Archive for the ‘internet’ Tag

4 things Kubrick predicted in ‘2001: A Space Odyssey’

2001 a space odyssey kubrick movie

I have been reading a slim volume on documentary-making this week and in it it had a resonant quotation from John Grierson’s wife, Margaret. The book, by the magnificently surnamed Patricia Aufderheide, got me thinking a lot about the film/video camera as a machine.

Intermission: Coincidence No. 669

3 minutes ago I had a text from director Mike Christie (director of the brilliant Jump London) asking whether I was still in Bath as he is going to be there this evening with Brett Anderson of Suede for a book event. I explained I was not in Bath, it’s just that Instagram seems to think my house is located at “Roman Bath” so I now use it as a codename for Home.

2 minutes ago I was double-checking Margaret Grierson’s name and Wikipedia pointed out that, although she was born near Stirling (where I am going later this month for Focus on Scotland to talk about the future of Documentary)  she died in Bath.

…actually, my bad, it was that other “father of documentary” Robert Flaherty’s wife Frances who said it:

“Our problem is how to live with our machines. … we have made for ourselves an environment that is difficult for the spirit to come to terms with.”

She was reflecting on Nanook of the North, Flaherty’s first film, and how the Inuit people, like the Polynesians, had a better balance with their environment and technology.

2001: A Space Odyssey (1968) famously opens with a sequence of ‘the Dawn of Man’ taking us up to the point where our furry ancestors discovered tools and then morphed them into weapons. Always a fine line between tool/weapon. Even when technology was a bone it was problematic for our kind. The bone is thrown into the air after the first simian Cain & Abel type murder and cuts to a space station turning in the black void.

2001_space station kubrick movie

A third father of documentary was Dziga Vertov. Coincidentally his name (pseudonym) means “spinning top”, like Kubrick’s space wheel waltzing through the darkness. Vertov’s masterpiece was Man with a Movie Camera (1929) which fetishises the movie camera as a machine eye, telling the objective truth. I first came across the film when I was studying Avant Garde literature, painting and film at university. On the other side of the room where I am writing I am charging up my not-often-used iPad ready for a story structure course I am attending at Ealing Studios (which date from 1902) this weekend – 21st Century Screenwriter with Linda Aronson. On the back of my first&only iPad is a quote from Vertov:

I a machine am showing you a world the likes of which only I can see.

The full quotation (in a different translation) is:

I am an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself for today and forever from human immobility. I’m in constant movement. I approach and pull away from objects. I creep under them. I move alongside a running horse’s mouth. I fall and rise with the falling and rising bodies. This is I, the machine, manoeuvring in the chaotic movements, recording one movement after another in the most complex combinations.

Freed from the boundaries of time and space, I co-ordinate any and all points of the universe, wherever I want them to be. My way leads towards the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you.

How unbelievably resonant that is of 2001!  the machine – show you a world – freed from human immobility – in constant movement [that whirling space station] – manoeuvring – freed from the boundaries of time and space – all points of the universe – the creation of a fresh perception of the world – the world unknown to you.

Vertov founded one of the first Documentary groups, Kino-Glas – Cine-Eye. This famous still comes from Man with a Movie Camera:

Man with a Movie Camera eye 1929 movie dziga vertov

And this is computer HAL 9000’s eye in 2001:

hal 9000 eye 2001 space odyssey movie kubrick

HAL becomes increasingly threatening but when he dies our empathy turns on a sixpence and we feel sorry for him in seconds…

I’m afraid.
My mind is going.
I can feel it.
I can feel it.
My mind is going.
There is no question about it.
I can feel it.
I can feel it.
I can feel it.
I’m a …fraid.

So the mechanical eye, the movie camera, is it a tool or a weapon? Does it empathise or is it cold as steel?

This is one of the greatest scenes in Cinema:

 

Now those 4 things I promised. I went to watch 2001 two nights ago at the Prince Charles off Leicester Square in 70mm with Enfant Terrible No. 1 (the cinema shows it every so often so well worth taking the opportunity). The projection suddenly stopped just as the glass falls off the table and smashes, near the end. They got it back up&running for the enigmatic ending.

1. The iPad

So this 1968 movie shows two iPads on the table when Dr Dave and Dr Frank are being interviewed for TV from Earth. iPads came out in 2010, nine years after when the movie is set.

ipad 2001 space odyssey movie tablet pc

ipad 2001 space odyssey movie tablet pc

2. Skype

Dr Heywood Floyd makes a video call to his daughter for her birthday.

videophone 2001 space odyssey movie

videophone 2001 space odyssey movie

3. TV Screen in the back of aircraft seat

When Dr Floyd is travelling up to the space station at the beginning of the space section he falls asleep in front of a movie in the shuttle:

2001 space odyssey video screen aircarft shuttle

And here’s what’s great about the internet.

Question: Which movie is shown during Heywood Floyd’s travel in the Pan Am starship? (posed by a certain Brian Hellekin [it would be a Brian] on movies.stackexchange.com )

Answer: (by Rob Manual who, weirdly I know from my Channel 4 days):

The footage was made specially for 2001. According to Creating Special Effects for “2001: A Space Odyssey” by Douglas Trumbull

The movie being shown on the TV set in front of the sleeping passenger was a little more complicated. Kubrick wanted shots of a futuristic car, and close-ups of a love scene taking place inside. A crew was dispatched to Detroit to shoot a sleek car of the future which was provided by, I believe, the Ford Motor Company. The exteriors were shot in 35mm, but the interiors were shot without seats or passengers, as four-by-five Ektachrome transparencies. Using these as background plates for a normal rear-projection set-up, on actor and actress were seated in dummy seats and Kubrick directed the love scene. Shot on 35mm, this was cut together with the previous exterior shots, and projected onto the TV screen using a first-surface mirror.

There’s a colour photo of the actors and the car at http://www.iamag.co/features/2001-a-space-odyssey-100-behind-the-scenes-photos/

future car 2001 space odyssey

End of answer. Gotta love the Web.

4. AI

AI in the form of HAL 9000 is the big one. Back in ’68 Kubrick and co-writer Arthur C. Clarke captured many of the key issues that are obsessing us today about Artificial Intelligence and Machine Learning – “how to live with our machines”, how ‘the spirit comes to terms with such machines’.

dave hal 9000 2001 space odyssey

Dave killing HAL

It was not until Alfonso Cuarón’s Gravity in 2013 (which of course owes massively to 2001) that anyone got near Kubrick’s movie creatively and visually. What struck me most about watching 2001 again after so many years (I was about Enfant Terrible No.1’s age when I last saw it) is how resolutely cinematic it is. It wouldn’t play well on a TV screen. In the back of an aircraft seat. On a phone. Pure cinema of the highest order.

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Quote of the Day: Going Gaga

Today the Internet Association (UK), as led by my former Channel 4 colleague Daniel Dyball who spoke for them on BBC Radio news this morning, is presenting to the UK Parliament their suggestions for regulation of social media from the big tech firms including Facebook and Twitter.

On Sunday night Lady Gaga performed an intense version of what proved to be the Oscar-winning original song, Shallow from A Star is Born, with Bradley Cooper.

 

Lady Gaga said of online rumours of a love affair between herself and her co-star based on the performance:

social media, quite frankly, is the toilet of the Internet

Nice, concise turn of phrase.

In full: “…social media, quite frankly, is the toilet of the Internet. I mean, what it has done to pop culture is abysmal.”

 

Principles of Adult Behavior

John Perry Barlow, Internet rights pioneer & visionary, went virtual on Wednesday this week, aged 70 after a long illness. Barlow was co-founder of the Electronic Frontier Foundation (EFF).

John Perry Barlow, Internet rights pioneer & visionary

Bob Weir, one of the founding members of The Grateful Dead, said of him: “John had a way of taking life’s most difficult things and framing them as challenges, therefore adventures.” John wrote some lyrics for the Dead. He also wrote ‘A Declaration of the Independence of Cyberspace‘ in 1996 (on February 8th as it happens, so its anniversary lies between his passing and the publishing of this post). It opens:

Governments of the Industrial World, you weary giants of flesh and steel, I come from Cyberspace, the new home of Mind. On behalf of the future, I ask you of the past to leave us alone. You are not welcome among us. You have no sovereignty where we gather.

so something of the Ginsberg/Howl thing about it. It concludes:

We will create a civilization of the Mind in Cyberspace. May it be more humane and fair than the world your governments have made before.

John drafted a set of ‘Principles of Adult Behavior’.

1. Be patient. No matter what.
2. Don’t badmouth: Assign responsibility, not blame. Say nothing of another you wouldn’t say to him.
3. Never assume the motives of others are, to them, less noble than yours are to you.
4. Expand your sense of the possible.
5. Don’t trouble yourself with matters you truly cannot change.
6. Expect no more of anyone than you can deliver yourself.
7. Tolerate ambiguity.
8. Laugh at yourself frequently.
9. Concern yourself with what is right rather than who is right.
10. Never forget that, no matter how certain, you might be wrong.
11. Give up blood sports.
12. Remember that your life belongs to others as well. Don’t risk it frivolously.
13. Never lie to anyone for any reason. (Lies of omission are sometimes exempt.)
14. Learn the needs of those around you and respect them.
15. Avoid the pursuit of happiness. Seek to define your mission and pursue that.
16. Reduce your use of the first personal pronoun.
17. Praise at least as often as you disparage.
18. Admit your errors freely and soon.
19. Become less suspicious of joy.
20. Understand humility.
21. Remember that love forgives everything.
22. Foster dignity.
23. Live memorably.
24. Love yourself.
25. Endure.

Pretty wise and a number really resonated for me.

5. Don’t trouble yourself with matters you truly cannot change. – particularly useful in the age of Trump & Brexit

7. Tolerate ambiguity. – I’ve become increasingly conscious in recent times of the polarised tendencies of the ways humans think, drawn constantly to black and white rather than grey

16. Reduce your use of the first personal pronoun. – I’ve become particularly conscious of this in the realm of politics – listen out for those “I”s and you’ll be struck by how common it is and how much it makes you doubt the speaker

17. Praise at least as often as you disparage. – a little praise goes a long way from my experience

19. Become less suspicious of joy. – I’ve become fascinated by the word Joy in recent years. My daily motto is: I will enJoy my day. Many things that would benefit from a bit of Joy often are devoid of it for no good reason.

All 25 give food for thought. On the subject of which, a parting shot from JPB:

…in the years to come, most human exchange will be virtual rather than physical, consisting not of stuff but the stuff of which dreams are made. Our future business will be conducted in a world made more of verbs than nouns.

John Perry Barlow at the Bar Cross Ranch

JPB at the Bar Cross Ranch

 

 

Gee male on Gmail

Remix of a frame shot by my first boss, Roger Deakins (from Mike Radford's 1984)

Remix of a frame shot by my first boss, Roger Deakins (from Mike Radford’s 1984)

So as you know, as a Gmail user, Google scan the contents of all your emails, regardless of the confidentiality or sensitivity of the content, in order to target advertising at you – and, it turns out, possibly forward stuff to the US National Security Agency. Google’s lawyers refer to it euphemistically as “automated processing” (DoubleSpeak at its finest). Eric Schmidt, Google’s executive chairman, memorably used the C Word in summarising the corporate policy behind this: “Google policy is to get right up to the creepy line and not cross it.”

In May a class action centred on data-mining was filed against Google claiming that the company “unlawfully opens up, reads, and acquires the content of people’s private email messages”. Google’s response last month was that Gmail users have no “reasonable expectation” that their emails are confidential.

The Google lawyers use this telling analogy in their defence: “Just as a sender of a letter to a business colleague cannot be surprised that the recipient’s assistant opens the letter, people who use web-based email today cannot be surprised if their communications are processed by the recipient’s ECS [electronic communications service] provider in the course of delivery.” The skewed nature of their world view is given away by the notion that the modern world of work is full of people with personal assistants. And of course the analogy is equally wide of the mark because Google is more like the Post Office where we have no expectation of the deliverer to open the envelope and “acquire” our content or that of our correspondents (and where what interventions there are are the work of the odd rogue low-life at Mount Pleasant rather than a planned mechanised system on an uber-industrial scale).

Beyond the question of whether Gmail users do actually understand what they are signing up for in terms of surrendering their basic privacy, a huge issue here is that anyone corresponding with a Gmail user is likewise having their data pillaged and raped. Which should raise a big question mark over the use of Gmail in business contexts. Some way beyond the creepy line I’d argue and I wouldn’t be surprised if it turns out to be the wrong side of the legal line too.

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