Archive for the ‘geno washington’ Tag

Coincidences No.s 285-290

No. 285 Geno (16/4/19)

I am sitting outside Bar Italia in Soho talking to actress/producer Sophie Shad and her business partner Dalton Deverell. We are talking about their drama-documentary film Oh Geno! which is now available on Real Stories and which I wrote about in this post in November.

At the exact moment the topic comes up a Twitter notification arrives on my phone:

Liked by Geno Washington

twitter notification geno washington oh geno

 

No. 286 Riding House (17/4/19)

I am emailing Lauren Laverne about a project we discussed a couple of years ago and I remind her of the meeting at the Riding House Cafe on Riding House Street, close to BBC Broadcasting House.

I am at my book group and the friend next to me is talking about his recently deceased dad’s history – he was in the GB Basketball team at the 1948 Olympics and he had a furniture business based in Riding House Street.

1948 olympics GB basketball team lionel price

1948 GB Olympic basketball team

 

No. 287 Airplane (18/4/19)

I am reading Rory Sutherland’s book (see No. 284 above) and he uses an example of where you don’t want creativity or irrationality:

I don’t want a conceptual artist in charge of air traffic control, for instance.

A couple of minutes later I get a LinkedIn notification on my phone flagging up a post by consultant and author Mark Brown with whom I made a few films on creative thinking including The Blue Movie. His post uses much the same illustration of where you don’t want creative empowerment (an example featured in The Green Movie from 1994):

When you or I are about to land at Heathrow, Charles de Gaulle or John F Kennedy, which of these values do we like the pilot to fly by? ‘Get it right first time’ please. And certainly please don’t experiment with a bit of ‘Continuous Improvement’ or ‘Innovation’ thank you.

the green movie cover design video

The Green Movie (1994)

 

No. 288 Corpus (11/4/19)

I get on a tube at East Finchley and the woman sitting next to me is reading a paperback entitled Corpus by Rory Clements. I reckon it’s a relatively obscure book, a Robert Harris read-a-like, from a couple of years ago.

I pull out of my bag a second-hand hardback of Corpus which I am currently reading for some easy diversion. We strike up a conversation about the book, Rory Clements and Robert Harris.

Corpus by Rory Clements book cover

 

No. 289 Amy (11/4/19)

I go to the last day of a photography exhibition in a church in Hampstead of rock/music photos by Danny Clifford (one time official photographer of Bob Dylan) – Rock Stars Don’t Smile. I chat to Danny for a bit and end up buying this photo:

amy-winehouse-by-danny-clifford

Amy Winehouse backstage at the 4th BBC Radio Jazz awards held at the Hammersmith Palais, London in 2004. Photo: Danny Clifford / FilmMagic.com

I really liked it because of the naturalness of the look, just the hint of tattoo, no mention of Blake in sight (unlike Danny’s big hair Amy on stage shots) and the colour of the dress matches her grave (which is a few yards from my dad’s so it’s a train of thought back to my old man). I’m a bit worried about breaking the news of the purchase to my Mrs as we don’t have much wall space left.

As I pluck up the courage to mention the photo purchase in our kitchen the next day Back to Black comes on the radio.

I’ve had radio coincidences like this before. Two days ago I met up with my old friend Ash Baron-Cohen at Bar Italia (straight after the Sophie & Dalton meeting in No. 285 above). I got my first cat, Woof, thanks to Ash who was about to chuck it in a river in a sack with rocks in. I offered to take her off his hands. To get her home a mutual friend offered me a lift in his car. As we got in and switched on the engine Love Cats by The Cure came on the radio.

 

No. 290 Dinner (12/4/19)

I go round to dinner to my cousin in Hampstead Garden Suburb. My Mrs has told me about the invitation earlier that week and said there was us and another family invited who my cousin and his wife didn’t know well. My other half has a ticket for a dance performance and my sons are out and about so there is only me going. I do a talk at the National Film Theatre for the BFI & Radio Times TV Festival then make a bee-line for the dinner.

tv in the digital age careers talk bfi and radio times television festival 2019

As it turns out I arrive on time, the first guest there, then a few minutes later I hear others arrive. As I wander towards the hallway a face appears framed in the doorway – “Hallo Adam!” It is the wife of an old interactive TV colleague from way back when. And then his face enters the frame. The other not well known family turns out to be someone I’ve been working with for the best part of two decades (and still do via the AHRC and Royal Holloway) and his wife who I’ve also known a long time and two of their children.

 

 

 

Oh Geno (Gee Knows)

screening of oh geno at curzon bloomsbury 23 october 2018

Curzon Bloomsbury 23 October 2018 – Dalton Deverell (Prod) Sophie Shad (Wr/actress) Onyinye Egenti (Dir) GENO Washington ??? (Ram Jam Band bass player)

On arrival at the Curzon Bloomsbury on Tuesday evening to see a drama-doc short ‘Oh Geno!’ I was greeted with a lovely surprise – the director Sophie Shad welcomed me and explained that the film had come about because of me. I had no idea. But was delighted. Here’s how it happened…

I was introduced to Sophie through a fellow trustee at the Phoenix Cinema, East Finchley, the oldest purpose-built cinema in the country (which is about to join the Curzon group – there’s a Company Members’ meeting going on as I write but I’m 8,000 feet above Finland so unfortunately can’t be there).

Sophie had just produced her first scripted short ‘Kitty’s Fortune‘ (2016), a story set in Auschwitz, and came to see me at Channel 4 about next moves with her producing partner Dalton Deverell. They were thinking of following up with another holocaust story. During the course of the chat it came to light that Sophie’s grandfather is none other than Geno Washington, the soul singer (who I first came across through Dexy’s Midnight Runners’ eponymous song).

That man took the stage, his towel was swingin’ high
(Oh Geno!)
This man was my bombers, my dexys, my high
(Oh Geno!)
How the crowd, they all hailed you, and chanted your name

I gave the opinion that at that particular juncture a holocaust story might be especially challenging to get off the ground and perhaps the Geno connection was a more joyful route for the times and a better use of weapons in their young armoury.

We discussed a short form documentary series in the wake of that meeting but it never quite came together, I left Channel 4 and our ways parted (largely because their focus was on scripted).

geno washington ram jam band my bombers lp cover design

A few weeks ago an invitation arrives for the screening and I am surprised and delighted the Geno project came off. What I hadn’t realised was that it was on leaving that initial meeting at Horseferry Road that the pair of them determined on making a film about Geno.

Sophie kindly explained my role in the genesis of the film in the Q&A after the screening to 150 delighted audience members. Besides her and Dalton on the panel was the director,Onyinye Egenti, and the great man himself, Geno. Geno bantered with me in the audience, saying I was to blame, with his crazy infectious laugh.

Oh Geno short film poster geno washington

The film is to debut at Aesthetica Short Film Festival in York next month. It is a really well scripted piece focused on the meeting of Geno and his wife-to-be, Frenchy (Sophie’s grandmother) in a London club in the mid-60s. He was just out the US Air Force, getting to love Britain. She was a Jewish refugee from France, a single mum and feisty club manageress. Sophie plays her own grandmother – which has a certain resonance – with a beautiful stylishness (the camera loves her). The moment zoomed in on is just right to capture the essence of an extraordinary couple. And the ending is pulled off with aplomb – avoiding the common pitfall of the punchline-type ending of short dramas (it has the punch-line dynamic but it is subtle and judged just right).

sophie shad plays frenchy in oh geno short film

Sophie Shad plays Frenchy

At the screening I found myself sitting beside the young actor who portrayed Geno, Edward Nkom. He captures the physical charm of Geno well.

Edward_Nkom_actor HSA_associates

Edward Nkom plays Geno

It will be interesting to see if this nugget develops further and into what – scripted, drama-doc, it could go in various directions. I’d love to see it evolve into an iterative project centred on this fascinating couple.

Geno_Sheet_Muisc_1 dexys midnight runners

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