Archive for the ‘collage’ Tag

Getting back into the swing of it – really (Phase 2: Week 2 – part 2)

Burroughs made his love for all things feline known in his book 'The Cat Inside', in which he refers to cats as “psychic companions”

Burroughs made his love for all things feline known in his book ‘The Cat Inside‘, in which he refers to cats as “psychic companions”

Well, that’s more like it. Had a productive evening and got two and a half hours in, even after a full day’s work. Prepped for an interview tomorrow which I’m really looking forward to – a major player on the London counter-culture scene in the 60s and 70s. Then watched the doc (A Man Within) kindly given to me by director Yony Leyser in Leipzig back in the autumn to get me even more in the mood for tomorrow. Not that I really need it, I’m so there at the moment. Just wrote a poem derived from the Beat Hotel – I really wanted to try out a technique and last night’s radio listening gave me a phrase to play with. There’s still a fantastic energy around these writers and artists and thinkers and storytellers and hustlers. Because I’ve always been really into collage the whole cut-up phase is particularly fascinating. And that’s a big theme of the week. Reading about Brion Gysin. Going to the opening of the Richard Hamilton exhibition at Tate Modern. And trekking over to the Hannah Höch show at the Whitechapel last Saturday. This last gave me an idea for a graffiti character I’m going to try out this weekend.

Hannah Höch self-portrait, c.1926

Hannah Höch self-portrait c.1926 – with furry psychic companion

And I forgot to recount yesterday that part of this week involved me doing the first public reading from When Sparks Fly. My Other Half organised a Words & Music night at our place on Saturday night and I read from the opening chapter first about Ginsberg & Burroughs in Tangier compiling Naked Lunch and then about Ginsberg’s foundation, COP. To round off I read a short Ginsberg poem, Dream Record, about Burroughs’ wife which linked directly to the opening scene of my book. It was a great night with some fantastic offerings, from short stories to rap. Words & Music, that’s pretty much where it’s at. And Love, of course.

Richard Hamilton, Hotel du Rhone, 2005 - the cat's behind the flowers

Richard Hamilton, Hotel du Rhone, 2005 – the cat’s behind the flowers

Angelic Upstarts (Days 90 and 91)

Creative Gangs: the Blitz Club generation {photo copyright of & courtesy of Herbie Knott}

Creative Gangs: the Blitz Club generation {photo copyright of & courtesy of Herbie Knott}

Embarked on the synopsis/sales document for this project beside the fire at the Adam & Eve on Mill Hill’s Ridgeway, using a model given me by the writer who pushed me over the tipping point into taking time away from the day job to do it in the first place. When I met her at Channel 4 in the course of my day-to-day work we got, in a meandering way, onto the subject of a book she had written and got published recently to do with Webby things and it was her explanation of the process and recounting of her experience which made it all feel doable and helped turn a long-term ambition into some action.

Day 91 began with a meeting with an old-school documentary film-maker at Kipferl at the Angel, Islington to discuss a creativity-related fund which he felt may be of use. As it turned out, the fund was probably a bit tangential but the discussion about Creativity-related stuff proved useful and illuminating. It got me to think more about attitudes to Uncertainty and Risk – I think I’ll centre one of the inter-chapters (my own jargon for the commentary between case studies) on this area, combined with the notion of the ‘creative gang’, as discussed with Gary Kemp (musician and actor, of Spandau Ballet) in an interview in a Fitzrovia cafe just now.

I headed up to Islington library to make camp for the rest of the day – based on the fact it was there that Joe Orton and Kenneth Halliwell defaced library books in a surreal and naughty way when they were living in the Angel. I’d never been inside before, passed it many times on the way up the Holloway Road and to my friend Bernard’s, but my image of the interior was entirely based on this association and my love of Joe Orton from sixth form days.  The foundation stone was dated 16th June (which is Bloomsday) 1906 (two years after Ulysses is set) which I thought was propitious but as it turned out the outside is much more inspiring, with its busts of Spenser and Bacon (not the 20th century ones), than the inside which had no good spaces to work in. So I headed up to Highgate Hill, checked out whether the Highgate Literary & Scientific Institution had any good space (nope, only for members), then settled down in Pain Quotidien to carry on with the outline doc. Was sitting next to two of the bitchiest schoolgirls I’ve ever had the misfortune to overhear – that kind of complacency and nastiness is the opposite of what When Sparks Fly is about. All the more reason to encourage a generous and open approach.

Joe's handiwork

Joe’s handiwork

Joe-Orton---defaced library books

Collins Guide to Roses

 

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