Archive for the ‘neville brody’ Tag

Other Halves (Day 48 and 49)

Mozartkugel Mozartkugeln Austrian sweets

Austria’s greatest contribution to civilisation – Mozartkugeln from Kipferl, Islington

Off to the Angel at the start of Day 48 to catch up with Nicole Yershon of Ogilvy Labs and interview her about creative networking. We caught up at The Breakfast Club (which  I was originally introduced to in D’Arblay Street by Garret Keogh of Telegraph Hill) and did the interview at Kipferl for the quiet (and to pick up a bag of Mozartkugeln). While there we bumped into Neville Brody, whose studio is round the corner. Hooked him and Nicole up so she could arrange for him to visit the 3D Printing show she was working at over in the Business Design Centre opposite, the event a direct, concrete result of her own networking and talent nurturing activities with all kinds of benefits to her organisation (from commissioned creative executions to specialist organisational expertise).

Concluded the week by interviewing Hettie Jones, poet and publisher of the Beat generation, over the phone in New York. We had a good chat and she said she enjoyed the interview as it was different from most and didn’t fixate on parties and sex. She told me a great story of an early meeting with Allen Ginsberg (whose poems appeared in her magazine Yugen) where she helped him, for his major poem Kaddish, get under the skin of the titular prayer by singing it to him – he was from a non-practicing Jewish family and she had childhood ambitions to be a cantor (not technically possible til 1987). We had a good few things in common – from a mixed marriage (she married black writer/dramatist LeRoi Jones [Amiri Baraka], an early American interracial marriage) to a mother of exemplary charitableness – so there was a real connection.

Unusually worked on Day 49 (a Saturday – I’m on a 9 to 5, Mon to Fri regime) as I was in Brighton (with Enfant Terrible No. 2, no Mrs, and three Albanian teenagers, the pals of aforementioned Enfant Terrible) so not far away from Paul Arden’s West Sussex cottage, now home to his widow Toni. As I drove West and slightly North across the county the roads gradually narrowed until I was on a track through beautiful old woodland near the height of its autumn colour. Interviewed Toni, who is originally from Copenhagen (she gave me some tips of what to see of an arty nature for my trip next week), seated beside Paul’s art/photography book collection in elegant grey cabinets and across from his photograph collection, including the Richard Avedon African woman mentioned in It’s Not How Good You Are, It’s How Good You Want to Be . After the interview Toni kindly showed me some highlights from the collection including a large format monochrome contact sheet of Michael Josephs’ shoot for the cover of The Rolling Stones’ Beggars Banquet LP; work by Norman Parkinson, David Bailey and Robert Mapplethorpe; and an amazing black & white shot of a dying horse by Colin Barker where the beast is actually not touching the ground as it crumples after being put down with a bullet. She then gave me a tour of the beautiful 17C cottage behind the gallery/barn where we had been speaking. By the front door was a drawing by Paul’s father, a commercial artist/early advertising creative, drawn in his late 90s. Below the pink and pale green former charcoal burner’s dwelling was a pond Paul had created at the foot of a slope, so an impractical location used to fine aesthetic effect.

On my return to Brighton I was delighted to have a note in direct response to this very blog from a reader based in Dublin who had first-hand experience of one of my other protagonists and who kindly offered to give me an interview. That kind of loop of connection is what the Web – and When Sparks Fly – is all about.

In the depths of West Sussex

In the depths of West Sussex

4 differences between a podcast and a radio programme

At the one day Future:Content conference put on this week by London design outfit It’s Nice That the medium of Audio was covered by Francesca Panetta of The Guardian (podcasts) and (in her spare time) Hackney Podcast. Listening to a recent podcast of hers capturing Hackney at night I was reflecting – being a huge lover of radio (I listen to over 20 hours a week) – on what’s the difference between a podcast and a radio programme…

  1. A podcast does not have to fill airtime or a specific slot length – that means the subject-matter can define the shape of the content
  2. It does not have to appear with the exact regularity of, say, a weekly slot – so you could make more of an event of its appearance
  3. You have deliberately chosen to listen to a podcast, it’s not background or encountered by chance
  4. One that Francesca placed great emphasis on, a podcast is usually right in your ears (i.e. often they are consumed on earphones) – so sound design is that much more important and impactful.

I’ve made some radio in my time, some arts and music stuff for BBC World Service and Radio 2 with a variety of inspiring people from John Peel (on vinyl/records) to Jonathan Miller (on mirrors in the arts), loved the experience of that very special medium, and really want to carve out some time to do a bit of podcasting this coming year. I also want to pick up again on my Songlines project from next month.

I was covering Future:TV on the day. I focused on the re-socialising of TV through social media. It was an honour to be sandwiched between designer Neville Brody and Deyan Sudjic, Director of The Design Museum. I’ve had Deyan’s book Cult Objects on my bookshelf since 1987 and taking it out again on the eve of the conference it looked very much like a product of the 80s with its watches and pens, Filofaxes and objects of sleek matt blackness. My beloved Olympus XA2 pocket camera features on page 63, a happy matt black blast from the past, haven’t seen it around the house in a dog’s age. (Nor for that matter have I seen my copies of issues 1 to 10 of The Face, but they’re bound to be in the attic.)

Neville Brody arrived fresh from the student cuts demo in and around Westminster. He showed photos he’d just taken, including a placard saying “I still hate Thatcher” (also very 80s) which brought a smile to the lips. He reflected on how the current student generation has forgotten how to get angry and protest, how the day’s events felt like some kind of reawakening, and he brought with him an old school energy and rage at the assault on the Future:Contentmakers, the designers and artists of tomorrow. There’s something not right, was my first thought of the day as I walked down to the tube heading for the gathering at Shoreditch Studios for a day of interesting reflections on where Content is going, not right at all about addressing a problem of excessive debt by starting people out in life with excessive debt. The student fees question has brought out the worst in the LibDems (speaking as one who helped vote them in, in as much as they were voted in). It came out yesterday that, as Chief of Staff, Danny Alexander wrote about putting “clear yellow water” between the LibDems and the other parties on the issue of student fees – did he forget that clear yellow water is otherwise known as a streak of piss?

 

Future:Content summarised on It’s Nice That design blog

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