Archive for the ‘john hughes’ Tag

Coincidences No.s 876, 877, 878 & 879

No. 876 Ruth

Charlie Sheen and Jennifer Grey in Ferris Bueller's Day Off (1986)

Jennifer Grey & Charlie Sheen in ‘Ferris Bueller’s Day Off’ (1986)

I go to see ‘Ferris Bueller’s Day Off’ this evening, for the first time on the big screen since the late 80s. In the scene between Jennifer Grey and Charlie Sheen in the police station there is a glimpse of a wanted poster on the wall. The wanted person is Ruth Wilson.

I recently completed a documentary entitled ‘Vanished’. It is about a school girl who went missing in the mid-90s. She was called Ruth Wilson. She is still missing/wanted (by her friends).

No. 877 Ghana

I am listening to my old acquaintance Philippe Sands’ podcast ‘Intrigue: The Ratline‘ about a Nazi who escaped justice by fleeing to Rome and perhaps Latin-America after that (I haven’t finished the story yet). In the episode I’m on at present there is an ex-leader of the Hitler Youth. He became an advisor to the government of Ghana after the war as he evaded justice too.

I am working on a documentary about an Afro-American man who flees to Ghana, repatriating himself after becoming increasingly ill-at-ease in his native USA.

No. 878 Welling

Bobby Wellins saxophonist

Wellins

Enfant Terrible No. 2 starts a job in a school in a place I have never heard of in Kent, not far out of London. It is called Welling. I know Wellingborough in Northamptonshire where my first bank account was located. I know Bobby Wellins the saxophonist who gave us the haunting ‘Starless and Bible Black’, one of the greatest of jazz tunes. But Welling means nothing to me.

On the tube on the way home the next day there is a story in the Evening Standard about a wheelchair-bound man who is in court after running down two old ladies at a bus stop. The outrage took place in Welling.

No. 879 Seven Dials

seven dials covent garden

Where seven streets meet

I write an email to a colleague I am due to meet the next day at Red Bull Media. I ask him where their new offices are. He replies by email: Seven Dials, Covent Garden.

I open the email from Red Bull. I am standing on the street – at Seven Dials.

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What ever happened to The Breakfast Club?

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Emilio Estevez / Andrew Clark

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Then

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Now – he looks like his dad (Martin Sheen)

He followed up with the Brat Pack vehicle St Elmo’s Fire. Then some Hollywood fodder like Young Guns and Stake-out in the late 80s. And fades. Two momentary re-emergences: in 2006 when he wrote and directed the RFK movie Bobby and then again when he directed his dad in the low key The Way in 2010. The Breakfast Club was his finest moment. In latter years he hooked up with Macedonian model Sonja Magdevski and they grew pinot noir grapes together in their very own Malibu vineyard.

Anthony Michael Hall / Brian Johnson

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Then

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Now

Follows up with another (inferior) John Hughes – Weird Science. Then it’s death by TV, with just occasional small movie re-appearances such as The Dark Knight and Foxcatcher. He never married.

Judd Nelson / John Bender

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Then

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Now – Where the fuck have the dreams gone?

The same Brat Pack move – St Elmo’s Fire. Transformers in 1986. Then a descent into TV movie hell and Stuff You’ve Never Heard Of. It was his finest moment too, untranscendable.

Molly Ringwald / Claire Standish

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Then

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Now

A worthy John Hughes follow-up in Pretty in Pink. Then mostly TV mush. In 2013 she published a young-adult novel, When It Happens to You, and released a jazz record, Except Sometimes, on which the final track is a cover of Don’t You (Forget About Me), the Simple Minds’ theme tune for TBC. She’s had 3 children.

Ally Sheedy / Allison Reynolds

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Then

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Now

Ditto regarding St Elmo’s Fire. Then John Badham’s Short Circuit. Then movies you’ve never heard of and some telly. High Art in 1998 was by all accounts a notable exception. In the 1990s she was treated for sleeping pill addiction. She moved home to New York and teaches high school kids acting stuff.

It was all their finest moment and the stuff of our hopes and dreams.

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“My issue isn’t about physical aging; my issue is about wanting to remain vigorous and youthful in my spirit.” Rob Lowe (who played Billy Hicks in the ubiquitous ‘St Elmo’s Fire’)

 

 

My Favourite Movies

It’s that end of the year time when lists beckon. I’ll be doing my annual list of the best of the year in the next 36 hours or so but before I embark on that I was out with my youngest nephew the night before last and he showed me his Top 10 Films list on his Christmas-new iPod Touch (he’s got very refined taste for an 11 year old and I liked most of his choice which included great American indies like The Way Way Back) so I took the opportunity to jot down my Top 10 on my phone. Not an easy task once you get thinking (so I’m including my bubbling under list with a view to expanding it to my Top 20).

1 Modern Times

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Charlie Chaplin and Paulette Goddard

2 Apocalypse Now

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Martin Sheen as Capt. Willard

3 Blazing Saddles

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Mel Brooks: “Dey even darker den us!”

4 City Lights

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Charlie Chaplin and Virginia Cherrill

5 The Godfather

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Al Pacino as the unspoiled Michael Corleone

The Big Chill

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Watching J. T. Lancer

Ferris Bueller’s Day Off

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Twisting & Shouting

8 My Life as a Dog

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Mitt Liv som Hund

9 The Big Short

movies-the-big-short-cast

Of these 4 great performances Steve Carell’s is the biggie

10 The Wolf of Wall Street

THE WOLF OF WALL STREET

Jonah Hill and Leonardo DiCaprio horsing around in wolf’s clothing

BUBBLING UNDER…
  • The 39 Steps
  • The Unbelievable Truth
  • Blow Up
  • La Haine
  • Diner
  • The Breakfast Club
  • I Know Where I’m Going
  • Black Narcissus
  • The Godfather 2
  • Pulp Fiction
  • Inglourious Basterds
  • Serpico
  • Chinatown
  • 20,000 Days on Earth
  • Romeo & Juliet
  • Mississippi Burning
  • Casablanca
  • West Side Story
  • Silver Linings Playbook

 

What’s pumping the nads of the telly industry?

Here’s a nice little piece from the new issue of the cracking 4Talent magazine. It’s come along way over the 9 issues to date, evolving out of Ten4 magazine based in the West Midlands to become the nationwide contender it is now. This issue’s gorgeous cover in Burne-Jones colours is designed by London-based Slovakian designer Petra Stefankova, one of the winners of last year’s 4Talent Awards (for which I had the honour of presenting the New Media award).

cover of 4Talent magazine

Adam Gee: New Media Factual

“I have an upcoming project, codename Sam I Am. I’m busting to tell you about it but I can’t yet [Update SP4 readers: it soft launched today, hence the link]; it’s necessarily under wraps. It’s a very entertaining concept and interactive experience which still manages to convey a substantial meaning – in this case about the diversity of Islamic culture, and the narrowness of most of our experience and understanding of it.

The commission I’m most proud of: The Big Art Mob. It applies new technology and media behaviours to a worthwhile public task: mapping the best of Public Art (from bronze geezers on horses to Banksys) across the UK. Interested people from all around the country and beyond (we’re big in Brazil) are photographing artworks on their mobiles and uploading them to the map, having a good online natter about arty stuff along the way. You can interact wherever you are – I’m particularly proud of the WAP (mobile) site at bigartmob.com/mobile. It’s been nominated for 3 Baftas alongside the likes of the iPlayer and Dr Who, so it’s punching above its weight in true C4 stylee.

In the way that Big Art Mob finds a worthwhile purpose for moblogging (mobile blogging) I want to find missions and purposes for other emerging interactive tools and technologies like, say, Twitter – in itself geek masturbation and possibly the end of civilisation as we know it, with a creatively conceived context perhaps something exceedingly good.

I’ve spent the last 5 years at Channel 4 exploring what public service means in a digital world – from Big Dig to Big Art Project, and one or two projects that don’t even have ‘Big’ in the title like Picture This and Empire’s Children. But Big is important: ambition, scale and impact are all vital.

Cross-platform and interactive media is what’s pumping the nads* of the telly industry right now, and it’s vital to its future. All the creative and entrepreneurial energy is welling up in these areas and Channel 4 is ready for action.”

* [John Bender is absently tearing up books]
Andrew Clark: That’s real intelligent.
John Bender: You’re right. It’s wrong to destroy literature. It’s such fun to read. And…
[examines title] …Moe-Lay really pumps my nads.
Claire Standish: Moliere!

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