Archive for the ‘Movies’ Tag

Best of 2015

 

big-short

The Big Short: Steve Carell, Ryan Gosling

Film:
The Big Short

Grandma
Me & Earl & The Dying Girl
The Hateful Eight
Chappie
Ex-machina
Amy

Male Lead:
Steve Carell – The Big Short

Bryan Cranston – Trumbo
Eddie Redmayne – The Danish Girl
Paul Dano – Love & Mercy
Samuel Jackson – The Hateful Eight
Oscar Isaac – Ex-machina

Female Lead:
Lily Tomlin – Grandma

Saoirse Ronan – Brooklyn
Anne Dorval – Mommy
Alicia Vikander – The Danish Girl
Greta Gerwig – Mistress America

Male Support:
Christian Bale – The Big Short

Ryan Gosling – The Big Short
Mark Ruffalo – Spotlight

Female Support:
Jennifer Jason Lee – The Hateful Eight

Cara Delevingne – Paper Towns
Rooney Mara – Carol
Kate Winslet – Steve Jobs
Julie Walters – Brooklyn

Director:
Adam McKay –The Big Short

Quentin Tarantino – The Hateful Eight
Paul Weitz – Grandma
Xavier Dolan – Mommy
Asif Kapadia – Amy

Writer:
Adam McKay –The Big Short

Quentin Tarantino – The Hateful Eight
Paul Weitz – Grandma
Greta Gerwig & Noah Baumbach – Mistress America

Editing:
Hank Corwin – The Big Short

Film Music:
Ennio Morricone – The Hateful Eight

Single/Song:
Long Strange Golden Road – The Waterboys

Listened to this year:
Where Did You Sleep Last Night – Nirvana

Album:
Modern Blues – The Waterboys

Van Morrison – Duets
Covered – Robert Glasper Trio
The Epic – Kamasi Washington

Gig:
The Waterboys – Roundhouse

The Waterboys – Colosseum, Watford
Van Morrison (No. 3) – Nell’s Jazz & Blues Club
Van & Tom Jones – Blues Fest – Millennium Dome
Marc Almond – Empire Shepherds Bush

Play:
Beautiful – Aldwych

Death of a Salesman – Noel Coward Theatre (Anthony Sher)
Guys & Dolls – The Savoy

Art Exhibition:
Peter Lanyon: Soaring Flight – Courtauld

Barbara Hepworth – Tate Britain
Frank Auerbach – Tate Britain

Book:
Purity – Jonathan Franzen

Read This Year:
The Long Goodbye – Raymond Chandler

A Streetcar Named Desire – Tennessee Williams
To Kill a Mockingbird – Harper Lee
Then Again – Diane Keaton

TV:
Humans

Walking the Nile
House of Cards S3
The Murder Detectives
And Then There Were None

Sport:
All Blacks in Rugby World Cup Final at Twickenham

Event:
Paris climate change agreement

Dearly departed:

  • BB King
  • Warren Mitchell (Alf Garnett)
  • Leonard Nimoy (Spock)
  • Ron Moody (Fagin)
  • George Cole (Arthur Daley)
  • Anita Ekberg (Sylvia, La Dolce Vita)
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Warren Mitchell as Alf Garnett

Best of 2014

Best of 2013

Best of 2012

Best of 2011

Best of 2010

Best of 2009

My Favourite Movies

It’s that end of the year time when lists beckon. I’ll be doing my annual list of the best of the year in the next 36 hours or so but before I embark on that I was out with my youngest nephew the night before last and he showed me his Top 10 Films list on his Christmas-new iPod Touch (he’s got very refined taste for an 11 year old and I liked most of his choice which included great American indies like The Way Way Back) so I took the opportunity to jot down my Top 10 on my phone. Not an easy task once you get thinking (so I’m including my bubbling under list with a view to expanding it to my Top 20).

1 Modern Times

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Charlie Chaplin and Paulette Goddard

2 Apocalypse Now

Martin-Sheen-in-Apocalypse-Now-sheenism-religion-for-sheen-addicts-31913441-1222-611

Martin Sheen as Capt. Willard

3 Blazing Saddles

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Mel Brooks: “Dey even darker den us!”

4 City Lights

chaplin-charlie-city-lights

Charlie Chaplin and Virginia Cherrill

5 The Godfather

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Al Pacino as the unspoiled Michael Corleone

The Big Chill

140728_DVD_BigChill.jpg.CROP.promo-mediumlarge

Watching J. T. Lancer

Ferris Bueller’s Day Off

ferris-bueller-parade

Twisting & Shouting

8 My Life as a Dog

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Mitt Liv som Hund

9 The Big Short

movies-the-big-short-cast

Of these 4 great performances Steve Carell’s is the biggie

10 The Wolf of Wall Street

THE WOLF OF WALL STREET

Jonah Hill and Leonardo DiCaprio horsing around in wolf’s clothing

BUBBLING UNDER…
  • The 39 Steps
  • The Unbelievable Truth
  • Blow Up
  • La Haine
  • Diner
  • The Breakfast Club
  • I Know Where I’m Going
  • Black Narcissus
  • The Godfather 2
  • Pulp Fiction
  • Inglourious Basterds
  • Serpico
  • Chinatown
  • 20,000 Days on Earth
  • Romeo & Juliet
  • Mississippi Burning
  • Casablanca
  • West Side Story
  • Silver Linings Playbook

 

Learned from the Movies

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Anne Hathaway with her movie baguette

  • All grocery bags contain at least one French bread stick {Most lessons we can learn from movies are already all around us in real life. I learned of the baguette rouse when I was 17, from one of my first girlfriends. She always carried one under her arm when out and about. I eventually asked her about it and mentioned that I’d never seen her eating the bread. She looked at me aghast and informed me that they weren’t for eating but were there to make her look worldly and sophisticated. She was 16. [Thomas Johnston]}
  • A detective can only solve a case once he has been suspended from duty
  • You can run faster than the supersonic shockwave and flamefront in an explosion [Patrick Uden]
  • You can survive the battle as long as you don’t show anyone a picture of your sweetheart back home.
  • No-one will ever think of looking for you in the ventilation system of a building
  • Beds have special L-shaped top sheets covering women to their armpits but the men beside them only to the waist
  • Never be at the back in the jungle… [George Falconer]
  • No married or romantic couple can redecorate a flat without playfully starting to flick paint at each other. [Peter Bradshaw]
  • The Eiffel Tower is visible from every window in Paris.
  • More often than not colliding cars burst into flame.
  • A single match can light up a room the size of a football pitch.
  • All bombs are fitted with timers with large red numbers – just in case you need to know when it’s going to go off
  • That bomb with the red numbers counting down, it also has a red and a blue wire. Don’t worry which you cut with 2 secs to go – you’ll always snip the right one.
  • All police investigations involve visiting a strip joint at least once
  • Police departments have special personality tests so they can assign officers a partner who is the exact opposite
  • Women have shaved their armpits throughout all history [Catherine Bray]
  • You don’t need to say goodbye on the telephone, just hang up when the relevant information has been conveyed[Catherine Bray]
  • There will always be a free parking space right where you need it [Catherine Bray]
  • No one ever goes to the loo [or cleans the home] – it just happens by itself… [Sarah Haque]
  • When you close a mirrored bathroom cabinet, there’s always a monster / bad guy behind you in the reflection… [George Falconer]
  • The protagonist can never go for posh dinner at any restaurant anywhere without seeing his nemesis on another table [Jason Loader]
  • If you’re being chased in an underground car park you’ll probably be alright but it will be a close shave [Jason Loader]
  • When you drop your books, papers or groceries in public, there’ll always be a good-looking, kind-hearted, awkwardly romantic person ready to help you pick them up [Juliet Landau-Pope]
  • And when they drive to a restaurant, they always find a parking space right outside [Juliet Landau-Pope]
  • No-one ever needs a wee no matter how long they are chasing or being chased. Unless the script calls for toilet humour. [Deborah Mules]
  • Women never carry handbags [Caroline Ratner]
  • We gain profound philosophical insight in the moment before death [Irshad Ashraf]
  • evil has a foreign accent [Irshad Ashraf] or British/English English
  • In the absence of the L-shaped sheet, it doesn’t matter as both lovers have usually – in the heat of passion – totally forgotten to take the lady’s bra off [Moray Coulter]
  • Nobody uses parking meters [Geoff Langan]
  • high heels are suitable footwear for running from dinosaurs [Zoe Collins]
  • You can always reload your gun even if you haven’t been carrying any ammo. That’s if you need to reload it at all. Ever.
  • To pass yourself off as a German officer, don’t waste your time learning the language – a German accent will do. (Altogether now: I luff chess musik.)
  • Although mothers cook eggs, bacon and waffles every morning, husbands/children never have time to eat it.
  • The Chief of Police will give you 48 hours to finish the job before you get suspended/reassigned/in big trouble.
  • Any job in a romcom based in London or NY can afford you a lovely flat in a swanky area of the city. [Helen Newton] Or a broom cupboard. Which by the end is replaced with a swanky apartment.
  • iPhones in the movies don’t need to be plugged in every three hours. Unlike the real world. [Helen Newton] ditto Apple laptops
  • Your average laptop is powerful enough to hack into most alien systems.
  • Everyone’s computer is an Apple Mac
  • Mediaeval peasants had perfect teeth.
  • When you wake from a nightmare you sit bolt upright and pant
  • You can always park straight outside the building you’re visiting
  • If you can’t pick the lock with a paper clip, then a credit card will do
  • TV news bulletins always contain a story that affects you personally at that exact moment
  • When you switch on the TV, the news will be talking about your story at that very moment, but you will still switch it off again half-way through the report (although you show no symptoms of acute ADD in any other part of the film) [Moray Coulter]
  • All albinos are evil
  • At least one of every pair of identical twins is born evil
  • You won’t show any pain when taking a ferocious beating but when a woman tries to clean the wounds you’ll wince like hell
  • If you decide to start dancing in the street, everyone you come across will know all the steps
  • Don’t worry if you are outnumbered in a martial arts fight – your enemies will patiently wait to attack you one by one by dancing around in a threatening manner until you’ve disposed of their colleagues
  • When you turn out the bedroom light, everything will still be visible, just bluish
  • Honest cops get shot within a week of retirement
  • Beer is always drunk with the brand label clearly on display. Ditto all bottles of champagne, spirits etc. [Catherine Considine] and Coke
  • Why waste a bullet when a complex contraption with laser beams or a rotating saw will do?
  • just bribe the bell boy / receptionist / valet and they’ll break data protection laws [Irshad Ashraf]
  • A sharp knock on the skull will always render the victim unconscious for a short period, after which they will wake up otherwise unaffected [Moray Coulter]
  • The etiquette is to answer the telephone with a stacatto announcement of ones surname [Irshad Ashraf]
  • If your life is in danger you should always walk into a dark room and wait a bit before you turn the light on and/or have a shower [Helen Milner]
  • The single biggest TV drama cliche of all is perhaps one that no- one really notices. The drinking of whisky, miraculously produced from beneath a desk, or handily sitting on a kitchen top, in anticipation of a difficult conversation. Not wine, not gin, not beer (that’s the American version) but the golden spirit, whisky. [MT Rainey]
  • There are no black people in Notting Hill [Irshad Ashraf]

This post began as an idle conversation on my Facebook page. I’ve preserved here some of the ones that most resonated with a view to adding to the list, especially in the wake of Christmas movie viewing. And of course I’d love further suggestions below if any occur to you.

What else have you learnt from the movies…?

The Reaper Grim and Not So Grim

Filmposter-Paolo-Sorrentinos-Film-Youth

Youth

I’ve had three interesting encounters with Death – of an artistic kind – in the last few days of variable quality and insight…

Close Encounter of the 1st Kind: Me & Earl & The Dying Girl

Me-and-Earl-and-the-Dying-G-xlarge

Me & Earl & The Dying Girl

I took my 11 year old nephew to a screening of this movie as it is a book he really likes, plus he has impeccable, mature taste in movies. He is the only other person I have met, for example, who noticed and loved A Long Long Way Back in 2013. We both really enjoyed Earl (one of the best two BAFTA/awards season movies I have seen so far) and in the wake of our evening out he lent me the book – and he, like me, both being Virgos, is very fussy about the state of his books.

I enjoyed reading the book – he had bunked school the day before the screening so he could read all day and finish the novel, be fully prepared.  I see it as being in the tradition of A Catcher in the Rye (i.e. a quality coming of age book) and it is interesting on being self-effacing to avoid engagement as well as on dealing with death close at hand. I also like what it has to say on just being, being together, hanging out. It would be a great book to give a teen in the face of cancer or other terminal illness in their close circles.

Close Encounter of the 2nd Kind: Here We Go

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Here We Go

Here We Go, apart from being the first book I ever read (Look, John, look),  is a new short play by Caryll Churchill. I used to go, taken by my mum, with her and my younger brother most Saturday mornings to get cheap tickets for the National Theatre. What sometimes seemed like a haul then we are both profoundly grateful for now as we saw the best of theatre in a golden era for the NT. So the three of us reunited for this trip. Unfortunately it was a pretty provocative piece. Us two siblings pronounced on it on exit and it turned out our judgments exactly matched the two reviews (of the previous night’s opening performance) we read on the way home. He said it was more like an arts performance piece. I said it was not right for such a big venue of that kind (the Lyttleton).

The first of the three scenes that make up the 40 minute piece (ticket cost over £20 – not right) is made up of fragments of conversation at a funeral party. The next scene is a monologue conducted in a spotlight in the dark by the dead man. The last scene is the most provocative – but also the most thought-provoking. The dead man, flashing back to his last years, is in an old age home. His care assistant gets him dressed for the day, slowly and deliberately, in real time, with all the appropriate health and safety precautions. He shuffles a few feet across to his armchair. She then gets him undressed and ready for bed. He shuffles back to the bed with his zimmerframe, sits down and she starts getting him dressed again. It takes about 10 minutes to do the whole process. It was repeated twice in its entirety. No dialogue. All through the second cycle you’re thinking, they’re going to pull the plug on this any minute …surely. They don’t. As the third cycle starts the scene very slowly fades to black. Thought-provoking but bloody annoying and arguably not the stuff of theatre in this kind of context. I just came away thinking whatever happens, never get yourself into a situation where every day is the same as the last …and the one before that.

Close Encounter of the 3rd Kind: Youth

Youth-2

Youth

I went to a BAFTA screening in a cosy hotel screening room (Ham Yard) of this, the second English language film of Paolo Sorrentino, due to be attended by Michael Caine and Rachel Weitz. As it turned out the latter was unfortunately detained on set but the former was more than enough to make the screening special. What a grounded man for a famous movie star – and very funny, in a lovely dry London way (he’s from Elephant & Castle, similar territory to my hero, Charlie Chaplin). When asked how he felt about getting old, he replied: “Not too bad, considering the alternative.” Good perspective, one we often forget. That very English “Mustn’t grumble” is true.

I asked him a question about his fellow cast – How was it working with Harvey Keitel, and did he learn anything from him? He said the main thing was that they had both served in the infantry and that gave them both important common ground on which they founded a friendship.

The film was a free-ranging reflection on youth, age and approaching death – not totally my cup of tea but interesting, entertaining and original. The Grand Hotel Budapest meets Dirty Rotten Scoundrels. What was most inspiring was the dignity and joie de vivre Michael Caine aka Sir Disco Mike brought to being in your 80s. Certainly something to aspire to…

MichaelCaine_10

 

The Last Hurrah (for Hollywood)

Charlie Chaplin Kid Auto Races at Venice 1914 little tramp

We left LA with two final movie things to delight us and cast a glittering light on the City of Angels. First, I found out that the apartment we were staying in – apart from being on the same street Jim (Morrison) used to live on – was adjacent to the location of the first movie in which Charlie Chaplin appeared as The Little Tramp. It is now a dog park but back in 1914 it was the site of the ‘Kid Auto Races at Venice’ where Mack Sennett produced a 6 minute short directed by Henry Lehrman. My second son has Charlie as a middle name in honour of Chaplin.

Last time we were in LA together (when he was 4) we were hosted by my Paramount friends at a house Chaplin had built for his mistress. This time (he is now 15) we enjoyed spotting various Chaplin traces around Venice (mostly murals) but it was only on our day of departure I found out in detail why they were there.

The other movie moment to adorn that day was when the same son spotted a face he recognised in the place we went en famille for breakfast, a bakery called Gjusta also in Venice, located in an old boat-building factory adjacent to Gold’s Gym of Arnie fame. It had been Arnold Schwarzenegger’s birthday the day before and by chance I spotted, when out running along the beach, that his image fills giant-size the wall behind Jim’s mural ‘Morning Shot’. So after a breakfast with a bit less raw meat than Arnie would be used to (Gjusta is pretty California nutty-crunchy), Enfant Terrible No. 2 spotted this hot girl he recognised from the big screen and I had the pleasure of seeing him pluck up the courage to speak to her, plan his approach and execute it cooly. She turned out to be Cody Horn from Magic Mike. Her father is chairman of Walt Disney Studios and was formerly president of Warner Bros. so I guess “How did you get into movies?” was not worth the asking. No, to be fair, she was very warm and charming and happy to be engaged in conversation, as well as plenty glamorous so she helped bring our LA stay to a perfect, fitting end.

cody_horn_actress

We drove out of Gjusta with the LA Road Songs CD aforementioned Paramount pals made for us on our Route 101 trip 11 years ago playing loud and headed North to do the reverse trip…

highway-101 ventura california USA

Ventura Highway in the sunshine
Where the days are longer
The nights are stronger than moonshine
You’re gonna go I know

‘Cause the free wind is blowin’ through your hair
And the days surround your daylight there
Seasons crying no despair
Alligator lizards in the air, in the air

List of Lists

I’ve been thinking about updating some of the lists that punctuate this blog (usually around Christmas when I’ve got a bit of time on my hands and am in a playful as well as reflective mood) so I’ve gathered a few here by way of preparation…

Best Songs

Best LPs

Best Song Lines

Magical Musical Moments

Inheritance Tracks

Best British Films

Blasts from the Pasts (musicians)

Bowie

Doing the Box 1 (singles)

4 Tracks really worth a listen

I’m thinking of doing next a Best Movies list and revisting Best Songs.

Boredom Boredom B’dum B’dum

spiral scratch buzzcocks record

Today is Record Shop Day. I’ve been frequenting mine (Alan’s in East Finchley) plenty recently so I’m just making an internal nod to indy record shops and I’ve just played a classic record Spiral Scratch by (the) Buzzcocks (albeit not on vinyl, I’m in the wrong room) – the track I played is Boredom because I’ve been thinking about it a lot yesterday and today.

I’m living in this movie
But it doesn’t move me
I’m the man that’s waiting for the phone to ring
Hear it ring-a-ding-a-fucking-ding

You know me, I’m acting dumb
You know the scene, very humdrum
Boredom, boredom, boredom

Elliott Gould as Philip Marlowe

Elliott Gould as Philip Marlowe

I was just out jogging, listening to a podcast with Irish writer John Banville talking about Raymond Chandler and Philip Marlowe. Banville, under his low-brow pen-name Benjamin Black (which I don’t much like – as fake as they come, a bit like Julian Barnes’ Dan Kavanagh), recently wrote a Marlowe book at the request of Chandler’s estate, The Black-Eyed Blonde. Marlowe stories usually start with the gumshoe sitting bored in his down-at-heel office waiting for something to happen, usually a dame walking through the door to give him a knight-errant mission.

Humphrey Bogart as Philip Marlowe

Humphrey Bogart as Philip Marlowe

Robert Donat as Richard Hannay

Robert Donat as Richard Hannay

Then late last night I was listening to a radio programme from BBC Radio 4 called The Buchan Tradition about John Buchan, marking the centenary year of The 39 Steps. Richard Hannay is bored in London at the start of that ripping yarn when lo and behold a spy dies on his living room carpet and the adventure begins.

Basil Rathbone as Sherlock Holmes

Basil Rathbone as Sherlock Holmes

That’s also often the case with Sherlock Holmes – he’s bored out of his brain, coked off his face, ennui has well and truly set in when a character shows up at 221b with a juicy mystery to solve.

Michael York and Simon Maccorkindale as Carruthers and Davies

Michael York and Simon Maccorkindale as Carruthers and Davies

One of my favourites, a resident of The Shelf of Honour, The Riddle of the Sands by Erskine Childers, opens with the protagonist bored in the “dead and fermenting city”, London in the dog-days of late summer. When the opportunity crops up to sail around the Baltic and North Sea coasts, in spitting distance of imperial Germany, with an English eccentric in an Aran jumper, it’s the perfect cure not just to boredom, but also to the complacency and materialism of modern life. One of my favourite scenes is when Carruthers, the narrator, can’t fit his trunk through the opening into the Dulcibella, the boat he is due to go off for a trip in and he has to dump most of his stuff (which he never really needed).

Martin Sheen as Captain Willard

Martin Sheen as Captain Willard

Recently I watched again one of my all-time favourite movies, Apocalypse Now, with Enfant Terrible No. 1 (a convert to The Godfather movies). Damn it’s good. Great. Nearly perfect. It opens with Captain Willard (Martin Sheen) bored to near-death in a hotel room in Saigon. Waiting for a mission.

Saigon…shit. I’m only in Saigon.
Every time, I think I’m gonna wake up back in the jungle.

I’m here a week now.  Waiting for a mission.  Getting softer.  Every minute I stay in this room, I get weaker.  And every minute Charlie squats in the bush…he gets stronger.  Each time I looked around…the walls moved in a little tighter.

Bored to death

Bored to death

There’s boredom as debilitating ennui as in Baudelaire’s Les Fleurs du Mal. But there’s also boredom as a motivator, a prompt into adventure. The question is whether in real life the blonde walks through the door or the spy expires on your carpet? Does the ring-a-ding-a-fucking-ding really come?

Lauren-Bacalls-style-The-Big-Sleep Bogart office Marlowe

bogart film noir phone maltese falcon

Dear Dear Dickie – 4 ways to remember Richard Attenborough

The Great Escape (1963)

This one (from the year I made my debut on earth) is for me his most memorable role as an actor – as Bartlett, who can forget that tragic end, machine-gunned in a field by the heartless Nazis alongside his stalwart Scottish buddy, MacDonald (played by the ever dependable Gordon Jackson)?

The Great Escape poster Richard Attenborough

 

In Which We Serve (1942)

His fresh faced debut, already a screen presence to be reckoned with. Directed by David Lean and Noel Coward, a suitably English place to start.

In_Which_We_Serve richard attenborough actor

 

Chaplin (1992)

My hero well captured by the talented young Robert Downey Jnr. under the assured direction of Dickie.

richard attenborough chaplin robert downey jnr director

 

Cry Freedom (1987)

I remember this one opening my eyes to the outrages of apartheid South Africa back in my university days. Denzel Washington was powerful as Steve Biko and first came to international prominence under Dickie’s direction.

cry_freedom_denzel washington kevin Klein steve biko donald woods

Richard Attenborough was instrumental in the establishment of Channel 4 – Deputy Chairman from 1980 to 1986 as it got on its feet and Chairman from 1986 to 1992 through its golden age.

He was also a key leader in BAFTA, associated with the Academy for 30 years and President for over a decade.

richard-attenborough oscars academy awards

I interviewed Lord David Puttnam about him recently for my book, When Sparks Fly. I was thinking of including him in the Film chapter (Choose Life) which focuses on Danny Boyle. With its central theme of the creative rewards of openness and generosity, Attenborough struck me as the cinema embodiment of British public service values. Channel 4 and BAFTA are just two of many appointments which demonstrate his prodigious energy and unfailing commitment to public service media/arts, from the brilliant Chickenshed Theatre to the Mandela Statue Fund.

1964

1964

 

 

Who hustles the hustlers?

christian-bale-batman

This time last night I was putting the plan into action. On leaving work I faced up to the hassles and bustle of the tube strike and managed to get myself into the West End. I walked up from Embankment to Forbidden Planet in St Giles’s and picked up a copy of a Dark Knight comic (along with my current fave, Sledgehammer 44). Phase 1 complete.

From there I headed across Soho to the Soho Hotel off Dean Street. I dropped down into the screening room (where I was last for the classic in-the-making, The Wolf of Wall St, with Enfant Terrible No.1) to watch, for the second time, American Hustle. I wasn’t too taken with it on my first viewing on DVD – it felt a bit superficial and cold in the shadow of Silver Linings Playbook which was my top film of last year.

christian-bale-american hustle

But it played much better for me on a huge screen – and all the better as Christian Bale, director/co-writer David O Russell and producer Charles Roven showed up in the modest-sized screening room and gave articulate insights into how the film works.

Christian Bale, Edith Bowman, David O Russell, Charles Roven

Christian Bale, Edith Bowman, David O Russell, Charles Roven

DOR placed the emphasis firmly on exploring “What’s worth living for” / “what people live for”. He also talked in terms of wanting to “find a way of loving [Irving Rosenfeld]” (the protagonist, based on a real person called Len Something). He picked up on his authenticity/sincerity and joie de vivre. And from there looking at how various pairs, from Irving and Sydney (Amy Adams) to Irving and the mayor Carmine Polito (Jeremy Renner), loved one another. So it was closer to Playbook than I had realised.

I asked one of the first questions – to Christian Bale. His Londonish accent (belying his Welsh roots) knocked my socks off. It must have already done the job on him as he was without socks and laces, reflecting a modest openness. He had mentioned that DOR’s way of directing gave him space and comfort to “try crazy stuff” as he played the scenes. Also David’s way of wielding a fluent and unpredictable camera meant the acting was whole body and exposed. So I asked, given this, ‘What crazy stuff did you try?’, probing for concrete examples. CB gave a long explanation, attentively directed at me in the second row, which made it clear that each take was deliberately different, a certain amount of improvisation or harking back to older versions of the script took place, and we ended up focused on the scene outside the Plaza Hotel in New York where Irving tries to lure Carmine back in. It was a very full and thoughtful answer (see beard-stroking below).

12christian-bale-american hustle

After the Q&A the distributor invited us into an adjacent rather red bar for drinks. I chatted with the MC, Edith Bowman, as I lay in wait. Then as Christian Bale entered I was obliged to ambush to see through the plan. I whipped out the Dark Knight comic, another Batman comic Enfant Terrible No.2 had given me (one of his most treasured) and a good black pen. Christian was very Christian about it as I explained it was my delivering on the request of a 14 year old, apple of my eye. Phase 2 complete.

We had a good chat about how the film played better for me second time/how you sometimes need to be in a receptive state (his observation); his accent and its origins; and finally about the nature of the autograph requester: Enfant Terrible No.2 said to me as we were planning and I was walking along Old Compton St on the phone to him that if I could only get one signed, Aurel’s (the first one, a birthday present for his best friend) was the important one. Now that’s what’s worth living for. Mission accomplished.

dark knight batman signed christian bale

I told you not to put metal in the science oven, what did you do that for?

Findus Keepers Eaters Weepers

Findus Keepers Eaters Weepers

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