Archive for the ‘moon’ Tag
A convo with Tim Wright and others inspired two new hashtags today:
#bestswop What was the best swop you ever did in your life?
#worstswop What was the worst swop you ever did in your life?
I was reflecting on my photo of Neil Armstrong yesterday, it being the 40th anniversary of the launch of Apollo 11:
“Looking at my signed photo of Neil Armstrong on this resonant day – got it by swopping for a signed Damned single with editor Mark Reynolds” about 22 hours ago from web (Mark and I were making a film about Helen Sharman, the first British astronaut)
richpayne88 mentioned “he also very rarely signs autographs – sounds like an amazing swap. I’ll trade you for these five magic beans” The irony is Mark’s aunt didn’t believe the autograph was real when it arrived at her young nephew’s home in Leeds. She explained to him ‘they just print them’, licked her finger, wiped it across the signature – and the smudge is still there.
So here’s the best best and best worst swops to have emerged today…
I swapped houses! Only for three weeks mind you. I got their fabulous home in Melbourne complete with pool and tennis courts etc and they got my terraced house in Hackney. Happy days…
finance for technology
St.Albans for London
[ A signed Damned single (late one, not great) for a signed photo of Neil Armstrong (he stood on the frigging moon! – first) ]
My ZX Spectrum for an Amstrad. Doh.
[ childhood for adulthood ]
manhood 4 parenthood
I swapped my last Rolo for a kiss, the Rolo would have been more satisfying and tastier.
a pride of lions for a hope of rain.
i swapped an inflatable hammer for a bean encrusted pan at leeds fest
I swapped £4000 for new posh carpet in my flat…and I’ll be reminded of it until I move…i hate myself…”shoes off!”
Feel free to add more using #bestswop #worstswop on Twitter or using the Comments below
You should follow me on Twitter here
Shame this will never trend – our American cousins, I believe, spell ‘swop’ S W A P
Had the pleasure yesterday of two inspirational encounters with London-inspired artists.
At lunchtime photographer/artist Emily Allchurch visited Channel 4 to talk to any interested parties about her work. This was at the invitation of Andrew Webb, the Picture Editor in Channel 4 New Media’s design unit who had first met Emily working together in the Tate’s shop. She focused on her new exhibition ‘Urban Chiaoscuro’ currently at the Frost & Reed gallery in St James’s.
The exhibition is inspired by the fantastical Caceri d’Invezione drawings (c.1745-1761) by Piranesi, intricate architectural constructions of prisons of the mind.
In recent years Emily has focused on reconstructing old master paintings and drawings by seamlessly collaging contemporary photographic components in Photoshop. Hundreds of layers of photoshopped elements – individual details photographed from very particular angles to make the perspective work – result in smooth, painterly transparencies displayed on thin lightboxes, the size of an art gallery painting.
A little later in the afternoon I pulled by Frost & Reed’s to see the works in the flesh. They typically take three months to create. In real life all that masterly craftsmanship is even more evident in the painterly, surreal qualities of the luminous images. I bumped into Emily again at the gallery and had a chance to chat a bit more – I was saying how what really struck me in her images was where she had (re)created fantasy, impossible environments – for example, Bruegel’s Tower of Babel and some of the more labyrinthine, Escheresque Piranesis.
Emily featured in the excellent BBC4 series Digital Picture of Britain. In the episode I saw of that she recreated a Whistler nocturne viewed from Battersea Bridge using images taken on a mobile phone (that was part of the challenge of the series – each photographer ended up with a high-end digital camera, a high street one or a mobile phone by luck of the draw). It was only in the wake of participating in the series that Emily switched from film to digital.
Despite being born on Jersey, Emily is clearly turned on big time by London, which, as a major league Londonphile immediately elevates her in my eyes. There’s an interesting element of fear in her works which stems in part from having to hang out alone in the dark recesses of the city to get her raw material. It manifests itself in the photographs as references to surveillance – cameras, tannoys, signs, warnings. Yet for all the anxiety there’s the joy of discovery.
When we were looking together at one of her Urban Chiaoscuros made in Paris, I spotted one of those mosaic Space Invaders. Emily didn’t know what it was and I was able to explain to her that it’s part of a long-term public art project with its roots in Paris – something I found out when I posted one on the Big Art Mob which I’d come across round the corner from St Martin’s art school in Kingsway.
Which brings us neatly to the second inspiring encounter of the day, as I’m hoping to feature this artist and her work on the Big Art Project and she posted her first image to Big Art Mob from St James’s Park where we had our meeting.
Laura Williams was introduced to me by the Creative Accountant (Sydney Levinson). She is slowly but surely creating an amazing public artwork, Aluna, a lunar clock which is destined to land on the north bank of the Thames opposite the Millennium Dome at the site of the old East India docks.
The huge sculpture indicates the movement of the moon around the earth and the flow of the tides using LEDs built into its recycled glass curves.
Aluna is designed to reconnect us with a slower, more natural flow of time – much as can be gotten from the allotment where I’m writing this post from on a Blackberry, having just eaten a very late raspberry off my neighbour Maurice’s bush. And just to be neat about things I’ll pause for a moment to go and get a late blackberry off our fence…
…Yum, had three but they’re pretty much done now for the year, they’re mostly rotting on the plant, covered in a yellowy fungus or something. Ah nature, dontcha just love it – one big restaurant.
Now where was I? Ah yes, close to the Meridian in East London. Laura is also truly inspired by London and the Thames. The lunar clock is, naturally enough, tidal powered, sitting on the bend in the river with one of the fastest tidal flows. The artwork will be driven by turbines in the river which will generate surplus electricity to sell back to neighbouring houses making the whole thing self-sustaining.
So between Emily and Laura, the ol’ creative batteries were certainly recharged yesterday, ready to plug in to Medicine Men and Fourmations and all the other interesting creations coming over the horizon in the world of Channel 4 Factual interactive media.
Pictures courtesy of Emily Allchurch