Archive for the ‘david o russell’ Tag

Getting back into the swing of it (Phase 2: Week 2)

Michael Horovitz

Michael Horovitz doing his thing

Well, it’s been a bit tough getting this routine to stick. I may need to adjust. It didn’t help I went out three nights on the trot last week.

Tuesday was Oh What a Lovely War at the Theatre Royal Stratford East with Enfant Terrible No.2, the production to mark Joan Littlewood’s centenary. At least she’s a subject of a chapter so it adds to my understanding of her. I started her chapter on the stage of this her theatre.

Wednesday was the screening of American Hustle with Christian Bale and David O Russell in attendance as just related.

Thursday was the wonderful John Newman at the Empire in Shepherd’s Bush.

All good ways to spend time but not conducive to writing. And the idea was to make up for a missed night by doubling up the next night, but three in a row pretty much put the spanner in the works. So I’m rethinking and came to this conclusion talking to my colleague Noorah this lunchtime. I’ll aim for Monday – Wednesday – Friday instead of all five weekdays which is unrealistic as I more than adequately proved in Phase 2: Week 2.

All that said, I did actually get back on the horse during this last week and got through some stuff. Revised the first third of Chapter 1 Draft 3 (Allen Ginsberg) to take on board the feedback I got from Una, Farrah and Marilyn and that involved some quite challenging reworking, mainly to put more of me into the case study rather than limiting that aspect largely to the inter-chapters. I also began processing the recorded interviews which I’ve been avoiding for some reason – it’s quite laborious in some respects but in practice it was enjoyable re-experiencing the conversations.

allen ginsberg at albert hall

Allen Ginsberg at the Albert Hall, 11th June 1965

Last night I bumped into an elusive interviewee – the British Beat poet, Michael Horovitz. I was at the opening of the Richard Hamilton exhibition (another lover of Ulysses) at Tate Modern when I spotted him by a colourful picture of flowers in a vase with a turd neatly placed in front. I went up and said hallo, had a lovely chat and he sent me a link this morning to an excellent radio show (Private Passions)  he featured in this past week on Radio 3 – you’ve only got 3 or 4 days left to listen to it, well worth an hour of your time, especially Michael’s performance at the very end with Damon Albarn and Paul Weller. (Creative connection: Damon’s mum designed sets for some Theatre Royal SE productions in the 60s.) Michael knew Allen Ginsberg and performed with him at the legendary First International Poetry Incarnation at the Albert Hall in June 1965. He has a lovely speaking voice, very old school, testimony to arriving as a young refugee from Nazi Germany around 1937/8 (exactly the same as my dad, though he from Frankfurt, my dad from Leipzig). As the youngest sibling he was guardian of the proper English accent, especially when it came to instructing father.

So that was another evening blown as far as the book is concerned, and now I’ve blown this one writing this post. However I did do Monday, under the new regime Tuesday was a legit night off, tonight I should have done an hour so I’ll make it up tomorrow and get back on track…

Albert Memorial, London, 11 June 1965. before International Poetry Congress at Royal Albert Hall.  Top Left: Barbara Rubin. Back row L-R: Adrian Mitchell, Anselm Hollo, Marcus Field, Michael Horovitz, Ernst Jandl. Front row L-R: Harry Fainlight, Alex Trocchi, Allen Ginsberg, John Esam, Dan Richter.

Albert Memorial, London, 11 June 1965, before International Poetry Congress at the Albert Hall.
Behind L: Barbara Rubin.
Back row L-R: Adrian Mitchell, Anselm Hollo, Marcus Field, Michael Horovitz, Ernst Jandl.
Front row L-R: Harry Fainlight, Alex Trocchi, Allen Ginsberg, John Esam, Dan Richter.

4 reasons to see Silver Linings Playbook

silver linings playbook

I’m just back from a screening in the plush, cosy screening room under the Covent Garden Hotel in Monmouth Street (which has the best Christmas lights in London). I’ve been chatting with the very charming, unpretentious, part-Irish Bradley Cooper who I mainly knew beforehand from great silly films like The Hangover and Wedding Crashers. Silver Linings Playbook is a very different kind of comedy, subtler, more authentic and more romantic. I laid my newly hatched theory on him that Jennifer Lawrence in this movie is very like Meg Tilly in The Big Chill, that vibrant young sexuality allied with a strong individuality, they even share that slightly oriental look – and she does a load of stretching and dancing stuff in that movie, Bradley kindly added to the theory. I think he was convinced – or just very polite. Especially for someone who’s just arrived this evening from LA (where he half lives, the rest of the time residing in his native Philadelphia). We talked a bit about acting with De Niro (he said how generous De Niro was on set to support his performance) and how strong De Niro’s performance is in this film, standing out from almost all of his recent roles. And then a bit about NFL, the older Enfant Terrible being the proud owner of an Eagles shirt from before his defection to the Patriots – which got us into teens and how this film has much of use to say about resilience and taking control in adversity. It’s a pretty much flawless script from David O. Russell, complemented by perfect, judicious improvisation. I asked him about the latter and he highlighted scenes where they went most to town, though within well defined parameters, De Niro’s method, like the parlay betting scene and the comparing meds scene. So the 4 reasons are…

1 The powerful chemistry between Bradley Cooper and Jennifer Lawrence, not least in the dancing scenes

2 The exquisite direction by David O. Russell, which has the confidence of a man with a real vision (and a script he’s spent five years honing)

3 A fantastically diverse soundtrack which makes great use of Led Zep (What Is and What Should Never Be), the recently departed Dave Brubeck (Unsquare Dance and Maria) and the classic duet of Bob Dylan & Johnny Cash from Nashville Skyline (Girl from the North Country)

4 The uplifting treatment of a difficult mental health issue, highlighting the ubiquity of craziness and how positive and energising it can be.

Jennifer Lawrence

Jennifer Lawrence

Meg Tilly

Meg Tilly

Jennifer in 2010s dancing gear

Jennifer in 2010s dancing gear

Meg in 1980s dancing gear

Meg in 1980s dancing gear

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