Stage Struck (Day 24)
It had to be done. Sitting on the stage of the legendary Theatre Royal in Stratford East. MacBook Air close at hand. My theatre chapter notes on me. Half an hour to spare. I began writing my chapter on Theatre starring Joan Littlewood and Joe Papp on the very boards where the Theatre Workshop was set up in East London by Joan and her partner Gerry Raffles and where ground-breaking shows like Oh What A Lovely War came into the world.
I was there at the kind invitation of Stella Duffy, writer, novelist and performer, whom I first contacted after reading her Guardian blog about her project to revitalise and realise Joan and Cedric Price’s concept of the Fun Palace. She was running an Open Space to bring together all the potential partners in the 2014 project.
During the day I was privileged to meet a number of people who worked at this very theatre with Joan and collaborators both on and off stage including actor Murray Melvin and director Philip Hedley who kindly helped those gathered to understand where Joan and Cedric were coming from with their vision for Fun Palaces where theatre, arts and science could hang out together in the name of Fun and non-boring Learning.
I was energised simply on arriving in Stratford as this was my first time back since the closing sporting events of the Paralympics and was charged with happy memories of ten days volunteering down at London 2012 in the Media Centre/Press Office of the Olympic Park.
The theatre there is uniquely intimate, 450 seats but when you stand on the steeply raked stage every one of them seems within easy reach of your gaze and words. Acting has never really been my thing, I’ve always been happier behind the camera, but if I had to do it that’s a stage I’d like to give it my all from and the black bricks of the unusually deep stage (a depth created by acquiring the adjoining building at some opportunistic juncture) contain some essence of innovation and experiment which had me leave with fantasies of performing.
On my way out I bumped into a fellow Gee (no relation) whose path I’ve crossed on Facebook, partly through the random coincidence that her daughter and my grandmother share the same less than commonplace name. Lisa Gee is a published writer of books and journalism and during our enjoyable outdoor chat beside the Theatre Royal box office (where I took the opportunity to pick up tickets for the 50th anniversary revival of Oh What a Lovely War early next year) she was kind enough to share some insights into the publishing side of things.
Towards the end of the afternoon I had to head West again to attend a technical rehearsal in the bowels of Channel 4 for my Health Freaks commission which involves a live insert into a pre-recorded show which is technically tricky and needs split second timing. It was my first time back in C4 HQ since I started my sabbatical on 1st September. There were the best part of a dozen of us in the small edit suite ranging from presenter Dr Pixie McKenna through the production manager of the TV show to the colleague making up the on-screen graphics. That ‘cosiness’ drove home how much of a work of collaboration and teamwork this kind of creativity is – a perfect note to end a Joan day (it was her birthday yesterday so the anniversary had been marked on the stage at the start of the day with some red flowers presented by Stella before a projected photo of Joan sitting on bombsite rubble in front of the Theatre Royal) as Joan, for all her leadership, was a tireless advocate of creative collaboration and collective creation.