Archive for the ‘judd nelson’ Tag
Emilio Estevez / Andrew Clark
He followed up with the Brat Pack vehicle St Elmo’s Fire. Then some Hollywood fodder like Young Guns and Stake-out in the late 80s. And fades. Two momentary re-emergences: in 2006 when he wrote and directed the RFK movie Bobby and then again when he directed his dad in the low key The Way in 2010. The Breakfast Club was his finest moment. In latter years he hooked up with Macedonian model Sonja Magdevski and they grew pinot noir grapes together in their very own Malibu vineyard.
Anthony Michael Hall / Brian Johnson
Follows up with another (inferior) John Hughes – Weird Science. Then it’s death by TV, with just occasional small movie re-appearances such as The Dark Knight and Foxcatcher. He never married.
Judd Nelson / John Bender
The same Brat Pack move – St Elmo’s Fire. Transformers in 1986. Then a descent into TV movie hell and Stuff You’ve Never Heard Of. It was his finest moment too, untranscendable.
Molly Ringwald / Claire Standish
A worthy John Hughes follow-up in Pretty in Pink. Then mostly TV mush. In 2013 she published a young-adult novel, When It Happens to You, and released a jazz record, Except Sometimes, on which the final track is a cover of Don’t You (Forget About Me), the Simple Minds’ theme tune for TBC. She’s had 3 children.
Ally Sheedy / Allison Reynolds
Ditto regarding St Elmo’s Fire. Then John Badham’s Short Circuit. Then movies you’ve never heard of and some telly. High Art in 1998 was by all accounts a notable exception. In the 1990s she was treated for sleeping pill addiction. She moved home to New York and teaches high school kids acting stuff.
It was all their finest moment and the stuff of our hopes and dreams.
Here’s a nice little piece from the new issue of the cracking 4Talent magazine. It’s come along way over the 9 issues to date, evolving out of Ten4 magazine based in the West Midlands to become the nationwide contender it is now. This issue’s gorgeous cover in Burne-Jones colours is designed by London-based Slovakian designer Petra Stefankova, one of the winners of last year’s 4Talent Awards (for which I had the honour of presenting the New Media award).
“I have an upcoming project, codename Sam I Am. I’m busting to tell you about it but I can’t yet [Update SP4 readers: it soft launched today, hence the link]; it’s necessarily under wraps. It’s a very entertaining concept and interactive experience which still manages to convey a substantial meaning – in this case about the diversity of Islamic culture, and the narrowness of most of our experience and understanding of it.
The commission I’m most proud of: The Big Art Mob. It applies new technology and media behaviours to a worthwhile public task: mapping the best of Public Art (from bronze geezers on horses to Banksys) across the UK. Interested people from all around the country and beyond (we’re big in Brazil) are photographing artworks on their mobiles and uploading them to the map, having a good online natter about arty stuff along the way. You can interact wherever you are – I’m particularly proud of the WAP (mobile) site at bigartmob.com/mobile. It’s been nominated for 3 Baftas alongside the likes of the iPlayer and Dr Who, so it’s punching above its weight in true C4 stylee.
In the way that Big Art Mob finds a worthwhile purpose for moblogging (mobile blogging) I want to find missions and purposes for other emerging interactive tools and technologies like, say, Twitter – in itself geek masturbation and possibly the end of civilisation as we know it, with a creatively conceived context perhaps something exceedingly good.
I’ve spent the last 5 years at Channel 4 exploring what public service means in a digital world – from Big Dig to Big Art Project, and one or two projects that don’t even have ‘Big’ in the title like Picture This and Empire’s Children. But Big is important: ambition, scale and impact are all vital.
Cross-platform and interactive media is what’s pumping the nads* of the telly industry right now, and it’s vital to its future. All the creative and entrepreneurial energy is welling up in these areas and Channel 4 is ready for action.”
* [John Bender is absently tearing up books]
Andrew Clark: That’s real intelligent.
John Bender: You’re right. It’s wrong to destroy literature. It’s such fun to read. And…
[examines title] …Moe-Lay really pumps my nads.
Claire Standish: Moliere!