Archive for the ‘short form video’ Tag

Broadcast Digital Awards 2016

The studs, femmes and muffins of The Black Lesbian Handbook go into battle…

Screenshot 2016-06-29 09.40.58

So long and thanks for all the fish…

An extract from an article in Broadcast today. {courtesy of Broadcast}

 

 

Senior digital commissioners depart in C4 shake-up

 

Channel 4 commissioners Adam Gee and Jody Smith are to leave the broadcaster after more than a decade as part of a restructure at digital video service All 4.

The broadcaster is shaking up All 4’s editorial team, scrapping genre commissioning in favour of recruiting an overarching executive who will be responsible for curating, acquiring and commissioning programming.

As a result, Gee and Smith’s respective factual and entertainment multiplatform commissioning roles will close. It also follows the departure of shorts commissioner Isaac Densu, who left to join youth music brand SBTV in February after a year.

Around half of All 4’s 15-strong editorial team of online producers are also understood to be at risk of redundancy as a result of the changes.

C4 offered a clue to its plans in late April when it advertised for a Collections commissioning editor to help with the “transformation” of All 4.

Digital departures

Gee and Smith, who are expected to leave over the summer, have worked at C4 for 13 and 10 years respectively.

Factual multiplatform commissioner Gee was responsible for Embarrassing Bodies’ multiplatform output, Hugh’s Fish Fight and music amnesty campaign Don’t Stop The Music. He has collected an array of Bafta, RTS, Broadcast Digital and Emmy Awards.

He has commissioned over 25 short-form series since All 4 was established including My Pop Up Restaurant and Naked and Invisible, which has notched up over 6m YouTube views. He has also overseen digital shorts including Tattoo Twists, which led to E4 format Tattoo Fixers, and Drones In Forbidden Zones, the inspiration for C4’s Hidden Britain By Drone.

“I have loved every minute at Channel 4 and couldn’t respect its values more,” said Gee. “It has been a pleasure and a privilege to help establish Channel 4 as the world leader in TV-centred multiplatform; to set up and run the innovative and impactful IdeasFactory creative talent scheme when I first arrived; and most recently to get the channel’s short-form originals offer up and running with a distinctly C4 voice.”

 

Davidson-Houston thanked the pair for their “huge contributions to Channel 4’s reputation for innovation” in a note to staff. “They have boldly gone where no one has gone before,” he added.

The broadcaster will be looking to build on strong foundations. After launching All 4 around 12 months ago, digital revenues have rocketed to £82m, up 30% from 2014’s figure of £63m.

Screen Shot 2016-05-24 at 18.18.12

The Black Lesbian Handbook nominated

The Black Lesbian Handbook was nominated today for the new Best Non-Scripted Online Short category in the Broadcast Digital Awards. It is up against David Attenborough, BBC3 and Vice. Winner announced at the end of June. It is the only All 4 original show nominated. A good one to go out on regarding me, Channel 4 and awards.

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I got a particular kick when the series was nominated at the Banff Rocky Awards recently (Digital Unscripted Series category). The shortlist read:

  • Cosmos
  • I Was There: Boston Marathon Bombings
  • Secrets of the Vikings
  • The Black Lesbian Handbook

I believe they call that bathos.

bathos

ˈbeɪθɒs

noun
  1. (especially in a literary work) an effect of anticlimax created by an unintentional lapse in mood from the sublime to the trivial or ridiculous.

The Black Lesbian Handbook

Some feedback I just came across for this series while preparing a very dull document – background on the commission is here.

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RosyKat ‏@RosyKat  19 Dec 2015

Bit late to the party but #theblacklesbianhandbook is the best thing I’ve ever seen on TV @Channel4 #uklesbians

 

tawa ‏@TawandaFarai  17 Sep 2015

The Black Lesbian Handbook is brilliant. Storytelling at its finest.

 

vivi woo ‏@PeachesLenoir  27 Feb 2015Greenwich, London

I watched the black lesbian handbook, very insightful

 

Brooke ‏@BrukusMaximus  17 Feb 2015

@4oD just found the black lesbian handbook. Very interesting. Thank you. #BlackCulture #gay # blackgaytaboo #girlswholovegirls #stud #fem

 

SineadAlannah ‏@SineadAWrites  18 Dec 2015

Addicted to the Black Lesbian Handbook @Channel4 #fridaynightin

 

JustJoyxox ‏@soul_sistar  11 Dec 2015Croydon, London

I just watched the black lesbian handbook very interesting documentary I learnt a lot about the gay community here and abroad #LGBT

 

Sean ‏@PhantomDoor  18 Dec 2015

Watching Peep Show, keep getting ads for “The Black Lesbian Handbook” the most Channel 4 show imaginable.

 

DANNII ‏@MissDannitweets  9 Dec 2015

The black lesbian handbook docs on channel 4 is so fascinating!

My Pop-up Restaurant

Here’s a brand-funded short form series I’ve been working on recently.

Article by Matthew Campelli courtesy of Broadcast.

Samsung sponsors All 4 supper club format

Radi 1 DJ Alice Levine and Laura Jackson in My Pop-up Restaurant

Radio 1 DJ Alice Levine & Laura Jackson having culinary fun in My Pop-up Restaurant

Atomized Entertainment is to produce an ad-funded pop-up restaurant format for Channel 4’s digital service.

My Pop-up Restaurant, funded by Samsung Home Appliances, follows six aspirational cooks as they start supper clubs.

Radio 1 DJ Alice Levine and presenter Laura Jackson will keep tabs on the progress of the cooks as they attempt to kick start culinary careers.

The six-part series will launch as part of All 4’s Shorts service in November and was ordered by multiplatform commissioning editor Adam Gee.

Atomized chief executive Zad Rodgers said: “Supper clubs and pop-up restaurants are the latest expression of Britain’s entrepreneurial passion”.

Atomized has previously worked with British Gas on ad-funded online series Home Truths last summer.

The show forms part of a seven-figure, year-long deal C4 agreed with Samsung in March.

Laura Jackson and Alice Levine in My Pop-up Restaurant Channel 4 short form video

Full article is here

Trigger Mortis

Apparently I registered with WordPress 9 years ago today. How time flies. I’ve got to fly myself now (to Bournemouth to drop off Enfant Terrible No. 1, which is a far more important landmark) so this is a quickie to reflect on the statute of limitations on titles. I’ve written before on the importance of titles such as in Starless and Bible Black.

Any way, it looks like 56 years is the statute of limitation in the world of Anthony Horowitz / James Bond / The Fleming Estate. The title of the new, just published Bond book is Trigger Mortis. The book below was published in 1959 and it’s also a thriller.

Trigger Mortis Frank Kane novel cover 1959

Trigger Mortis Frank Kane novel cover 1959

Trigger Mortis Frank Kane novel cover 1959

By the looks of things, the covers are far superior to the contents. Whether that’s the case with the new Horowitz book, I’ll find out soon as I broached it last night. Its cover is well designed and cool but not much fun, promising something very different to Frank Kane and Johnny Liddell. The title’s crucial. and so is the cover/image. That applies equally to other media such as the one I’m currently focused on: Short Form Video.

Trigger-Mortis-James-Bond Anthony Horowitz novel cover 2015

Tattoo Twists Channel 4 Adam Gee

Eat My Shorts – Sheffield DocFest Day 2

My session today was as panelist rather than chair, on the subject of the rise of the Short Form Doc. Showed clips from a range of my recent commissions from Circus Girls to Body Mods, from Futurgasm to The Black Lesbian Handbook, to give a sense of the variety of output. The session started by showing two of the earliest short form films known, from late 19th century France (including the Lumiere Bros.) Shared the platform with Katie Metcalfe from the Short of the Week site/Sundance and a couple of struggling documentarists from Greece among others – it was a good, broad mix. My old friend Bill Thompson from the BBC was in the audience and captured the session in this cheeky tweet:

Adam Gee talking at Sheffield DocFest 2015

The new Sheffield DocFest Director, Elizabeth McIntyre, was also there and was strongly supportive of my assertion that it was misleading and plain wrong to portray short form as the little brother of long form documentary. It is not short TV, not cheap TV, it is a thing in itself, a fabulous form.

I met the acting Director at breakfast (Mark Atkins), as well as the recently retired Director (Heather Croall) and the current Chair (Alex Graham) so that was the full set today.

Before my session I went to the Brett Morgen masterclass in the City Hall where I hung a bit with the Music Doc posse from yesterday – Brett, Paul Viragh, Chris Wilson and Leslie Lee. I picked up some good tips from Brett – who talked about Cobain: Montage of Heck, The Kid Stays in the Picture and Crossfire Hurricane – including his ambitious approach of striving for an immersive cinematic experience to distinguish his docs e.g. to solve the problem that dozens of books and numerous films had already told the Stones story when the band brought Crossfire Hurricane to him – he sees his films as “a ride”. Also his use of asynchronous sound is interesting.

After the ‘Make it Short’ session, which seemed to go down really well, I went for a drink with Bill and had a fascinating chat with Bill, Brett and my friend & former colleague Jan Younghusband (of BBC Music) about new tech, AI and the spaces of human presence in our era.

I sat outdoors for a bit in the afternoon watching a documentary about the relationship between human beings and the earth on the hill of Howard Street, on a lawn in a deckchair in the June sunshine, enjoying its hippy vibe whilst reading ‘Our Mutual Friend’, all round green&pleasant.

In the evening I went to see a film about The Damned (Don’t You Wish That We Were Dead) by Wes Orshoski. It was entertaining with some really funny moments, quite conventional but a great range of interviews (from Chrissie Hynde to Mick Jones). Wes spoke a bit after the screening, an enthusiastic Yank, and Captain Sensible’s son was in attendance. From Neat Neat Neat via Smash It Up to Eloise The Damned turned out some great tunes through their various early incarnations. In short, they were The Ramones of Britain. A bit too silly for their own long-term good, condemning themselves to being something of a footnote.

Damned Damned Damned

Damned Damned Damned

Getting into your Shorts

Example thumbnails for Channel 4 shorts

Tattoo Twists series image

Tattoo Twists series image

Tattoo Twists episode image

Tattoo Twists episode image

Tattoo Twists episode image

Tattoo Twists episode image

Drones in Forbidden Zones

Drones in Forbidden Zones

Futurgasm series image

Futurgasm series image

Futurgasm episode image

Futurgasm episode image

24 Hour Party Politics Channel 4 shorts

24 Hour Party Politics

In The Future

IntheFuture_Series_2800_v1

IntheFuture_Series_2800_v2

IntheFuture_Asteriods_2800

IntheFuture_Toilets_2800

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