Archive for the ‘selma’ Tag

Movie awards season round-off

So it’s getting to that time in the year when various movie awards stuff needs tidying up. The BAFTA Film Awards take place tomorrow night, the Silver Surfer to the Oscars’ Galactus.

Let’s start with this race issue: my take on it is that it should have rung an alarm last year when our own academy (BAFTA) failed to recognise the excellent Selma and in particular our very own Brit David Oyelowo as Martin Luther King, not to mention the director Ava DuVernay. I was on their case within minutes of the nominations announcement on Radio 5, both on my own SurrealThing Twitter account and in conversation with other friends&associates:

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The total absence of Selma stuck out like a dark deed in …something very pure and white. A bag of cotton wool. A bowl of vanilla ice-cream. A cloud. The North Pole. Dulux Pure Brilliant White. “Their” (case) – I mean “our” – for the first time I felt embarrassment with regard to BAFTA. Actually the second time …but that’s another post. Today the Chief Executive of BAFTA was reported saying: “It would be inappropriate for me to say that we’ve done a better job than the Oscars. I admire their stance. They’ve said that they’re going to make changes. They know it isn’t good enough. I don’t want to gloat and say we’ve done better, because it could have gone the other way.” Memories can be short. Selma got 0 nominations at last year’s BAFTAs whilst it was a Best Motion Picture of the Year nominee at the Oscars a month later. The reason offered was: ““The film wasn’t delivered until the end of November and there were only three screenings before the voting started.” Well I remember not only going to one of the screenings but also getting a DVD Screener through the door in good time for Christmas, the intense viewing period for BAFTA voter members, and for the first round of voting.

I wrote about Selma here in Simple Pleasures a couple of weeks before the embarrassing nominations announcement.

Now, thanks to the complacency and inertia of the academies, we’re in the worst of all worlds – we don’t know whether sympathy votes are being cast or corrective behaviour taking place, so when, say, Idris Elba picked up the Best Actor award at last week’s Evening Standard Film Awards  or at the Screen Actors Guild awards the week before we have no idea what that means. Exaggerated by the fact that his nomination at both the BAFTAs and SAG were in the Supporting Actor category.

Moving on, in retrospect I’m glad I was also pretty swift off the mark this year with The Big Short. An absolute masterpiece of writing, acting, directing and editing. Head and shoulders the stand-out film of the season. I went to an awards screening at the Ham Yard Hotel in Soho which both actor Steve Carell and director Adam McKay attended.

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Steve Carell

In the Q&A that followed, I asked Adam McKay about the editing style and whether it had been envisioned from the off – it’s very striking and energising, as well as funny. I had a chat with Steve Carell in the bar after the event – a very warm and humble man. We talked a bit about the progression from The Wolf of Wall Street to The Big Short and about the source book for the movie. I also had a brief conversation with Adam McKay, likewise about the relationship to Scorsese’s terrific financial crash satire. Carell’s performance is outstanding – too subtle for the awards season but wonderful, with shades of Joe Pesci (Goodfellas).

This intimate gathering was a stark contrast to the BAFTA screening of The Force Awakens.

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Harrison Ford, Daisy Ridley, John Boyega, JJ Abrams

Not even the presence of a doddery Harrison Ford, fresh-faced Daisy Ridley, enthusiastic John Boyega and the wunderkind JJ Abrams could elevate Star Wars: The Force Awakens from being a just about entertaining enough 2 hours in the cinema to being much more than a pale shadow of its 1977 daddy (which I saw on release at the Dominion Tottenham Court Road and was as wowed by Dolby sound technology as anything else). The power of nostalgia is such that Pete Bradshaw (the other half of the Twitter convo above) gave it a 5* review in The Guardian! Daisy Ridley’s mum used to work at Channel 4 when my Other Half did and was shanghaied into one of the films I directed at the time. In the absence of Daisy with her C4 connections from any of the nominations lists, I really hope the film wins nothing other than technical prizes. Just to the right of JJ Abrams in the above photo – victims of the square format – is the British head of visual effects (whose name shamefully escapes me – another feather in the cap of the London Visual FX industry in the proud heritage of Framestore’s wonderful Gravity) and a hero of mine, Lawrence Kasdan, writer of the classic The Big Chill. This movie was not his finest hour.

But on a similar scale (the screening) and with another brilliant scriptwriter, a night at the Odeon Leicester Square watching The Hateful Eight in 70mm was a highlight of the season.

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Quentin Tarantino, Tim Roth, Kurt Russell & Walton Goggins reduced to a digital mosaic by my dodgy phone

Quentin Tarantino, Tim Roth, Kurt Russell and Walton Goggins attended, QT his usual ebullient self, delighting in the 70mm projection in a premium auditorium, as well as the presence of Ennio Morricone in the audience. Him and the Maestro were sitting just along the row from me and shared a spectacular snowy screen experience, fabulously written, uniquely directed – wall to wall pleasure. With the added bonus of confronting race issues head on and including a decent complement of non-white faces!

Another visceral white (environment) big screen Experience with a capital E was the BAFTA screening of The Revenant. Now Birdman is high up my list of Most Hated Movies, right up there with Shirley Valentine – in this case for being cold (not in the sub-zero sense) and over-calculating.

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Leonardo DiCaprio & Tom Hardy reduced to a vague blur by that dodgy phone

 

It was evident from the Q&A that Tom Hardy also found Alejandro G. Iñárritu irritating. This over-hyped director seemed to have spent more time fussing over camera set-ups and cheating angles than worrying whether his actors had a balding notion what was actually going on in the scene, who they were talking to (since they were placed at unnatural angles) or what was in shot. Despite the logistical and physical triumph of shooting where it was shot, the ambitious movie in my eyes was let down by misjudgment of pace and story especially towards the end. Nonetheless it was a visceral cinematic experience and for that deserves recognition (of the non-awards type, apart from…) I hope it brings DiCaprio his elusive Oscar – though it’s not my favourite of his performances, it’s still as brilliant as ever.

My favourite Leonardo DiCaprio performances:

  1. Arnie – What’s Eating Gilbert Grape (1993 – aged 19)
  2. Jordan – The Wolf of Wall Street (2013)
  3. Romeo – Romeo & Juliet (1996)
  4. Candie – Django Unchained (2012)
  5. Toby – This Boy’s Life (1993)
  6. Jack – Titanic (1997)

Dontcha just love the movies…

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Best of 2014

20,000 Days on Earth

20,000 Days on Earth

Film:

20,000 Days on Earth

Selma
Boyhood
The Theory of Everything

Male Lead:
Eddie Redmayne – The Theory of Everything

David Oyelowo – Selma

Nicholas Cage – Joe
Tom Hardy – Locke
Benedict Cumberbtach – The Imitation Game
Ralph Fiennes – Grand Hotel Budapest

Female Lead:
Felicity Jones – The Theory of Everything

Rosamund Pike – Gone Girl

Male Support:
Tim Roth – Selma
Steve Carell – Foxcatcher
Ethan Hawke – Boyhood
Tom Wilkinson – Selma

Female Support:
Patricia Arquette – Boyhood
Sienna Miller – American Sniper

Director:
Richard Linklater – Boyhood

Iain Forsyth & Jane Pollard – 20,000 Days on Earth

Christopher Nolan – Interstellar
Pawel Pawlikoski – Ida
Paul King – Paddington
Yann Demange- ’71

Writer:
Paul Webb – Selma
Paul King – Paddington
Wes Anderson – Grand Hotel Budapest
Anthony McCarten – The Theory of Everything

Production Design:
Grand Hotel Budapest

Visual FX:
Interstellar
Dawn of the Planet of the Apes

Michael Franti & dancer

Michael Franti & dancer

Single:
(John Newman – Love Me Again)

Album:
Morning Phase – Beck
Tribute – John Newman

With The Artists – Rhythm & Sound
Liquid Spirit – Gregory Porter
(WomanChild -Cecile McLorin Salvant)

Gig:
Van Morrison on launch night of Nell’s Jazz & Blues Club

Michael Franti & Spearhead – Islington Assembly Hall (with D)

John Newman – Empire Shepherd’s Bush
ABC – Lexicon of Love – Theatre Royal Drury Lane
Peter Gabriel – So – Wembley Arena

Play:
A Taste of Honey – Shelagh Delaney – National Theatre, Lyttleton

Fiesta – adapted & directed by Alex Helfrecht – Trafalgar Studios
Oh What a Lovely War – Joan Littlewood & the Theatre Workshop – Theatre Royal Stratford East (Joan Littlewood centenary – with D)
Fings Ain’t Wot They Used to Be – Frank Norman – Theatre Royal Stratford East

Art Exhibition:
Egon Schiele drawings: The Radical Nude – Courtauld

John Craxton – Fitzwilliam, Cambridge
Richard Hamilton – Tate Modern
Abram Games: designing the 20th Century – Jewish Museum, Camden Town
MALBA – Buenos Aires
Museum der bildenden Kunste – Leipzig (with N)

Book: (that I read this year)
Rabbit at Rest – John Updike

Sport:
Germany crushing Brazil at the World Cup (7-1 semi-final)

Jonny May’s try for England against the All Blacks at Twickenham

Event:
Philae probe from European spacecraft Rosetta landing on a comet

Dearly departed:

Joe Cocker
Jack Bruce
Tommy Ramone

Egon Schiele - The Radical Nude

Egon Schiele – The Radical Nude

Best of 2013

Best of 2012

Best of 2011

Best of 2010

Best of 2009

4 reasons to go see Selma – and they’re all English

Screenwriter Colin Welland famously proclaimed “The British are coming!” when he picked up the original screenplay Oscar for Chariots of Fire in 1981. Then the drought followed. Then Film4 (the movie-making bit of Channel 4) helped correct that with prestigious Oscars for The Last King of Scotland [Best Actor], Slumdog Millionaire [Best Picture, Best Director, Best Adapted Screenplay, and 5 others] and last year 12 Years a Slave [Best Picture, Best Adapted Screenplay, Best Supporting Actress, and 6 nominations] and for the first time a black hand clutching that Best Picture statuette. Which brings us neatly to Selma, the powerful new movie about Martin Luther King and the break-through protests he led at Selma, Alabama which ultimately secured the vote for African-Americans. So an American icon (the only modern American with a public holiday named after them – this coming month you can join in on the 19th [January]) and a very American subject yet the 4 lead roles are filled by Brits.

I went to a BAFTA viewing last week attended by the film’s main lead, David Oyelowo. I didn’t know anything about him, not having been a Spooks fan – that’s a UK drama on BBC about spies (= spooks) for any American cousins reading this, I’m pointing that out because spooks means something else that side of the water (= derogatory term for African-Americans). They changed the title to MI-5 in the US for just that reason. So I almost fell off my perch when he started talking in a South London accent. Much like when I first heard Eton-educated Dominic West speaking after watching The Wire – BTW McNulty’s partner The Bunk (Detective Moreland) shows up as a token American actor in Selma, Wendell Pierce plays the Reverend Hosea Williams who leads the first Selma to Montgomery march in MLK’s place.

Actor David Oyelowo speaking about his role as Martin Luther King in the movie Selma

David Oyelowo on playing MLK at Vue West End, Leicester Square – 17th December 2014

1. David Oyelowo plays the big man himself, Dr Martin Luther King Jnr

Actor David Oyelowo as Dr Martin Luther King Jnr in Selma

David was born in Oxford and trained at LAMDA in London. His portrayal of MLK certainly makes him a Best Actor contender in the forthcoming awards season – I thought Eddie Redmayne as Stephen Hawking was way out ahead of the pack before I saw Selma. He’s done the whole African-American story at this point with roles in Lincoln, The Butler and The Help. He also appeared in the aforementioned The Last King of Scotland as well as a small part in fellow Brit Christopher Nolan’s Interstellar.

He puts the success of British actors down to their training which he characterises as focusing on building the character from the inside out, diametrically opposite The Method. His accent in the movie is flawless, King having a very particular mix of accents with an equally distinctive preacher’s inflection.

He felt fated to play this role (it took eight years to get the movie made and he was cast early on). Shooting on location in Selma and Montgomery, on the Edmund Pettus Bridge which was the frontline of the protest (the bridge being named after an Alabama senator and general who also led the Alabama Ku Klux Klan – surprisingly (to a Brit at least) it retains its name to this day), shooting on location in the places where the civil rights history played out made for some very powerful experiences for the actor. One Twilight Zoney story he told was how when they came to shoot the final speech in front of the Capitol building in Montgomery the Production Designer was unhappy with the rostrum and podium. He went over to the nearby church, where MLK had preached, and asked to borrow a lectern. The pastor went down into the basement to look for anything suitable and found one covered in dust. When the Production Designer got it cleaned up and onto the set he checked back against contemporary photos and found it was the actual one used in 1965.

2. Carmen Ejogo plays Coretta Scott King, MLK’s wife

Actress Carmen Ejogo as Coretta Scott king in the movie selma

Carmen was born in Kensington (London, England) of a Nigerian father and Scottish mother. She’d already played Coretta in the HBO TV movie Boycott thirteen years earlier. She met her current husband, actor Jeffrey Wright (Felix Leiter in the Daniel Craig era Bond films), on the set of that movie but was previously married briefly to British trip-hop artist Tricky. She met Coretta King when making Boycott. She captures the dignity of CSK well and has a good scene with Malcolm X as well as a key one confronting her husband about his infidelity.

3. Tom Wilkinson plays LBJ (President Lyndon Johnson)

tom wilkinson as lyndon johnson in selma

Tom lives up the road from me in Muswell Hill. He’s great as Mr President, a touch crude and ultimately concerned with his legacy. He was born in Leeds and trained at RADA. He is in a strong tradition of Brits playing US Presidents including Anthony Hopkins as Nixon and Daniel Day Lewis as Lincoln.

4. Tim Roth plays Governor George Wallace

actor tim roth as governor george wallace in the movie selma

Tim is from Dulwich, South London and studied at Camberwell Art School. He is in a strong tradition of Brits playing evil baddies. Wallace qualifies as indicated by the assassination attempt which left him in a wheelchair from 1972. Roth set out to play him as a despicable monster and pulled it off pretty well, you really want to hiss every time he appears. Roth came from a left-wing/Communist household and the Selma-Montgomery Marches were well known to him from it.

It’s a really striking movie and very well acted by the Brit Pack. What makes it particularly resonant though is that recent times have made it abundantly clear that the race issues that dog America (not least because it’s a nation founded on a genocide) are still here #ICantBreathe

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