The Play’s The Thing (Day 80)

Brendan-Behan irish playwright

Day 80 was just a couple of hours really. It was the day after Boxing Day so didn’t count 100% as a working day. I carried on pulling the research material together into the first draft of the Joan Littlewood chapter. Then I had an urge, mid flow, to try to write the emblematic scene which opens each chapter, designed to capture the essence of the protagonist. In this case I opted for a scene from the performance of The Hostage at the Theatre Royal Stratford East in 1958. It’s based on my interview with actor Murray Melvin. It’s actually the bit of the interview where my recorder crapped up on me for the one and only time so far but luckily I wrote down the main points on the Central Line home from Stratford – just as well as I’d already forgotten the finer details which surprised me. Even though it’s only been a couple of months I forgot which play it is associated with and what Behan actually said. The first draft I wrote from memory. Then thought to check my record and now I’m fixing it this morning (Day 81).

The point of the scene is that Brendan Behan regularly attended the production and had a habit of interrupting from the auditorium much to the delight of the audience. This meant the actors were put on edge which is something Littlewood liked as it kept the play fresh and alive during the run and underlined the participative nature of her theatre in that the audience, the actors, the writer and her as director all had significant contributions to make to make the play the best thing it could be.

the hostage brendan behan thaeatre royal stratford east poster

The play’s the thing
Wherein I’ll catch the conscience of the king.

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1 comment so far

  1. […] notes in from research material but mainly getting a bit of a flow on and springboarding off the emblematic opening scene into the meat of the thing, centred on Joan’s focus on the present, participation and […]

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