Archive for the ‘Brian Eno’ Tag

Art School was Rock School

A couple of years ago I went to a meeting at University of the Arts/Chelsea College of Arts to discuss a programme idea about Art Schools in the UK. Waiting in the cafe bit near the entrance I was really struck by the proportion of Chinese and South-East Asian students in the packed room – a sign of the times. In 2016 I was teaching on an MA course at the Royal College of Art, set up by designer Neville Brody (of ‘The Face’ fame) – I had helped him shape its curriculum. Of the 18 students in the room, one was British – most of the others were European, a couple from South-East Asia. My point is about the mix and the absence of young Brits (rather than the presence of students from abroad).

brian eno roxy music

Brian Eno in Roxy Music

In February 2017 I went to an event in Cecil Sharp House, Camden Town at which Brian Eno was interviewed by Tanya Byron (with whom I worked on ‘Bedtime Live‘ [Channel 4]). He talked a lot about his teacher at Ipswich Art School, Tom Phillips (a signed print of whose is sitting on this desk, just behind my screen, a present from my mum – we went to collect it from Tom’s house together). His teachers there had a formative role in his development as a musician. There’s a good account of their relationship here.

Today I was reflecting again on the vital contribution of Art Schools to British music, not least in the punk and post-punk era in which I was a teenager.

malcolm mclaren vivienne westwood

malcolm mclaren & vivienne westwood

What those schools represented among other things was a space for experimentation, to figure out what you want to do with your life and art, to come across & play with ideas. No nine grand a year debt hanging over your head. They were also a place for people who didn’t fit the mainstream tertiary education system – or rather it failed to fit them.

Paul Simonon The Clash by Sheila Rock

Paul Simonon of The Clash [photo by Sheila Rock]

This is the first of a two-part article on the subject – I want to round off this introductory part with a (kick-off rather than comprehensive) list of musicians who went to art schools around the UK to give a sense of the enormous impact of these places on music across the globe:

  • John Mayall – Regional College of Art (Manchester), 1955-1959
  • Charlie Watts – Harrow Art School, 1956-1960
  • John Lennon – Liverpool College of Art, 1957-1960
  • Keith Richards – Sidcup Art School, 1959-1962
  • Jimmy Page – Sutton Art College, 1960-1964
  • John Cale – Goldsmiths, 1960-1963
  • Viv Stanshall – Central St Martins, 1961-1962
  • Ronnie Wood – Ealing Art College, 1961-1964
  • Eric Clapton – Kingston Art College, 1961-1962
  • Pete Townshend – Ealing Art College, 1961-1964
  • Ray Davies – Hornsey College of Art, 1962-1963
  • Cat Stevens – Hammersmith School of Art
  • Syd Barrett – Camberwell College of Art, 1964-1966
  • Roger Waters – Regent Street Polytechnic, 1962-65 [architecture]
  • Nick Mason – Regent Street Polytechnic, 1962-65 [architecture]
  • Rick Wright – Regent Street Polytechnic, 1962-65 [architecture]
  • Bryan Ferry – Newcastle College of Art, 1964-1968
  • Brian Eno – Ipswich Art School, 1964-1966 & Winchester College of Art, 1966-1969
  • Malcolm McLaren – St Martin’s & Chiswick Polytechnic & Croydon College of Art & Harrow Art College & Goldsmiths College, 1963-1971
  • Ian Dury – Royal College of Art, 1964-1967
  • Freddie Mercury – Ealing College of Art, 1966-1969
  • Joe Strummer – Central St Martins, 1970-1971
  • Adam Ant – Hornsey College of Art, 1972-1975
  • Jerry Dammers – Lanchester Polytechnic, Coventry, 1972-1975
  • Mick Jones – Hammersmith School of Art, 1973-1974
  • Paul Simonon – Byam Shaw (London), 1975-1976
  • Marc Almond – Leeds Polytechnic (Leeds Beckett University), 1976-1979
  • David Ball of Soft Cell – Leeds Polytechnic (Leeds Beckett University), 1976-1979
  • Andy Gill of Gang Of Four – Leeds University
  • Jon King of Gang Of Four – Leeds University
  • Sade – Central St Martins, 1977-1980
  • Jarvis Cocker – Central St Martins, 1988-1991
  • Graham Coxon – Goldsmiths, 1988-1989
  • Damon Albarn – Goldsmiths
  • Alex James – Goldsmiths
  • Justine Frischmann of Elastica – Central St Martins
  • PJ Harvey – Yeovil Art College, 1990-1991
  • Stuart Murdoch of Belle and Sebastian – Stow College (Glasgow Kelvin College) 1995-
  • Stuart David of Belle and Sebastian – Stow College (Glasgow Kelvin College) 1995-
  • Fran Healy of Travis – Glasgow School of Art
  • Corinne Bailey Rae – Leeds University
  • Florence Welch of Florence and the Machine – Camberwell, 2006-2007
  • Paloma Faith – Central St Martins
Damon Albarn of Blur by Julian Opie

Damon Albarn of Blur by Julian Opie

If you know other British musicians who came out of art school, please add them in the comments below.

M&S (Day 50)

FAC 501 1/2

FAC 501 1/2

Some web research in the morning (a surprisingly minor part of my activity so far) starting with the transcript of an exchange between Brian Eno, who I was considering as a candidate for the Music chapter, and Grayson Perry which touches on the subject of sharing, so I can use it a little bit in the Jeremy Deller case-study. Then some video including a reading by Hettie Jones in memory of Ginsberg with a spirited performance of a powerful Ginsberg poem/song on death, punctuated with the word “bone” [Broken Bone Blues].

Felt a sudden need for a haircut (as one does) so headed up to Drury Lane to lose the fro. Stopped by Forbidden Planet on the way over to my interview to pick up some comics for Enfant Terrible No. 2 who has recently become really taken by them (so fond memories of child&teenagehood triggered). A quick pitstop at Fopp to pick up some electric blues and jazz as compensation for not finding the Nick Lowe LP I was after. Then over to the Union Club in Greek Street to meet my interviewee for the afternoon.

union club greek street london

I found myself in the same warm red room as I had been in four weeks to the day earlier for the cast&crew party for HealthFreaks (of which Episode 4 went out shortly after this interview). The open fire and picture-lined walls gave it a womb-like coziness on a dreary November day.

With the room to ourselves bar the occasional crashing through of a waitress, I interviewed Mike McCarthy about his time working with Joan Littlewood at the Theatre Royal Stratford East. He also lived with Joan and Gerry Raffles in Blackheath during that time in the mid-70s. He worked mainly with the local kids on the wasteland in front of the theatre, arriving as a fresh-faced Northern drama school graduate and leaving as a producer, moving off into the world with his stage adaptation of Planet of the Apes (damn him all to hell for having such a great idea).

Rounded off the day after hours with a phone interview with Steven Lock in Co. Wicklow, Ireland. He kindly approached me through this blog to offer an interview about Tony Wilson whom he produced at Granada in the 80s. I met Steven and his producer wife in Dublin a few years ago – when doing a speaking gig and when trying to set up a pan-Ireland talent development operation respectively. He gave a really good sense of what working with Wilson was wike (Ws weally wock). Steven’s own recent story is equally fascinating – he has set up an agricultural service (Grassometer) in the wake of filming a load of Irish farmers for a TV series and has hooked up with one of Apple’s original designers (Jerry Manock) to deliver the service via app (it’s to do with measuring grass volumes) – just the kind of chain of connections When Sparks Fly revels in, brought about by spotting an opportunity, seizing subsequent funding opportunities, and reaching out to fellow talent.

TRSE 01

TRSE 01

Broken bones O Lord
I’ll give my house away
Broken bones O God
It was never mine anyway
Broken bones O Buddha
Take my skull today
Or take back my skull someday

 

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