Thoroughly Modern Mary (Poppins)
I’m going to watch Saving Mr Banks later today as I have to submit my first round of votes for the BAFTA Film Awards tonight. I’m all the more up for it as on Christmas Eve I went to see Mary Poppins (1964) on the big screen for the first time since I was a child, at The Phoenix in East Finchley, complete with free sherry and mince pies, the Christmas Eve screening becoming an annual tradition for us.
Watching it five decades after its release (this coming year is its half-century anniversary), it strikes me as modern in a number of ways, such as:
- Bert (played by Dick Van Dyke) has a portfolio career – chimney sweeper, pavement artist, one-man band, etc.
- Bert and his chimney sweep pals do free-running (parcours) on the rooftops of Edwardian London (really, check out some of the moves up and between the sloping roofs)
- Bert does free-style rapping at the gate of the park, making up his songs on the spot in response to the specifics of his audience
- The bank where Mr Banks works is engaged in risky speculation with Other People’s Money and making nothing concrete or useful, and nearly collapses just because a young child speaks out and refuses to invest his two pennies in such supercrappifragileunrealisticexpatrociousness.