Archive for the ‘list’ Tag

My Favourite Documentaries – Take 2

see My Favourite Documentaries for the background to this list

being blacker molly dineen adam gee

Being with Blacker

  • Man with a Movie Camera (Dziga Vertov, 1929) – I came across it while studying Avant Garde literature, painting & film as part of my Modern Languages degree – my iPad is engraved on the back “I, a machine, am showing you a world, the likes of which only I can see”, a quotation from Vertov
  • German Concentration Camps Factual Survey (Sidney Bernstein & Alfred Hitchcock, 1945) – perhaps the most important documentary ever made
  • Up (Michael Apted, Paul Almond 1963>) – what I learnt from Michael Apted in Rome
  • Don’t Look Back (D.A. Pennebaker, 1967) – my visit to the location of the Subterranean Homesick Blues promo
  • Woodstock (Michael Wadleigh, 1970) – last watched it (in part, on multiple screens) at the brilliant You Say You Want a Revolution exhibition at the V&A
  • Meeting the Man (Terence Dixon, 1970) – James Baldwin at his best, shot by my first boss Jack Hazan
  • A Bigger Splash (Jack Hazan, 1973) – British vérité; still hoping to do a James Baldwin doc with Jack
  • World At War (Jeremy Isaacs, 1973 – esp. Holocaust episode) – I found out about the Holocaust from this series when I was 15 or 16; I briefly met Jeremy Isaacs at Channel 4, in whose founding he was instrumental, and we discussed multiplatform TV
  • Rude Boy (Jack Hazan & David Mingay, 1980) – my first employers
  • Shoah (Claude Lanzmann, 1985) – the great directorial lesson in the use of detail to prompt memory
  • Hearts of Darkness (Werner Herzog, 1991) – spinning out my favourite movie made in my lifetime
  • When We Were Kings (Leon Gast, 1996) – captured the legend of Ali perfectly, above all in the shot of the dented punch-bag
  • One Day in September (Kevin MacDonald, 1999) – distributed by Redbus who funded my dot com start-up
  • Bowling for Columbine (Michael Moore, 2002) – he sent an email to my book group at my prompting when we read his Stupid White Men
  • Clowns in the Hood (David LaChapelle, 2003) Jess Search gave me this one – still have the VHS
  • Jump London (Mike Christie, 2003) – the 2nd best thing made at Channel 4 during my 13 years there (Cost of Living, with DV8 was the best)
  • The Future is Unwritten (Julian Temple, 2007) – made at Film4 during my time at C4
  • Waltz with Bashir (Ari Folman, 2008) – the most convincing, organic use of animation in documentary
  • Man on Wire (James Marsh, 2008) – had dinner with James in Brussels in 2008 with my friend Jan Younghusband, then Arts Commissioning Editor at C4
  • Oil City Confidential (Julian Temple, 2009) – captured the legend of Wilko Johnson perfectly, above all playing Roxette
  • Requiem for Detroit? (Julian Temple, 2010) – execed by my mentor, Roger Graef
  • Searching for Sugar Man (Malik Bendjelloul, 2012) – saw Malik and Rodriguez (performing) at Sheffield Doc Fest in 2012
  • Night Will Fall (Andre Singer, 2014) – was with André when he went to Yad Vashem during the making of this; have been working on a spin-off project related to this on and off over the last 5 years
  • The Black Panthers: Vanguard of the Revolution (Stanley Nelson, 2015) – discussed the film with Stanley in Sheffield in 2015: I said things hadn’t improved much for African Americans since the Panthers, he thought they had
  • After The Dance (Daisy Asquith, 2015) – first encountered Daisy in 2006 working on My New Home at Channel 4
  • 13th (Ava DuVernay, 2016) – a heart-rendingly powerful argument (that slavery was morphed into the penitentiary)
  • Faces Places (Agnes Varda & JR, 2017) – a perfect blend of still and moving pictures
  • Minding the Gap (Bing Liu, 2018) – I saw Bing present the film at Doc Fest; I use it often when lecturing as an example of iterative development (it started life as a skating short)
  • Being Blacker (Molly Dineen, 2018) – met Blacker at the premiere [see photo above]
  • Three Identical Strangers (Tim Wardle, 2018) – crossed paths with the Producer, Becky Read, at C4
  • RBG (Julie Cohen & Betsy West, 2018) – a fascinating protagonist
  • Marianne & Leonard: Words of Love (Nick Broomfield, 2019) – had a brief email correspondence with Nick about the film after the Sheffield DocFest screening in June (2019)
  • Rolling Thunder Review: A Bob Dylan Story (Martin Scorsese, 2019) – was high for four days after watching this, it was so good
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese

Being with Joan

 

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My Favourite Documentaries

faces places agnes-varda-et-jr-en-tournage documentary

Faces Places – JR & Agnès

My first meeting tomorrow is with Brendan Byrne, director of ‘Bobby Sands: 66 Days‘ among many other excellent documentary films. His latest is about poverty and alienation in New York City – ‘One Million American Dreams‘. On the way to our breakfast I will be carrying on reading ‘Say What Happened‘. Its author, Nick Fraser, kindly gave me a copy a few days ago before I went on a short holiday and I am just on the home straight with it now, a very entertaining and thought-provoking read. As a result of reading it I have watched numerous docs these last few days, including the first three episodes of ‘7 Up‘ by Michael Apted. (I met Michael in Rome last year, at the MIA film festival/market, as recorded in this post.)

Reading Nick’s book has prompted me to post a list of my favourite documentaries here on Simple Pleasures. I’d love to hear your suggestions for your favourite docs.

  • Man with a Movie Camera (Dziga Vertov, 1929) – I came across it while studying Avant Garde literature, painting & film as part of my Modern Languages degree – my iPad is engraved on the back “I, a machine, am showing you a world, the likes of which only I can see”, a quotation from Vertov
  • Up (Michael Apted, Paul Almond 1963>) – what I learnt from Michael Apted in Rome
  • Don’t Look Back (D.A. Pennebaker, 1967) – my visit to the location of the Subterranean Homesick Blues promo
  • Woodstock (Michael Wadleigh, 1970) – last watched it (in part, on multiple screens) at the brilliant You Say You Want a Revolution exhibition at the V&A
  • A Bigger Splash (Jack Hazan, 1973) – British vérité; still hoping to do a James Baldwin doc with Jack
  • World At War (Jeremy Isaacs, 1973 – esp. Holocaust episode) – I found out about the Holocaust from this series when I was 15 or 16; I briefly met Jeremy Isaacs at Channel 4, in whose founding he was instrumental, and we discussed multiplatform TV
  • Rude Boy (Jack Hazan & David Mingay, 1980) – my first employers
  • Shoah (Claude Lanzmann, 1985) – the great directorial lesson in the use of detail to prompt memory
  • Hearts of Darkness (Werner Herzog, 1991) – spinning out my favourite movie made in my lifetime
  • When We Were Kings (Leon Gast, 1996) – captured the legend of Ali perfectly, above all in the shot of the dented punch-bag
  • One Day in September (Kevin MacDonald, 1999) – distributed by Redbus who funded my dot com start-up
  • Bowling for Columbine (Michael Moore, 2002) – he sent an email to my book group at my prompting when we read his Stupid White Men
  • The Future is Unwritten (Julian Temple, 2007) – made at Film4 during my time at C4
  • Waltz with Bashir (Ari Folman, 2008) – the most convincing, organic use of animation in documentary
  • Man on Wire (James Marsh, 2008) – had dinner with James in Brussels in 2008 with my friend Jan Younghusband, then Arts Commissioning Editor at C4
  • Oil City Confidential (Julian Temple, 2009) – captured the legend of Wilko Johnson perfectly, above all playing Roxette
  • Requiem for Detroit? (Julian Temple, 2010) – execed by my mentor, Roger Graef
  • Searching for Sugar Man (Malik Bendjelloul, 2012) – saw Malik and Rodriguez (performing) at Sheffield Doc Fest in 2012
  • The Black Panthers: Vanguard of the Revolution (Stanley Nelson, 2015) – discussed the film with Stanley in Sheffield in 2015: I said things hadn’t improved much for African Americans since the Panthers, he thought they had
  • Faces Places (Agnes Varda & JR, 2017) – a perfect blend of still and moving pictures
  • Minding the Gap (Bing Liu, 2018) – I saw Bing present the film at Doc Fest; I use it often when lecturing as an example of iterative development (it started life as a skating short)

I’ve left out loads which I’ll add over time as they occur to me.

joe strummer mick jones the clash rude boy documentary

Rude Boy – Joe & Mick

List of the Day: Jack Kerouac, 27 items

img-jk-radio

Essentials of Spontaneous Prose

1. Write on, cant change or go back, involuntary, unrevised, spontaneous, subconscious, pure
2. Scribbled secret notebooks, and wild type written pages, for your own joy
3. Submissive to everything, open, listening
4. Be in love with your life every detail of it
5. Something that you feel will find its own form
6. Be crazy dumbsaint of the mind
7. Blow as deep as you want to blow
8. Write what you want bottomless from bottom of the mind
9. The unspeakable visions of the individual
10. No time for poetry but exactly what it is
11. Visionary tics shivering in the chest
12. In tranced fixation dreaming upon object before you
13. Remove literary, grammatical and syntactical inhibition
14. Like Proust be an old teahead of time
15. Telling the true story of the world in interior monolog
16. Work from the pithy middle eye out, from the jewel center of interest, swimming in  language sea
17. Accept loss forever
18. Believe in the holy contour of life
19. Write in recollection and amazement of yourself
20. Profound struggle with pencil to sketch the flow that already exists intact in mind
21. Don’t think of words when you stop but to see picture better
22. No fear or shame in the dignity of your experience, language, and knowledge
23. Write for the world to read and see your exact pictures
24. In Praise of Character in the Bleak inhuman Loneliness
25. Composing wild, undisciplined pure, coming in from under, crazier the better
26. You’re a Genius all the time
27. Writer-Director of Earthly Movies produced in Heaven, different forms of the same Holy Gold

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