Archive for the ‘drones’ Tag

This is The End

The End by Heather Phillipson

The 4th Plinth on Trafalgar Square has proved to be a brilliant lens for Britain to look at itself through. The commissions are so varied that taken together they are also a rich record of British identity and state of mind at different times. Each commission takes into account the resonance of the location and its relation to surrounding public art, buildings, environment and the history linked to them. 

Heather Phillipson’s ‘The End’ is a worthy addition to the chain of public art that has temporarily inhabited the free plinth. It looks particularly good against blue sky and the collapsing gobbet of cream topped by the falling cherry matches the colours of the Canadian flags behind it on Canada House / La Maison du Canada. 

On one side is a huge fly, undermining any initial joy at the prospect of some kind of knickerbocker glory. On the adjacent side is a drone, on a different scale, with moving propellors.

a backdrop of the National Gallery

What does it all mean? There’s a sense of imminent collapse. An indication of rottenness. And a strong hint of surveillance.

The stalk paralleling Nelson’s Column

‘The End’ officially took up residence on the plinth on 30th July 2020, the 13th commission there (the first was in 1998). At 9.4 meters height it is the tallest so far and one of the brightest. 

The drone transmits a live feed of Trafalgar Square at www.theend.today Here’s what it looks like right now, the eye of the sculpture itself:

What’s the legal status of those two people? Is it legit to spy on them for artistic rather than security reasons?

The artwork reflects Trafalgar Square’s heritage and function as a place of both celebration and protest, as well as its highly surveilled state.

VE Day (8th May 1945)
Anti-Lockdown protest (26th September 2020)

Phillipson came up with the idea in 2016, in the shadow of Trump’s election and Brexit. 

“For me, we’ve been at a point of some kind of entropy for a long time. When I was thinking of this work there was a sense for me of an undercurrent that was already there … this feels like a continuation of that.”

It was unveiled in the middle of Covid19 year, delayed a few months by the pandemic. The perfect temporal setting for the piece. 

This is the end

Beautiful friend

This is the end

My only friend, the end

Of our elaborate plans, the end

Of everything that stands, the end

No safety or surprise, the end

I’ll never look into your eyes again

Can you picture what will be?

So limitless and free

Desperately in need

Of some stranger’s hand

In a desperate land

Jim Morrison & The Doors ‘The End’

Despite the title the artist does not envision the work as a dead end. 

“In the end there is the possibility of something else forming. There’s the chance of radical change inside any ending… there is potentially hope for something else.”

The artist

‘The End’ ends in Spring 2022.

The End

Trains, Planes and Canes – Sheffield DocFest Day 4

Was involved in two contrasting panels on my last DocFest day. In the morning the panel I’d pitched to the festival about docs with a lighter touch. It was produced by Documentary Campus, Berlin-based partners of DocFest, the outfit behind the Leipzig documentary festival. Because it’s the birthplace of my late father I’ve a soft spot for it and have been working with them for the last few years, helping nurture emerging documentary talent. On our Seriously Funny panel was Mark Lewis, venerated creator of the landmark ‘Cane Toads: An Unnatural History’, much admired by Brett Morgen (Cobain: Montage of Heck – see Day 1 below); Rudolf Herzog, the man behind ‘Ve Have Vays of Making You Laugh’ about jokes in the Third Reich and ‘The Paedophile Next Door’ made with Steve Humphreys for Channel 4; Heydon Prowse, one of the prime-movers of ‘The Revolution Will Not Be Televised’ (Jolyon Rubinstein, his comedy partner was in the audience), whom I worked with on ‘X’, our recent election project at C4 for under 25s involving the shutting down of E4 for the day of the election (leaving just Darren on screen, the man responsible for E4’s On/Off switch).

Last but by no means least, my brother KG who fronts the short form video series I commissioned about West Coast tech and social trends and whether they will make it to Blighty – ‘Futurgasm’ (mainly to be found on All 4).

It was a fun panel, punctuated with loads of amusing clips, including dog and rat humour from Mark and hoodie humour from KG:

We chatted about the advantages of using humour in documentaries – from access to co-operation (see the police in the last clip above), from non-cynical warmth to asking the unaskable.

In the afternoon I did a session on using drones in documentaries, The Sky’s the Limit, led by Brian Woods of True Vision, in the beautiful Chapel building. I showed my Drones in Forbidden Zones project (which also lives mainly on All 4)

and, to balance out the largely techie panel such as Emma Boswell of The Helicopter Girls, took on the subject largely from an editorial point of view, focusing on how to shoot ‘native’ drone films as opposed to using this exciting new tech simply as a cheap helicopter.

Once I was done with Unmanned Aerial Vehicles I boarded a Manned Rail-bound Vehicle and headed South with pleasant memories of one of my best ever DocFests. Proud to have been on the Advisory Board of this particular one which marks the close of Heather Croll’s brilliant expansive tenure, the sure-footed interim leadership of my friend Mark Atkin, and the opening of Elizabeth McIntyre‘s regime, my former colleague from Documentary Campus. Four fine days fabulously finished.

Getting into your Shorts

Example thumbnails for Channel 4 shorts

Tattoo Twists series image

Tattoo Twists series image

Tattoo Twists episode image

Tattoo Twists episode image

Tattoo Twists episode image

Tattoo Twists episode image

Drones in Forbidden Zones

Drones in Forbidden Zones

Futurgasm series image

Futurgasm series image

Futurgasm episode image

Futurgasm episode image

24 Hour Party Politics Channel 4 shorts

24 Hour Party Politics

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