Archive for November 3rd, 2018|Daily archive page

The time machine in your pocket

Real Stories Original Missed Call , shot entirely on an iPhone X, has been nominated in the Social Media Short category at the AHRC Research in Film Awards 2018, which take place on 8th November at BAFTA in London. Extracts from a related article championing smartphone filmmaking in this week’s Broadcast:

2018-11-02 smartphone filmmaking article in broadcast adam gee victoria mapplebeck

The time machine in your pocket

The intimacy and ubiquity of smartphones make them ideal for telling personal stories, argue Victoria Mapplebeck and Adam Gee

Missed Call

Production company Field Day Productions
Commissioner Adam Gee, Little Dot Studios
Length 19 minutes
Producer/director Victoria Mapplebeck
Executive producers Amanda Murphy; Alex Hryniewicz; Andy Taylor

Making the most of the smartphone

Adam Gee
Commissioning editor, Little Dot Studios

I commissioned Missed Call partly because I am a massive advocate of smartphone filmmaking. I also consider Victoria’s 2015 film 160 Characters a pioneering work in this territory.

What’s so special about what is effectively the prequel is that not only was it made largely on mobile phones, but also the narrative is derived from the contents of one old mobile in particular. It contains a resonant text thread that captures the story of a key love affair in the life of the director-cum-protagonist.

Missed Call similarly revolves around mobile phone content – video, photos, emoticons, animations, texts. The aesthetic of the film is rooted in this content, which gives it an original feel.

Between the old Nokia of the first film and the new generation iPhone of this second, the technology has advanced, the details of the graphics evolved, so the look & feel has moved on.

Because the commission coincided with the noisy launch of the iPhone X, I thought we might as well take advantage of the coincidence and be pioneers with the new tech.

I’d seen Michel Gondry’s scripted short Détour, which was shot entirely on iPhone 7. That planted the iPhone seed and I asked Little Dot to buy the then brand-new iPhone X for Victoria to use.

She complemented it with a decent mike (Rode SmartLav+ Lavalier) and a stabiliser (Lanparte 3 Axis Handheld Gimbal) and then got the ball rolling. She started by using it for audio-recording conversations with her son Jim, to make sure he was comfortable, eventually segueing into video recording.

Intimacy and ubiquity

The power of Smartphone filmmaking is intimacy and ubiquity. The kind of intimate conversations Victoria and Jim managed to capture in a natural way were the result of the camera-phone being small and unobtrusive, with no crew attached – part of everyday contemporary life.

And it’s in your pocket all your waking hours (and not uncommonly beside the bed even in your non-waking ones, as we see in Missed Call).

Between this distinctive pairing of characteristics, a whole new highly accessible realm of film-making opens up.

real stories original missed call victoria mapplebeck adam gee jim mapplebeck

Victoria Mapplebeck
Producer/director
Reader in digital arts at Royal Holloway, University of London

How do you reconnect with a father who’s been absent for over a decade? What do you write, what do you say? Add to that dilemma a teenage boy and the realisation that this private journey would very quickly become a public one. There were a lot of sleepless nights on Missed Call, the first commissioned short documentary to be shot on an iPhone X.

The doc is a sequel to 160 Characters, my first smartphone short, which I made for Film London. It brought to life a three-year SMS thread between myself and my son’s father, charting the story of how we met, dated for just a few months, broke up and subsequently dealt with an unplanned pregnancy.

Missed Call explores my relationship with my now fourteen-year-old son Jim. His father came to see Jim a handful of times when he was a baby before deciding that he didn’t want to be involved. Last year, Jim decided he wanted to meet his father and asked if I would make contact with him again.

Executive producer Amanda Murphy helped me navigate the many compliance and ethical issues we faced throughout production. Our aim with Jim’s dad was to preserve his anonymity and to protect Jim in an uncertain unfolding narrative. Squaring the circle of being both filmmaker and parent made this one of the most challenging films I’ve ever made.

For Jim, being filmed by his mum with an iPhone X was no big deal. When he looked into the lens, all he saw was me.

But in my 25 years as a self-shooting director, the camera I film with has gone from needing a bag the size of a small suitcase to one that fits in my back pocket.

Read More

Our phones are like time machines

There’s a great scene in Mad Men when Don Draper is meeting with the team who invented Kodak’s Carousel. As he clicks through his own family album in a darkened boardroom, he begins his pitch:

“In Greek, ‘Nostalgia’ literally means the pain from an old wound, it’s a twinge in your heart… It’s a time machine. It goes backwards and forwards, it takes us to a place where we ache to go again…”

Our mobile phones have become our time machines. My vintage Nokia lies at the back of my kitchen drawer, holding that all-important first text message from Jim’s dad. My new iPhone X can access that devastating last email from him before he cut all contact a decade ago. It also contains the first text I sent him after 12 years of radio silence – and 13 days later, his reply.

My phone contains good memories too: 26,000 photos; 3,000 videos; and the jokey texts Jim sends me from bedroom to living room, requesting another five minutes on the Xbox.

You may love your phone, you may hate it, probably both, but hold it close. It’s your own personal time machine – it connects you with your past, your present and your future. It holds the traces of all your time travel, all the stories that shape you, the good and the bad… forever.

real stories original missed call victoria mapplebeck adam gee jim mapplebeck

{extracts courtesy of Broadcast – full article is here}

 

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Tampere, Finland

This week I had the pleasure of visiting the first place I’ve been to in Finland outside of Helsinki. I’ve worked with the Finnish state broadcaster YLE for some years now, usually in their offices at Pasila towards the north of the capital. On Wednesday I gave a talk on Short Form Video as part of their FutureZone series at their Tampere offices (Mediapolis). Tampere is 160km north of Helsinki, the second or third largest city in Finland (depending on how you are measuring) and the largest inland urban population in the Nordic countries. It is situated between two large lakes.

The event was delightfully hosted by YLE news anchor/journalist Milla Madetoja who presents the regional news nightly. Finland is divided into 9 regions which become larger and more sparsely populated as you head north.

IMG_9279 selfie by milla madetoja yle tv finland adam gee

Selfie by Milla Madetoja

At lunch I was asked by the Head of Current Affairs to explain what was going on in the UK with Brexit. I couldn’t.

Futurezone_Short_form video adam gee tampere yle

Tervetuloa! / All welcome! poster

milla madetoja yle news anchor studio

Robot camera in news studio

yle news studio tampere finland

No-nonsense regional news studio (one of a pair)

yle tampere auditorium adam gee short form video lecture

Photos of famous old Finnish stars around the Mediapolis auditorium

Oh Geno (Gee Knows)

screening of oh geno at curzon bloomsbury 23 october 2018

Curzon Bloomsbury 23 October 2018 – Dalton Deverell (Prod) Sophie Shad (Wr/actress) Onyinye Egenti (Dir) GENO Washington ??? (Ram Jam Band bass player)

On arrival at the Curzon Bloomsbury on Tuesday evening to see a drama-doc short ‘Oh Geno!’ I was greeted with a lovely surprise – the director Sophie Shad welcomed me and explained that the film had come about because of me. I had no idea. But was delighted. Here’s how it happened…

I was introduced to Sophie through a fellow trustee at the Phoenix Cinema, East Finchley, the oldest purpose-built cinema in the country (which is about to join the Curzon group – there’s a Company Members’ meeting going on as I write but I’m 8,000 feet above Finland so unfortunately can’t be there).

Sophie had just produced her first scripted short ‘Kitty’s Fortune‘ (2016), a story set in Auschwitz, and came to see me at Channel 4 about next moves with her producing partner Dalton Deverell. They were thinking of following up with another holocaust story. During the course of the chat it came to light that Sophie’s grandfather is none other than Geno Washington, the soul singer (who I first came across through Dexy’s Midnight Runners’ eponymous song).

That man took the stage, his towel was swingin’ high
(Oh Geno!)
This man was my bombers, my dexys, my high
(Oh Geno!)
How the crowd, they all hailed you, and chanted your name

I gave the opinion that at that particular juncture a holocaust story might be especially challenging to get off the ground and perhaps the Geno connection was a more joyful route for the times and a better use of weapons in their young armoury.

We discussed a short form documentary series in the wake of that meeting but it never quite came together, I left Channel 4 and our ways parted (largely because their focus was on scripted).

geno washington ram jam band my bombers lp cover design

A few weeks ago an invitation arrives for the screening and I am surprised and delighted the Geno project came off. What I hadn’t realised was that it was on leaving that initial meeting at Horseferry Road that the pair of them determined on making a film about Geno.

Sophie kindly explained my role in the genesis of the film in the Q&A after the screening to 150 delighted audience members. Besides her and Dalton on the panel was the director,Onyinye Egenti, and the great man himself, Geno. Geno bantered with me in the audience, saying I was to blame, with his crazy infectious laugh.

Oh Geno short film poster geno washington

The film is to debut at Aesthetica Short Film Festival in York next month. It is a really well scripted piece focused on the meeting of Geno and his wife-to-be, Frenchy (Sophie’s grandmother) in a London club in the mid-60s. He was just out the US Air Force, getting to love Britain. She was a Jewish refugee from France, a single mum and feisty club manageress. Sophie plays her own grandmother – which has a certain resonance – with a beautiful stylishness (the camera loves her). The moment zoomed in on is just right to capture the essence of an extraordinary couple. And the ending is pulled off with aplomb – avoiding the common pitfall of the punchline-type ending of short dramas (it has the punch-line dynamic but it is subtle and judged just right).

sophie shad plays frenchy in oh geno short film

Sophie Shad plays Frenchy

At the screening I found myself sitting beside the young actor who portrayed Geno, Edward Nkom. He captures the physical charm of Geno well.

Edward_Nkom_actor HSA_associates

Edward Nkom plays Geno

It will be interesting to see if this nugget develops further and into what – scripted, drama-doc, it could go in various directions. I’d love to see it evolve into an iterative project centred on this fascinating couple.

Geno_Sheet_Muisc_1 dexys midnight runners

Sluice my Daisy

Sluice my daisy poem illustration

Sluice my daisy
Water the bush
Playing a game for three
Three in one
One for all
Moist as moist can be

Jack it in
Voices of shades
Woah, hold your horses!
Allen keys
Sees the day
Through weather vanes courses

Wind wild
Lizard child
Stop my halo bleeding
Hallowed ground
Round & round
What the heck is feeding

Daisy words
Thresh my heart
Angels on patrol
Type my heart
Adore my light
Lick away control

Ball the sub
Slice the eye
Cast your faith to the wind
Wind the window
Whiplash aerial
Dig the bind and binned

Not too shoddy
Knot Two
Three in one baby
Douse the holy
Heal the louses
Take it as a maybe

Sluice my cock
The road is hit
Homesick with the blues
Happy this way
Happy daze
Beat my writing ruse

Unexpected turbulence
Blow the fuse
Spark the fuck out of it
Kiss my hole
Sluice my soul
Serve the affidavit

Strip off skinny
Strike a pose
Call my worm to sup
The end is nigh
Higher than the world
Raise my daisy up
A beautiful fool
The gap between fingers
Turn it this way up

jack kerouac allen ginsberg neal cassady beat poets writers

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