Archive for the ‘Music’ Tag
What piece of music means the most to you?
Farrah Jarral, dedicated GP and star of Osama Loves on Channel 4, comes up with a left-field choice (similar in some ways to Songlines #2) – a religious song chosen by a not particularly religious person.
The Song: the Muslim call to prayer, the Adhan
And here’s the song in question:
I heard about the passing of David Bowie about 15 minutes ago as the sad and unexpected news broke on Radio 5 Live. It had echoes of the news at a similar time on the same station almost exactly 3 years ago when the beautifully resonant song ‘Where Are We Now?’ was suddenly unleashed upon the world as a present on Bowie’s birthday – 8th January 2013. But this was the dark twin. It was only on Friday that the world was enjoying a similar event – the birthday release of Blackstar, Bowie’s last album, as surprising and novel as anything he has ever done. As a jazz lover it was a delicious prospect. Despite listening to it across this weekend sadly there hasn’t even been time to start to absorb it.
I don’t normally feel such deaths in a truly personal way (with the single exception of John Martyn) but this one is very resonant in a different way. The passing of this great son of London without doubt makes the world a lesser place and I’ll spend today absorbing it. It is not totally dark in that it feels like he lived a beautiful life.
The love of music; the persistence getting his break; the innovation, success, boundry-pushing; the re-inventions; right up to the surprise re-emergence in 2013; the happy marriage; the prioritisation of children/fatherhood; the tranquil oasis in his third great city London > Berlin > New York, a suitably great metropolis to be the backdrop for his final ascendance.
While I absorb the sad&sudden news here are some Bowie bits from Simple Pleasures part IV over the last few years:
4 for 66 (Happy Birthday David Bowie) [9 January 2013]
Heddonism [11 April, 2012]
100 Greatest Songs [12 January, 2008]
The Big Short
Me & Earl & The Dying Girl
The Hateful Eight
Steve Carell – The Big Short
Bryan Cranston – Trumbo
Eddie Redmayne – The Danish Girl
Paul Dano – Love & Mercy
Samuel Jackson – The Hateful Eight
Oscar Isaac – Ex-machina
Lily Tomlin – Grandma
Saoirse Ronan – Brooklyn
Anne Dorval – Mommy
Alicia Vikander – The Danish Girl
Greta Gerwig – Mistress America
Christian Bale – The Big Short
Ryan Gosling – The Big Short
Mark Ruffalo – Spotlight
Jennifer Jason Lee – The Hateful Eight
Cara Delevingne – Paper Towns
Rooney Mara – Carol
Kate Winslet – Steve Jobs
Julie Walters – Brooklyn
Adam McKay –The Big Short
Quentin Tarantino – The Hateful Eight
Paul Weitz – Grandma
Xavier Dolan – Mommy
Asif Kapadia – Amy
Adam McKay –The Big Short
Quentin Tarantino – The Hateful Eight
Paul Weitz – Grandma
Greta Gerwig & Noah Baumbach – Mistress America
Hank Corwin – The Big Short
Ennio Morricone – The Hateful Eight
Long Strange Golden Road – The Waterboys
Listened to this year:
Where Did You Sleep Last Night – Nirvana
Modern Blues – The Waterboys
Van Morrison – Duets
Covered – Robert Glasper Trio
The Epic – Kamasi Washington
The Waterboys – Roundhouse
The Waterboys – Colosseum, Watford
Van Morrison (No. 3) – Nell’s Jazz & Blues Club
Van & Tom Jones – Blues Fest – Millennium Dome
Marc Almond – Empire Shepherds Bush
Beautiful – Aldwych
Death of a Salesman – Noel Coward Theatre (Anthony Sher)
Guys & Dolls – The Savoy
Peter Lanyon: Soaring Flight – Courtauld
Barbara Hepworth – Tate Britain
Frank Auerbach – Tate Britain
Purity – Jonathan Franzen
Read This Year:
The Long Goodbye – Raymond Chandler
A Streetcar Named Desire – Tennessee Williams
To Kill a Mockingbird – Harper Lee
Then Again – Diane Keaton
Walking the Nile
House of Cards S3
The Murder Detectives
And Then There Were None
All Blacks in Rugby World Cup Final at Twickenham
Paris climate change agreement
Slight change of rules since I put together the best 75 LPs of all time on Long Players 7 years ago – no compilations rule still holds but I’m upping it from one to two titles max per artist/band (to allow for those with a long career which has seen substantial changes) – and I’m not sticking to 75, just as long as the list wants to go…
[I’ll also add in the best track off each album when I get round to it, in square brackets]
Beauty Stab – ABC
The Stars We Are – Marc Almond
Living in the Flood – Horace Andy (reggae LP for late night sessions)
The Last Waltz – The Band
Two Suns – Bat for Lashes
The White Album – The Beatles
Post – Bjork
Go Tell It on the Mountain – Blind Boys of Alabama
Plastic Letters – Blondie
Space Oddity – David Bowie
Love Bites – Buzzcocks
Push the Sky Away – Nick Cave and the Bad Seeds
The Clash – The Clash
London Calling – The Clash
* A Love Supreme – John Coltrane
If I Could Only Remember My Name – David Crosby
Kiss Me Kiss Me Kiss Me – The Cure
* Kind of Blue – Miles Davis
Don’t Stand Me Down – Dexy’s Midnight Runners
One Day I’m Going to Soar – Dexys
Hot August Night – Neil Diamond
The Doors – The Doors
The Soft Parade – The Doors
Pink Moon – Nick Drake
Blood on the Tracks – Bob Dylan
Slow Train Coming – Bob Dylan
Ocean Rain – Echo & The Bunnymen
The Nightfly – Donald Fagen
Tiger in the Rain – Michael Franks
* Stay Human – Michael Franti & Spearhead
The Score – The Fugees
So – Peter Gabriel
L’Histoire de Melody Nelson – Serge Gainsbourg
* What’s Going On – Marvin Gaye
Flesh – David Gray
Guys & Dolls movie ST
Passenger – Lisa Hannigan
To Be Continued – Isaac Hayes
Are You Experienced – Jimi Hendrix
Come get it I got it – David Holmes
Gentlemen Take Polaroids – Japan
The Melody at Night, With You – Keith Jarrett
Praise & Blame – Tom Jones (gets to his essence)
Tapestry – Carol King
The Miseducation of – Lauryn Hill
Yarona – Abdullah Ibrahim trio
All Mod Cons – The Jam
Jesus Christ Superstar
Unknown Pleasures – Joy Division
On Song – Brian Kennedy
Steps in Time – King (a guilty pleasure with DMs)
Led Zeppelin IV – Led Zeppelin
Imagine – John Lennon
Cinquieme As – MC Solaar
Candy McKenzie – Candy McKenzie (a Lee Scratch Perry Black Ark LP from 1977 that got lost somehow)
The Snake – Shane MacGowan & the Popes
Madness – Madness
Correct Use of Soap – Magazine
Exodus – Bob Marley & the Wailers
* Solid Air – John Martyn
Glorious Fool – John Martyn
New World Order – Curtis Mayfield
Sings Big Blues – Little Milton
Monk’s Dream – Thelonius Monk quartet
* Poetic Champions Compose – Van Morrison
A Night in San Francisco – Van Morrison
Blues and the Abstract Truth – Oliver Nelson
Tribute – John Newman
Nevermind – Nirvana
Throw Down Yours Arms – Sinead O’Connor
Meddle – Pink Floyd
Water – Gregory Porter
Dummy – Portishead
Metal Box – Public Image Ltd (in the metal box)
O – Damien Rice
Some Girls – The Rolling Stones
England’s Newest Hitmakers – The Rolling Stones
Diana – Diana Ross
Stranded – Roxy Music
Rumblefish OST (Stewart Copeland)
The Crack – The Ruts
WomanChild – Cecile Mclorin Salvant
Abraxas – Sanata
Gymnopedies – Eric Satie
Beyond Skin – Nitin Sawhney
Bring ‘Em All In – Mike Scott
Never Mind the Bollocks – The Sex Pistols
* Songs for Swinging Lovers – Frank Sinatra
The Scream – Siouxsie and the Banshees
Six Days in June
Easter – Patti Smith
The Specials – The Specials
* The Rising – Bruce Springsteen
We’ll Never Turn Back – Mavis Staples
Tea for the Tillerman – Cat Stevens
Brilliant Trees – David Sylvian
* Remain in the Light – Talking Heads
Sweet Baby James – James Taylor
Kilimanjaro – The Teardrop Explodes
Soul Mining – The The
Quick Step & Side Kick – Thompson Twins
Power in the Darkness – Tom Robinson Band
Under Milk Wood – Stan Tracey
Joshua Tree – U2
Signing Off – UB40
Hand on the Torch – US3
Live in Leeds – The Who
Rhythm & Sound – With the artists (a reggae gem from unlikely quarters)
West Side Story movie soundtrack
Talking Book – Stevie Wonder
Harvest – Neil Young
* Road to Freedom – The Young Disciples
Hot Rats – Frank Zappa
I’ve been thinking about updating some of the lists that punctuate this blog (usually around Christmas when I’ve got a bit of time on my hands and am in a playful as well as reflective mood) so I’ve gathered a few here by way of preparation…
Blasts from the Pasts (musicians)
Doing the Box 1 (singles)
I’m thinking of doing next a Best Movies list and revisting Best Songs.
I just came home to this note from Enfant Terrible No. 1. It indicates that his Catholic education stuck to some degree, however little time he has for formal religion. It’s also a sign that his Music Education stuck to some degree because it refers to the borrowing without express permission of the paternal CDs (ranging from Curtis Mayfield to Siouxsie & The Banshees) in order to flesh out a newly broadened music collection. For nearly a decade we had wall-to-wall rap and then suddenly the dam has burst and The Enlightenment has flowed.
The beginnings of this are documented below in Passing the Baton.
I want to pick up the thread this day last week on Father’s Day, as good a one as ever occurred.
I get up relatively early (for a Sunday) to take said Enfant Terrible to his weekend job, teaching little kids rugby at a local school (the school where The Kinks went back in the golden era). Before leaving he handed me this home-made card:
Inside are written the wondrous words: “continue to musically educate us”. In the meantime from The Cure to The Doors, from Diana Ross to The Boss, they’re working their way through the goldmine.
Once back to the house I go for a run in St Pancras & Islington Cemetery (do your jogging or you’ll end up in here), listening to Inheritance Tracks from Radio 4. Here are mine from 3 years ago, but I think de facto at this point the one I’ve bequeathed may be Sympathy for the Devil. I was listening to the lyrics the other day while watching Crossfire Hurricane with Enfant Terrible No. 2 and they really are brilliantly epic for a young man of Jagger’s then age.
When I get back from my run I clean the bird shit off the car and pick up all the litter on Maurice’s allotment beside my house (Maurice is rarely able to get here any more due to old age taking its toll and Luis, the Portuguese fella who looks after the massive plot for Maurice, just doesn’t get the idea of litter/rubbish – it’s a cultural thing, either OK for possible recycling or weirdly invisible.) So a couple of physical activities for the greater good, always feels good. The original Forgive-Me-Father was a great advocate of service as the path to happiness.
In the afternoon we went down to our annual local festival, the East Finchley Community Festival in Cherry Tree Woods. I did a short stint on the stall of The Phoenix Cinema, where I am a trustee. Little kids were drawing discs to use in a Zoetrope type device, watching their work back as animation. The rest of the time I was mainly by the main music stage where the highlight for me was a bunch of geezers of my vintage playing tracks from my music collection, as raided above, like Song from Under the Floorboards and something by Talking Heads which now escapes my silver-fox vintage memory.
While I was sitting there the solution to a mystery came in over the airwaves. I’d bought a vinyl copy of Born to Run at Alan’s the day before. On the cover was a name that looked more like a signature than a name written to assert ownership of the record.
I whacked this photo online and drew it to the attention of my best man, a Springsteen veteran and connoisseur – he took 9 minutes to work out whose signature it was (he had a book signed by the same person) – it was Eric Meola, the photographer of the famously stark no-nonsense black&white Born to Run cover. So not a bad acquisition for £7. I told Alan the story on my way home from the festival on this beautiful summer evening and he shared the piquant addendum that the copy had come from the collection of singer Paul Young (of Q-Tips, Band Aid and solo fame).
In the evening the ETs gave me my Father’s Day present, a subscription to Spotify on which was prepared a playlist called ‘The Enlightenment’ consisting of loads of songs I’d shared with them over the years which they now really appreciated. It was clearly the product of many hours work, including the use of Shazaam to identify unnamed tracks I had put on early birthday compilation cassettes for them.
We went up to Highgate for dinner together, unbooked and last minute as I prefer. It was chilled, great larks. On our return we set up a collaborative playlist called ‘3-way Music Education’…
Yesterday Christies in New York sold the manuscript and notes for Don McLean’s 1971 mega-hit ‘American Pie’ for $1.2M. It’s a view back from the perspective of 1971 over the 60s and 50s to an age of innocence represented by Buddy Holly, Richie Valens and The Big Bopper. The lyrics have a reputation for being impenetrable and rich in sub-text, though it is easy to spot Dylan, The Stones, The Beatles, The Byrds, Janis Joplin et al as he takes us through from his 12 year old self mourning the loss of Buddy Holly and co. in a tragic plane crash in 1959 through to a jaded, nostalgic 24 year old surveying the wreckage of the Hippy era. When asked what it means McLean’s favourite answer is: “It means I never have to work again.”
I went back this evening to check whether the song is as irritating as I remember. It is. The description of “bubblegum Dylan” is not far off (I think the phrase is Alexis Petridis’s). But the song’s sale and the fact it is trying to capture the meaning of a particular point in music history makes it a good springboard for a project that’s been brewing up in me for quite some time.
Over a couple of years I kept noticing that a number of classic records were recorded in 1971. After a while it seemed more than just coincidence. And as the 1971 records gathered I noticed that in many ways they seemed to represent the essence of the 60s/Hippy era even though they were a couple of years late numerically. How come the 60s seemed to climax in 1971? What was special about that year?
I went back to look and picked out 10 records that seem crucial to that year, and then one track on each that gets to the heart of the record. I’m planning to do a post about each of them in the wake of this intro. So first up will be ‘Natural Woman’ by Carole King from ‘Tapestry’…
A message from
James Rhodes, pianist & campaigner for music education
19 Mar 2015
We have had our first campaign success with Don’t Stop the Music – and it couldn’t have been done without your tireless campaigning.
Ofsted have agreed to include a ‘broad and balanced curriculum’ in their inspections of schools.
This is great news! It is the first step in helping ensure that children have access to a proper music education. It could not have been done without your support.
And on Tuesday night, I got to speak in parliament to members of the House of Lords and House of Commons about our concerns and what we need to do to protect music for future generations.
I had the opportunity to discuss our findings from the initial stages of Don’t Stop the Music; findings that gave me sleepless nights. Music education is in desperate need of support from the Government, and with May’s election fast approaching I need your help to make sure music education is not forgotten in the next Parliament.
We need consistent funding, not a post code lottery, opportunities for children to progress beyond their first musical experiences, more action from Ofsted, a trained teacher in every school, and school accountability measures (league tables and the like) which value music properly.
What I am asking your help with now, is making our voice as strong as possible.
If we have 100,000 people signed up to this campaign by the start of May, we will be able to make sure music education is not side-lined by a future Government.
So I am asking for your help, once again, to ensure more children have the opportunity to play musical instruments – please forward this message to your friends, put the petition link on Twitter and Facebook and get as many people as possible to sign up to the campaign
Thank you, thank you and thank you again.
Sign the petition here (it takes literally a minute)
Here’s a brief video summary of the Channel 4 multiplatform / transmedia project- Don’t Stop the Music featuring concert pianist James Rhodes – whose nomination for an International Digital Emmy was announced this week in New York. It is one of 4 nominees in the Non-Fiction category, one of 12 nominees in total.
Here’s what the warehouse looked like where the 7,000 instruments were gathered in their journey from people’s attics to 150 primary schools across the UK. Entering this warehouse and seeing this sight was one of the highlights of my career.
Was talking Christmas music with Catalan Brian and The Luck Habit earlier this week in the wake of my moment on The Robert Elms show last weekend – see Radio Radio. In the good ol’ US of A of course it’s a genre in its own right, as reflected in the iTunes genres/CD metadata which includes Holidays Music or something like that. So we agreed to put together a selection of the best ‘Holidays’ tunes by way of party game cum useful list.
1. Last Month of the Year – Blind Boys of Alabama
This is the one we kick off proceedings with every year in our house.
Father: Tell me when was Jesus born?
It was the last month of the year
Was it January?
Children: no [etc.]
March, April, May? no
June, July, August, September, October, November?
It was the 25th day of December
It was the last month of the year
What’s not to love?
2. Children Go Where I Send Thee – Nick Lowe
This was our 2013 acquisition – it was the year I got to really appreciate Nick Lowe. I saw him live at a recording of Songwriter’s Circle a couple of years ago for BBC4 and really started to rethink his music. I’ve always had a soft spot for Rockabilly, right back to when the local greengrocer’s delivery boy was in The Polecats.
3. Fairytale of New York – The Pogues and Kirsty McColl
I’ll get it out the way – at the risk of losing TLH from the discussion. I just love the slagging bit in the middle. And Matt Dillon (Rumblefish era) featuring in the vid. I spoke to Kirsty’s mum earlier this year while writing my book – Jean Newlove – an incredible 91 year old who looked after Dance and Movement for some of Joan Littlewood’s theatrical enterprises. Sinead O’Connor has also played this live with The Pogues in Kirsty’s absence.
4. Jingle Bells – Frank Sinatra
From Frank’s cracking Crimbo LP imaginatively entitled ‘The Christmas Album’. The voice – unbeatable.
5. Merry Christmas Everyone – Shakin’ Stevens
Christmas has nothing to do with good taste.
6. Let It Snow – Ella Fitzgerald
A voice as pure as driven white stuff.
7. Cool Yule – Louis Armstrong
The dude was cool as the white stuff.
8. Santa Baby – Eartha Kitt
Naughty but nice.
9. Silent Night – Sinead O’Connor
What Sinatra is to the male voice, Sinead is to the female voice i.e. as good as it gets. Seems like a good one for this centenary year of the outbreak of the First World War and that Christmas moment in No Man’s Land.
I’ll be adding more to these over the next few days. In the meantime Brian has got together a formidable list which I’ll post in the first comment. Feel free to add your faves…