Archive for the ‘musings’ Category
Argentina is separated from Uruguay by the River Plate, which from the shore looks like a sea. On the Argentina side it is muddy brown. On the Uruguay side, a bit bluer. It takes around two hours to cross by boat. Valeria, Damian and I boarded from the modern passenger terminal in Buenos Aires, built only two years ago, complete with a wall of falling water.
I spent much of the journey doing my Spanish lessons on Duolinguo. Lo siento, no hablo Espagnol. Funnily enough, I got to use that phrase on Uruguayan television later in the day.
The journey is a flat expanse of calm river, punctuated with the odd vessel but otherwise without features. Eventually the Uruguayan mainland looms into view, and then Montevideo, a largely low-rise city. On disembarking we passed pretty much the whole of the country’s navy in port, grey hulks labelled 1 to 24 under huge yellow cranes.
We were picked up by a colleague of Damian’s from TV station Estudio 9. She drove us along the coastal road, the Ramblas, a crescent promenade bordering the river-sea. We went first to Channel 10 where Damian did an interview on a daytime show. He was preceeded by Chico Novarro, a famous Argentine romantic singer of boleros, and his leather-trousered son, a well-known actor. The two presenters and crew were really welcoming and friendly, especially the older host who couldn’t have been warmer.
Everyone in the crew, cameramen, sound, the works, were on their phones the whole time they were shooting. I watched a voice-over artist at the side of the set do the sponsor presentation live, delivering each bit perfectly and on time then returning to his magazine the second the mike went off.
The set was a comfortable house with living room, kitchen and (fake) garden beyond the French doors. Damian chatted in the kitchen with the younger host (with whom he made the multiplatform show Conectados a couple of years ago) and efficiently got across his activities with Mediamorfosis.
We left the beautiful shade-dappled side street where Channel 10’s studio is located for a hotel in the city centre, not far away, it’s a bijou city. After dumping our stuff, the three of us walked ten blocks to the old city centred on Independence Square (this is Uruguay independence from Argentina). It is defined by the old theatre Solis, a strange masonic tower and a stone arch – very atmospheric and typically hispanic.
We had a late lunch outdoors (a lovely fresh white sea fish steamed with carrots and onions). Then I dragged them in to a beautiful late 19C book shop with high shelves, a book-lined balcony, a stained glass window half-way up the stairs and a café up above. If I lived in Montevideo, this would be my HQ.
Also at my request we popped into the Torres Garcia museum next door in a tall old townhouse, five or six narrow floors high. Joaquin Torres Garcia is Uruguay’s most famous Modernist artist. The early work on display (like Adam & Eve) shows the influence of Cezanne, Picasso and Gauguin. He lived in Paris, Barcelona and New York. Other roots seem to be Klee (searching for a symbolic universal picture language) and native South American Indian art (flat hieroglyphic planes). He was clearly both a restless experimenter and a relentless theorist. Note to self: pick up a book about him on my return.
We then headed off to El Observador newspaper in a quiet, more industrial quarter, beautifully designed offices in black and white, stylish. I had a look around the newsroom, then got roped into an interview despite my Duolinguo Spanish. That’s when I got to say “Lo siento, no hablo Espagnol” on air. We talked about the future of TV and media with a similarly stylish young journalist with blue glasses (Dame Edna Everage-style but dialed down and cool).
Off for a siesta listening to Kind of Blue (= perfect siesta length, finishing on flamenco vibe) then over to Estudio 9 where Damian and I were doing a two-hander evangelising transmedia. The venue was a black-curtained studio, subtly lit in the beautifully lit and decorated former dance hall. We had fun doing it, it seemed to go down very well.
From the studio we headed out for a suitably late a l’Espagnol supper in a former market with various folk from the British Council Uruguay office. In the corner of the open-to-the-air market (a bit like Spitalfields market) was an enclosed space with windows housing a tango school. Tonight was tango night so I got a chance to watch some regular couples at work. I liked their ambition. When I eventually got back to my 8th floor room I realised what I was looking down on was the corrugated iron roof of the mercado. So I fell asleep in Montevideo listening to the sounds of tango from below.
Started the day by putting in an application for tickets for the Rugby World Cup in England & Wales next year. Have seen occasional signs of Argentine rugby during my stay – a pitch here, a newspaper report there.
Made a bright and early tourist start across the sleepy Sunday morning city in the direction of the gallery of 20th Century Latin-American art, Malba. The BA at the end stands for Buenos Aires (Museo de Arte Latinoamericano de Buenos Aires).
It was a 45 minute walk, back to the area where TV Publica lives. As I went past the law courts, motorcyclists of all shapes and sizes were gathering. About an hour later I saw them parading down Avenue Presidente Figueroa Alcorta making as much noise as possible, even the little Vespa at the back.
I checked out the embassy quarter as the gallery didn’t open til noon, too enthusiastic for my own good, need to get myself on Latino time. The embassy area could easily have been in Paris, tranquil streets with 19th Century European style residencies. Some lovely trees, some interesting architecture (including a modernist building with metal oval door and oval windows), no-one around in the light drizzle.
Once I got into Malba I made a bee-line for the permanent collection of 20th Century art, the collecting of Argentine businessman Eduardo Constantini, offered to the city as a permanent and public home for his significant collection. The city’s artist community backed him to the hilt, persuading the municipal authorities to grant him land on which to construct a purpose-built home for the artworks.
My visit centred on the stand-out exhibit, Frida Kahlo’s Autorretrato con Chango y Loro (Self-portrait with Monkey and Parrot) (1942) of which more here. Worth the price of admission and the 6,900 mile trip alone. Other highlights included Antonio Berni’s Manifestacion (1934), a great example of politically committed painting from Argentina and The Dressmaker (1935) by Amelia Pelaez of Cuba, really original drawing.
I walked back to Plaza San Martin a different way, enjoying the Sunday afternoon calm. The streets were mainly populated by young people and young couples.
After a bit of writing and feet resting in the comfortable, old-school hotel room, I taxied across to Palermo Soho, a bar and shop district on the other side of town, for the day’s meal. Highlight of that: tortilla. I wonder whether this Soho is named after New York’s SoHo, London’s or neither? A coffee and read to round off, then back to base ready for an early start on the journey to Uruguay. It’s not every day you get to visit a country beginning with U. Right up there with the day we walked across the bridge from Zimbabwe to Zambia, a double Z bonanza.
It’s been a good while since I’ve been on a plane with propellors. This one was quite magical. It flew low (i.e. in clear sight of the ground) out over the River Plate / Rio de la Plata, a rich muddy brown colour, as extensive as a sea, Uruguay visible only as a thin strip in the distance on the other side; along the muddy water (which of course is silvery or argentine in the sunlight) into the enormous delta region; and on over water-level land bisected by the meanders of the river (Rio Parana) and divided by myriad channels, very little sign of habitation or human presence.
We landed in Rosario, Argentina’s second city, 50 minutes north-west of Buenos Aires. It’s largely a human scale, two-storey urban sprawl, all in square city blocks, with very varied architecture (very little sign of any planning control or heritage building restoration). Some very elegant buildings among the hideous blocks. My companions Damian, Valeria and Robert and I landed in one of the class ones – the El Cairo cafe, once the cultural and literary hub of Rosario thanks to the writer Roberto Fontanarrosa, El Negro, a son of the city who hung out every afternoon with his compadres to talk culture, politics, football and all the stuff of life. Damian once optioned some of his short stories but found them impossible to realise in practice due to their fantastical nature – Mars is not an easy location.
A couple of doors down is the El Cairo cinema, a beautiful 40s art deco picture palace decorated with palm trees and orientalist details, redolent of Casablanca, Rick’s, the Blue Parrot, all those usual suspects. It has a huge screen and a rich crimson womb-like vibe. The boss of the cinema, the charming Arielo Vicente, took us down to the old railway station by the river. In the British-built, red brick railway terminal, which was specially opened for us, is now a fabulous children’s project, a space for children and their parents to come at no cost to hang out together and do arts activities from making clothes to welding scrap-metal sculptures, from manufacturing paper to reflecting on memories.
Adding to yesterday’s list of things that have cemented themselves in my head about this place and its people:
- Argentines think a lot about what’s public
- The advent of democracy in the mid-80s is a major watershed in their consciousness
- They are very good at crafting attractive environments
- They seem remarkably friendly and warm to each other too (I watched an emblematic scene in the airport today of a man and woman returning the mobile phone of an old fella who hadn’t realised he’d lost it – lots of goodwill and smiles).
There were lovely details in the old railway building – a glass wall at the tracks end creating a compelling view along the still extant tracks, the old ticket windows, some well worn wooden stairs up to the first floor (where there’s an animation workshop with a refreshingly analogue, hands-on focus).
We had a drink at the riverside (Rio Parana) before returning to the Cairo where I followed Damian giving a talk to an audience largely of students and young Rosarians about what’s exciting about ‘transmedia’. The queue for the event was out the door and down the block. Really enjoyed chatting to the young folk afterwards and joining them in their selfies.
As the red neon El Cairo sign illuminated (a distant relative of the Phoenix sign in East Finchley) Arielo took us back to the river, beside some massive, beautifully painted grain silos (now a modern art museum) to a fantastic modern restaurant where I ate paku, a river fish that really tastes of river, a fascinating muddy aspect to the taste which I enjoyed more than the natives (not to be confused with pako, the cheapest, nastiest derivative of cocaine, which was the subject of my attempt at Spanish wordplay, feeble but given how little Spanish I know not altogether unworthy. I started learning Spanish today in the footsteps of 20.2M other Duolinguo users. I’ll try it out on my Argentine amigos on Monday.) Washed it down with a beer, the right drink at the right time, although no native cerveza to be had.
Though no beer was really needed, we all felt buzzed by the positive response to the El Cairo event and the youthful energy in the air.
Wow, where did that come from? One minute I’m walking along with three charming lunch companions, the next minute the rain and hail is so intense I can’t even see across the street to the Audio-Visual District HQ in an old market building, open to the air. As previously reported, it’s Spring here and seemingly that means extreme shifts of weather. This time yesterday I was sunbathing on a stone seat – now I’ve ducked into a cosy but lively café, the Decata, with thunder and lightening punctuating the background music in here.
Lunch was very enjoyable in a German-owned place which gave me the chance to switch from my Spantaliano to Deutschpagnol. My three companions were a young TV presenter-producer who fronts a show in Venuezuela, a fella from Colombia who loves punk (Pistols Tshirt yesterday, Clash today) and a translator-scriptwriter. They filled me in on the harsh realities of the closed economy here (pretty much the opposite of London and what makes it tick – advantage of being an island, where trading is second nature) and I felt their frustration at how it hemmed in their creativity, natural entrepreneurialism and energy.
This morning I went back to Mediamorfosis to listen to a session on multiplatform history by Alvaro Liuzzi. His project on the Malvinas conflict 30 years on was particularly interesting. Veterans joined in the Twitter narration by publishing extracts from their long-forgotten war diaries. A journalist found an undeveloped Kodak disposible on the islands and used the project to help track down the soldiers who showed up in the developed photos.
Next up was Robert Pratten of Conducttr, an East Ham man who talked through the very interesting and well integrated Twitter game he developed for Canal Plus in Spain for Game of Thrones. He had some keen observations on patterns around transmedia which were great food for thought. He, like me, places great emphasis on the centrality of the audience.
Damian Kirzner who organised Mediamorfosis is the long lost twin of my friend Jim Dwyer in Dublin. I’m going to make a point of engineering an opportunity for them to meet face to face. Damian pressed his two teenage sons into service as well as his good lady wife making the whole thing a delightful family affair, lovingly crafted. The two boys couldn’t have been more solicitous in taking care of dad’s Brit mate.
The storm has somewhat bollocksed my planned flaneur activities for the afternoon so I’ll sit here Hemingway-like on the trusty Air (in my head a portable Halda) and rethink…
The solution was meat.
Two and a half days in Argentina and no red meat. I had to do something about it. I headed across town with Robert and a taxi load of super-friendly Argentine women from Mediamorfosis to the Teatro Picadero where, beside a newly and beautifully restored theatre, warmly lit throughout, was steak. Not the stake of stakeholders and other arts jargon from subsidised theatre. Steak as in the two truckloads of cows I spotted on Day 1 coming in from the airport. We had dinner hosted by Marina Marchesotti, boss of the Picadero, along with people from the British Council, the Picadero and Direct TV from LA. Red wine flowed. A pile of meat duly arrived. The evening flowed happily.
A couple of things that have cemented themselves in my head today:
- Argentines do a single kiss – consistently (no European double, even men do it much of the time on other men)
- Argentines commonly have Italian names
- Apart from the grumpy taxi driver on Day 2, everyone here is genuinely friendly and warmly welcoming.
The sun has put his hat on. The tree-filled Plaza San Martin looked the business as I taxied across town past the main station and through much more impressive neighbourhoods, greenery, space and Euro-elegance.
I spent the morning at Mediamorfosis, a progressive transmedia conference lovingly arranged by my friend Damian Kirzner, a producer and passionate advocate of multiplatform story-telling. We first met at the International Emmys in Cannes a couple of years ago, both nominees. We tried to hatch an ambitious Anglo-Argentine multiplatform environmental project focused on the South Atlantic but it floundered on the rocks of British realpolitik. Shame because the sea-life there is seriously under threat.
At Damian’s invitation I did a turn trying to get across what’s exciting about transmedia and where the opportunities lie. It seemed to go down well so hopefully it may inspire a Latin or two to come up with a multiplatform creation which works this side of the water.
Took a long hike across the city with a Columbian student along tree-lined streets of two-storey European-style buildings through the extensive area known as Palermo. Reminded me of similar streets in Toronto, Tel Aviv and Paris. We talked drums, jazz, politics – thoroughly enjoyable wander. One highlight was a beautiful bookshop of high wooden shelves with a tranquil cafe secreted at the back – where I would definitely hang out if I lived here. The only book in English I saw was by Jamie Oliver.
Which brings me to Shakespeare. I’m still in the garden near his bust as mentioned on Day 1. I’ve had a fine siesta in the sun. Read some more ludicrous stuff about Nazis in Lisbon. And am about to head off on the hour walk back to have cocktails in the media district.
Early on in my career I directed a shoot in a plastics factory in the depths of South London. It was that morning, as I watched the mundane, repetitive jobs people had to do, that I recognised how privileged my work was, above all in its variety and creative fulfilment. Now it’s the end of a long day, thirteen hours without a break, quite intense activity, which I look back over with that same perspective – that was a really satisfying one.
The first bit at home on rising was just tying up some loose ends of the week, a bit adminy. Then the rest of the day rolled out along the Northern Line.
First stop Borough – a meeting involving a Countdown personality to develop a project focused on words and language. The project seemed to go up a gear or three during the conversation and I’m really excited about it.
Next stop Angel – another creative development meeting for a series about the future, which again made significant headway through a lively and illuminating conversation with the presenter and two producers.
Back to East Finchley for some tough wrangling on a Music education project, really difficult to pull off but really satisfying in its objectives.
Then to round off the week the main person I’m hoping to interview for the Business chapter of my book came back with a positive response.
Popped back to Islington in the evening for some R&R in the form of Nick Lowe at the Union Chapel, which culminated in a rousing rendition of (What’s So Funny About) Peace, Love and Understanding?
“What song or piece of music means the most to you and why?”
Enigmatic memories of love from Canadian journalist Katie
The Song: The Flower Duet from Lakmé
The Composer: Delibes
Being an opera ignoramus, I consulted Prof. Wiki who told me: The opera includes the popular Flower Duet (Sous le dôme épais) for sopranos performed in Act 1 by Lakmé, the daughter of a Brahmin priest, and her servant Mallika.
What a resonant phrase: “Someone I was in love with once.” I was torn as to whether to try delving deeper or leave it enigmatic and retain its poetry. Decided on the latter. That’s probably why I don’t work for the Daily Mail (and why it doesn’t work for me – world without poetry).
Here’s what it sounds like:
Sadly I know it only from some advert – was it for a bank? or a train?
Songlines is a project I’ve been doing for some years (in fact, decades!), recording the answer to the question
“What song or piece of music means the most to you and why?”
from all kinds of people. I am now expanding it to video as well as audio – way back when it started on one of these:
No. 7 is a very moving contribution from Morgan.
The Song: Soul to Squeeze
The Artist: Red Hot Chili Peppers
The Song Performed:
And here are the previous Songlines on Simple Pleasures part 4 (these are just a small selection of the Songlines to date)
I’m at my book group. A few more people there than usual. There’s stuff going on around gay issues with some gay people (I think one may be Boyd). We’ve got an hour slot and I’m starting to get concerned we’re wasting too much time. Una is with me. When 45 minutes have elapsed I get up and have a row with Jon, storming out in a huff.
I’m at a party. Jon is leaning against a wall and I approach him from behind along the hallway. I say I must tell you about this dream I had that you were in and I start to tell him…
I’ve made a music documentary about Radio 5. A senior producer tells me I can get it on air but it has to be today or never. The producer I’m working with has the extra material and music needed to finish off the documentary to make it suitable for airing today. Somehow this material and this colleague are impossible to pin down and I pursue them in vain. This brings me to a situation where I am in a bed. Near a river. I’ve taken my shoes off on the river side. They become lost or washed away. The water comes up half under the bed. A huge pike swims under me.
I’m at my book group. [I finished a novel last night and was wondering whether to read a play next or my book group book which I'm not in the mood for.] A few more people there than usual. There’s stuff going on around gay issues with some gay people (I think one may be Boyd). [I was in bed early with the radio on and the legalisation of gay marriage was the lead story in the news.] We’ve got an hour slot and I’m starting to get concerned we’re wasting too much time. Una is with me. When 45 minutes have elapsed I get up and have a row with Jon, storming out in a huff.
I’m at a party. Jon is leaning against a wall and I approach him from behind along the hallway. I say I must tell you about this dream I had that you were in and I start to tell him… [dream within a dream - pretty far out. See Dali below]
I’ve made a music documentary about Radio 5. [Radio 5 was on as I half-slept.] A senior producer tells me I can get it on air but it has to be today or never. [Today is the 20th anniversary of Radio 5.] The producer I’m working with has the extra material and music needed to finish off the documentary to make it suitable for airing today. Somehow this material and this colleague are impossible to pin down and I pursue them in vain. This brings me to a situation where I am in a bed. Near a river. I’ve taken my shoes off on the river side. They become lost or washed away. The water comes up half under the bed. A huge pike swims under me. [This is the interesting bit for me that prompted me to write this post – I came across the word Pike three times yesterday – (1) Yesterday I was finishing off ‘New Boy’ by William Sutcliffe, a novel set in my old school, which would actually explain why Jon was in my dream. At one point the two friends at the centre of the book walk out of school to a place called Pike’s Water. I would have gone there with Jon at lunch breaks very occasionally. (2) Yesterday evening I was writing my book, the chapter about Joan Littlewood. In it I was mainly writing about Brendan Behan. Behan’s play The Quare Fellow [quare - queer - perhaps another link to gay issues though I think that mainly came from the radio news item] was originally put on in Pike’s Theatre, Dublin. (3) Actaully I think this one was after the event and therefore not source but Serendipity. The blog post just before this which I wrote Around Midnight last night was Liked shortly after midnight by Timothy Pike, Freelance (Editor? – the text of his name is harshly curtailed by WordPress ironica…) – I didn’t see the Like alert email til this morning, though within an hour or two of the dream. So none of my three pikes were fish as such, though (1) contained fish perhaps.] Fish, staple diet of the Surrealist.
P.S. I once saw this painting, about the moments before waking and the way one dream fragment arises from another, in the same way this memory is arising from my recounting of these dreams, in an exhibition in London – at the Tate or Royal Academy, I can’t quite picture it. A teacher was standing in front of the painting talking about it to his pupils. With a Bic biro in his hand. I saw him point something out with the biro and touch the canvas. No way! I went to check after the group moved on. No shit, that scrufosa just put a blue mark on a Masterpiece! How delicate is even great art…