Archive for November 18th, 2013|Daily archive page

Known Pleasures (Day 54)

Known Pleasures (Day 44)

I’m starting the Music chapter now and I’m very excited – this is my heart-beat on a reversed-out ECG

The Beat Hotel (Day 53 and a half)

Since I’ve been working so hard on the Ginsberg chapter (my model chapter) it was a real pleasure to go find the Beat Hotel while I was in Paris visiting Arte and my old friend Marcelino Truong (whose current book, Une Si Jolie Petite Guerre, is named after Joan Littlewood’s Oh What a Lovely War). The hotel, where Ginsberg stayed and nearly picked up a drug habit thanks to Burroughs and Corso, is a literal stone’s throw from the Seine by Notre Dame and two blocks from Shakespeare & Co. whose owner, Sylvia Beech, is still on my radar (though a long shot) as a potential case study.

The Beat Hotel, rue Git-le-Coeur, Paris 6

I saw the best minds of my generation run out of space

I saw the best minds of my generation run out of space

The Beat Hotel, rue Git-le-Coeur, Paris 6

The Beat Hotel, rue Git-le-Coeur, Paris 6

sign The Beat Hotel, rue Git-le-Coeur, Paris 6

allen ginsberg The Beat Hotel, rue Git-le-Coeur, Paris 6

Ginsberg in the Beat Hotel in the Beat Hotel

Glyptoteknocrat (Day 53)

Glyptotek Copenhagen museum gallery

Starting the day with a meeting about multi-generational space missions in closed loop systems (i.e. intergalactic travel taking many generations to complete, not even hundreds but thousands of years and more) does tend to shift your perspective so left CPH:DOX with headshifted and an ambition to squeeze the most out of my last few hours in Copenhagen. Headed to the Glyptotek which houses the art collection of Carlsberg of brewing fame, on the recommendation of both Toni Arden (who hails from the city although has been living in England since she met Paul on a Scandinavian ferry as a teenager) and Ove Jensen of European Documentary Network.

Glyptotek Winter Garden Copenhagen museum gallery

Glyptotek means a house for sculptures. You know that weird thing where you come across a word for the first time and then it crops up again the same day? Well it happened with Glyptotek – a bit Twilight Zone given how obscure a word it is. I was reading a novel by Philip Kerr, The One from the Other, a detective story set in Nazi Germany, both in the terrace café in the charming Winter Garden of the Glyptotek and again on the plane home, when the hero, Bernie Gunther, a Berlin cop moved to Bavaria after the War, meets a client, a rich blonde in a Porsche, at the Glyptothek (with an H) in Munich.

Any way I set up office in the Glyptotek (without an H), moving from the running water and palm frond tranquility of the glass-domed Winter Garden to the quiet of the antique sculpture lined galleries. More Ginsberg needless to say.

I had a sneak preview of the French painting galleries which open in their renovated form tomorrow (bad timing on my part) – the highlights of the few rooms already open were a couple of Courbets and a large scale painting of a beggar at a bourgeois door by a 19C French artist whose name didn’t ring a bell.

The_Beggar - Jules_Bastien-Lepage (1880)

The Beggar – Jules Bastien-Lepage (1880)

Had a final writing session on a bench beside the idiosyncratic building with its sculptural details of hippo and teeth-bearing ape heads as the sun lowered in a wash of red, then headed for home. Complemented the Chandleresque adventures in post-war Germany with some more research on Peter Cook who I feel is moving out towards the edge of the radar as the Comedy candidate, proving beggars can be choosers.

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