Archive for April 18th, 2019|Daily archive page

Coincidences No.s 285-290

No. 285 Geno (16/4/19)

I am sitting outside Bar Italia in Soho talking to actress/producer Sophie Shad and her business partner Dalton Deverell. We are talking about their drama-documentary film Oh Geno! which is now available on Real Stories and which I wrote about in this post in November.

At the exact moment the topic comes up a Twitter notification arrives on my phone:

Liked by Geno Washington

twitter notification geno washington oh geno

 

No. 286 Riding House (17/4/19)

I am emailing Lauren Laverne about a project we discussed a couple of years ago and I remind her of the meeting at the Riding House Cafe on Riding House Street, close to BBC Broadcasting House.

I am at my book group and the friend next to me is talking about his recently deceased dad’s history – he was in the GB Basketball team at the 1948 Olympics and he had a furniture business based in Riding House Street.

1948 olympics GB basketball team lionel price

1948 GB Olympic basketball team

 

No. 287 Airplane (18/4/19)

I am reading Rory Sutherland’s book (see No. 284 above) and he uses an example of where you don’t want creativity or irrationality:

I don’t want a conceptual artist in charge of air traffic control, for instance.

A couple of minutes later I get a LinkedIn notification on my phone flagging up a post by consultant and author Mark Brown with whom I made a few films on creative thinking including The Blue Movie. His post uses much the same illustration of where you don’t want creative empowerment (an example featured in The Green Movie from 1994):

When you or I are about to land at Heathrow, Charles de Gaulle or John F Kennedy, which of these values do we like the pilot to fly by? ‘Get it right first time’ please. And certainly please don’t experiment with a bit of ‘Continuous Improvement’ or ‘Innovation’ thank you.

the green movie cover design video

The Green Movie (1994)

 

No. 288 Corpus (11/4/19)

I get on a tube at East Finchley and the woman sitting next to me is reading a paperback entitled Corpus by Rory Clements. I reckon it’s a relatively obscure book, a Robert Harris read-a-like, from a couple of years ago.

I pull out of my bag a second-hand hardback of Corpus which I am currently reading for some easy diversion. We strike up a conversation about the book, Rory Clements and Robert Harris.

Corpus by Rory Clements book cover

 

No. 289 Amy (11/4/19)

I go to the last day of a photography exhibition in a church in Hampstead of rock/music photos by Danny Clifford (one time official photographer of Bob Dylan) – Rock Stars Don’t Smile. I chat to Danny for a bit and end up buying this photo:

amy-winehouse-by-danny-clifford

Amy Winehouse backstage at the 4th BBC Radio Jazz awards held at the Hammersmith Palais, London in 2004. Photo: Danny Clifford / FilmMagic.com

I really liked it because of the naturalness of the look, just the hint of tattoo, no mention of Blake in sight (unlike Danny’s big hair Amy on stage shots) and the colour of the dress matches her grave (which is a few yards from my dad’s so it’s a train of thought back to my old man). I’m a bit worried about breaking the news of the purchase to my Mrs as we don’t have much wall space left.

As I pluck up the courage to mention the photo purchase in our kitchen the next day Back to Black comes on the radio.

I’ve had radio coincidences like this before. Two days ago I met up with my old friend Ash Baron-Cohen at Bar Italia (straight after the Sophie & Dalton meeting in No. 285 above). I got my first cat, Woof, thanks to Ash who was about to chuck it in a river in a sack with rocks in. I offered to take her off his hands. To get her home a mutual friend offered me a lift in his car. As we got in and switched on the engine Love Cats by The Cure came on the radio.

 

No. 290 Dinner (12/4/19)

I go round to dinner to my cousin in Hampstead Garden Suburb. My Mrs has told me about the invitation earlier that week and said there was us and another family invited who my cousin and his wife didn’t know well. My other half has a ticket for a dance performance and my sons are out and about so there is only me going. I do a talk at the National Film Theatre for the BFI & Radio Times TV Festival then make a bee-line for the dinner.

tv in the digital age careers talk bfi and radio times television festival 2019

As it turns out I arrive on time, the first guest there, then a few minutes later I hear others arrive. As I wander towards the hallway a face appears framed in the doorway – “Hallo Adam!” It is the wife of an old interactive TV colleague from way back when. And then his face enters the frame. The other not well known family turns out to be someone I’ve been working with for the best part of two decades (and still do via the AHRC and Royal Holloway) and his wife who I’ve also known a long time and two of their children.

 

 

 

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Alchemy by Rory Sutherland – Quote

I went yesterday evening to hear Rory Sutherland, Vice-Chairman of ad agency Ogilvy in the UK, speak in Conway Hall, Red Lion Square about his new book Alchemy. I have had the good fortune to meet&chat with Rory on a number of occasions and it is never less than fascinating. He kindly contributed to the (finished) chapter on Paul Arden in my (unfinished, as yet) book When Sparks Fly.

Rory sutherland conway hall how to academy 17th April 2019 talk red bull

Rory grabbing the Bull by the horns

In view of the fact I’ve recently started working at Red Bull Media House (as a Commissioning Editor), I loved that he used Red Bull as a striking case study in this talk (as well as in the foreword of his book which I started reading today).

I liked this quotation on the value of Big Data from today’s reading:

It’s important to remember that big data all comes from the same place – the past.

Rory is a big advocate of evolutionary psychology and behavioural science (with all the irrationality those expose) as opposed to economics and other data-driven activities. He’s not against logic and hard facts, just in favour of suspending rationality from time to time in favour of creative magic or alchemy.

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