Archive for the ‘aardman’ Tag

4mations Reviewed

4mations has had its first review (in Web User) – it’s the first project to emerge from the 4iP fund at Channel 4 (though only part-financed by 4iP) – 4mations moves out of beta later this month.

4mations review in Web User

4mations review in Web User

4mations review in Web User

4mations review in Web User

Animation for the Nation

The broadband animation project I have been working on all year has finally launched in Beta at www.4mations.tv. This is the new home of Channel 4 animation and has suitably bold ambitions to be the Centre of the Animated Universe. Produced by Aardman in Bristol and Lupus Films using video SNS technology from Reality Digital.

It works – which is always a good start, providing a wealth of animation and games, including the best of C4’s outstanding 25 year archive of short animations. People who upload their work are in the frame for cash rewards awarded to the most watched contributions.

The first 400 contributors get this special, very valuable badge:

First 400 blog badge

First 400 blog badge

And, in the spirit of Olympic hand-over and 2012, the toppest community members get this little golden baby:

gold blog button

gold blog button

How can you live life without those? Come on, shake a leg, get animated and explore the dark corners of 4mations…

Update 28.8.08:

4mations in The Guardian

4mations sneaky peaky

Sneak preview of the first moving pictures to come out of 4mations, the soon-to-launch broadband home of Channel 4 animation. Working on this with Aardman in Bristol (home of Shaun the Sheep and Angry Kid) and Lupus Films (home of Channel 4 animation commissioners who leave the fold). This animation is the end board for video diaries by animators, writers etc. on www.4mations.tv (where there is currently just a holding page – beta site launches in September). The visual theme is ‘weird shit that comes out of people’s heads’ – like animation and alien invader cats…

Baa raa black sheep

frank gallagher

A pretty action-packed day by any standards. Just on my way home from the British Animation Awards at the National Film Theatre where we launched Channel 4’s new broadband animation channel – 4mations – in collaboration with Aardman and Lupus Films. What I liked most about the awards was that each award was a unique framed image made by an animation professional (including David Shrigley [Blur - Good Song, Hallam Foe titles], Darren Walsh [Angry Kid, Beck - Four Steps, Sony Bravia Play-Doh/rabbits] and Andy Martin [E4 Music, Kerrang! TV IDs] – you can see them all on the 2008 Prizes link on http://www.britishanimationawards.com) – unique images on the subject of sheep – BAA, baa, sheep, geddit? The whole thing was a celebration of the incredible talent across the UK in this tight-knit, ultimately for-love-not-money industry (not that it doesn’t make money but that’s not what drives its creatives). Happily, Shaun the Sheep picked up a couple of …sheep.

The wolves in sheeps clothing on this particular evening included Richard Morrison for the Sweeney Todd movie titles (produced by that blast from my past, Dominic Buttimore of Th1ng, convener of the annual Elvis birthday tribute at which an 8mm version of Blue Hawaii gets its yearly airing); Osbert Parker for Yours Truly, a thrillingly inventive film noirish animation made under the Animate scheme funded by Channel 4 and the Arts Council), one of three Channel 4 successes on the night; and Simon Tofield for the hilariously well observed feline dynamics captured in Cat Man Do – my favourite of the night.

Behind me in the queue going in was the venerable John Coates, creator of The Snowman and producer of The Beatles’ Yellow Submarine film. One of the nominees was an IrnBru ad parodying The Snowman [Phenomenal Xmas by Robin Shaw/Sherbet], in which the high-pitched kid gets dropped out of the sky by the soaring snowman who nicks his tin. Rightly enough, John was flattered by the homage. The author of the source book, Raymond Briggs, was altogether less sanguine last autumn about this derivative. The Snowman was one of the very first commissions by Channel 4, a quarter of a century ago, which leads us neatly into the other action of the day…

The other end of the day saw the launch of Next on 4 – the blueprint for the next phase of Channel 4 as it moves into its second quarter century. There were a couple of moments of magic that lifted the whole event from a corporate function to an inspiring vision for public service broadcasting.

The first was a video clip. Times are tough. Competition is fierce. The media industries are up in the air. The public service broadcasting model is falling behind the times. The regulator’s breathing down your neck. You’ve been known to upset the powers that be. The advertising revenue is disappearing into the maw of US corporates. The halcyon days of Charlotte Street, The Comic Strip and Max Headroom are a dim&distant memory. The enemy’s at the gate. The wolves are at the door. What do you do? Get Nick Broomfield to make a spoof documentary about the purposes of Channel 4 culminating in a slurred elucidation by none other than Frank Gallagher, just in the Nick of time before the Grolsched-out mainstay of Shameless passes out. “The point of Channel 4, Nicholush, is to maintain the salience of its remit in the new digital age.” Are you people taking this seriously? We are – because only Channel 4 would turn it to comedy (with substance). The medium is very much the message.

The second was a Churchillian moment from the Chairman, Luke Johnson. After struggling a bit during the opening address with the awkwardness that is those autocue systems with the smoked grey glass plates on bendy stalks , to round off the Q&A (hosted in the style we love him for by Jon Snow) Luke responded to the final question by reminding us all that Next on 4, this event, the debate around Channel 4 as Ofcom reviews our public service broadcasting, is all about the value of Channel 4 to UK society and the values and public purposes which drive it. Think Henry V. Think an authentic moment when the passion for an idea breaks through a breach in corporate decorum. Think raw not baa.

churchillfrank gallagher

There’s snow business like show business

Floating in the sky

Took the Enfants Terribles last night to the 25th anniversary celebration of The Snowman, one of Channel 4’s first commissions, originally TXing in November 1982, the month the Channel took to the air. It had been commissioned that February from John Coates (who also produced Yellow Submarine for The Beatles) – he was at the event yesterday evening at the Peacock Theatre near Lincoln’s Inn. Camilla Deakin, former Channel 4 Commissioning Editor for Animation, introduced me to John, a stalwart champion of British animation.

I’m currently working with Camilla and her business partner at Lupus Films, Ruth Fielding, and the comfortable creatures at Aardman in Bristol to explore where the next 25 years of Channel 4 animation may go in the networked, on demand world we now inhabit.

I bumped into David Baddiel for the first time in a long while and his charming Mrs, Morwena Banks of Absolutely Productions. In the wake of his recent BBC1 documentary on the question of restitution for property stolen from Jews by the Nazis and their collaborators in Germany, Poland and Eastern Europe, he is keen to move beyond Jewish and football themes to explore lively approaches to documentary in other areas, more allied to his novel writing themes.

Fellow comedian Rowland Rivron, as dapper as ever in a pinstripe reminiscent of that other groovy fella Jools Holland, seemed to be an afficianado of The Snowman stage show, highlighting variations of scenes and costumes from the previous times he has sat through it over the child-rearing years. Since returning purified from Extreme Celebrity Detox, he seems to have lapsed a bit from the strict regime of vomit-inducing fluids he bravely tested out on behalf of Channel 4 and is comfortable again sipping a drop of wine and downing a petite mince pie.

Don’t think Tamara Beckwith downed even one of the mini mince pies – there wasn’t room in her spray-on jeans. Other glam in the place included Natasha Kaplinsky and two this-generation female Blue Peter presenters who I don’t know the names of but of whom the older Enfant Terrible asked me: are they lesbians? Not sure what prompted the question but brought to light what a different world we’re in compared to the innocent days of Valerie Singleton.

Said Enfant was delighted to chat with Duncan Ballantine of Dragon’s Den – “I wouldn’t have invested in those smiley stickers – there are loads of things like that in schools” he confidently pronounced to the tanned tycoon, evidence of the real educative value of the Den.

Meanwhile the Mrs was altogether more interested in John Simm of Life on Mars and Human Traffic fame (which was produced by my one-time flatmate and old friend of the Mrs, Emer McCourt – check out her first novel Elvis, Jesus and Me).

Reflecting back on that first month of Channel 4 chimed in perfectly with the evening before – the first annual 4Talent Awards, at which I had the honour of presenting the New Media award to Mark Bowness, the fella behind the brilliant TribeWanted. The warm, intimate event at C4 HQ in Horseferry Road was perfectly MCed by comedian Paul Tonkinson, light but respectful of the young talent in the room. And the winners – 20 selected from art forms ranging from sit-com writing to architecture, from documentary photography to fashion design – were buzzing with fresh talent. Bastards.

No, it was fabulous – and very C4. Had me floating in the moonlit sky. You can peruse them all here on 4Talent / Ten4. The recognition clearly meant a lot to the bearers of the illuminated, chameleon-colour-changing awards (from Matmos, the lavalamp supremos) and was a clear motivational boost. As Channel 4 moves into the fully digital age and its next quarter century, the kind of energy and fresh talent in the Drum (the round room in the basement of the Channel where the post-awards drinkies took place) will be central to the evolving organisation and the beat to which it marches.

Follow

Get every new post delivered to your Inbox.

Join 139 other followers

%d bloggers like this: