Archive for the ‘design’ Tag
On my flannage around London yesterday I decided to play a little photographic game – inspired by the Z (as in Ritz). These were gathered between Moorgate and Piccadilly, via St Paul’s and Temple. Can you recognise where any of these come from?
Just back from the Aesthetica Short Film Festival in York where I had my first official Sell Out as far as I can recall.
I was doing a Masterclass on factual/unscripted short form video. In the Green Room after I met Dr Melanie Williams of UEA where she is Head of Film, Television and Media Studies. She specialises in post-war cinema and has written a monograph on David Lean (very appropriate in that I’m writing this in BAFTA which Lean founded and which Aesthetica feeds into via the Short Film category in the Film Awards). As we chatted the subject of Christine Keeler’s 60s movie came up – see Chairman of the Board below. Well it turns out one of her colleagues at the University of East Anglia has a particular interest in ‘The Keeler Affair’ movie (1963) and in fact (contrary to what I had read) it was made but was never granted a BBFC certificate in the UK, so it only played abroad. Lewis Morley, the photographer who photographed Keeler in That Chair, refers slightly erroneously to: “an intended film which never saw the light of day”.
It also seems to have another title, ‘The Christine Keeler Story‘, and it turns out that Keeler doesn’t exclusively play herself despite posing for the publicity photos – Yvonne Buckingham plays her although Keeler is also listed as “Herself”. Same for Mandy-Rice Davies who both plays herself and is played by Alicia Brandet. I’ve yet to find out how Buckingham & Keeler and Brandet & Rice Davies squared that circle though there are some clues in the clip I found below.
In the synopsis Keeler is referred to as a “teenage prostitute” which seems both harsh and not entirely accurate. I like the term “good-time girl” which is often used to hedge bets in this type of context.
And here’s the bit I found. Quite intriguing. A disco ball in the courtroom… like it.
I went from BAFTA in Piccadilly round the corner to the May Fair Hotel for a BAFTA Film Awards screening of ‘American Pastoral’ with leading man and director Ewan McGregor in attendance. It is a striking and original film, directed with amazing aplomb for a first movie (this is McGregor’s directorial debut). It is a thoughtful interpretation of Philip Roth’s novel, not spoonfeeding the audience and concluding with an uncompromisingly enigmatic end. McGregor spoke with great articulacy and clarity about his method as an actor-director. What came across strongly is that this is an actors’ film – the rehearsal and shooting process, as well as the framing and camera movement, were all focused on enabling the actors to do their thing in an imaginative and fresh way.
So far the best of the BAFTA fare. Also very striking is the disturbing poster – the best I’ve seen in a long while – which takes the all-American idealism of Wyeth and Hopper (the first half of the film derives its colour palette from Hopper), takes the all-American idealism of Wyeth and Hopper – and shakes it the fuck up, torching the Dream.
Something of a tangential day. Was researching an alternative case study for the Music chapter when I came across a music spin-off which gave me the idea for a simple business proposition/side-line. I discussed it with the friend and former colleague who was having the 70s music discussion with me and then brought a second former colleague from the same era into the Circle of Trust and we gathered on the morning of Day 47 to decide whether we all thought there was something in it and what creative approach to take. Our kick-off venue was the British Library, which is a building I’ve really come to respect for the way it respects the ornateness of the surrounding buildings, especially St Pancras, and for giving a home to a lively studious community.
I was reminded as they set up an exhibition about Georgian Britain (opening today) about coming here last year to see Jack Kerouac’s scroll manuscript of On The Road, a landmark on the way down the track to this book.
I had a pleasant couple of afternoon hours carrying on with the Hettie Jones research outdoors in the large courtyard of the Library site. It’s resonant for me because I came across the play Dutchman, by her husband LeRoi Jones, during a teen-age burst of play-reading and the whole milieu on the memoir reminds me of those enthusiasms of that time in my life. As the milky sunlight turned greyer and the temperature dropped, headed inside beside the wonderful tower of books, a great glass cabinet cutting through all the floors of the building, filled with rare volumes. Found a seat among the stooodents next to a girl with a fro worthy of the East Village and a winning smile. Read some more in the bookish shadow of the tower.
I love the way a no-nonsense commercial idea has spun out of this project with bookish roots, focused on the pre-digital age. The idea is very digital in that common paradoxical way of being centred on a beautifully designed and made concrete object in the physical world. One of the highlights of the day was seeing our designer’s mind take off the minute he started generating ideas, questioning shape, texture, nothing assumed, everything possible…