Argofuckyourself – Oscars 2013 Update
This is an update to my Oscars 2013 post which set out how things would pan out if the world were a just or tasteful place…
So how just were things?
I was on the money for Best Actress (not an obvious one with Emanuelle Riva in contention) and Best Screenplay, both Original and Adapted. I also nailed Best Cinematography and Best Documentary.
I still back Silver Linings Playbook for Best Picture. Dave Sexton sums it up pretty well in tonight’s London Evening Standard: “Yet [Argo] is only moderately good, telling a story that has no long-lasting or deeply personal resonance for the viewer. It’s well made, quite exciting at the start and at the finish, and it has some funny lines. But it’s not a film you would want to see twice, I’d say.” I’ve now watched it twice and he’s right – it’s not a fulfilling experience second time round, largely due to its thriller nature. Ben Affleck’s performance looks better on second viewing and his direction very well pitched and restrained. But SLP has more substance in the long run, more legs and more emotional resonance.
Ang Lee as Best Director I can swallow as Life of Pi is a real handful to master and it is quite some spectacle, one of the first artistically successful 3D movies (I suspect even Kermode would agree on that front). I also embrace Daniel Day-Lewis as Best Actor as he clearly is one of the all-time greats, and he brings Abraham Lincoln fully to life. Christophe Waltz merits his second Best Supporting Actor gong – the way Django Unchained spins out of control after his demise indicates the importance of his performance, even if it gets a little mannered at points.
2012-13 was a really rich year for cinema in contrast to most of the last few years. I’m glad therefore that no movies dominated the Oscars, especially Lincoln and Les Miserables, the one too talky (my Twitter review: Overlong, overtext and over here) and the other too singy. It was a bit harsh on Zero Dark Thirty but all in all justice largely prevailed.