Archive for the ‘hammersmith palais’ Tag
This week marked the sad demise of the Astoria in London’s Tottenham Court Road to make way for an expanded TCR station for the forthcoming Crossrail. It started life as one of four Astoria cinemas in London and became in latter years a music and dance venue. Like many others I have fond memories of it. Stand-out ones include seeing Joe Strummer and the Mescaleros there about a year before Joe died. I was surprised by how much of The Clash’s sound was centred on Joe’s voice, how reminiscent it was of the old days at the Electric Ballroom in Camden Town – the main difference being that, twenty odd years down the line, after sustained pogoing I was starting to feel sick and my legs were getting numb. Seeing Atlanta’s Arrested Development there was also a kick – following chat and doobers round the corner in Mateo’s crapped up old Brixton Jag, the gig seemed simultaneously 3 minutes and 3 days long.
Coming in to town the other day I bumped into Feargal Sharkey of Derry’s finest The Undertones on the tube platform (I knew he lived in the hood but I’d never seen him around). I introduced myself and we chatted on the train about music digital and live, including the new emphasis on live gigs as an opportunity to make some serious dough. I guess it’s the grime and edge of the Astoria that will be most missed with the advent of super-corporate venues like the O2 (a venue named after a phone network, that says a lot in itself – where’s the magic and colour of names like The Music Machine, The Palais, The Electric Ballroom, The Marquee?). I think the O2 is very well done and there’s a place for it and such venues but the dirt and a bit of background fear added spice to my teenage live music experiences, and I’d hate to see that vanish. As a fairly sheltered 14 year old suburban Londoner meeting the Hardest Man in the World on the way to that Clash gig at the Electric Ballroom was all part of the rich mix of the experience. He was standing at the exit of Camden Town tube in army fatigue trousers, filling those huge khaki pockets with coins extorted from less hard passers-by (i.e. everybody). He had the standard skinhead cut but was so hard that on his feet were not the de rigueur DMs but plimsoles – that’s how hard he was, he could pull off soft footwear and still terrify all-comers. Music needs a bit of that sort of edge and dirt for its minerals – if the diet is all too processed and clean the taste gets bland and it does nothing to strengthen your body or soul.
Bon voyage to jazz great Oscar Peterson…
I only saw him once live, opening the show the first time I saw Buddy Rich, so he was instrumental in my intro to live jazz.
Apparently he came to jazz through listening to Benny Goodman – same for me, it was hearing ‘Sing Sing Sing’ and the drumming of Gene Krupa that got me hooked.
I remember seeing Martin Amis at a book reading in 1997 and him describing how he had written the whole of his eponymous novel listening to ‘Night Train’.
So all abooaaard to the Big Jam in the sky – where he can hook up again with his Montreal high school pal, trumpeter Maynard Ferguson, a regular at Ronnie’s in his latter years with fantastic young bands (including the superb Stockton Helbing on drums who I had the honour of meeting there on a boys’ night out with my step-dad and younger brother), Maynard Ferguson who took an earlier train last year.
Now on the subject of jazz things passing, I’ve just watched a charming documentary on BBC4 about the sad demise of the Hammersmith Palais. I was only in it once but according to ‘Last Man in Hammersmith Palais‘ (specifically, a music promoter called John Curd) it was one of the best nights ever. It was 1980. I went to see The Clash. It was the first outing for my middle class black bondage trousers. It was with Nick Golson (who I’ve recently reconnected with thanks to David Baddiel, Nick’s an archaeologist now apparently) and Simon Hollins (who I’ve no idea where or what he is though I did bump into his younger brother Johnny a few years back at some publisher’s do). We pogoed. We heard ‘White Man in Hammersmith Palais’ – probably the best Clash song – right there in the Palais. At the end of the gig Paul Simonon chucked his towel into the crowd and I went home with a piece of it, presumably infused with the sweat and tears of the great man. It lived under my bed as a relic of The Greatest Era in Music History for a good while but probably got lost in a move. Or maybe it still lurks above my head right now in a box in the attic. The Clash only ever played two nights at the Palais.
Ian Dury mentions the Palais in the first verse of his wonderful ‘Reasons to be Cheerful part 3’, sandwiched between the Bolshoi Ballet and boats. This blog ultimately has its roots in that song as Simple Pleasures part 1 was a list of reasons to be cheerful.
Summer, Buddy Holly, the working folly,
Good golly Miss Molly and boats.
Hammersmith Palais, the Bolshoi Ballet,
Jump back in the alley and nanny goats.
The Palais de Danse started as a dance and music venue in 1919 taking over from a roller skating rink. The first stuff played there was some new fangled import from the States called ‘Jass’. The last gig there was The Fall on 1st April 2007 – a day when the fools triumphed. It’s an office block now. But deep below in that West London soil lurks dance, romance, energy, punk, roots reggae, spirit, love, youth, cultural mix, sex, laughter, London pride, simple pleasures and jazz.