LA Woman

{21/7/15}

Five Leaves Left : Nick Drake - back cover photo by Keith Morris

Five Leaves Left : Nick Drake – back cover photo by Keith Morris

Well, that was an interesting day. Got weirder and weirder. Started out from the rock-steeped Sunset Marquis hotel (shades of Joe Strummer and The Stones) past the Hockneyesque pool with my colleague Jody to explore the Sunset Strip. (Had already done half a day’s work in the overlap zone between PST and BST.) We checked out the Viper Room (I watched Running On Empty two nights ago and was reflecting on River Phoenix’s premature passing) and Whiskey-a-Go-Go (shades of Jim & The Doors). Pulled into an old-school bookstore and picked up some vinyl including Five Leaves Left, featuring a photo on the back by Keith Morris whose original hangs on our stairs at home.

[I’m writing this post at the junction of Mulholland Drive and Laurel Canyon (shades of Crosby and Young), driving out to a film shoot in Hidden Hills.]

Peeled off into Beverly Hills where we checked out residential LA with its fake-grass and fanciful flowers. Short pit-stop for an iced coffee where we people-watched – a male jogger with no top and tight lycra bottoms leaving nothing to the imagination, jogging being the operative word; a woman all in black with her friend all in white, Spy vs Spy, too old for their Porsche, faces distorted through Beverly Hills surgery. Then on to Melrose where we landed in the middle of a paparazzi ambush of Hollywood actress Hilary Duff, in a sheer shirt, carefully showing off her black lacy bra to the media collaborators (in this Princess Di style ‘accidental’ encounter going about her everyday business).

Hilary Duff photographed on Melrose Beverly Hills

So far so LA LA. Then we hook up with the director and PA of a short form series I’ve got shooting out here about the LA underworld. The PA can’t start her car without breathing into a breathalyzer device (very Lynchian) due to a past DUI. Every time she does a sharp manoeuvre, like rounding a tight bend, the thing goes off and she has to do a test on the fly. All a bit Blue Velvet.

[Now on Ventura Freeway, shades of America (the US band that made it big from Kentish Town). She’s sitting beside me now as I write, device across her lap.]

We head out for a meeting with our key interviewee, a porn star made good through the family-run porn business she’s set up  – both she and her hubby are leading stars. She’s pretty and delightful, lives in a gated community north of the city, loves reading and horses. She showed us around the house and facilities, all set up to be optimized for porn shooting – the pool, the living room, the out-buildings. Up in the office were the costumes – tiny skirts and huge heels. She shows us an 11-page script for a two and a half hour movie – the sex only takes up a line, the actors aren’t great with dialogue she explains. She opens the porn cupboard under the stairs – baby oil, condoms, hard drives, medication.

Back in the house we have a flowing chat which ranges from the impact of having a porn-star husband on their sex life (don’t ask if he’s done two scenes that day) to the two-weekly blood and urine tests (darn, there goes my hopes of a porn-star career, phobic about blood tests), from the reaction of her family to her vocation to her preference for working with only the four or five stars she actually fancies, from the rise of a Viagra generation of stars without the “strength” of the previous generation like her husband to her passage from nudie pics to porn films which she really felt a pull to do. She revealed that that cliché of young girl shows up in LA to became a starlet and drifts into porn is the wrong way round – girls with a bit of porn experience suddenly take up acting lessons and think why not take a crack at it. She described the experience of working with newbies who show up with a yeast infection, not fit for action, and little knowledge of their own bodies or sexual hygiene due to their roots in low socio-economic groups. All this over coffee at the dining table, not your everyday convo but a suitably weird adventure.

The crew and I repair to the bar of the Sunset Marquis to plan the shoot the next day. Two casting couch films. New girls. How LALA is that going to be …?

 neon sign man woman

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1 comment so far

  1. […] in my office (third booth to right) at Mel’s Diner on Sunset, ready for a shoot north of LA [see LA Woman]. Nothing like a good diner omelette to get you fuelled up for porno production. The PA, Beatrice, […]

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