Archive for the ‘channel 4’ Tag

For Fawkes’ Sake


guy fawkes guido mask

As I left Channel 4 for York yesterday the taxi driver avoided Whitehall due to “something going on down there” – it was the now annual gathering of a ‘million masks’ to march against Capitalism. The masks are those Guido Fawkes masks beloved of everyone from left-field comicbook artist Alan Moore to right-winger Paul Staines. Guido is the name Staines uses when fighting Socialism. Guido was the name Guy (Fawkes) used when fighting for the Spanish.

I missed my train north by a minute but luckily the guard on the next one was short-sighted and missed the invalidity of my ticket. On arrival in York I walked along the city walls and into the quaintly English in an ecclesiastical sort of way city centre. Dumped my Wigan Casinoish moddy bag at Middleton’s hotel and headed for the opening of the Aesthetica Short Film Festival, a BAFTA-qualifying shorts fest at which I spoke today to an audience of 180 young’uns in a steeply raked lecture theatre at York St John University.

At the opening gathering I bumped into Revolution Software’s Charles Cecil, a games geezer descended from some notorious Elizabethan Cecil (Robert I think). I used to see him regularly at the annual b.tween cross-platform conference. We watched 5 opening short films in the City Screen auditorium, of which 3, possibly 4, were too long IMHO. Good production values and well made (mostly dramas) but not truly taking on board the aesthetics and dynamics of the online video age.

Later in the evening I wandered the lanes of York, eventually finding myself under this sign for the Guy Fawkes Inn:

guy fawkes inn pub york

So it’s 5th November. The masked men in the West End by now had started setting fire to police vans and taking on the pigs. Across the rest of the country fireworks are exploding. And I’m standing on the streets where Guy Fawkes was born in 1570 – under one of those masks. I didn’t even know he came from York until I found his inn.

Thursday 5th November 2015 - London

Thursday 5th November 2015 – London

I wandered on around the tranquil Minster, no-one much around, too late for firework noise, a gentle drizzle in a diffuse sodium light. Past the stone workshop where 21st century men carve stone components from the very same stone in which the monumental building was originally constructed, to repair its ancient fabric.

I returned along the cobbled quay by the Ouse to listen to Steely Dan and write about suffragettes. Now I’m listening to John Martyn on my newly acquired red iPod Nano and writing about another famous political militant on the train home.

As the ridiculous and slimy Tory discussions about the idealogical privitisation of Channel 4 continue at Prime Minister’s Questions this week (it costs the public nothing, it’s not broken and it doesn’t need private investment) I’m a bit sorry Guido didn’t manage to blow the mothers (of the mother of Parliaments) up.

V for Vendetta comic alan moore

Getting into your Shorts

Example thumbnails for Channel 4 shorts

Tattoo Twists series image

Tattoo Twists series image

Tattoo Twists episode image

Tattoo Twists episode image

Tattoo Twists episode image

Tattoo Twists episode image

Drones in Forbidden Zones

Drones in Forbidden Zones

Futurgasm series image

Futurgasm series image

Futurgasm episode image

Futurgasm episode image

24 Hour Party Politics Channel 4 shorts

24 Hour Party Politics

Don’ t Stop The Music – first campaign success

Don't Stop the Music - Channel 4 Multiplatform

Don’t Stop the Music – Channel 4 Multiplatform

A message from

James Rhodes, pianist & campaigner for music education

19 Mar 2015

Dear Supporters,

Thank you.

We have had our first campaign success with Don’t Stop the Music – and it couldn’t have been done without your tireless campaigning.

Ofsted have agreed to include a ‘broad and balanced curriculum’ in their inspections of schools.

This is great news! It is the first step in helping ensure that children have access to a proper music education. It could not have been done without your support.

And on Tuesday night, I got to speak in parliament to members of the House of Lords and House of Commons about our concerns and what we need to do to protect music for future generations.

I had the opportunity to discuss our findings from the initial stages of Don’t Stop the Music; findings that gave me sleepless nights. Music education is in desperate need of support from the Government, and with May’s election fast approaching I need your help to make sure music education is not forgotten in the next Parliament.

We need consistent funding, not a post code lottery, opportunities for children to progress beyond their first musical experiences, more action from Ofsted, a trained teacher in every school, and school accountability measures (league tables and the like) which value music properly.

What I am asking your help with now, is making our voice as strong as possible.

If we have 100,000 people signed up to this campaign by the start of May, we will be able to make sure music education is not side-lined by a future Government.

So I am asking for your help, once again, to ensure more children have the opportunity to play musical instruments – please forward this message to your friends, put the petition link on Twitter and Facebook and get as many people as possible to sign up to the campaign

Thank you, thank you and thank you again.

Best wishes,


Sign the petition here (it takes literally a minute)


In The Future





All 4 one

goggle box tv series channel 4

Was up at the Edinburgh TV Festival at the end of last week – very much a Channel 4 flavoured one. Channel 4 was named Channel of the Year 2014.

C4’s Chief executive David Abraham gave the opening MacTaggart lecture (the first one by a C4 chief exec in a dozen years and it’s been four years since any UK broadcaster has been invited to speak). It centred on championing British creativity and the unique climate of creative freedom and risk-taking that we have in UK public service broadcasting. He highlighted how important it is for the broadcasting and media industry, politicians, regulators and the public to robustly defend and build this outstanding public service system at this particular juncture, when it is under assault from without (especially US multinational corporations) and within (short-term thinkers and profit-takers). He concluded with a call to action for the next generation of media creatives. It was a generous speech, acknowledging both BBC and ITV’s role in the very special TV ecology of this country.

At the Festival awards, Channel 4 also picked up the award for TV Moment of the Year for Mushi’s speech in Educating Yorkshire and won the Programme Innovation category with The Murder Trial. There was further recognition for C4’s current affairs film Children on the Frontline, with Marcel Mettelsiefen picking up the Debut Producer/Director Award.

Such a whitewash of the awards is almost without precedent at Edinburgh and reflects a revived creative spirit at Horseferry Road after the annus horribilis that was 2013 both for C4 and the BBC. For me personally, the new focus on short form video which has come about this year enables the happy surfing of this wave of new energy. Here’s one of my first commissions in that area from a young British director, Umut Gunduz, who I met at Google HQ in St Giles a few months ago – the series is called Double Vision and the first episode is Cycle of Love.

double vision first date cycle of love

Bitty Titty Soft and Bouncy (Day 72)

Sylvia Beach with James Joyce at Shakespeare & Co., Paris 1920

Sylvia Beach with James Joyce at Shakespeare & Co., Paris 1920

Another bitty day but progress was made. Kicked off with some Channel 4 work looking forward to to 2014, meeting a sports presenter to further develop a really interesting  idea we began kicking around a couple of months ago. From there I walked along a golden Malet Street past the University of London to the British Library where I installed myself in the Anthropology Library to work on the music project prompted by my interview with Jon King of Gang of Four yesterday. Got a few ideas down to start to set the scope and whacked them over to my radio friend. Then settled down to process my notes from the David Amram phone interview last night – mainly making sure it’s all legible in the long run.

Finished off my initial research into Sylvia Beach over a bowl of hot Greek bean soup in RADAland, sitting next to two glamorous, screwed-up actresses discussing boyfriend trouble and CBT experiences – in other words, very good quality eavesdropping material. The Beach research touched on her time in Savoy and mentioned Chambery where I went to university for a year, a not oft-mentioned town.

Once back home I  gave Malcolm Garrett a ring to set up an in-person interview with him about Tony Wilson & Manchester. Malcolm, who I know through working together on the BAFTA Interactive Entertainment committee, is the excellent designer behind the Buzzcocks record sleeves among many others, so first entered my life in the form of the silver and orange cover of Another Music in a Different Kitchen which delighted the teenage me. Rounded off things by getting in touch with Barry Miles, biographer and friend of Allen Ginsberg.

Took off for Chalk Farm on that note, the work day ended, to see the opening of an exhibition of photos of Andy Warhol (who I loathe and consider the opposite of Ginsberg – I wrote a scene about their meeting out back in a New York club where Ginsberg cut the twat neatly down to size in his own gentle way) and Edie Sedgwick (who, from the vaguest memory I have of the book I wrote about her – oops, Freudian slip, read about her I consider somehow tragic, like Basquiat and all the other cowardly damage Warhol left in his wake). It was at my friend/associate Alex Proud’s gallery in The Stables, an extravagantly large space, not really the right shape but different and fun.

From there to the 10th anniversary party of mySociety, a digital agency I admire hugely which is why I sacrificed the Channel 4 Christmas do to it (which was conveniently and teasingly  beside the Stables) and trekked off to Mozilla in St Martin’s Lane to see Tom Steinberg and crew. And that I’ll leave for my next post…

Sylvia Beach and Adrienne Monnier in Savoy, not a million miles from Chambery

Sylvia Beach and Adrienne Monnier in Savoy, not a million miles from Chambery

Spirit of SEX (Day 34)

Dr Pixie in run up to Health Freaks TX

Dr Pixie in run up to Health Freaks TX

I’m writing this one from BBC Media Centre while getting ready for tonight’s broadcast of Health Freaks, a new series I have been working on, the only Channel 4 work I have carried in to my sabbatical.

Malcolm McLaren hanging out on the King's Road

Malcolm McLaren hanging out on the King’s Road

I have spent most of the afternoon writing happily away outside a cafe on the King’s Road, Chelsea within spitting distance of Malcolm McLaren and Vivienne Westwood’s SEX shop. May the spirit of Punk rub off on me. I’m writing away at the Paul Arden chapter and in his contrariness is at least something of punk appeal. In a distinctly non- punk vein, for mid-October a remarkably mild afternoon which I thoroughly enjoyed sitting out in.

Prior to my writing burst, I was round the corner at The Chelsea Arts Club interviewing an advertising photographers’ agent, David Lambert, who worked with Paul Arden from 1974. As I walked into the club I saw a notice on the board announcing the death of Carolyn Cassady, who had been a member – reminding me of my lesson from Carolyn: strike while the iron’s hot when it comes to interviews.

While sitting outside the cafe at the Bluebird I organised a meeting with actress Gaye Brown who, apart from working with Joan Littlewood, was in Kubrick’s A Clockwork Orange (in that magical year, 1971).

David was very generous with his time and stories, and seemed to be enjoying recalling these tales which linked one to another as he hauled them up from the 70s and 80s. He stars in my opening emblematic scene in the Advertising chapter so it was good to get the story direct from him. The version I’ve already written is very accurate it turns out, I just got one extra telling detail from the from-the-horse’s mouth version as well as the chance to compare notes on what it actually means.

The Chelsea Arts Club was a strange affair on a weekday afternoon. Some ladies who lunch, some ageing types with no pressing need to work, the ubiquitous newspaper reader. It felt full of heritage with people on the past chairmen list like Whistler, Philip Wilson Steer and John Lavery but I didn’t recognise any of the last decade’s lot and only Sir Chris Powell was known to me on the current officials photo- board. Not the friendliest place I’ve ever been – CAC? we’ll leave the jury out on that.

As I walked back down Old Church Street Adrian Dunbar rang to confirm arrangements for tomorrow’s trip back to the Littlewood archives. He wanted to bring Janet Behan with, Brendan’s niece (author of Brendan at the Chelsea), but the times wouldn’t work out so that will have to be a separate visit. These little chains of connection are fascinating and the root of the excitement of the project – as well as the very essence of Creativity.

Chelsea Arts Club (aka CAC) in more colourful times

Chelsea Arts Club (aka CAC) in more colourful times

Play a long game

This project took two years to travel from Quotables, the website which inspired it, thought up in a cafe opposite Great Ormond Street back in 2010 with Andy Bell and some Mintfolk, to this primetime panel show playing out this summer.

Here’s an extract from Broadcast today…


Richard Ayoade actor director comedian Was It Something I Said

Same hairdresser as Elliott Gould and me

C4 panel show to feature Twitter playalong game

20 June, 2013 | By 

David Mitchell actor comedian Was It Something I Said

Channel 4 is hoping that the playalong game for forthcoming panel show Was It Something I Said? (WISIS?) will have as big an impact in the space as The Million Pound Drop Live.

The David Mitchell-hosted series, produced by Maverick TV and Mint Digital, will offer a playalong element hosted entirely on Twitter. Viewers will be directed to follow a dedicated account, @somethingIsaid, which will post questions, funny pictures and supporting content to coincide with the appropriate point in the show.

Players will be able to track their progress via a mobile-optimised website that will be closely integrated with the Twitter platform. C4 estimates that 80% of TV-related Twitter usage occurs via mobile.

Around 3,000 users will be sent personalised messages during each episode, with all the content produced designed to be shareable.

Separate Twitter accounts will also be launched to allow +1 viewers and those who watch the extended 45-minute repeat to also play along.

C4’s multiplatform commissioners Jody Smith and Adam Gee ordered the digital elements. The former said the broadcaster decided to host the playalong element on Twitter in response to viewer behaviour. “The interactivity around The Million Pound Drop has been hugely influential to other gameshows, and I’m expecting the interactivity planned for Was It Something I Said? to give the panel show genre just as big a kick up the arse,” said Smith.

The series is one of the first projects to have come from the broadcaster’s initiative to commission shows from non-traditional sources, and was inspired by the website Mint Digital developed for C4 in 2010.

Micky Flanagan comedian Was It Something I Said

{Extract courtesy of Broadcast magazine}

Thanks for the warm-up

Some cheekiness from Channel 4, literally picking up from where the first #Superhumans trailer for the London 2012 Paralympics left off…

How wonderful is it to see a pretty much sold out Paralympics? London, you’re a star

Forget Everything You Thought You Knew About The Paralympics

This 90 seconds of video is one of the best things that’s been made since I started at Channel 4 nine years ago (rivalled only by a dance in DV8’s Cost of Living and perhaps some moments in Jump London). It perfectly captures the spirit of Channel 4 and therefore why I work here.

I couldn’t have been prouder when it premiered last night simultaneously across 76 channels and got reactions like this (via Twitter):

Meet the Superhumans. C4 just made the Paralympics the most inspirational and important event this Summer

What an incredible promo #goosebumps #superhumans

Channel 4 just put down a big marker for best ad of #london2012 there with the #superhumans trail for the Paralympics

Oof. This trailer makes me want to watch the Paralympics much more than the Olympics.

Just seen the Channel 4 Paralympic ad. Great piece of work. Puts the very average BBC “Pixar” trailers to shame.

The Channel 4 Paralympic advert is something special! So much better than BBC!

what an inspirational advert about the paralympic games #Strength #Superhumans !!!

Stunning spot from channel 4 #superhumans. Very welcome to interrupt my viewing anytime…..

Just seen the premiere of the advert for the Paralympics  made me cry. Can’t think of a better word for those inspiring people #superhumans

Just got little bit emotional over Paralympics advert #inspirational

The channel four adverts are making me more excited for the paralympics than the olympics.

Advert for the Paralympics on Channel 4 is better than anything I’ve seen for the Olympics so far Oh  & I love that Public Enemy tune

And the choice of music is inspired – giving the trailer real attitude. Here’s the Public Enemy track Harder Than You Think and here’s where Chuck D and crew got that great brass sample from, close to home – of all places Shirley Bassey’s 1972 vintage Jezahel, so NYC meets …Cardiff.

Attitude is the key to this film and to C4. My favourite shots are the second one of the swimmer under the shower at 0:21 (her face is glowing with attitude) and the other swimmer adjusting her hair at 0:26. The trail was directed by Tom Tagholm of 4Creative.

When Team GB Paralympic team  got a preview of this trailer at a dinner on Saturday night they were delighted that their sport had finally been given the cool treatment and captured their spirit.


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