Archive for the ‘the beatles’ Tag
Coincidences No.s 349-355
No. 349 Rome

The Villa Wolkonsky, British Ambassador’s residence in Rome
I am on a train to Exeter to be on the panel of a documentary pitching session at Two Short Nights film festival. I am with my colleague Harold who is telling me about his choir and a recent performance at the British Ambassador’s residence in Rome.
As he mentions the residence an email notification appears on my phone, right that second. It is from a woman at the British School at Rome (interdisciplinary research centre) who I met at a cocktail party at the British Ambassador’s residence in Rome, Villa Wolkonsky, when I was in the city in October to speak at the MIA Film Festival.
No. 350 A Man of Parts

HG Wells on the set of ‘Things to Come’
I am finishing a novel, A Man of Parts by David Lodge, about HG Wells, which I started ages ago but never got round to completing. The date is 28th October 2018.
I notice that I started reading it on 29th October 2015.
No. 351 Rishikesh
A see an old Channel 4 colleague of mine at the annual Christmas drinks of Sheffield-based indie, Joi Polloi – an event now known as The Circle. He wants to train in transcendental meditation and one of the places he is considering is Rishikesh in Northern India.
I have just finished a book called Revolution: The Making of the Beatles’ White Album by David Quantick. It centres on Rishikesh where much of the album was composed. It’s the only context in which I’ve ever come across the city.
No. 352 Dimmer Switches
I am listening to an episode of the Heavyweight podcast by Jonathan Goldstein, one of my very favourite podcasts. It is one about the making of the ‘one-take’ film Russian Ark by Alexander Sokurov. In it there is discussion of changing a dimmer switch/rheostat to a regular on-off switch.
Just before leaving the house for the jog on which I was listening to Heavyweight I had had a domestic discussion about changing a dimmer switch/rheostat to a regular on-off switch – not a regular topic of conversation in our household.
No. 353 Meeting Your Heroes

Pete Shelley, Tony Wilson, Howard Devoto (L to R)
The news of the death of Pete Shelley of the Buzzcocks is on the radio news. I met him once (as well as seeing him perform, supported by Joy Division at the Lyceum, London) on the studio set of a TV comedy entertainment show called In Bed With Medinner, execed by Jeff Pope [Philomena]. He turned out to be a bit of a cock, pissed on champagne, and made me think of that old adage about not meeting your heroes. Steve Diggle, the guitarist in the band, thankfully was a much more pleasant individual and asked for his wasted mate to be excused.
The next morning on the same radio station I am listening to novelist David Mitchell talk about his collaboration with singer Kate Bush on the Before The Dawn concerts in 2014. He evokes that old adage about not meeting your heroes and explains that in his instance with Kate Bush it did not apply, she lived up to his image of her.
No. 354 Catwatching

Ziggy look-a-like
I order the book Catwatching by Desmond Morris for my cat-loving older son for Christmas.
The book arrives today – I peel off the plastic cover and the cat on the front cover is our cat Ziggy – or a clone of her.
No. 355 Benny Goodman

Benny Goodman and Gene Krupa
I am talking to Enfant Terrible No. 1 about racism in football. It brings us on to a discussion of the movie Green Book and he says he is glad the pianist Don Shirley did not play in a restaurant in the Deep South in which he was not permitted to eat alongside his white band members by dint of the colour of his skin. I mention that it was jazz clarinetist and band leader Benny Goodman who made a stand on this issue, refusing to have his band divided on the basis of skin colour.
The same day I am reading a crappy-but-enjoyable adventure novel (based on the Richard Hannay books), The Thirty-One Kings by Robert J. Harris. It mentions Benny Goodman.
Benny Goodman is who introduced me to jazz via a record I bought on my first trip to LA as a teenager, his greatest hits including Sing Sing Sing, featuring the proto-Keith Moon which was Gene Krupa on drums. Goodman is closely related to my best man’s Argentinian wife.
Coincidences No.s 340-348
No. 340 White Album
I walk into the office of a London production company in Shoreditch to start a new project series-producing a sports documentary series. From a varied playlist, While My Guitar Gently Weeps is playing across the office.
The same night I go to a brilliant gig at the Jazz Cafe, Camden Town. It is a young band called The Midnight Special playing the whole of The Beatles’ White Album (technically called simply The Beatles) from end to end. Today (22nd Nov) is the 50th anniversary of the UK release of the genius double LP.
No. 341 The Cure
I see a tweet about Brexit which makes me laugh – something along the lines of: Has anyone tried just hitting the UK on/off button? I click through to the tweeter – she describes herself as a Frenchie living in London and a Cure fan (among a couple of other things).
I am in a restaurant in Belfast as I read this tweet, over for a speaking gig at the Belfast Media Festival (about VR and the future of broadcasting). Just as I am reading it The Cure’s Boys Don’t Cry comes on the music system.
I have a history of Cure-related coincidences. As a teenager I saved a small black cat from a tied sack and a watery death. The near-perpetrator was Ashley Baron-Cohen, these days a film-maker in LA. Back then a hard-hearted teen. So I offered to take the cat (I’d never had one before). I called her Woof. I took her into my other friend’s car to get her home. As Jon turned the ignition, The Cure’s Love Cats came on the radio.
No. 342 Carlingford
I am on my way back from Belfast Media Festival. On the plane I am sitting next to two women. I get talking to the one next to me who, contrary to appearances (not the least sharply dressed, relaxed look) turns out to be a barrister from Dublin. She comes from a village called Blackrock which is near where my wife comes from in Co. Louth, Ireland. It turns out she has a property she now rents in my wife’s village, Carlingford.
We both then get talking to the third person in our little EasyJet row. She lives in London, but stems from Liverpool and Strabane. She has an English accent and a striking Irish face (the high cheek-boned type). This second woman has an auntie Rosie living in Carlingford. (I check with my wife when I get home and of course she knows Rosie.)
So that’s one row – three people (two British) connected to a small village in Ireland.
No. 343 Rugby League
My wife asks me if I have ever gone to watch Rugby League.
The same day I pick up a long unfinished novel with a view to finally pushing to the end. It is Man of Parts by David Lodge, about HG Wells. The bookmark marking my place where I stopped a couple of years ago is a ticket from the only Rugby League game I ever went to watch. England vs New Zealand at the 2012 Olympic Stadium in Stratford. I bought the ticket by mistake, thinking it was Rugby Union. It is one of the only sports events I have ever walked out of – take all the good things about Rugby, chuck them away and stick with what’s left – that is Rugby League in my (one-off) experience.
No. 344 The English Patient

The English Patient (1996) with Juliette Binoche and Ralph Fiennes
I am talking to Channel 4 documentary Comissioning Editor Fozia Khan as we enter Belfast International Airport about Anthony Minghella. She lives in the same street as my best-friend and his house was owned by Minghella just before him. Minghella directed among many other movies The English Patient.
The next day I am talking to my wife and the subject of Sikhs comes up – she mentions in particular the Sikh character in Michael Ondaatje’s novel The English Patient, one of her favourite writers.
(I haven’t thought about The English Patient for many years. I have never read it, think I saw the movie back at the time though not 100% sure.)
No. 345 CUFS

Amber Reeves
I am reading the novel Man of Parts by David Lodge and am intrigued by one of the characters, HG Well’s young lover Amber Reeves. I read that Amber Reeves while at Cambridge set up CUFS – the Cambridge University Fabian Society. This was in 1906 and was the first society at Cambridge to include women from its founding. Female students met on an equal footing with men to discuss a broad range of topics from religion to sex with a freedom not available elsewhere in their lives.
While a Girton girl I set up CUFS – the Cambridge University Film Society. Visitors included Michael Powell, David Puttnam (with an early cut of The Mission), Peter Shaffer (who, unlike me, hated the movie of Equus) and Angela Carter. Sessions ranged from Leni Riefenstahl’s Olympia to French-Canadian cinema of the 70s (Les Ordres).
No. 346 Holborn
One of my best friends is over from Aspen, Colorado (we were teens together but she moved to the USA when she got married). I arrange to meet her for breakfast before work one day as my diary is rammed with work stuff and she has only a couple of days to play with. She suggests me meet at her hotel – it turns out to be in Kingsway, Holborn. I don’t check the exact address or look on the map until I am leaving the house.
The job I have immediately after the get-together is a guest lecture for Syracuse University. They have a London campus. It is in an obscure small lane behind that self-same hotel.
No. 347 B & K
I have a craving for chicken soup and so go for lunch with my middle brother at a Jewish deli at the far end of Edgware – the delicious irony being that is run by a lovely family of Greeks. It is called B & K Salt Beef Bar.
As I sit looking out the big front window onto the wrong end of Edgware High street a van passes belonging to B & K Plumbing & Heating Engineers from Camberley in deep South London/Surrey.
No. 348 Nick & Nora

(1934)
This morning I get an email notification from the Goodreads website. The subject-line is: Updates from Noora and Nick. Noora is an ex-Channel4 colleague who now lives in Finland. Her name is Arabic, as opposed to the Irish spelling. Nick is another old colleague – we worked together on Embarrassing Bodies among others when he was at Maverick TV.
Nick & Nora are the heroes of Dashiell Hammett’s noir detective stories, both fast livers with bad livers (i.e. hard drinkers). I was going to call my son Noah Nora if he had turned out to be a girl – after Nora from The Thin Man.
Three Days a Week

Eight Days a Week
Day 2: Liverpool
So I’m sitting in front of Liverpool Town Hall in the Indian summer afternoon sunshine. I’m discussing a documentary with a Scouse film-maker, the protagonist of the film and the cameraman. We’ve just arrived, the beers have just landed and out of the open balcony door of the Town Hall tumble the strains of Let It Be. Then more Beatles. Then a female singer doing covers of their songs. I couldn’t have scripted or timed it any better. My fantasy Liverpool afternoon. After the meeting I trotted down the street to the Odeon for the world premiere of the Beatles documentary, Eight Days A Week, put together by Ron Howard. The red (actually blue) carpet shenanigans were broadcast live from Leicester Square to this and other cinemas around the country and beyond, including the arrival of Paul and Ringo. Where better to watch it than in Beatlesville. The moment and song that punched out was when John composed Help. It stood out as the point when their song-writing went up a gear or three.
Day 1: Sheffield
Spent the day working with an indie producer in Sheffield – which was fun. After we wrapped for the afternoon, I headed into the city centre from the atmospheric, leafy burbs. In the golden early evening sunlight surveyed the city’s excellent array of street art, not least the excellent work of Rocket01.
After a fine Mexican beano, hung out chatting in the Peace Gardens with their monumental fountain portals and all-round perfect mix of water, stone and grass. I’m usually in the city for DocFest in the summer so it was good to see it under other circumstances. It has some of the finest regeneration in the country, with a brilliant passage from the station up to the Peace Gardens. The blade sculpture bordering the station with a thin layer of water flowing over the gigantic knife-edge of shining steel. The tower of the university bearing a poem by Andrew Motion about standing looking at the tower of the university. The art deco Showroom cinema. The art deco Library and (Graves) Gallery. The wooden ribs and hothouse glass of the Winter Gardens. The Victorian Town Hall, sheltering the Peace Gardens.
Day 2: Sheffield

Edith Sitwell by Roger Fry
Began the day at a working breakfast with a Sheffield-based film producer who is a very nice guy. Then a quick visit to the Graves Gallery to look at the hidden treasure that is their permanent collection. Catching my eye this time: Christ Carrying the Cross attributed to Luis de Morales (late C16), a prematurely aged, weary Jesus, right beside a striking painting of a man holding a skull, a dark momento mori where the difference between the head and skull is marginal; The Hours by Burne-Jones, six ladies representing the sweep of the day, their dress ranging from dawn blue to late afternoon russet and back to night-time blue-black; a Paul Nash landscape, an Auerbach cityscape of Mornington Crescent; Sam Taylor-Wood suspended from the ceiling (flashback to young John Lennon); a portrait of Edith Sitwell and her languorous hands – one of the best galleries in the land.
Then the train to Liverpool across the Peak valleys bathed in Indian summer gold.
Day 3: Sheffield
Rain after the early hours thunder, making the work at Roco (a new creative co-operative space) all the cosier. A good creative session, inducing headache in the journey to a possible break-through, wrestling with knotty problems between cups of tea. A burst of sun as we left to mark the conclusion in grand style.
“So we sailed on to the sun”
The Beatles – Yellow Submarine
A parlour game for Easter
This has flown in from Dan McKevitt in Carlingford (via Facebook). A musical parlour game for the holidays.The emphasis is on records that have meant a lot to you rather than the all-time greatest.
“Here are the rules. Post up 12 albums on to your timeline that have stayed with you for whatever reason. One album per Artist/Band. Tag 12 friends and get them to do likewise, include me so I can see your choices. Don’t overthink it. Enjoy. No Compilations.”
1 Kind of Blue – Miles Davis [how to become tranquil in 5 easy steps/tracks]
2 Jesus Christ Superstar [as a young teen I used to spend hours and hours drawing and colouring to this]
3 What’s Going On – Marvin Gaye [I played it the night my fist born made his appearance]
4 Another Music In a Different Kitchen – Buzzcocks [my route into punk]
5 A Love Supreme – John Coltrane [took me somewhere higher]
6 Hot August Night – Neil Diamond [the first LP I bought myself – helluva jean jacket]
7 Let’s Dance – David Bowie [helped me find the joy in my first year away from home]
8 Glorious Fool – John Martyn [prompted me to recognise that JM was the greatest singer of them all …ever]
9 Give ’em Enough Rope – The Clash [trudging through the snow to get this from Loppylugs the day it came out – there’s never been such anticipation]
10 Moondance – Van Morrison [contains my eponymous wedding dance]
11 The White Album – The Beatles [teen memories of discovering the Fab Four and others with JRT]
12 The Scream – Siouxsie & the Banshees [will life ever get more exciting?]
Connections (Days 85 and 86)
Two days where relatively little done on the book and yet filled with surrounding stuff which feels of the same spirit, worthwhile and somehow connected.
Day 85 was just slow to start, had a run when the sun showed up mid-morning for a while and got caught up with other stuff – sorting out a trip to Ireland next week, writing to an old friend and exchanging emails with the excellent David McCandless of Information is Beautiful and the insightful Mark Stevenson of An Optimist’s Tour of the Future. Did a bit of polishing of Ginsberg chapter then had to do Enfants Terribles related stuff so by the time I dropped off ET No. 2 at a lesson in the afternoon I’d not that much done. But I repaired to the Adam & Eve on The Ridgeway in Mill Hill village with trusty Air at hand and, sitting by the fire, got up more of a head of steam. As I reached the section on Apple Corps, The Beatles’ corporation, Help came up on the pub’s sound system. Worked on and then just as I reached the section on Ginsberg’s involvement in early LSD testing, after The Who, Van and a bunch of other stuff had been playing, Lucy in the Sky with Diamonds kicked in at exactly the moment the Find function landed me on that bit. When I left the pub and got into the car, switched on the engine, Radio London was still on from earlier and on it was, yes you guessed it, The Beatles, again playing Help. So I take it I’m supposed to be writing that part at the moment.
I did some pro bono work in the evening for Anti-Slavery International regarding Film4’s 12 Years a Slave. Sorry to read Steve McQueen is going over to the BBC next as Film4 has really backed him to the hilt – my friend Jan Younghusband (formerly Commissioning Editor of Arts at C4) nurtured Hunger and navigated its way into Film4 (and Steve’s into feature film making), not an easy project to see home intact.
Day 86 began, after a quick burst of Ginsberg, with more pro bono – a fabulous & fun Culture24 project in need of a little guidance. Got the ol’ creative juices flowing alongside the cappuccinos at the marvellous Amici. Dashed from there to Middlesex University, where I’ve been doing a little consultancy work recently, to discuss doing a PhD next year. In many ways university was a bit wasted on me in my early 20s – I’m just about ready to do a proper job of the academic side of it now (as opposed to running film societies and doing the whole Art History tripos on the side when I was supposed to be doing Languages).
Final stop – the October Gallery in Bloomsbury, a place Allen Ginsberg often hung out in when in London, to meet up again with Kathelin Gray, a friend of Ginsberg and William Burroughs, a wide-ranging artist, performer, curator, teacher, activist and ball of energy who I interviewed before Christmas. She showed me around the beautiful gallery sited in an old schoolhouse and its library which was right up my street, custom-made book cases and a lovingly gathered collection.
So I’ll do some writing over the weekend to make up for it, the first weekend I will have worked since I started on 1st Sept. Working 9-5 Mon-Fri has been an important discipline and getting this far without breaking the pattern is quite good going, what’s a quick Friday for Sunday swop between friends?
Heads Down No Nonsense Mindless Boogie (Day 11)
Well, that worked out OK. I came back to the bit that was giving me the headache last night and navigated my way through, weaving my way back to the backbone of the story. Very much a matter of heads down, plough on, get through the work. I haven’t read back what I’ve written so far and plan to have a read through with my Mrs before the end of the week just to see if the stories are good and captivating.
I’ve focused on a narrative layer, as well structured as I can make it in the flow of writing, with little analysis or theory. That will be added as a subsequent layer and then the whole thing will need tidying up and probably editing down. Today I broke the back of the section on The Beatles’ business affairs as well as the sequence looking at how Ginsberg ran his foundation. Tomorrow will be about integrating a miscellany of Ginsberg stories and observations.
Russian Doll (Day 10)
One of the things that makes this writing lark so challenging is having to carry so much in your head while trying to marshall a web of interconnecting thoughts. Today’s writing, which follows up yesterday’s Southern Rail induced train of thought, has left me with some satisfaction and a headache as I tried to write the section comparing Allen Ginsberg’s foundation with The Beatles Apple corporation. I decided, contrary to the original plan, to intercut the two visions for investment in creativity. That wasn’t too complicated. But then side stories grew from this as I tried to fill in some detail around the beneficiaries of funding. Which in turn connected themselves to other parts of Ginsberg’s story from other periods. So I come away from the day feeling like a man who has been wrangling the proverbial cats. I’m just hoping I can get back into the flow tomorrow with a reasonable sense of where I’m going and where I’m trying to get back to.
Train of Thought (Day 9)
It wasn’t looking too good. I had to start the day writing a script for a Channel 4 project because it fell between the stools of the TV indie and the digital indie, neither felt comfortable doing it so I had to get hands-on. Then my mum dropped by as it was our wedding anniversary as well as one of the Enfant Terribles birthday, so she came bearing cards. Next my brother shows up for similar reasons. At which point I have to leave for Brighton to do a little turn at Culture24’s Let’s Get Real conference on arts and digital, something I committed to before knowing I’d be on sabbatical. So far, so no work done.
I get on the train to Brighton. Hedge my bets a bit by broaching some more research – focusing on The Beatle’s Apple corporation through Denis O’Dell’s memoir, At the Apple’s Core. Then brace myself and dive in. Back in to Chapter One, integrating the last batch of notes that went in, ploughing through paragraph by paragraph and getting up some sort of flow.
A brief interlude in Brighton where I nabbed a Farley’s Rusks Shakeaway; bought an illustrated, beautifully bound Folio edition of Blake’s Songs of Innocence and of Experience (from the aforementioned Brighton Books – they still had a 1968 first American edition of Jane Fletcher’s book on Ginsberg left over from my last visit in the summer); had a brief chat with my pal Anthony (Lilley) of Magic Lantern; did the gig at The Dome Studio; and headed for home.
The choo choo rhythm was just as conducive to writing on the way back so all-in-all it ended as a satisfying day.
- (photo courtesy of Bob Orsillo http://www.orsillo.com)
Postscript
Today’s wisdom from the posting mechanism of WordPress to prove it’s not just me that feels the daunt:
“The scariest moment is always just before you start.”
Stephen King
I don’t think he only meant writing the very first words – he may well also mean each time you come back to it
50 people who buggered up Britain (and 25 who saved it)
Having given the Daily Mail a hard time recently with my Fear & Death analysis of its content and my highlighting how at odds it was with its own readership over The Sex Education Show / Sexperience, I’ve decided to take some inspiration from the rotten rag in the form of its political sketchwriter and theatre critic Quentin Letts and his new book Fifty People Who Buggered Up Britain. I haven’t actually read it but I have read a review which got me thinking about my own list – I’ve only just started really and could definitely use some help so feel free to join in. The timeframe is the last 5 decades. I thought I’d also counter Mail miserableness by adding a list of 20 inspirational figures in Britain from those same 50 years who helped counter-balance the malign influences. I’m hoping to have the full 50 (+ 20) in place by the New Year so do chuck some ideas into the pot… [names added post 2008 have the date added in square brackets]
Buggered up Britain:
1 Ashley Cole – stands out as the most unpleasant character in the Premiership and that’s no easy feat
2 Rupert Murdoch – brought vulgar anti-culture and arrogant anti-democracy to the country in equal measure – I vowed many years ago to throw a big party the day he shuffles off his awful coil and you’re all invited
3 Viscount Rothermere, co-founder of the Daily Mail which published his editorial on 15th January 1934 entitled ‘Hurrah for the Blackshirts!’
4 Ian Paisley – spent his whole toxic life saying No!
5 Doctor Richard Beeching – killed our (relatively green) railways
6 Lord MacAlpine – the Tory treasurer whose family’s firm vandalised Battersea Powerstation, ripped its roof off in the service of…
7 Margaret Thatcher – brought so much misery into Britain in such a short time – I’ll leave this one to Elvis Costello:
I saw a newspaper picture from the political campaign
A woman was kissing a child, who was obviously in pain
She spills with compassion, as that young child’s
face in her hands she grips
Can you imagine all that greed and avarice
coming down on that child’s lips?
Well I hope I don’t die too soon
I pray the Lord my soul to save
Oh I’ll be a good boy, I’m trying so hard to behave
Because there’s one thing I know, I’d like to live
long enough to savour
That’s when they finally put you in the ground
I’ll stand on your grave and tramp the dirt down.
When England was the whore of the world
Margaret was her madam
And the future looked as bright and as clear as
the black tarmacadam
Well I hope that she sleeps well at night, isn’t
haunted by every tiny detail
‘Cos when she held that lovely face in her hands
all she thought of was betrayal.
Notice the link to MacAlpine via Tarmacadam. Notice the link to Murdoch via lively celebrations of the passing of a big bugger.
8 Simon Cowell – for spreading the corrosive myth of instant fame
9 Oswald Mosley – married to one of the Mitford whores in Goebbel’s drawing room with Hitler present as one of only 6 guests – nuff said (do we detect a residual anger in my tone? give me another 50 years and I may start getting over the Nazis …but I doubt it)
10 Stock Aitken Waterman – for devaluing music, torturing us with the likes of Rick Astley and Jason Donovan
11 Howard Shipman – undermined trust in GPs and the NHS in a rather extravagant way
12 The Queen Mother – epitomised how anachronistic royalty and aristocracy are, and how unhealthy reverence of royalty can be. [This choice inspired by Adam D’s suggestion – House of Windsor]
13 Michael Gove – for not understanding the modern world and setting UK education back years when it was already well behind the curve [2016]
14 Victoria Beckham – “She succeeded in her desire to be ’more famous than Persil Automatic’ and is as about as interesting as a box of it. I think she has created such a one-dimensional aspiration for the young. Success can now be measured by vacuity and the meaningless.” [Practical Psychologist] Her husband by contrast captures some positive values such as leadership, commitment to a passion/skill-set and rehabilitation.
15 Reggie & Ronnie Kray – for the misguided hero-worship they have subsequently inspired and inspiring Guy Richie innit [courtesy of Practical Psychologist]
16 Steve McClaren – humiliated himself and England simultaneously under that umbrella with his stupid fucking biros and spiral-bound notepads. Saw him once in a hotel in Manchester (with Anthony Lilley) and there was no question who was the centre of the group… not him, but El Tel.
17 Paul Dacre – Mail supremo who reckons (vis-a-vis the Max Mosley case, son of #9 of course) distinguishing between ‘a sick Nazi orgy’ and ‘people having sex in military-style uniform’ is “almost surreally pedantic logic”
18 Melissa Jacobs – the mad bint who screwed up England’s World Cup 2018 bid for the sake of some Mail on Sunday pieces of silver [16.v.10]
19 Rebekah Wade (now Brooks, for a while at least) – sups with the devil, not with a long spoon, not even a short one, with a tongue in his mouth and up his other orifice from which much the same stuff dribbles [2010]
20 Edward VIII – a proven traitor and Nazi-sympathiser [2012]
21 George Osborne – for knowing the cost of everything and the value of nothing (as well as being a hypocrite) (and for having a Patrician haircut) [2016]
22 Philip Green – the Unacceptable Face of Capitalism in every sense (have you seen those chins and haircut? there’s a limit to what a tan can hide) [25/7/16]
23 Jeremy Corbyn – the self-righteous non-leader/stooge who destroyed the Labour Party – reminiscent of…
Roger McGough – The Leader
I wanna be the leader
I wanna be the leader
Can I be the leader?
Can I? I can?
Promise? Promise?
Yippee I’m the leader
I’m the leaderOK what shall we do?
24 Nicola Sturgeon – the epitome of Bad Faith
25 Boris & Dave : I’m taking the liberty of yoking them together in a double act by way of some small revenge: they deserve each other. Boris Johnson – for proving to be the bumbling idiot he always looked (despite an at times charming surface) & David Cameron – for sacrificing the United Kingdom (a rather good union at the end of the day) on the pyre of the EU Referendum for the sake of some of his Tories, the self-same Tories who undermined the crucial Voting Reform Referendum during the 2010 Coalition.
…
Counterbalanced the buggers:
1 David Hockney – picked up where Picasso left off
2 Bob Marley – brought some Jamaican colour to the grey London of 77
3 Joe Strummer – with The Clash helped British musicians discover the honest energy of DIY
4 Tommy Cooper – just makes me laugh (could equally have been Eric Morecambe in this slot)
5 Francis Bacon – one of the two greats of 20th century art (alongside Picasso)
6 Hannah Billig, the Angel of Cable Street – too busy looking after people to collect her MBE (she asked them to post it)
7 John Peel [courtesy of Adam D “…fades in quietly” ]
8 Tony Hart: “We’re sorry we can’t return your pictures” [courtesy of Adam D] what nobler calling than bringing art and inspiration to children
9 Tony Wilson – for bringing together shining talent in a bold, rounded way – Martin Hannett, Pete Saville, Ian Curtis et al – and showing how to champion your hometown
10 James Bond – [courtesy of Practical Psychologist, in his words…] “overcame the stereotype of the sexually repressed Brit who liked a cold shower before having his bare bottom spanked by a tart” – those Pan edition covers certainly captured my young imagination
11 Michael Young – for the Open University and other progressive policy [courtesy of Practical Psychologist and in memory of Naomi Sargant, first Head of Education at Channel 4, appointed by Jeremy Isaacs in a more adventurous, imaginative age]
12 John Betjeman [courtesy of Practical Psychologist, in his words…] “he saw what we were doing to our land and tried to stop it”
13 Joe Orton – for reviving the Comedy of Manners and finding humour in the black stuff
14 Lennon & McCartney – for taking pop music up a gear or three. PP’s view below: “we led the world in something for the first time in a long time”
15 Geoff Hurst – for scoring that goal
16 Jonny Wilkinson – for scoring that try and creating a Perfect Moment
17 Michael Powell & Emeric Pressburger – for bringing Technicolor British Romanticism to the big screen
18 Rabbi Hugo Gryn – for his efforts in uniting the faiths and demonstrating how to survive to do good, a true Mensch
19 Steve Redgrave – for being a model of commitment, plus his work on dyslexia & education
20 Humph (Humphrey Lyttelton) – for combining the quintessence of Englishness with jazz
21 Peter Gabriel – a multifaceted, visionary musician who is a great collaborator [1/3/16]
22 Danny Boyle – created something of once-in-a-lifetime specialness in the Opening Ceremony of the London 2012 Olympics, making us reflect in a fresh way on what Britishness actually is [2012]
23 David Bowie – kept things fresh for a long time [2016]
24 John Martyn – brought true soul to Britain, the world is a much lesser place without him [2016]
25 Nicholas Winton – who saved 669 children from the Nazis (including Alf Dubs who is trying to follow his example these days) and kept pretty quiet about it most of his life, finally receiving full recognition in the late 80s
Bubbling under:
Tony Benn – doing his best to show what politicians could be like {courtesy of Scanner, Adam D and Overthewire} [I’m not sure about this one, keep wavering]
LIST UPDATED AND COMPLETED 22/1/17
Baa raa black sheep
A pretty action-packed day by any standards. Just on my way home from the British Animation Awards at the National Film Theatre where we launched Channel 4’s new broadband animation channel – 4mations – in collaboration with Aardman and Lupus Films. What I liked most about the awards was that each award was a unique framed image made by an animation professional (including David Shrigley [Blur – Good Song, Hallam Foe titles], Darren Walsh [Angry Kid, Beck – Four Steps, Sony Bravia Play-Doh/rabbits] and Andy Martin [E4 Music, Kerrang! TV IDs] – you can see them all on the 2008 Prizes link on http://www.britishanimationawards.com) – unique images on the subject of sheep – BAA, baa, sheep, geddit? The whole thing was a celebration of the incredible talent across the UK in this tight-knit, ultimately for-love-not-money industry (not that it doesn’t make money but that’s not what drives its creatives). Happily, Shaun the Sheep picked up a couple of …sheep.
The wolves in sheeps clothing on this particular evening included Richard Morrison for the Sweeney Todd movie titles (produced by that blast from my past, Dominic Buttimore of Th1ng, convener of the annual Elvis birthday tribute at which an 8mm version of Blue Hawaii gets its yearly airing); Osbert Parker for Yours Truly, a thrillingly inventive film noirish animation made under the Animate scheme funded by Channel 4 and the Arts Council), one of three Channel 4 successes on the night; and Simon Tofield for the hilariously well observed feline dynamics captured in Cat Man Do – my favourite of the night.
Behind me in the queue going in was the venerable John Coates, creator of The Snowman and producer of The Beatles’ Yellow Submarine film. One of the nominees was an IrnBru ad parodying The Snowman [Phenomenal Xmas by Robin Shaw/Sherbet], in which the high-pitched kid gets dropped out of the sky by the soaring snowman who nicks his tin. Rightly enough, John was flattered by the homage. The author of the source book, Raymond Briggs, was altogether less sanguine last autumn about this derivative. The Snowman was one of the very first commissions by Channel 4, a quarter of a century ago, which leads us neatly into the other action of the day…
The other end of the day saw the launch of Next on 4 – the blueprint for the next phase of Channel 4 as it moves into its second quarter century. There were a couple of moments of magic that lifted the whole event from a corporate function to an inspiring vision for public service broadcasting.
The first was a video clip. Times are tough. Competition is fierce. The media industries are up in the air. The public service broadcasting model is falling behind the times. The regulator’s breathing down your neck. You’ve been known to upset the powers that be. The advertising revenue is disappearing into the maw of US corporates. The halcyon days of Charlotte Street, The Comic Strip and Max Headroom are a dim&distant memory. The enemy’s at the gate. The wolves are at the door. What do you do? Get Nick Broomfield to make a spoof documentary about the purposes of Channel 4 culminating in a slurred elucidation by none other than Frank Gallagher, just in the Nick of time before the Grolsched-out mainstay of Shameless passes out. “The point of Channel 4, Nicholush, is to maintain the salience of its remit in the new digital age.” Are you people taking this seriously? We are – because only Channel 4 would turn it to comedy (with substance). The medium is very much the message.
The second was a Churchillian moment from the Chairman, Luke Johnson. After struggling a bit during the opening address with the awkwardness that is those autocue systems with the smoked grey glass plates on bendy stalks , to round off the Q&A (hosted in the style we love him for by Jon Snow) Luke responded to the final question by reminding us all that Next on 4, this event, the debate around Channel 4 as Ofcom reviews our public service broadcasting, is all about the value of Channel 4 to UK society and the values and public purposes which drive it. Think Henry V. Think an authentic moment when the passion for an idea breaks through a breach in corporate decorum. Think raw not baa.