)

A random still from Tattoo Fails

Top Documentaries on UK TV 2017

My favourite documentary series of the year

	Title	Channel	Share %	Viewers ‘000s
1	Blue Planet II	BBC 1	45.8	14,011
2	Diana, Our Mother: Her life + Legacy	ITV	36.7	9,390
3	Diana, Seven Days	BBC 1	32.9	6,425
4	Rio Ferdinand: Being Mum + Dad	BBC 1	26.2	6,345
5	Spy In The Wild	BBC 1	25.7	6,218
6	The Real Marigold Hotel	BBC 1	23.3	5,999
7	Wild Alaska Live	BBC 1	31.9	5,998
8	Attenborough and the Giant Elephant	BBC 1	20.3	5,378
9	The Real Full Monty	ITV	24.2	5,362
10	Fake Or Fortune?	BBC 1	26.0	5,127
11	Snow Bears	BBC 1	23.6	4,969
12	Paul O’Grady For the love of Dogs	ITV	21.1	4,960
13	Diana: In Her Own Words	CH4	20.6	4,923
14	The Truth About… Sleep	BBC 1	20.3	4,704
15	Ambulance	BBC 1	21.1	4,660
16	Police Tapes	ITV	20.5	4,522
17	Easyjet: Inside The Cockpit	ITV	20.2	4,488
18	The Real Marigold On Tour	BBC 1	18.3	4,411
19	An Hour To Catch A Killer	ITV	18.1	4,362
20	Inside London Fire Brigade	ITV	18.7	4,317
21	Britain’s Busiest Airport – Heathrow	ITV	18.5	4,309
22	The Met: Policing London	BBC 1	19.5	4,224
23	Martin Clunes: Islands Of Australia	ITV	19.4	4,222
24	The Cruise : Mediterranean	ITV	17.3	4,216
25	Galapagos	BBC 1	16.9	4,173
26	Elizabeth And Philip: Love & Duty	BBC 1	14.6	4,149
27	Sir Bruce Forsyth: Mr Entertainment	BBC 1	21.7	4,094
28	Reported Missing	BBC 1	16.6	4,051
29	Prince Harry & Meghan	ITV	16.8	4,034
30	Joanna Lumley’s India	ITV	18.3	4,025
31	The Week The Landlords Moved In	BBC 1	18.2	3,982
32	The Fifteen Billion Pound Railway	BBC 2	17.4	3,908
33	Italy’s Invisible Cities	BBC 1	14.6	3,859
34	Ross Kemp Behind Bars	ITV	17.1	3,848
35	Sugar Free Farm	ITV	16.3	3,840
36	Gordon Ramsay On Cocaine	ITV	16.4	3,839
37	Diana: The Day Britain Cried	ITV	14.6	3,817
38	Spy in the Wild: Meet the Spies	BBC 1	17.6	3,784
39	Serial Killer with Piers Morgan	ITV	15.9	3,683
40	The Ganges with Sue Perkins	BBC 1	15.9	3,671
41	How To Stay Young	BBC 1	15.9	3,648
42	Britain’s Best Walks with Julia Bradbury	ITV	17.1	3,619
43	A Very Royal Wedding	ITV	14.9	3,588
44	Gone To Pot: American Road Trip	ITV	13.5	3,585
45	Killer Women with Piers Morgan	ITV	15.7	3,553
46	Britain On The Fiddle	BBC 1	14.1	3,459
47	The Truth About Stress	BBC 1	14.7	3,451
48	The Harbour	ITV	14.4	3,431
49	I Am Bolt	BBC 1	15.8	3,409
50	The Sheriffs Are Coming	BBC 1	14.1	3,400
51	Orkney: When The Boat Comes	BBC 1	17.0	3,380
52	Winterwatch	BBC 2	14.0	3,378
53	Harry & Meghan: Royal Engagement	BBC 1	16.0	3,377
54	Russia With Simon Reeve	BBC 2	14.0	3,287
55	Call The Midwife: The Casebook	BBC 1	17.0	3,234
56	Devon & Cornwall Cops	ITV	14.6	3,206
57	Planet Earth II: A World Of Wonder	BBC 1	19.6	3,174

Coincidences No.s 355, 356, 357 & 358

No. 355

In the morning I have a meeting at BAFTA with a director (Peter Demetris) I worked with on ‘Embarrassing Bodies’ to discuss a forthcoming commission I’m doing at Little Dot Studios to do with modern addiction. Peter reminds me he was studio director on Graham Norton’s first chat show ‘So Graham Norton’ on Channel 4.

In the afternoon I get an email from presenter Tim Lovejoy mentioning Graham Norton’s producer at So TV which of course was set up to make ‘So Graham Norton’.

No. 356

An old friend and gig-mate (another Adam) comes to stay from Amsterdam (aka A’dam). He has been working during the day at a famous University Press and mentions that he reckons a significant proportion of their revenue comes from bible sales.

The next day I am at the University of Surrey in Guildford doing a guest lecture. While I am there my old colleague, Jon Weinbren, Head of Digital Media Arts, out of nowhere mentions bible salesmen.

No. 357

A blast from the past – now buried under flats

My mum is trying to describe where an office she visits regularly is. She positions it relative to the old Blue Bird garage on the Finchley Road. I further triangulate it relative to an orthodontist’s surgery I went to once or twice as a kid with her. I remember the man telling me I had a “Polish jaw”. She can’t recall it at all.

A couple of days later one of my best friends visits from Aspen, Colorado where she now lives. We go to the National Theatre together and at lunch she mentions the very same orthodontist to whom she went as a girl.

No. 358

My grandfather was a research scientist not a fruit & veg man (he had a secret love of bacon)

I go with Enfant Terrible No.1 to visit the grave of my grandfather Ian Harris on his birthday (the same day JFK was shot – that’s how I know what I was doing on the day, I was at Pop’s tea party in a cradle).

On the drive home, as I’m talking to my son about his great-grandfather, we pass a commercial van parked in a drive in Hendon with the name I. A. Harris emblazoned on the side.

Little Dot hires Adam Gee for YouTube push

From today’s Broadcast…

Little Dot hires Adam Gee for YouTube push

13 JULY, 2017 | BY ALEX FARBER

Former C4 commissioner to invest £200,000 in originals

Little Dot Studios has hired former C4 multiplatform commissioner Adam Gee to oversee a £200,000 YouTube commissioning push.

The Shoreditch studio is planning to order 10 films of 15-20 minutes for its Real Stories factual channel, which has built up more than 750,000 subscribers and 175 million views since it launched in 2015.

To date, the channel has been populated with content licensed from backer All3Media, as well as distributors including DRG and ITV Global Studios, but it is now keen to order original programming from producers.

Gee has been drafted in as Real Stories commissioning editor to oversee the portfolio of human interest one-offs.

He promised to make quick decisions, unlike the “glacial progress of broadcasters”, with the slate of projects scheduled to be live by November.

Authentic, shareable, intimate and upbeat stories about overcoming adversity are on the agenda, with those exposing child poverty, ‘out-there’ parenting or extreme medical cases proving popular on the channel.

Topics such as sex, terrorism, racism, suicide or surgery are not of interest.

The first project, Brittle Bone Rapper, is a story set on America’s East Coast. It was ordered from Andy Mundy-Castle’s fledgling firm Doc Hearts last week.

Chief executive Andy Taylor said the move into originations was driven by a need to experiment on the Google-owned platform.

“The budget for this will come out of our innovation pot,” he said. “The data tells us that human interest stories are working and we are always looking at ways to respond to the algorithm.”

He added that while the available data could inform the programming, there is no substitute for the “sheer gut instinct” of a commissioner.

Content lessons

Little Dot, which will retain the rights to the shows, does not expect to turn a profit from YouTube advertising, but Taylor is approaching the project with a longer-term strategy.

“We will learn more about the type of content that works, how to leverage our brand and audience – as well as the commercial opportunities beyond YouTube. We could end up licensing them to a VoD platform or securing a six-part series for Channel 4.”

Gee said it is important to think “holistically” about any projects pitched. “What is the life of these stories beyond a 10 to 20-minute midform show?”

Separately, Little Dot has hired former Liberty Global exec Kevin Gibbons as chief financial officer and brought in Maria Fernando as director of partnerships, based in LA, to grow its West Coast offices.

{text courtesy of Broadcast magazine}

 

BBC3 logo

I’m just about to go to Farringdon for a meeting at Maker Studios and noticed while preparing that there isn’t much clear blue water between the logo of Disney-owned Maker and the new BBC3 logo announced earlier this month. What makes the similarity particularly striking is that in many ways the two organisations are now direct competitors with both’s emphasis on online video.

New BBC3 logo

 

I have a vague memory of seeing something like this as an earlier version – I heard there was a last minute failure of nerve at which point the ! appeared

The Black Lesbian Handbook

This is a documentary project I’m really proud of. I recently commissioned the 2nd series this time set in Atlanta, Georgia but featuring some of the people who appeared in the London-based 1st series.

Channel 4 has really got behind it promotion-wise and it’s doing really well, finding a significant audience on All 4.

What’s particularly pleasing is the warm reception online like these:

The films were directed by Andy Mundy-Castle and produced by Rukhsana Mosam at Ten66 in Sussex.