A new reality

This is what is consuming most of my waking hours at the moment…

Here’s how it’s billed:

Follow the interwoven lives of some of Notting Hill’s most colourful characters – in the documentary series where what you see has only just happened.

An outspoken hairdresser, a budding rapper, two glamorous models, a single mother, a student, two pet therapists, a flamboyant restaurateur and many more, all with stories to tell and decisions to make.  What have they been doing in the last seven days?

Dreaming the Dream

The Dream Realised (courtesy of me)

Some great news just in at Channel 4 HQ – the Big 4 sculpture on the doorstep of the Richard Rogers designed home of C4 has been given an extension of 5 years by the planning department of Westminster City Council.

The public artwork – a 50-foot-high metal ‘4’ – was originally constructed in 2007 to celebrate both the Channel’s 25th anniversary year and the launch of the Big Art Project and was granted planning permission for one year, during which 4 artists were to decorate it. The installation is based on the Channel’s on-air identity, with metal bars forming the logo only when viewed from a particular angle and distance. It is basically a framework over which to date photographer Nick Knight, Turner Prize nominee Mark Titchner, Ghanaian sculptor El Anatsui and recent art graduate Stephanie Imbeau have added a skin.

Nick Knight, known for his work with Kate Moss and Bjork among many others in the realm of fashion & music, covered it with bare chest skin of various hues, adding the sound of a beating heart at its core. I recently did an Amazonimpulse and bought Knight’s new book, imaginatively entitled ‘Nick Knight’ – at £32.50 one of the most expensive tomes I’ve ever shelled out on. From an Allen Jones-like Suede album cover to exquisite nude shots of Kate Moss, it’s a lively spectacle.

Mark Titchner skinned the Big 4 with panels inspired by trade union banners and advertising, the slogans questioning the on-going role of television: Find Your World in Ours, Find Our World in Yours. He came in one lunch time to talk to C4folk about his work, shades of The Waterboys’ Mike Scott about him. My second encounter with him was a great rum cocktail-fueled chat with at the Tate Summer Party this year. Guardian photographer Vicki Couchman took a top class photo of me in front of Mark’s Big 4 for a Guardian piece on the inaugural Media Guardian Innovation Awards in 2007 (which Big Art Mob won).

El Anatsui paneled the 4 with metallic newspaper colour printing plates. What I remember most about when El (as he’s known to his friends) came in to chat about his career in The Drum, the basement space beneath the Big 4, was his generous championing of young, emerging artistic talent from Africa like Nnenne Okore.

Stephanie Imbeau won a competition to provide what was to have been the final iteration. Her Shelter saw the Big 4 fleshed out with umbrellas of a myriad colours. This is the version currently in place – it’s best viewed at night when it is illuminated from within [see below]. The umbrellas all come from London Transport Lost Property Office so no pissing away of public money there then.

The Big Art Project from which the Big 4 sprang started life as a regular, if very ambitious, TV documentary series. In the original visually rich proposal for the project from Carbon Media a space was left for the cross-platform treatment. Into that space went the Big Art Mob and a bunch of interactive ideas I put together inspired by the wonderful public art works that punctuated the proposal. The Big Art Mob was born of my messing about for 18 months with Moblog‘s mobile picture blogging software after an initial encounter with Alfie Dennen in the basement of Zero-One in Soho. I was on the look-out for the right project to which to apply Moblog and Paint Britain which evolved into the Big Art Project proved the one – the first use of moblogging by a broadcaster and one of the first uses of Creative Commons licensing by a UK broadcaster (the first use was PixNMix, a VJ project I commissioned in 2004).

Besides the TV, web and mobile stuff, at the core of the Big Art Project was the creation of six actual works of public art, seed funded by Channel 4 and the partners we gathered. One of these was Dream by renowned Catalan artist Jaume Plensa, located high up on the site of the old Sutton Manor colliery overlooking St Helens, a 20-metre-high north-western rival to Gormley’s Angel on the opposite side of the country. It is the head of a nine year old Catalan girl with her eyes closed (I found that out by asking Plensa directly at the capping off ceremony, he was very cagey about who she was and reluctant to reveal much in that particular respect). Dream was Plensa’s response to a brief developed through conversations with ex-miners and other members of the local community. Initially he came up with a huge miner’s lamp but the miners themselves pushed him out of his comfort zone or at least nearer his true self

Dream most deservedly has recently picked up a couple of major prizes. Last month it won the prestigious annual Marsh Award for Public Sculpture which is given to a work of permanent public sculpture erected in the UK or Ireland. The definition of public sculpture is loose, but the location must be openly visible to the public without having to enter a building or gain prior permission. The award was presented at the Whitechapel Art Gallery.

Plensa also picked up the British Creativity in Concrete Award for 2009 for Dream at a special ceremony at Southwark Cathedral. This award is presented each year to an architect, designer or artist in recognition of a particular achievement for the creative use of precast concrete. It’s difficult to convey the photograph-like subtlety of the face, no more than a pale reflection in photos like above.

The moment I walked round the corner of a forest path and first saw Dream in April was one of the high points of this year and indeed of my career at Channel 4, and made every second spent on the Big Art Project over the 5 year lead up worth it. It was a moment shared with my former colleague Jan Younghusband (ex-Commissioning Editor of Arts at C4, now Head of Music at BBC) who proved so open to the multiplatform dimension. It was indeed a dream come true.

Night Shelter (courtesy of Tom Powell)

More on Big Art:

The launch

The mobile dimension

Mark Titchner’s iteration

The skinny on Skinny-dipping

Rupert Brooke in Granchester (with soft collar)

On Thursday evening I joined Channel 4 colleagues at The Courthouse Hotel [formerly the Marylebone Magistrates Court, was glad to see cells have been imaginatively retained] opposite Carnaby Street (a resonant area for me as just round the corner from my very first workplace, Solus in Marshall Street, Soho, whose attic contained hidden gems like footage of Jimi Hendrix at the Isle of Wight and James Baldwin in Paris) to view as it was broadcast a programme I had (deliberately) only seen as raw footage – Alone in the Wild. Since the beginning of July we have been publishing online the rushes of the show as they came out of the wilderness of the Yukon, where cameraman/film-maker Ed Wardle was living and recording his experiences himself, completely alone in the wild. My part of the cross-platform commission also involved publishing daily out-going only short messages from the wild via Twitter, which were subsequently used to punctuate the three films in the series. [Next one is this Thursday at 9pm on C4]

One scene in Episode 1 saw Ed delighting in a skinny-dip in the lake where he had made camp, frolicking like a child, immersing himself with joy in the place he shared with a stately moose and grayling destined for his frying pan.

I’ve been equally struck recently by accounts of poet Rupert Brooke’s skinny-dipping activities in Granchester, a place made magical for me after a lone moonlit cycle-ride to there in the middle of one Romantic night. In particular, accounts of ‘The Midnight Swim’ when this proto-hippy young poet shared the waters of Byron’s Pool with the unstable, radical woman of letters Virginia Stephens, later Woolf, who finished her life alone in the underwater wild of a Sussex river.

It was 1911. They were both single. Rupert was 24, Virginia was 29. It was the year Poems 1911 was published (clue in the title), Brooke’s one and only volume of poems to appear during his actual lifetime. (Woolf’s first novel appeared four years later.)

Christopher Hassall describes the incident in his biography of Brooke (Rupert Brooke: a Biography 1964):

“It was the end of August. Virginia Stephen arrived at the Old Vicarage and occupied Ka’s bed on the other side of the house. The garden room was strewn with scraps of Strindberg, pages of Bland Vassen and fragments of verse. Probably the guest had brought with her an early chapter of The Voyage Out to revise while Brooke was reading or writing stretched out on the grass. One warm night there was a clear sky and a moon and they walked out to the shadowy waters of Byron’s Pool. “Let’s go swimming, quite naked,” Brooke said, and they did.”

Brooke mentions in his well known poem The Old Vicarage, Granchester this pool where his poetic forebear Byron swam when no-one was about:

Still in the dawn waters cool
His ghostly Lordship swims his pool

The painter Augustus John, who lived nearby with a caravan load of hot women and brown children, was also a naked frequenter of the pool, as was the philosopher Wittgenstein.

The Midnight Swim is also fictionalised and extrapolated upon in Jill Dawson’s recent novel The Great Lover which I read on holiday this August (exactly 98 years after the skinny-dip in question), kindly given to me by Aysha Rafaele (a fellow C4 Commissioning Editor from Documentaries) who spotted it in the Richard & Judy Book Club pile.

So any action between the two of them, both swingers-both-ways? Rupert, I get the impression, was more inclined to the hetero. Virginia must be well documented but I’m not sure exactly how her bi was balanced. Lytton Strachey had proposed to her two years earlier but they both realised, in the cool light of day the next morning, it wouldn’t work out. I don’t think any one knows or ever said quite what occurred, which leaves it as a lovely little mystery…

The Midnight Swim wasn’t their first watery encounter. In April 1899 (Rupert was 11, Virginia was 17) the Brookes went to St. Ives on holiday, where Leslie Stephen was also vacationing with his family. The two of them played together by the sea.

Yeats called Brooke “the handsomest young man in England”. By the year of The Midnight Swim, Brooke was secretly engaged or attached in some fashion to Noel Olivier, a fascinating character in her own right (Rupert was 24, Noel was 19) here’s her Wikipedia entry.

I had a go recently at drafting a Wikipedia entry for her sister Brynhild who seemed a promising character, the most beautiful of the Olivier sisters, but there’s very little to go on. This is what I have so far:

”’Brynhild Olivier”’ (1886 – 13th January 1935) was a member of [[Rupert Brooke]]’s circle before the First World War and associated with the [[Bloomsbury Group]]. She was the fourth daughter of [[Sydney Haldane Olivier]], 1st Baron Olivier, and Margaret Cox; she was sister of Margery, Daphne and [[Noel Olivier|Noel]].

She married art historian [[A. E. Popham]] (Arthur Ewart Hugh Popham, known as Hugh) in 1912 (becoming Brynhild Popham). Hugh Popham was a friend of Rupert Brooke. They were divorced in 1924. She married [[F. R. N. Sherrard]] in 1924 (becoming Brynhild Sherrard).

She was the mother of [[Anne Olivier Popham]], who became the wife of art historian and writer [[Quentin Bell]]. She was also the mother of the poet, translator and theologian [[Philip Sherrard|Philip Owen Arnould Sherrard]] (born 23 September 1922, Oxford).

Brynhild was the first of the four Olivier sisters the poet Rupert Brooke met. Although she was reputedly the most beautiful, it was her sister Noel Olivier for whom Brooke fell.

She was first cousin of the actor [[Laurence Olivier]].

If there’s anyone out there in internetland who knows anything more about Brynhild (Bryn) Olivier, please do let me know via comments or however so I can get enough substance in the article to make it acceptable for Wikipedia – i.e. more information on what she achieved in her adult life.

Rupert and Noel met in 1908 when he was 20 and she a 15-year-old schoolgirl at the then fashionable, progressive Bedales in Petersfield. Noel’s father was Lord Sydney Olivier (uncle of dear, dear Larry), a prominent Fabian and high-ranking civil servant, serving in his time as Governor of Jamaica and Secretary of State for India.

Bedales was something of a centre for getting your kit off. Various members of Brooke’s circle had been there, the first co-ed public school, which encouraged a passion for the open air and healthy outdoor games. Nude swimming and sunbathing (segregated) made it on to the curriculum (hoorah!). The Sun Bathing Society’s Annual Summer Conference was held there in 1931 and naturists used the Bedales grounds out of term in the wake of their starting to organise in Britain during the previous decade.

Noel went on to have a long and interesting career as a doctor, politically active in a way reflecting her Fabian roots. Rupert had a short one as an early crash-and-burn teen hero, paving the way for everyone from James Dean to (fellow Cantabrian) Nick Drake to River (appropriately enough) Phoenix. He didn’t quite make 28. He cast himself as a Neo-Pagan (becoming a central figure of an eponymous group of writers and artists) and Virginia confirmed this: “He was consciously and definitely pagan.” They were the original Teddy Boys, the reckless youth of the Edwardian era, rebelling against the constraints of stiff-collared Victorian ways.

Embodying the Neo-Pagan ideals of youth, comradeship and the Simple Life, Brooke revelled in going barefoot and skinny-dipping: “Two miles from Cambridge up the river I wander about barefoot and almost naked. I live on honey, eggs and milk.” (letter to Noel Olivier, summer 1909). A bit of Romantic exaggeration of course, but Rupert certainly enjoyed casting off a few layers.

This summer I had the Simple Pleasure of bathing in Lough Hyne, just outside of Baltimore (the one in West Cork as opposed to The Wire one). It is pretty much unique as a salt-water lake, quite the place to go if you want to hang with a goby, shanny, blenny, three-spined stickleback or clingfish. Its salty water reminded me of another top bathing experience – the Blue Hole, East of Port Antonio, Jamaica (aka the Blue Lagoon since Brooke Shields skinny-dipped there in 1980, directed by Randal Kleiser, who I had a ridiculous phonecall with when I was working at Solus – for some unaccountable reason I turned momentarily into The Player, luckily old Randy couldn’t see the tenderfoot at the other end of the transatlantic line). The Blue Hole is a mixed salt and fresh water lagoon, fed by cold underground springs. When you swim you have the unique experience of one stroke warm, next stroke cool, warm, cool, warm, cool, warm, cool. Divers and scientists say it has a depth of about 180 feet. Local islanders say it is bottomless and a monsterous creature lives down below. The mixture of intense physical pleasure and underlying anxiety of the sheer extent and unknowableness of Nature is an experience common to skinny-dippers the world wide.

Far from Embarrassed

Just spotted this new comment on the Embarrassing Bodies website:

Hi team

Just a little note 2 say a very big thank u very much! I was watchin an episode that featured how 2 check 4 lumps in the breast. I am a 33yr old single parent & thought i didnt need 2 check myself until i was in my 40’s but im very pleased i did, approximately 16 weeks ago i saw ur show & went 2 my gp because i found a lump, at first the locum was quite dismissive until he felt it then he refered me 2 the breast specialist at my local hospital. I went 4 tests & got diagnosed with breast cancer, i just had a wide local excision & am currently waitin 4 the results from that op but i am optamistic a small amount of radiotherapy is all that will be required to complete my treatment.

Watchin ur show has saved my life & thanks 2 u all my 2yr old son will still have a mummy 🙂

Keep up the good work!!!

The Breast Self-Check video in question is here

Update 14/09/09:

A new viewer comment:

“I was watching Embarrassing Bodies around the above date and your Doctors were showing viewers how to check for breast cancer. I took note and examined myself. I found a lump and went to my GP. Now 5 weeks later I feel fully recovered now after a lumpectomy to remove a cancerous tumour. Because I found it in very early stages, it hadn’t spread to my lymph nodes and my outlook is fabulous. Treatment now involves 3 weeks of radiotherapy and tablets for 5 years. Thank you for your clear way of showing people like me how to potentially save our own lives!”

Omagh – Adam Gee Archive #1

As I’m becoming an older git with a dog’s age of doing cross-platform under my belt, I’m becoming conscious of my work disappearing into the mists of time (hence my recent archiving of MindGym in this august journal, at least it will be August tomorrow). Next week a site I did to mark Paul Greengrass‘ drama ‘Omagh’ being broadcast on Channel 4 in 2004 is about to be ‘migrated’. I suspect that means ‘knackered’ so I’ve just nabbed a few shots for posterity, a couple of which I’ll archive here. This one was a real labour of love (my wife is Northern Irish, my kids are Irish, I filmed in Omagh in the wake of the bomb).

[Happy days, working with designer Mark Limb and producers Kiminder Bedi and Katie Streten]. Contibutors included director Paul Greengrass (who sent me his contribution from the set of ‘The Bourne Supremecy’), actor Adrian Dunbar, singers Brian Kennedy and Tommy Sands, writers Nell McCafferty and Colin Bateman, comedian Jeremy Hardy, nurses, churchmen, shopworkers, all reflecting on what, if anything, positive came out of the bombing of Omagh from the perspective of 5 years on…

the Home screen

Adrian Dunbar - actor

Paul Greengrass - director

Brian Kennedy - singer

‘Omagh’ will be repeated this coming month on Channel 4 to mark the 10th anniversary of the outrage.

Channel 4 and Digital Participation

One of my current projects is Alone in the Wild. Cameraman Ed Wardle has gone into the wilderness of the Yukon to film himself and how he copes with 12 weeks of total isolation. Each morning, as part of the safety protocol, he has to send an “I’m OK” message. He does this by sending, from a semi-disabled sat phone (can do outgoing SMSs only), a short message which is posted on Twitter www.twitter.com/aloneinthewild . He’s just started his third week out there – you can see some of the early rushes here and here, more to follow tomorrow [he leaves off his tapes in a dead letter box-type drop-off from where they are later collected by helicopter or float-plane once Ed has moved on, so no human contact] – and already after this opening period, it is clear that Alone in the Wild is bringing new people to Twitter/microblogging as these screenshots illustrate:

This is a good, clear illustration of how Channel 4 inspires Digital Participation aka Digital Media Literacy aka Being Digital [Digital Britain report] by providing a purpose or mission or story. “Inspires” is the key word – it is what is sometimes lacking from social networks and platforms, and it is what Channel 4 consistently offers – Inspiration is a rare commodity. Even Twitter is basically a tool in need of a task or purpose, it is only as good as the things people find to do with it. Alone in the Wild provides clear guidance on how to join in the conversation on Twitter, part of Channel 4’s commitment to helping drive Digital Participation. But Ed’s “awesome adventure”, his inspiring story of courage and endurance and an unquenchable desire to do the extraordinary (he has been up Everest twice, been to the North Pole, every year he tries to do a new extraordinary thing, but never has he done one in isolation like this, a whole new challenge, as much psychological as physical) his inspiring story is the real energy which is motivating people to have a first go at digital social media.

The Embarrassing Bodies effect

As I was walking past the University of London’s Bloomsbury Theatre the other day (on my way through strike-bound London to the pick-up point for the Tech Bus to b.Tween 09 in Liverpool) I noticed a poster advertising a stand-up gig in October by “television’s heartthrob medic” Dr Christian Jessen of Embarrassing Bodies talking to the student-centric audience about health matters. The same day I came across this piece a good few miles from the big smoke, typifying the impact of Embarrassing Bodies and indicating why the NHS should plug into its success:

Health fayre aims to target the young

Jun 10 2009 by Lynda Nicol, East Kilbride News

THE popular television programme Embarrassing Bodies has proved young folk are just as interested in their own health as older generations.

Being able to look after yourself – and seek prompt medical advice on problems, no matter how bashful you may feel about it – is something people should learn when they are young.

With this in mind, Greenhills and East Kilbride South Youth Club are joining forces with NHS Lanarkshire to stage a health fayre at the club tomorrow (Thursday).

There will be a range of stalls offering health checks and advice on a variety of health issues.

Young people from throughout the area are invited to go along between 7pm and 10pm and they will be able to talk frankly about any health comcerns they may have.

Club leader Councillor Archie Buchanan said: “I am very pleased to be working with NHS Lanarkshire in providing health-related advice to the young people who attend our youth club.”

And he added: “The health fayre will, I am sure, be well received by the young people attending.”

The question is, of course, how can Greenhills and East Kilbride South Youth Club and NHS Lanarkshire make best use of the kind of engagement a heartthrob medic like Dr Christian inspires? (Using the interactive content on the Embarrassing Bodies website – especially the Embarrassing Teenage Bodies part with its Am I Normal? videos – is not a bad place to start.)

Slive: Surgery Live on Twitter

Surgery Live trending on Tweetdeck

To round off the week of The Operation: Surgery Live with regard to its integration with Twitter here are a selection of tweets from the week. Trending 3rd, 2nd and 1st over the week reflects what seems to have been a successful experiment.

warrenfree: Enjoyed watching Channel4 adoption of twitter to allow us to question the surgeons.. Interesting to watch too #slive

OotSandShaman my question was just asked on @surgerylive! man twitter kicks ass

wisebuddha liking use of twitter integration in a linear tv show good example from C4 in UK more of this in future http://bit.ly/hevJ2 #slive

Sarahgrittin09 #slive good to see social networking sites used for more interesting things like this rather than poncy photos and relationship statuses!

Vialli25 #slive the first TV programme I’ve ever watched where they actually ask you to include this hashtag when talking about the show on Twitter!

liammoody Looking forward to Surgery Live at 11 tonight. Have just got the Twitterfall app to follow #slive discussion! It’s a rare gem from Ch4

vas_876 @ajd90 Hey, looks like #slive has brought loads of us prospective medics to twitter

mygadgetlife: #slive really C4 a great program made all the more enjoyable with twitter but poor scheduling  [many viewers were upset that the live broadcast had to end after its allotted hour]

InnerLambada: Surgery live is absolutely addicting. I just couldn’t stop watching. Although I couldn’t help but think “What if it goes wrong?” #slive

thumbfight: #3wordsduringsex (1 thumb down) VS. #slive (2 thumbs up)

anthayes: .@krishgm awe inspiring but can you be on for longer tomorrow though? #slive

beth_richards: #slive is genius

ellied18: Shame #slive isn’t on for longer… great insight!

MrCheapCalls: #slive Well, that wizzed by… not long enough!!

machotrouts: #slive This isn’t interactive enough, when do we get to vote on what bits to take out? Does the red button control any equipment?

simonday09: #slive I hope you all enjoyed live brain surgery as much as I did, simply amazing. well done channel4!

wren154: #slive Forget Susan Boyle and all the other wannabes. This programme is showing where Britain’s Got Talent

marcmcg @SurgeryLive please turn SurgeryLive into a weekly series. Most innovative and educational show I’ve seen on TV in a long time.

tweelhouse @krishgm Watching Mondays #slive – totally fascinating. Have a heart condition and helping me better understand what goes on inside me!

#slive wow this is extraordinary, just tuned in for the first time! Not for the faint hearted, but may be I could be a doctor

Bruce elrick #slive @krishgm another classic -quick work from tonights surgeon. Did you guys get started earlier? This would be great to show in schools

sotonrich watching day 3 of the amazing surgery live all week has been amazing. there should be more of this on tv #slive

Rachael90210 #slive This is one of the best things on TV! Love. It.

Unfortunately, I can’t watch #slive since I’m in the US 😦 Sounds like just the kind of show I’d actually love to watch!

Chrissarnowski #slive Thank you Surgery Live; great eyeopener, makes me more determined to pursue my ambitions in medicine…

LyndaHull @surgerylive Am loving the shows. Totally mesmerising TV. Congratulations!

Ajnokia slive Great idea, always wondered what happens during surgery. Because once your under the blanket you have no idea.

Gregp94 #slive is brilliant

Lucy_locket_91 #slive: Will there be another series??? This has been my highlight of the week!

Martincollett #slive another excellent programme, shame the series has to end, looking forward to more soon!

TEDavis #slive = brilliant, loved every second of it!

Ummmdonuts #slive noooooooooooooooooooooo don’t end! more surgery! pleaaaaaaaaaaaaaaassssssseeeeeeeeeee!

J_Dizzle_: just watched heart surgery live on channel 4, twitter questions and updates.. very well done. #slive

mjmobbs: #slive excellent, see you tomorrow, really enjoyed the Twitter and Live TV combination.

philroberts: #slive this could be one of the best models for twitter, live interactive feedback brilliant twitter was a great enhancement to the show

manpreet1: Surgery live on channel 4, and #slive, was a great use of a new format.

Surgery Live trending on Twitscoop

Update 1.vi.09:

An article from Broadcast today. And one from the NHS.

Surgery Live update

The Operation: Surgery Live trending at #2 tonight. Looks like #wordsduringsex is going to be a toughie to overcum. Hundreds upon hundreds of really interesting questions came in tonight via Twitter, email and phone (mainly the former). The integration of the TV, website, Twitter and Facebook is everything we hoped it would be.

Jemima Kiss picked up the story today over at The Guardian.

What an incredible spectacle that was tonight – a real insight. Channel 4 at its boldest – and most educative – best. Tomorrow night: Key-hole stomach surgery live at 11.05pm on C4

After just two nights Surgery Live is making its mark online…

Surgery Live results

Initial results of experiment (see last post) looking promising. The Operation: Surgery Live hashtag showed up on the global trend radar. Tweets were the main source of live questions for the surgeon, mainly due to their concision. And loads of great feedback via Twitter, such as:

philroberts: #slive this could be one of the best models for twitter, live interactive feedback brilliant twitter was a great enhancement to the show

manpreet1: Surgery live on channel 4, and #slive, was a great use of a new format.

lisadevaney: #slive is trending. Nice job C4

8a22a: #slive is the 3rd top trend now.

bruceelrick: @littlesimon phew – it was an amazing show – #slive is now the 3rd most popular twitter trend!

philroberts: @charlesarthur did you watch the live surgery on c4 tonight used twitter to ask live questions took twitter by storm 3rd in trends #slive

bruceelrick: @wellcometrust it was a great success on twitter. #slive now 3rd most popular trend on twitter – pretty great achievement!

J_Dizzle_: just watched heart surgery live on channel 4, twitter questions and updates.. very well done. #slive

mjmobbs: #slive excellent, see you tomorrow, really enjoyed the Twitter and Live TV combination.

greenfourth: This sucks! I sooo want to get in on #slive but it’s only broadcast in the UK D:

Furgaline: What a brilliant way to educate people… #slive