Archive for the ‘academy awards’ Tag

David v Goliath

adam gee victoria mapplebeck bafta awards nominees party april 2019

This is Victoria Mapplebeck, director, and me tanked up on free Taittinger above the Thames, overlooking the dome of St Paul’s, the Walkie-Talkie, the Cheesegrater and other great London landmarks. It is the Nominees Party for the BAFTA TV Awards which this year are in at least one respect a landmark in themselves thanks to a new award being presented in two weeks’ time.

It is significant that the newest category for the TV BAFTA Awards is Short Form Programme, marking the passage of online digital video into the mainstream of television. This year is the second year of the category and the first year Little Dot has entered. (Last year I was involved in the judging of the inaugural awards because I knew I might well have conflicts of interest thereafter).

Also significant is the nomination we were delighted to receive at the end of last month in this category for our Real Stories Original ‘Missed Call’. The rest of the nominations list is filled entirely with BBC productions. So that’s a broadcasting Goliath up, not against another broadcaster, large media owner or brand, but a privately held UK indie which invested its hard-earned cash in original unscripted content.

missed call real stories documentary video poster

To date Little Dot has commissioned two dozen factual originals (that was the task I was brought in to do) and they are starting to make their mark in a rich mix of ways.

As well the BAFTA recognition, ‘Missed Call’ won the Social Media category of the AHRC Research in Film awards, one of only five categories. These spotlit the critical role of research in film-making, a vital aspect which rarely gets the limelight. The 19-minute documentary premiered in London’s West End at Open City Docs where it was nominated for Best UK Short Film. It was selected as a Finalist at the iPhone Film Festival, reflecting the fact it was shot entirely on an iPhone X, the first professional documentary made on the device. It won the Best UK Film Award at the Super Shorts London Film Festival, and has shown at a variety of film festivals.

Some of the Real Stories Originals have played well in online realms, such as ‘Sorry I Shot You’, a documentary on restorative justice in action, which was in the Official Selection of the Webdance Film Festival; ‘Finding Fukue’, a co-commission with CBC in Toronto, which won Best Film at the National Screen Institute of Canada Online Short Film Festival; and ‘Travelling on Trash’ which won a Gold Award at the Spotlight Documentary Film Festival.

Others have enjoyed an on-the-ground life across the globe in festivals from Queensland, Australia (‘Through the Eyes of Children’) via Oakland, California (‘Black Star’ at Black Arts Movement (BAM!) Film Festival) to Sheffield, England (‘Surf Girls Jamaica’, which picked up a Best Women in Adventure Film award).

One of the most pleasing pieces of Real Stories Original silverware was winning the Best British Film gong at the London Surf Film Festival. Who knew? London’s got plenty going for it but the pounding of the waves is but a distant dream. Now that BAFTA is a not so distant dream – the ceremony is on Sunday 12th May (on BBC1 hosted by Graham Norton) and whether it’s David or Goliath’s night the Real Stories team will enjoy the ride…

bafta tv awards 2019 short form programme nominations missed call

Missed Call was directed by Victoria Mapplebeck and produced by Amanda Murphy (Field Day) :: Sorry I Shot You was directed by Andy Mundy-Castle (DocHearts) :: Travelling on Trash was produced by Deborah Charles (The Distillery London) :: Through the Eyes of Children was directed & produced by James Lingwood (Big Pond) :: Surf Girls Jamaica was directed & produced by Joya Berrow & Lucy Jane (Right to Roam) :: Black Star was directed and produced by Sameer Patel :: Finding Fukue was directed by Daniel Roher & Edmund Stenson and produced by Felicity Justrabo.

The Oscars: AG v Academy

I’m starting a movie project later this morning for Channel 4 /All 4 short form so what better way to get in the mood than comparing my votes for the British Academy Awards (BAFTAs) with the actual winners tonight for the American Academy Awards (Oscars). While I’m at it, I’m going to do head-to-head on the (acting) categories which are artificially split into genders – will they combine these one day or do a head-to-head given there’s no physical difference between the sexes in this regard?

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Best picture 
AG: The Big Short
Spotlight

Best actress 
AG & Academy: Brie Larson, Room

Best actor 
AG: Eddie Redmayne, The Danish Girl
Leonardo diCaprio, The Revenant

Best director 
AG: Adam McKay, The Big Short
Alejandro Gonzalez Inarritu, The Revenant

Best original screenplay
AG: The Hateful Eight
Spotlight

Best original score 
AG & Academy: The Hateful Eight – Ennio Morricone

Best adapted screenplay 
AG & Academy: The Big Short

Best supporting actress
AG: Jennifer Jason Leigh, The Hateful Eight
Alicia Vikander, The Danish Girl

Best supporting actor
AG & Academy: Mark Rylance, Bridge of Spies

Best costume design
AG: Carol – Sandy Powell
Mad Max Fury Road – Jenny Beavan

Best animated film
AG & Academy: Inside Out

Best documentary
AG & Academy: Amy

Best cinematography
AG & Academy: The Revenant – Emmanuel Lubezki

Best make-up and hair
AG: Carol [not nominated]
Mad Max: Fury Road

Best visual effects
AG & Academy: Ex Machina

Best sound editing
AG & Academy: Mad Max: Fury Road

Best sound mixing
AG & Academy: Mad Max: Fury Road

Best editing
AG: The Big Short – Hank Corwin [he was robbed!]
Mad Max Fury Road – Margeret Sixel

BEST ACTOR/ACTRESS: Brie Larson, Room

BEST SUPPORTING ACTOR/ACTRESS: Mark Rylance, Bridge of Spies

Tying some Oscar loose  ends including why I don’t reckon The Revenant

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To round off on this special day – being 29th of February, leap year day – I’d like to celebrate the considerable success of the UK film industry. I heard we had nominations in 21 of 24 categories (I haven’t counted them up to check). We had winners in 6:

  •  Best supporting actor: Mark Rylance, Bridge of Spies – in a league of his own
  • Best visual effects: Ex Machina – an amazing follow-up to Gravity’s success
  • Best documentary: Amy – masterfully realised by Asif Kapadia, fellow East Finchley resident
  • Best song: Sam Smith – raw youth
  • Best short: Stutterer – Anglo-Irish triumph
  • Best costume: Mad Max Fury Road

 

Under Dog

BAFTA award

Hot off the presses – Big Art Mob has been nominated for a TV BAFTA in the Interactivity category (the only interactive/cross-platform category in the TV Awards). Now that’s lifted what started out as something of a drudgy day a bit!

The competition is:

  • Dr Who Comic Maker
  • Spooks Interactive
  • The X Factor

So no problems there then… 😉

Congratulations to the small but perfectly formed BAM team at Moblog:tech, Edition Design and Planet Freelance (headed by Nick Pearson).

[Picture courtesy of AFP]

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