Archive for the ‘scotland’ Tag

Best of British – Top British films of the last 25 years

Mike Leigh's Naked

Mike Leigh's Naked (ooh matron!)

My response to today’s Observer Film Magazine list of ‘The Best British Films 1984-2009′

My 15 favourite home-grown films of the last quarter century (in no particular order) are:

  • In Bruges [not in The Observer list, made by FilmFour, a cracking script by Martin McDonagh]
  • 24 Hour Party People [I'm not a huge fan of Steve Coogan but he's brilliant in this #24 of 25]
  • Venus [Peter O'Toole and Leslie Phillips make a great double act, not in The Observer list]
  • The Remains of the Day [deeply moving performances by Anthony Hopkins and Emma Thompson, not in The Observer list]
  • A Room with a View [perfectly executed film of its type, not in The Observer list]
  • Naked [the fruit of David Thewlis' creativity #14]
  • The Hours [Nicole Kidman shines among a host of brilliant actresses, not in The Observer list]
  • The Constant Gardener [another powerful Ralph Fiennes performance, not in The Observer list]
  • Last Resort [Pawel Pawlikowski bursts onto the British scene, not in The Observer list]
  • Hunger [a bold, fresh artist's film from (the other) Steve McQueen but not an arty one #16]
  • Chaplin [captures something of the greatest film-maker of all time, not in The Observer list]
  • Secrets & Lies [a culmination of Mike Leigh's approach #3]
  • In the Name of the Father [powerful acting spearheaded by Daniel Day-Lewis, not in The Observer list]
  • A Month in the Country [a gentle, bucolic one - not in The Observer list]
  • Defence of the Realm [a top-class thriller shot by Roger Deakins, not in The Observer list]
  • The Commitments [energised by the powerful lungs of Andrew Strong, not in The Observer list]

Bubbling under: Borat, Howard’s End, High Hopes, Shadowlands, Johnny English, East is East, The Bounty, Son of Rambow, Billy Elliot

venusI enjoyed flicking through the pages of today’s Observer Film Magazine, The Nation’s Choice, focused on contemporary British cinema as I supped my Cullen Skink outside a pub on the Shore of Leith, winding down from the manic activity of the Edinburgh Television Festival, said soup surely worthy of sitting alongside Tarmac and Lino as a GSI (Great Scottish Invention). [It would have been fun to check out the online discussion the mag urges us to visit but after ten minutes searching for it on The Guardian/Observer site I gave up.]

Leafing through I realised this has been a fairly significant part of my life over the years, despite being more focused on telly – from the photo of my old flat-mate Emer McCourt alongside #21, Ken Loach’s Riff-Raff, to Loach’s producer Rebecca O’Brien who sat at the table I hosted at the TV BAFTAs a couple of years ago; from Mike Leigh who I met at Dick Pope‘s around the time my first son was born (the same son who three years later slammed a heavy glass door onto the renowned director in a Crouch End shop) to Dick himself, one of my first bosses at Solus, who shot #3 Secrets and Lies (and much of Leigh’s oeuvre besides); from Ben Gibson, Director of the London Film School, with whom I was involved trying to set up a South African film/tv scholarship to Ewen Bremner, featured in both #1 Trainspotting and #14 the marvellous Naked, who I met when he was making a training film early in his career (written by John Mole and, unbeknownst to the casual viewer, based on Beowolf).

Beyond this punctuation of connections though is the steady presence of Channel 4, FilmFour, More 4, Britdoc (the Channel 4 British Documentary Film Foundation) – in particular, my esteemed colleague Tessa Ross whose fingerprints are on so many of the films (from Billy Elliot to #9 Slumdog Millionaire), dubbed recently the Mother of British Film-making. Choose Life is engraved on the glass doors of Channel 4′s Glasgow office in recognition of the Channel’s role in bringing the landmark movie that is Trainspotting to life. #11 Touching the Void was commissioned out of Peter Dale’s More4. #16 Hunger was patiently nurtured by my much missed colleague Jan Younghusband in Channel 4 Arts (her ex-husband Peter Chelsom made Hear My Song, which starred my friend Adrian Dunbar and whose script crossed my desk at Solus (and still sits in my bookcase) on its way to Roger Deakins, another of my bosses at Solus – the kind of thing which links the Channel 4 nexus and my pre-C4 web of experiences). The next generation is represented by Mat Whitecross, whose film Moving to Mars is being broadcast on More4 in November and was part-financed by Britdoc, run with flair by former C4 fellow Commissioning Editor Jess Search. I haven’t worked it out exactly but I’d say well over 30% of the Top 25 has FilmFour/Channel 4  input. Stephen Frears’ big break with #5 My Beautiful Launderette. From #17 Shane Meadow’s This is England to #10 Four Weddings and a Funeral, the full gamut. What an incredible record and a significant contribution to the last quarter century of British cinema.

Can’t kid a kidmapper

cover by NC Wyeth (1913)

cover by NC Wyeth (1913)

Follow the Kidmapper: a literary blogumentary from Tim Wright

From 30th June to 25th August, Tim (who wrote MindGym with Ben Miller and me) is following a route across Scotland from the south-western tip of Mull to the outskirts of Edinburgh, as charted in Chapters 14–27 of Robert Louis Stevenson’s ‘Kidnapped’.

You can follow his travels & travails at Kidmapper.

Tim considers ‘Kidnapped’ a fantastically exciting book – “the story of David Balfour running for his life across the Highlands, sometimes accompanied by tough and rebellious Alan, sometimes pursued by the English army, seemed so visceral and exciting to me that I wanted to try it for myself. So that is exactly what I am doing.”

From the blog you can read and discuss the book itself, listen to extracts being read out in the places the book describes and keep in touch with where Tim has got to each day.

“Perhaps there’s something you’d like me to do or think about whilst I’m walking. Perhaps you’d like me to visit specific sites and film them for you. Or better still, perhaps you’d like to come out here and join me for a walk, add your own responses to being on the Kidnapped Trail and have an adventure of your very own.”

If you want to start from the beginning, the first episode is on Tim’s YouTube channel and you can find him as ‘kidmapper’ on most popular web services.

So this is the latest chapter in Tim’s on-going exploration of web narrative, which incudes the outstanding In Search of Oldton whose launch I had the honour to host at Channel 4 way back when.

I’m feeling inspired now to handcuff myself to a blonde and run across the heather-strewn glens of ‘The 39 Steps’.

We seem to have a bit of a Hitch here, darling

We seem to have a bit of a Hitch here, darling

And on the subject of following…

You should follow me on Twitter here

Pamela (Madeleine Carroll) should follow Richard Hannay (Robert Donat) there

The English army should follow David Balfour there

Why all the following?

Paranoia Twitter-style – part 4

Following 1 - gulp!

Following 1 - gulp!

Following on from the Russian idiot, the blank generation and the blonde babe with big tits, in the words of Robert the Rose Horse I am beginning to get that old funny feeling – “Following 1″ and the 1 is I and I. Luckily this time I know the stalker and she lives safely tucked away on the Isle of Eigg off the West coast of Scotland.

Update 9.iii.09:

What's the connection?

What's the connection?

So what is it that me, Stephen Fry and the New York Times have in common in the eyes of this lurker?

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