Archive for the ‘silver linings playbook’ Tag

Film Critic Sandwich (Day 84)

Linder Sterling collage

Linder Sterling collage

A big BAFTA day today – not so much for the film award nominations which were announced this morning, which were pretty predictable, although why American Hustle is doing so well baffles me (and I’m a big fan of Silver Linings Playbook), but for the fact I had a very interesting and enjoyable day working there. On arrival at 195 Piccadilly I had a lovely chat with Mark Kermode – we know one another from school but haven’t met properly for ages, since I was doing some film reviewing after leaving university and we crossed paths at movie screenings. He was sympathetically encouraging as he explained how long it took him to write his three books in terms of words per month, which went over my head a bit as I haven’t been thinking in those terms (deliberately).

From the off I ran across a variety of colleagues, some ex-Channel 4, most C4 related, from the producer of Fresh Meat to a former Head of Interactive at the Channel who kindly offered an intro to a literary agent. So a jolly time all round.

Work began with an interview of the super-talented designer Malcolm Garrett, close friend of Peter Saville and fellow graduate of the Manchester Post-Punk scene, who came to prominence through his fresh designs for the Buzzcocks record sleeves. The record that got me into Punk was the Buzzcocks What Do I Get? single (which sadly did not have Malcolm’s sleeve on it when I bought a copy at Smiths in Chichester, but which lead me to his beautiful silver and day-glo orange cover for their Another Music in a Different Kitchen LP which I got given that Christmas). We talked about Tony Wilson and Factory, with whom he worked and hung out a bit, and about the prospects for creatives from the North and regions, a lovely wide-ranging interview-cum-chat.

Then back to the writing where, having taken my only working day away from it since starting on 1st September yesterday to do some personal admin etc., I had a bit of a break-through in terms of structure. Material I had been planning to integrate into the case studies I now realise would be better and more easily included interleaved between the chapters. I came to this realisation when I went back to add to the short intro I wrote a while back. The argument of the intro was tight and didn’t allow for any insertion without breaking the flow so I tried the additional material I wanted to insert as a short piece between Chapters 1 and 2 and that worked, so I am now going to site all the contemporary and personal reflections between chapters not woven into them. This will keep the narrative flowing and clear and avoid any confusion of timeline.

Next up was a meeting about one of the spin-off projects and then I headed for home. As I walked down the stairs I passed Inspector Lestrade (Rupert Graves) on the landing and then Mrs Hudson herself (Una Stubbs), who was so polite that she was worried she had pushed in front of me when I was having a quick conversation with one of the receptionists. The days of Alf Garnett and Rita Rawlins are clearly long gone as she appears very much like Mrs H incarnate. I deduce some Sherlock event was going on.

When I got off the tube I bumped into Bob McCabe, author of Harry Potter: Page to Screen, co-writer of The Python’s Autobiography and a bunch of Monty Python related titles. He’s just launched a new movie-related site The Last Word on Earth. So the day has a pleasing circularity.

design by Malcolm Garrett

design by Malcolm Garrett

Argofuckyourself – Oscars 2013 Update

Oscars

This is an update to my Oscars 2013 post which set out how things would pan out if the world were a just or tasteful place…

So how just were things?

I was on the money for Best Actress (not an obvious one with Emanuelle Riva in contention) and Best Screenplay, both Original and Adapted. I also nailed Best Cinematography and Best Documentary.

I still back Silver Linings Playbook for Best Picture. Dave Sexton sums it up pretty well in tonight’s London Evening Standard: “Yet [Argo] is only moderately good, telling a story that has no long-lasting or deeply personal resonance for the viewer. It’s well made, quite exciting at the start and at the finish, and it has some funny lines. But it’s not a film you would want to see twice, I’d say.” I’ve now watched it twice and he’s right – it’s not a fulfilling experience second time round, largely due to its thriller nature. Ben Affleck’s performance looks better on second viewing and his direction very well pitched and restrained. But SLP has more substance in the long run, more legs and more emotional resonance.

Ang Lee as Best Director I can swallow as Life of Pi is a real handful to master and it is quite some spectacle, one of the first artistically successful 3D movies (I suspect even Kermode would agree on that front). I also embrace Daniel Day-Lewis as Best Actor as he clearly is one of the all-time greats, and he brings Abraham Lincoln fully to life. Christophe Waltz merits his second Best Supporting Actor gong – the way Django Unchained spins out of control after his demise indicates the importance of his performance, even if it gets a little mannered at points.

2012-13 was a really rich year for cinema in contrast to most of the last few years. I’m glad therefore that no movies dominated the Oscars, especially Lincoln and Les Miserables, the one too talky (my Twitter review: Overlong, overtext and over here) and the other too singy. It was a bit harsh on Zero Dark Thirty but all in all justice largely prevailed.

Oscars 2013

OscarsIf the world were a just or tasteful place, this is who’d be getting a little golden man this year:

BEST PICTURE

Silver Linings Playbook

BEST DIRECTOR

David O. Russell (Silver Linings Playbook)

BEST ACTOR

Bradley Cooper (Silver Linings Playbook)

BEST ACTRESS

Jennifer Lawrence (Silver Linings Playbook)

Argo Alan Arkin

BEST SUPPORTING ACTOR

Alan Arkin (Argo) or Robert De Niro (Silver Linings Playbook)

BEST SUPPORTING ACTRESS

Helen Hunt (The Sessions) or Jacki Weaver (Silver Linings Playbook)

Best Original Screenplay
Quentin Tarantino, Django Unchained

Best Adapted Screenplay
Chris Terrio, Argo or
David O. Russell, Silver Linings Playbook

Best Documentary Feature
Searching For Sugar Man

Cinematography
Claudio Miranda, Life of Pi or Roger Deakins, Skyfall

Best Original Score
Thomas Newman, Skyfall

More on Silver Linings Playbook here

More on Bond music here

Best of 2012

[a work in progress]
Silver Linings Playbook

Film:
Silver Linings Playbook
Runner-up: Untouchable

Speedy – accompanied by Evelyn Glennie & Talvin Singh (Not So Silent Movies)
West Side Story with live orchestra (Albert Hall)
Searching for Sugarman
On The Road
Woody Allen: A Documentary

(2011 winner: Midnight in Paris)
(2010 [reluctant] winner: Toy Story 3)
(2009 winner: Inglourious Basterds)

Actor:
Bradley Cooper (Silver Linings Playbook)
Runner-up: Anthony Hopkins (Hitchcock), Jared Gilman (Moonrise Kingdom)

(2011 winner: Owen Wilson (Midnight in Paris))
(2010 winner: Jesse Eisenberg (The Social Network))
(2009 winner: Christoph Waltz (Inglourious Basterds))

Actress:
Jennifer Lawrence (Silver Linings Playbook)
Runner-up: Helen Hunt (The Sessions)

(2011 winner: Carey Mulligan (Shame))
(2010 winner: Julianne Moore (The Kids Are Alright) )
(2009 winner: Carey Mulligan (An Education) )

Supporting Actor:
Robert De Niro (Silver Linings Playbook)
Leonardo DiCaprio (Django Unchained)
Christopher Walken (Seven Psychopaths)
Alan Arkin (Argo)
Xavier Bardem (Skyfall)
William Macy (The Sessions)

(2011 winner: Corey Stoll (Midnight in Paris))
(2010 winner: Mark Ruffalo (The Kids Are Alright) )
(2009 winner: Brad Pitt (Inglourious Basterds) )

Supporting Actress:
Jacki Weaver (Silver Linings Playbook)
Helen Mirren (Hitchcock)
Kristen Stewart (On The Road)

(2011 winner: Shailene Woodley (The Descendants))
(2010 winner: Rebecca Hall (The Town) )
(2009 winner: Kristin Scott Thomas (Nowhere Boy) )

Director:
David O. Russell  (Silver Linings Playbook)
Runners-up: Walter Salles (On The Road), Kathryn Bigelow (Zero Dark Thirty)

(2011 winner: Woody Allen (Midnight in Paris))
(2010 winner: Ben Affleck (The Town) )
(2009 winner: Quentin Tarantino (Inglourious Basterds) )

Script:
David O. Russell  (Silver Linings Playbook)
Runners-up: Chris Terrio (Argo), Martin McDonagh (Seven Psychopaths), Quentin Tarantino (Django Unchained)

(2011 winner: Woody Allen (Midnight in Paris))
(2010 winner: The Social Network)
(2009 winner: The Hangover)

Cinemtography:
Roger Deakins (Skyfall)
Runner-up: Eric Gautier (On The Road)

Dean and Marylou getting it on

Dean and Marylou getting it on

TV:
Olympic Opening Ceremony (BBC1)
Runner-up: The Audience (Channel 4)

Homeland, seasons 1 + 2 (Channel 4)
Grand Designs  (Channel 4)

Gig:

Van Morrison – Ronnie Scott’s
Dexy’s – Empire, Shepherds Bush
Bat for Lashes – The Forum

Gregory Porter – Bloomsbury Theatre
Patti Smith – Troxy, Limehouse

(2011 winner: Sinead O’Connor – St Johns at Hackney church)
(2010 winner: Gil Scott Heron – Somerset House)
(2009 winner: Hothouse Flowers – Community hall, Baltimore, West Cork)

LP:
One Day I’m Going to Soar – Dexys
How About I Be Me (And You Be You)? – Sinead O’Connor

This is PIL – Public Image Ltd.
Holly Cook – In Dub

(2011 winner: Johnny Boy Would Love This – various)
(2010 winner: Praise & Blame – Tom Jones)
(2009 winner: Sea Sew – Lisa Hannigan)

Single:
Harder Than You Think – Public Enemy
She Got a Wiggle – Dexys
One Drop – Public Image Ltd.
Reason With Me – Sinead O’Connor

(2011 winner: Movin’ Down the Line- Raphael Saadiq)
(2010 winner: What good am I? – Tom Jones)
(2009 winner: Glass – Bat for Lashes)

Book:
The Typewriter is Holy – Bill Morgan

(2011 winner: The Sisters Brothers – Patrick de Witt)
(2010 winner: Freedom – Jonathan Franzen)
(2009 winner: The Great Lover – Jill Dawson)

Art:
The Mystery of Appearance (Haunch of Venison)

Musee d’Orsay (post 2012 revamp)
(Preraphaelites: Victorian Avant-Garde (Tate Britain))

(2011 winner: Angelheaded Hipsters – Allen Ginsberg (National Theatre))
(2010 winner: Paul Nash – The Elements – Dulwich Picture Gallery)
(2009 winner: Dream – Jaume Plensa)

Can We Talk About This?

Can We Talk About This?

Play:
Can We Talk About This? – DV8 (Lyttleton, NT)

Travelling Light – Nicholas Wright (NT)
She Stoops to Conquer – Oliver Goldsmith (NT)
Singing in the Rain (The Palace)
Jesus Christ Superstar (Millennium Dome)

(2011 winner: Frankenstein (NT))
(2010 winner: Jerusalem)
(2009 winner: August: Osage County)

Sports event:
London 2012 Olympic Games

Website:
Comedians In Cars Getting Coffee

(2011 winner: Instagram)
(2009 winner: Posterous)

Saddest loss:
Neil Armstrong
Dave Brubeck

One Day i'm going to soar cover
Best of 2011
Best of 2010
Best of 2009

4 reasons to see Silver Linings Playbook

silver linings playbook

I’m just back from a screening in the plush, cosy screening room under the Covent Garden Hotel in Monmouth Street (which has the best Christmas lights in London). I’ve been chatting with the very charming, unpretentious, part-Irish Bradley Cooper who I mainly knew beforehand from great silly films like The Hangover and Wedding Crashers. Silver Linings Playbook is a very different kind of comedy, subtler, more authentic and more romantic. I laid my newly hatched theory on him that Jennifer Lawrence in this movie is very like Meg Tilly in The Big Chill, that vibrant young sexuality allied with a strong individuality, they even share that slightly oriental look – and she does a load of stretching and dancing stuff in that movie, Bradley kindly added to the theory. I think he was convinced – or just very polite. Especially for someone who’s just arrived this evening from LA (where he half lives, the rest of the time residing in his native Philadelphia). We talked a bit about acting with De Niro (he said how generous De Niro was on set to support his performance) and how strong De Niro’s performance is in this film, standing out from almost all of his recent roles. And then a bit about NFL, the older Enfant Terrible being the proud owner of an Eagles shirt from before his defection to the Patriots – which got us into teens and how this film has much of use to say about resilience and taking control in adversity. It’s a pretty much flawless script from David O. Russell, complemented by perfect, judicious improvisation. I asked him about the latter and he highlighted scenes where they went most to town, though within well defined parameters, De Niro’s method, like the parlay betting scene and the comparing meds scene. So the 4 reasons are…

1 The powerful chemistry between Bradley Cooper and Jennifer Lawrence, not least in the dancing scenes

2 The exquisite direction by David O. Russell, which has the confidence of a man with a real vision (and a script he’s spent five years honing)

3 A fantastically diverse soundtrack which makes great use of Led Zep (What Is and What Should Never Be), the recently departed Dave Brubeck (Unsquare Dance and Maria) and the classic duet of Bob Dylan & Johnny Cash from Nashville Skyline (Girl from the North Country)

4 The uplifting treatment of a difficult mental health issue, highlighting the ubiquity of craziness and how positive and energising it can be.

Jennifer Lawrence

Jennifer Lawrence

Meg Tilly

Meg Tilly

Jennifer in 2010s dancing gear

Jennifer in 2010s dancing gear

Meg in 1980s dancing gear

Meg in 1980s dancing gear

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