Bach to the Fatherland
So I’m sitting here in the shadow of the Thomaskirche in Leipzig listening (unusually for me) to Johann Sebastian Bach, chapel/choirmaster of St Thomas’s, on Spotify, absurdly selecting ‘tracks’ according to number of listens (Partita in B-flat major 2,764,917). And I’m writing this post 5 years and 1 day after I wrote my first Back to the Fatherland on first coming to the city where my dad was born, accompanied by my sons/his grandsons.
Here is that first post about how I found my grandparents’ house, which is just a few streets from here, the other side of the site of the burnt-down synagogue:
I came back in 2010 thanks to Documentary Campus/Doc Leipzig, the annual documentary film festival held largely at the MDR building just out of the city centre, just a short walk from the hospital where my dad was born. That’s why I’m back for the fifth time.
Here’s an account of my third (2013) visit during my sabbatical from Channel 4:
Last year I came with my older son who was making his first documentary (Scattergun – a life in four tattoos) as part of his A level in Applied Media. He was interested in listening in on the pitching sessions.
This year I’m solo again (like 2012 and 2013). I’ve been mentoring a documentary team making a film about renouncing vegetarianism. Last year I mentored a film about Super 8. This year I brought my own Kodak flipcam (off-spring of the Super 8) to make a little video of the trip.
I arrived in the autumnal late afternoon sun of Berlin Schoenefeld, got a taxi driven by a mad Turk to Sudkreuz (he miraculously got me there with 15 minutes to spare) and then the train to Leipzig Hauptbahnhof. I had dinner with a bunch of the Documentary Campus folk in an ex-vinegar (Essig) factory. So no bitterness there, just celebration of The Documentary among a group of old pals including Elizabeth MacIntyre of Discovery Networks International, who is just leaving Documentary Campus to head up Sheffield DocFest, and Lena Pasanen, formerly of YLE, Finland, who is taking over Elizabeth’s role. I walked back, surprised at how well I could navigate the city at night.
So here I am in the shadow of the Thomaskirche as its bells chime midnight. By now I’m listening to Jacques Loussier playing Bach – sacrilege perhaps but sometimes a man just needs jazz.