Archive for the ‘scotland’ Tag
If you ever wanted to know the value of Scottish-English union it’s perfectly captured in John Martyn – born in England, educated in Glasgow, genius fruit of the union of an English mother and Scottish father – and if you voted today in the Scottish Independence referendum I hope his words guided your hand:
Can’t you see it in my eyes? I’m saying
Don’t you go
So many reasons you should stay here, baby
Don’t you go, don’t you go
So here I am sitting in a land colonised by Scots (at the Beech Hill in Derry) following the outcome of today’s vote. I’m genuinely and deeply concerned about how things turn out. As I watch this non-television let me set out 4 of those ‘reasons you should stay here’, 4 reasons why it would be a shame (in its true sense) for this family of nations to be torn apart…
1. The history of the world is one of the ebb and flow of the scale of our nations, seeking the optimum size to organise ourselves at. Roman Empire too big. San Marino too small. Scotland is too small too. It is not a substantial enough market to thrive. You only have to look south from here to the Republic of Ireland and, for example, to my industry, television/media to see that 4-5M people does not enable you to compete effectively or have a stable base from which to work outwards. 63M constitutes a really good market from which to radiate.
2. Diversity strengthens, tribalism diminishes. Genetics makes this very clear.
3. If Scotland leaves the UK, by definition it becomes a competitor and although a neighbour, effectively only on the same basis as Ireland, Norway or France. Any business with a UK remit will no longer have any duty or strong rationale to buy from Scottish suppliers.
4. There’s so much conflict and shit in the world, we need to find family and friendship, unity and co-operation wherever we can.
Here’s hoping unity and being greater than the sum of our parts wins the day.
Update 06:08 19th September 2014
The voting results have reached their conclusion. We remain together, for which I’m grateful. My hopes are these:
That the incredible energy released by this exemplary exercise in peaceful democracy with its turnout of a standard-setting 86% is channelled into [Alex Salmond is just making making his speech of defeat as I write – he just used the words “at this stage” with reference to Scotland’s decision, typifying once again his weasel nature, given his promise to respect the result] is channelled into making the future of Scotland an even greater success.
That Scotland with all that energy becomes a powerhouse alongside my own native London in driving this union forward.
That the massive issues facing our united kingdom of inequality and poor representation, the need for social justice and sustainable living get tackled by all our populations. As a lifelong non-Tory, non-Labour voter I’ve never had a vote that truly counted.
That we do not take one another for granted as nations and revel in our strength together.
My response to today’s Observer Film Magazine list of ‘The Best British Films 1984-2009’
My 15 favourite home-grown films of the last quarter century (in no particular order) are:
- In Bruges [not in The Observer list, made by FilmFour, a cracking script by Martin McDonagh]
- 24 Hour Party People [I’m not a huge fan of Steve Coogan but he’s brilliant in this #24 of 25]
- Venus [Peter O’Toole and Leslie Phillips make a great double act, not in The Observer list]
- The Remains of the Day [deeply moving performances by Anthony Hopkins and Emma Thompson, not in The Observer list]
- A Room with a View [perfectly executed film of its type, not in The Observer list]
- Naked [the fruit of David Thewlis’ creativity #14]
- The Hours [Nicole Kidman shines among a host of brilliant actresses, not in The Observer list]
- The Constant Gardener [another powerful Ralph Fiennes performance, not in The Observer list]
- Last Resort [Pawel Pawlikowski bursts onto the British scene, not in The Observer list]
- Hunger [a bold, fresh artist’s film from (the other) Steve McQueen but not an arty one #16]
- Chaplin [captures something of the greatest film-maker of all time, not in The Observer list]
- Secrets & Lies [a culmination of Mike Leigh’s approach #3]
- In the Name of the Father [powerful acting spearheaded by Daniel Day-Lewis, not in The Observer list]
- A Month in the Country [a gentle, bucolic one – not in The Observer list]
- Defence of the Realm [a top-class thriller shot by Roger Deakins, not in The Observer list]
- The Commitments [energised by the powerful lungs of Andrew Strong, not in The Observer list]
Bubbling under: Borat, Howard’s End, High Hopes, Shadowlands, Johnny English, East is East, The Bounty, Son of Rambow, Billy Elliot
I enjoyed flicking through the pages of today’s Observer Film Magazine, The Nation’s Choice, focused on contemporary British cinema as I supped my Cullen Skink outside a pub on the Shore of Leith, winding down from the manic activity of the Edinburgh Television Festival, said soup surely worthy of sitting alongside Tarmac and Lino as a GSI (Great Scottish Invention). [It would have been fun to check out the online discussion the mag urges us to visit but after ten minutes searching for it on The Guardian/Observer site I gave up.]
Leafing through I realised this has been a fairly significant part of my life over the years, despite being more focused on telly – from the photo of my old flat-mate Emer McCourt alongside #21, Ken Loach’s Riff-Raff, to Loach’s producer Rebecca O’Brien who sat at the table I hosted at the TV BAFTAs a couple of years ago; from Mike Leigh who I met at Dick Pope‘s around the time my first son was born (the same son who three years later slammed a heavy glass door onto the renowned director in a Crouch End shop) to Dick himself, one of my first bosses at Solus, who shot #3 Secrets and Lies (and much of Leigh’s oeuvre besides); from Ben Gibson, Director of the London Film School, with whom I was involved trying to set up a South African film/tv scholarship to Ewen Bremner, featured in both #1 Trainspotting and #14 the marvellous Naked, who I met when he was making a training film early in his career (written by John Mole and, unbeknownst to the casual viewer, based on Beowolf).
Beyond this punctuation of connections though is the steady presence of Channel 4, FilmFour, More 4, Britdoc (the Channel 4 British Documentary Film Foundation) – in particular, my esteemed colleague Tessa Ross whose fingerprints are on so many of the films (from Billy Elliot to #9 Slumdog Millionaire), dubbed recently the Mother of British Film-making. Choose Life is engraved on the glass doors of Channel 4’s Glasgow office in recognition of the Channel’s role in bringing the landmark movie that is Trainspotting to life. #11 Touching the Void was commissioned out of Peter Dale’s More4. #16 Hunger was patiently nurtured by my much missed colleague Jan Younghusband in Channel 4 Arts (her ex-husband Peter Chelsom made Hear My Song, which starred my friend Adrian Dunbar and whose script crossed my desk at Solus (and still sits in my bookcase) on its way to Roger Deakins, another of my bosses at Solus – the kind of thing which links the Channel 4 nexus and my pre-C4 web of experiences). The next generation is represented by Mat Whitecross, whose film Moving to Mars is being broadcast on More4 in November and was part-financed by Britdoc, run with flair by former C4 fellow Commissioning Editor Jess Search. I haven’t worked it out exactly but I’d say well over 30% of the Top 25 has FilmFour/Channel 4 input. Stephen Frears’ big break with #5 My Beautiful Launderette. From #17 Shane Meadow’s This is England to #10 Four Weddings and a Funeral, the full gamut. What an incredible record and a significant contribution to the last quarter century of British cinema.
Follow the Kidmapper: a literary blogumentary from Tim Wright
From 30th June to 25th August, Tim (who wrote MindGym with Ben Miller and me) is following a route across Scotland from the south-western tip of Mull to the outskirts of Edinburgh, as charted in Chapters 14–27 of Robert Louis Stevenson’s ‘Kidnapped’.
You can follow his travels & travails at Kidmapper.
Tim considers ‘Kidnapped’ a fantastically exciting book – “the story of David Balfour running for his life across the Highlands, sometimes accompanied by tough and rebellious Alan, sometimes pursued by the English army, seemed so visceral and exciting to me that I wanted to try it for myself. So that is exactly what I am doing.”
From the blog you can read and discuss the book itself, listen to extracts being read out in the places the book describes and keep in touch with where Tim has got to each day.
“Perhaps there’s something you’d like me to do or think about whilst I’m walking. Perhaps you’d like me to visit specific sites and film them for you. Or better still, perhaps you’d like to come out here and join me for a walk, add your own responses to being on the Kidnapped Trail and have an adventure of your very own.”
If you want to start from the beginning, the first episode is on Tim’s YouTube channel and you can find him as ‘kidmapper’ on most popular web services.
So this is the latest chapter in Tim’s on-going exploration of web narrative, which incudes the outstanding In Search of Oldton whose launch I had the honour to host at Channel 4 way back when.
I’m feeling inspired now to handcuff myself to a blonde and run across the heather-strewn glens of ‘The 39 Steps’.
And on the subject of following…
You should follow me on Twitter here
Pamela (Madeleine Carroll) should follow Richard Hannay (Robert Donat) there
The English army should follow David Balfour there
Following on from the Russian idiot, the blank generation and the blonde babe with big tits, in the words of Robert the Rose Horse I am beginning to get that old funny feeling – “Following 1” and the 1 is I and I. Luckily this time I know the stalker and she lives safely tucked away on the Isle of Eigg off the West coast of Scotland.
So what is it that me, Stephen Fry and the New York Times have in common in the eyes of this lurker?