4 of the Greatest Drummers

I’ve been enjoying the 3-part series Guitar, Drum & Bass on BBC4 commissioned by my old friend & colleague Jan Younghusband. Some of the presenters are better than others (Tina Weymouth of Talking Heads a real natural on Bass; Stuart Copeland gives it a good try on Drums, enthusiastic but not the full monty).

Of course it gets you reflecting on the greats so here are who I consider 4 of the drumming greats:

1) Michael Shreeve – Santana

[comes in at 0:38] He blew everyone away at Woodstock as a fresh 20-year-old.

2) John Bonham – Led Zeppelin

A driving force of great technical accomplishment – heavy as it gets.

3) Budgie – Siouxsie & the Banshees

[kicks in at 0:36] A perfect off-beat sound

4) Clyde Stubblefield – James Brown

[solo at 0:30] Funky as fuck

Bubbling under:

• Elvin Jones – John Coltrane
• Gene Krupa – Benny Goodman
• Itamar Doari – Avishai Cohen

Itamar Doari with Avishai Cohen

Also of note:

• Gregory Coleman – The Winstons (creator of the Amen Break)
• Stockton Helbing – Maynard Fergusson

[6 famous seconds at 1:26] The Amen Break

 

Coincidences No.s 250, 251 & 252

No. 250 – Puritans

The Pilgrim Fathers boarding the Mayflower – painting by Bernard Gribble

I travel to Plymouth and decide to see where the Mayflower departed from for the New World in 1620. I take a photo of the so-called Mayflower Steps (the water’s edge was actually some way back an elderly local gentleman explains to me back in the 17th Century). I decide to Insta the photo which mainly captures the fact that the Steps are being rebuilt for the 400th anniversary next year. For some reason the train of thought in my mind at the time is stepping off this quay onto that ship ultimately gave the world Trump. Also in the back of my mind is Ronan Bennett’s novel Havoc in its Third Year which probably coloured my views on Puritans. So I ended up writing this caption, including #fuckthepuritans:

The next day I am reading How to Think by Alan Jacobs. In the section on Consensus & Emotion he references a 1994 essay entitled Puritans and Prigs by Marilynne Robinson. In it she “challenges the contemptuous attitudes many people have towards Puritans”.

No. 251 – Scaramanga

Just along from the Mayflower Steps, past the building (Island House) where the Pilgrim Fathers are supposed to have taken their last meal on English soil,  I enter a good second-hand bookshop, The Book Cupboard. I eventually buy two paperbacks for a very reasonable £3 each, including a 1967 copy of The Man with the Golden Gun (largely for its cover which includes a BOAC luggage ticket for Scaramanga, the villain of the piece).

The next day I go to a meeting of the Advisory Board of Sheffield DocFest documentary festival. It is held in a place called Second Home, communal offices in the East End (by coincidence in the same narrow road where my grandfather had a clothes factory back in the 60s and 70s). At the appointed time I walk through to the meeting room. The way the building has been fitted out the spaces are divided by curving clear plastic walls which has the effect of a hall of mirrors. I remark on the confusing effect as I enter the meeting room and my colleague from DocFest immediately references Scaramanga and the movie of The Man with the Golden Gun and Christopher Lee (who I once crossed paths with on the streets of London).

No. 252 – Jack Shepherd

I go to the monthly meeting of the University of London Finnegan’s Wake Research Seminar. We cover about 6 to 8 lines per session as the method is close reading. The first of this month’s 6 lines includes a reference to the notorious 18th Century criminal Jack Sheppard.

Our bourse and politico-ecomedy are in safe with good Jock Shepherd, our lives are on sure in sorting with Jonathans, wild and great.

On the tube home I pick up the Evening Standard. The first line of the newspaper’s front page is: “Speedboat killer Jack Shepherd today launched a bid to resist extradition from Georgia”

Joyce deliberately misspells Sheppard’s surname to give it another connotation, shepherd, be that of sheep or men. This brings it in line with the surname of this 21st Century criminal currently on the lam(b).

1st edition

Postcard No. 4 & Coincidence No. 294

This is what is written in ink on the postcard:

Dear Aunt & Uncle,

I suppose you know by now I have enlisted. I am at present stationed at Aldershot, where we are busy training. I’m quite well, and worked hard, but quite content. In peace time we are dressed in the dress shown on the card.

Love to all, your loving nephew, CWW/GWW

The card was sent to:

Mr & Mrs Whitney
5 County Road
March
Cambs

So that makes him CW/GW Whitney.

He sent the card on 12th September 1914 from Aldershot, a big army town obviously, and just two months after the declaration of war. There are also the words Malborough Lines(?) on the postmark. Lines seems to be military jargon for something to do with barracks, probably lines of or between buildings. It was postmarked at 8.15pm across its Half Penny stamp bearing the head of George V.

The destination of the card, March, is a Fenland market town in the Isle of Ely area of Cambridgeshire. In 1914 it was the county town of the Isle of Ely (a separate administrative county from 1889 to 1965). March was once an island surrounded by Fenland marshes, the second largest in ‘the Great Level’, a 500 square mile area of The Fens.

On the front of the card is a watercolour illustration of a soldier from The King’s Royal Rifle Corps. Signed JMN. The front includes a list of the regiment’s Battle Honours including “Martinique 1762, 1809” and “Defence of Ladysmith”. The summary of History and Traditions mentions “the Afghan War, 1879-80, including Roberts’ famous march to Kandahar, and the Battle of Kandahar”. There seem to have been subsequent Battles of Kandahar in 2001, 2006 and 2011. Plus ça change.

A quick search online has revealed: Charles William Whitney

A/3092 Cpl, 7th King’s Royal Rifle Corps. Killed in action 15-9-16, age 26. Son of Charles & Elizabeth Whitney, 4 Station Rd, Chatteris; husband of Alice Whitney. Thiepval Memorial, Somme, France.

So our man only survived two more years and three days. 15th September was the day my wife was in labour with our first-born son.

Chatteris is only 9 miles away from March, being one of the four market towns in the Fenland district of Cambridgeshire, alongside Huntingdon, March and Ely.

The regimental badge on the front of the card shows the motto “Celer et Audax”. I’m going to guess that means Speed & Boldness – and now I’m going to ask Prof. Google… yup, close – Swift & Bold, now the motto of The Royal Green Jackets. Their badge is similar, just with a circle of laurels around the cross. They were formed in part from The King’s Royal Rifle Corps in January 1966.

The card was “British Printed” by G&P which seems to stand for Guards Posted, military being their specialism.

I wonder how Charles felt when he was first posted as a guard? and whether he ever got to see his uncle and aunt again?

A bit more googling and I found a photo of Charles…

…and this information:

Corporal Charles William Whitney 7th Bn, A Coy, A/3092 King’s Royal Rifle Corps

Died 15 September 1916

Charles William Whitney was born in around 1890 in Bury Huntingdonshire England. In 1901 he lived with his parents Charles and Mary Elizabeth Whitney and his brother Laurie Stonecliffe (who also died in the war) in Station Road, Chatteris. His father was a mining engineer by trade.

In 1911 Charles boarded at 15 Church Road in Erith and was a school teacher at Dartford Elementary School. Before the war Charles had been an assistant master at King Edwards School.

By the time of his death Charles was married to Alice and lived at 24 Topsfield Parade in Crouch End, London, his parents still lived in Chatteris. Charles enlisted in Hammersmith in August 1914, having only held his current teaching post for 3 months, and joined the 7th Bn King’s Royal Rifles Corps, going out to the front on May 1st 1915. His battalion were part of the 14th Light Division in 1916. They, along with The New Zealand Division and 41st Division were successful in capturing the village of Flers on 15.9.16. English Newspapers reported that ”A tank is walking up the High St of Flers with the British Army cheering behind.” Sadly Charles wasn’t amongst them. A letter in the Cambs Times, 6th Oct 1916 records a letter from his Captain stating that Charles was instantly killed by a shell. He was a signaller. Charles has no known grave and is commemorated on the Thiepval memorial.

Project File contains: • CWGC certificate • Cambs Times 29 Sep 1916, 6 Oct 1916, photo • 1901, 1911 Census • Soldiers Died • Medal Card • Picture of name on Thiepval Memorial

I can’t recall where I bought this card for 50p. It might have been in Ireland, at an antique fair in England, not sure. But the weird thing is this man lived only 2 miles away from where I am sitting in my backroom, his last address being in Crouch End, despite his origins in The Fens.

What are the chances – a postcard posted in Aldershot to Cambridgeshire by a man from Cambridgeshire should end up two miles down the road from his final address in London?

Charles William Whitney on the Thiepval memorial

His younger brother Laurie (three years his junior) ended up in Ealing before he left for the war. Laurie Stonecliff Whitney was Company Quartermaster Serjeant for the 1st Huntingdon Cyclist Battalion (The Fens are good for cycling being as flat as it comes so probably have a strong bicycle tradition). Laurie died two years after Charles on 11th July 1917. He had been born at Bury in Huntingdonshire (in 1893) but breathed his last (age 23, the age I met my wife) in Scarborough, where he would have been in hospital wounded.

Charles’ brother Laurie – buried at Chatteris Meeks Cemetery

On the last Remembrance Day I wrote a post about a local casualty of the Great War, John Parr, who had the tragic distinction of being the first British soldier killed in action. He was from one mile down the road from this back room. By coincidence, he too was in a cycle brigade, a reconnaissance cyclist.

Postcard No. 3

 

The third from my random collection of old postcards.

I think I took this as Jesus when I bought it (for 30p) because I’m fond of a good Jesus. My favourite is Jeffrey Hunter in King of Kings (also Captain Pike, original commander of the USS Enterprise in the first ever Star Trek).

Jeffrey Hunter in ‘King of Kings’ (1961) Directed by Nicholas Ray

But this turned out to be Johannes or John, presumably John the Baptist. He has a big crook so is clearly also a shepherd of men. I presume he too is an actor as the card is marked (in German) as an ‘Official Postcard’ of the Passionspiele (passion plays) at O. -Ammergau, Oberammergau, a village in Bavaria where a passion play has been performed since 1634. So not mediaeval like Brit passion plays, such as the York Mystery Cycle which dates from the mid-fourteenth century, but a good effort nonetheless. The Oberammergau plays are performed on open-air stages.

This one is dated 1922 and seems to be No. 74 in a series – that’s a lot of characters.

The printer was F. Bruckmann of Munich – Friedrich Bruckmann (died 1898). His older son Alphons and younger son, Hugo (13th October 1863, Munich – 3rd September 1941, Munich) took over F. Bruckmann KAG on his death. Hugo and his wife Elsa were among the early promoters of Hitler, helping him gain access to upper-class circles in the city.

From 1928 the Bruckmanns backed the National Socialist Society for German Culture. And from 1930 Hugo was a board member of the ‘Kampfbund’ (Pressure Group) for German culture, founded by Alfred Rosenberg. He was an NSDAP (Nazi party) member of the Reichstag (German parliament) from 1932 until his death in 1941. In 1933 he became a member of the board for German museums. It is suggested his personal influence on the Fuhrer helped reduce political interference in the cultural sphere. An attempt to ban Jewish books from libraries was successfully opposed by Bruckmann. Because Hugo knew the big man after the outbreak of war his publishing house was declared of special importance for the war effort. He was honoured with a state funeral in 1941.

Also mentioned on the back is ‘the Munich graphic business’ Pick & Co. They seem to have been in book publishing too. Alongside is a reference to “Kupfertiefdruck” which seems to translate as “Rotogravure” (literally Copper Gravure – Gravure is “a printing method in which an image is applied to a printing substrate by use of a metal plate mounted on a cylinder” so the cylinder explains the “‘roto” bit). Whether this is a rotogravure… Jesus (No. 1) knows.

On the front is written “Traut photo.”. Traut seems to be H. Traut of Munich. Here’s one of his from 1906:

Photographer: H. Traut of Munich (1906)

Atelier Henry Traut was in business from 1857 to 1940. It was based at Herzog-Wilhelm-Straße 32, Munich.

Here’s one of his ‘glamour’ photos:

And here’s the gen on him from the reverse of a postcard:

So his speciality was taking portraits in private houses in daylight and artfully lit. There are whole books about him.

I found one other of his 1922 photos online:

I”m not sure which number or character this is.

Other similar images from later years:

Another John from 8 years later (1930) actor Hans Lang

Also from 1930, Jesus & Mary

An early one from 1900 – Mary’s farewell to Jesus

A later one (1950) Judas’ kiss featuring actors Anton Preisinger (Jesus) & Hans Schwaighofer (Judas)

At last No.1 Anton Preisinger as Jesus, complete with autograph (probably 1950)

Anton Preisinger as Jesus (probably 1950)

I like my one best.

4 places worth visiting in Norwich

I was in Norwich yesterday visiting the uni/art school NUA to give a lecture on Creative Thinking and a very pleasant visit it was too. Here are 4 places I enjoyed spending time in…

1. The Book Hive book shop

A great little independent book store with good browsing to be had. I picked up a copy of Alan Jacobs’ How to Think – and here’s what I love about the internet: I read a bit I didn’t agreed with and fired an email over then and there to Mr Jacobs in Texas with an example illustrating what I thought and he came back a few hours later with his response (polite and broadly  agreeing).

Proper old school

2. Harriet’s cafe /teashop

Welsh rarebit, English breakfast tea, The Times – what’s not to like? Read Danny Finkelstein’s piece in the wake of the May plan take-down. Used to go to junior school with the Fink and he lived down my road for a while (Tory blue front door though he was a Liberal at the time: we had a yellow front door back then).  Always worth a read.

in Norwich Lanes

3. Jarrolds

A department store, founded in 1770 in Suffolk, moved to Norwich in 1823. Situated in the Lanes like #1 and #2 above. I read the book purchased in #1 here in the basement where there is a book-encircled cafe called Chapters, with leather armchairs and rooibos tea. I remember buying books published by Jarrolds back in the day but I don’t think they still have that part of the business. Nonetheless their bookshop bit is well worth a visit, as is their art materials bit.

NUA Boardman House in Redwell Street (1879)

4. NUA

Norwich University of the Arts is a cool school – ranked in the UK’s Top 10 for teaching quality by The Times Good University Guide 2018; also rated by students as a top 6 UK university for creative scene in the Which? Student Survey 2018; plus shortlisted for Buildings That Inspire in the Guardian Awards 2018. NUA was founded as Norwich School of Design in 1845. Painter Michael Andrews, Monty Python’s Neil Innes and President of the Royal Academy Alfred Munnings are among the alumni.

Same yellow as my old front door

Coincidences No.s 291, 292 & 293

No. 291 Crudo

I get off the tube at Bank on my way to Norwich today (to give a lecture on Creative Thinking at NUA) and hear my name called across the platform. It is an old colleague & friend of mine from Channel 4. We greet each other and he notices I’m holding a book in my hand, my reading material from the tube journey. He asks me what the book is. “Crudo, we’re reading it for my book group.” “She’s one of my best friends, Olivia Laing [the author].”

On top of those coincidences (the meeting and the book), I get on the train at Liverpool Street and look up Olivia Laing as I know nothing about her and the book is unusual and intriguing. It turns out she comes from the village of Chalfont St Peter in Buckinghamshire.

A few minutes later I’m still arsing about on my phone. I have been approached to connect by a person on LinkedIn, a director called Jacques Salmon, whose name doesn’t ring a bell. I look at his profile. He went to school at Chalfont Community College in Chalfont St Peter.

No. 292 Stay Human

A bit later in the journey I am looking up one of the people featured in Michael Franti’s new documentary Stay Human, the UK premiere of which I saw last night at Bush Hall. It spotlighted the work of an amazing midwife-activist called Robin Lim.

As I text the link to my Other Half (who came to the film and accompanying gig last night and was particularly taken by Robin and her work) a notification appears on my phone – Michael Franti has just liked a photo I posted on Instagram after the event yesterday.

No. 293 Jung

I spend the day in Norwich, Norfolk. The county has been on my mind since listening to my friend Tim Wright’s Curiously Specific podcast, the latest episode being about The Eagle Has Landed which is set in Norfolk (where Tim hails from). [see also No. 289]

I bought a DVD of the movie of The Eagle Has Landed to rewatch it after hearing the podcast on Sunday. It arrived in the post today so I start watching it this evening (I haven’t seen it since it came out in 1976). As I’m watching one of the early scenes Robert Duvall (playing Colonel Radl) talks about Jung (” a great thinker”) and his notion of ‘Synchronicity’, arguably the essence of these posts. An item of intelligence about Churchill visiting a stately home near the Norfolk coast would normally be of little interest but by coinciding with Hitler’s crazy notion of kidnapping Churchill it suddenly becomes full of meaning.

The term ‘Synchronicity’ (Synchronizität) was coined by analytical psychologist Carl Jung to signify, as I understand it, the acausal connection of two or more physical, psychological or psychic phenomena. He introduced the notion in the 1920s but didn’t gave a full statement of it until 1951.

This concept came to him through a particular patient’s case that was at an impasse. One night she dreamt of a golden scarab. The next day, during this same patient’s psychotherapy session, an insect crashed into  the window of Jung’s office. Jung caught it and found to his astonishment  that it was a golden scarab,  very unusual in that climate.

So, the concept is all about coincidence – in this case, between the scarab dreamt by the patient and its appearance in reality in the psychotherapist’s office – a meaningful coincidence of physical and psychological phenomena that are acausally connected. Jung considered that events are “meaningful coincidences” if they occur with no causal connection and yet seem to be significantly related.

He defined Synchronicity variously throughout his career – as an “acausal connecting principle”, “meaningful coincidence” and “acausal parallelism.” In 1952 Jung published a paper “Synchronizität als ein Prinzip akausaler Zusammenhänge” (Synchronicity – An Acausal Connecting Principle). Jung used the concept to argue for the existence of the paranormal.

In collecting coincidences in my life I have come across some that have no possible rational explanation. These are few. More numerous are ones that are not logical but come down to something being in the air. Plenty can be rationalised.

Forever Jung

Lost Postcards No.2

The second recently re-found old postcard from my small, random collection

This one cost me a massive 20p (pencilled on the back). I think I bought it because it reminded me of Aubrey Beardsley and Oscar Wilde.

Aubrey Beardsley (1872 – 1898) by Frederick H. Evans (c.1894)

The postcard was “Manufactured in Berlin”. Oddly it specifies “For Inland use only” – as it’s written in English I assume it means in Britain not Germany.

The sitter is quite androgynous as you can see.

Lord Alfred ‘Bosie’ Douglas (1870–1945) is best known as Oscar Wilde’s lover, and is often blamed for his downfall.

The name ‘Henry Ainley’ is printed at the bottom.

It turns out Henry Hinchliffe Ainley died the same year as Bosie. His dates are 21st August 1879 – 31st October 1945. He was an English actor of stage and screen, specialising in Shakespeare.

He was born in Leeds and brought up in Morley by father Richard, a cloth finisher, and mother Ada. He moved to London to pursue his career in acting. He made his professional stage debut as a messenger in Macbeth with F.R. Benson’s company.  Later he joined Herbert Beerbohm Tree’s company. He first came to prominence in 1902 as Paolo in Paolo and Francesca.

He played Gloucester in Henry V at the Lyceum in London. Ainley returned to Leeds to appear at the Grand Theatre. Later roles included Oliver Cromwell, Mark Antony in Julius Caesar and the lead in Macbeth. In 1912 he portrayed Malvolio and then Leontes under the direction of Harley Granville-Barker. He played Hamlet several times, including a 1930 production which was selected for a Royal Command Performance.

John Gielgud thought highly of Ainley and had a long-standing ambition to perform with him which he eventually fulfilled when he played Iago to Ainley’s Othello in a 1932 BBC Radio broadcast. Gielgud however described Ainley’s Prospero as “disastrous”, recalling it in 1996 (in The Sunday Times).

Ainley played Shakespeare on screen in Henry VIII (1911) and As You Like It (1936), the latter alongside his son Richard and Laurence Olivier.

Among the other roles Ainley played were: Robert Waring in The Shulamite (The Savoy Theatre, London, 1906.); Joseph Quinney in Quinneys (on stage in 1915 and on film in 1919); in A. A. Milne’s The Dover Road opposite Athene Seyler (1922); the Bishop of Chelsea in Bernard Shaw’s Getting Married (The Haymarket Theatre);  James Fraser in St. John Ervine’s The First Mrs. Fraser (1929 on stage, 1932 on film); and he starred in James Elroy Flecker’s Hassan (on stage and on radio). He was an early example of stage-screen crossover.

His films include:
She Stoops to Conquer (1914)
Sweet Lavender (1915)
Sowing the Wind (1916)
The Marriage of William Ashe (1916)
The Manxman (1917) – not to be confused with the second silent adaptation, directed by Hitchcock twelve years alter (1929)
Build Thy House (1920)
The Prince and the Beggarmaid (1921)
The Royal Oak (1923)
The First Mrs. Fraser (1932)

In 1921 Ainley became a member of the council of RADA (the Royal Academy of Dramatic Arts) and was its president from 1931 to 1933.

Ainley led his own own theatre company. In 1932 he helped save the debt-laden Sadler’s Wells theatre. Ainley thought Sadler’s Wells regular Samuel Phelps the “greatest actor of all” and Sir Johnston Forbes-Robertson “the greatest of Hamlets”.

Ainley was married three times – to Susanne Sheldon, Elaine Fearon and novelist Bettina Riddle (aka Baroness von Hutten zum Stolzenberg). He had several children, including actors Henry T. Ainley, Richard Ainley and Anthony Ainley, as well as non-thesps Sam and Timothy Ainley. Another off-spring was Henrietta Riddle, who was briefly engaged to journalist Alistair Cooke in 1932.

15 letters in the possession of Olivier’s widow, Joan Plowright, suggest that Ainley may have had a sexual relationship with Dear, Dear Larry in the late 30s. The letters suggest that Ainley was infatuated with Olivier.

Ainley died in London and is buried in Kensal Green Cemetery. I’ll go visit next time I’m over that way.

As Romeo in ‘Romeo and Juliet’

The photo in my postcard seems to have been taken by Lizzie Caswall-Smith.

Lizzie Caswall-Smith (1870-1958) (possibly without hyphen) is pretty interesting in her own right. She was a British photographer who specialised in society and celebrity studio portraits. These were often used for postcards.

Caswall-Smith was associated with the women’s suffrage movement and photographed many suffragettes including Christabel Pankhurst, Flora Drummond and Millicent Fawcett. The other actors she photographed included Camille Clifford, Sydney Valentine, Billie Burke and Maude Fealy. She photographed Florence Nightingale in 1910 (which fetched £5,500 (Nov 2008)). On the back of that particular photograph she had jotted in pencil: “Florence Nightingale taken just before she died, House nr Park Lane (London). The only photograph I ever took out of studio – I shall never forget the experience.”

Caswall-Smith operated the Gainsborough Studio at 309 Oxford Street from 1907 until 1920 when she moved to 90 Great Russell Street. She stayed at that address until her retirement in 1930 (aged 60). She exhibited at the Royal Photographic Society in 1902 and 1913. Her portraits of Peter Llewelyn Davies and J. M. Barrie are in the collection of the National Portrait Gallery, London.

 

 

Lost Postcards No.1

I recently found a few old postcards I thought I had lost. Five to be precise. I think I may have bought them in Ireland, years ago. They are pretty interesting ones so I thought I’d share them here as and when I have time. Here’s the first…

The text reads:

Hope you are not a German if so beware of the dog he looks dangerous and his bite is worse than his bark
hope you are well
E.G.G.

The addressee is:
FW Giddings Esq.
Broom Hill Terrace
Wimbotsham
Downham

Downham is in South-East London near Lewisham – I’m not convinced that’s the right place.
Wimbotsham is in Norfolk – I reckon that’s where Giddings lived. Yes, it’s just north of Downham Market so that’s the spot.

The card was posted in King’s Lynn, only a dozen miles away. It was mailed at 9.30pm (wow, they had a lot of postal collections back in the day) on 22nd August 1914. The First World War had been declared less than a month before on 28th July 1914.

The card was printed in Great Britain (not surprisingly given the design!) and is marked ‘Valentine’s series’ which I think refers to J. Valentine & Co. in Dundee.

Coincidences No.s 288, 289 & 290

These three are mild coincidences but have their own charm.

No. 288 – Michael Franti (11/12:1:19)

Yesterday evening I put in a CD in the car (yes we still have a CD player) – it is an old mixtape, burned for a party. The first track is Everyone Deserves Music by Michael Franti. I haven’t listened to him for ages and it makes me think of the last time I saw him live at Islington Assembly Rooms (May 2014) with Enfant Terrible No. 2 who got to dance with the main man during the show, he picked him out of the crowd. I also recall a great gig at Bush Hall, Shepherds Bush at the height of summer one year which was totally sweaty and wild.

This evening I open Facebook on my phone and the first item in my feed is an ad for a film premiere and an acoustic gig with Michael Franti at Bush Hall in 3 days time. I buy tickets.

No. 289 Blakeney (11/12:1:19)

I see an Instagram post by my pal Tim Wright about the latest episode in his (and former Channel 4 colleague, author Lloyd Shepherd‘s) new podcast, Curiously Specific. The post mentions various towns/villages in Norfolk because the book being explored in this episode is Jack Higgins’ The Eagle Has Landed which is largely set in that area. One of the places written at the foot of the post is Blakeney. It is not a name I know although I must have read it years ago when I read the novel. I download the new episode as I like the book.

Radio 4’s Today programme has a weekly Nature slot on Saturday morning. I catch this morning’s – they have a naturalist from the North-East coast talking about the recent resurgence of the seal population around the islands near Lindisfarne and a couple of other places – including Blakeney.

No. 290 Ipanema (11:1:19)

I am listening to Last Word, the obituary programme on BBC Radio 4. One of the people highlighted is the composer of The Girl from Ipanema, Norman Gimbel. He also wrote the words for Killing Me Softly (Roberta Flack). It makes me think of the time I listened to a lot of Astrud Gilberto and Bossa Nova when I was at uni – and how I must listen to her again soon.

Astrud Gilberto

I get back home shortly after and settle in front of the box, flicking channels until I get to The Blues Brothers which I haven’t seen in yonks. In the climactic scene, when chaos is going on around the municipal building where Jake & Elwood have barricaded themselves in, the noise of the soldiers and cops outside is contrasted with the muzak in the lift the brothers are taking to the tax office – it is The Girl from Ipanema playing.

 

I

The Casting Game No. 46 – Apple Pair

Paul O’Grady as Tim Cook (boss of Apple)

 

 

Paul O’Grady

as

Tim Cook